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Musical course - Solfege
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Improve Your Aural! Grade 3 (HARRIS PAUL)
Musical course - Solfege
[Sheet music + Audio access]
Faber Music Limited
Par HARRIS PAUL. The very thought of aural, especially in examinations, strikes ...
(+)
Par HARRIS PAUL. The very thought of aural, especially in examinations, strikes fear into the heart of many young pianists and instrumentalists. But aural should not be an occasional optional extra, it?s something to be developing all the time, because having a good ear will help you to improve as a musician more than any other single musical skill. Improve your Aural! Is designed to take the fear out of aural. Through fun listening activities, boxes to fill in and practice exercises, this workbook focuses on all the elements of the aural test. And because all aspects of musical training are of course connected, a range of interconnected activities are included to help develop the ear including singing, clapping, playing your instrument, writing music down, improvising and composing. This new edition of this popular series supports new ABRSM syllabus requirements from 2010, ensuring success in the aural test of graded exams. All the answers for Improve Your Aural! Grade 3 are provided on the last page of the physical book. / Methods
10.40 EUR - Sold by LMI-partitions
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Improve Your Aural! Grade 1 - New! (HARRIS PAUL / LENEHAN J)
Musical course - Solfege
[Sheet music + CD]
Faber Music Limited
Par HARRIS PAUL / LENEHAN J.. The very thought of aural, especially in examinati...
(+)
Par HARRIS PAUL / LENEHAN J.. The very thought of aural, especially in examinations, strikes fear into the heart of many young pianists and instrumentalists. But aural should not be an occasional optional extra, it's something to be developing all the time, because having a good ear will help you to improve as a musician more than any other single musical skill. Improve your Aural! Is designed to take the fear out of aural. Through fun listening activities, boxes to fill in and practice exercises, this workbook with CD focuses on all the elements of the aural test. And because all aspects of musical training are of course connected, a range of interconnected activities are included to help develop the ear including singing, clapping, playing your instrument, writing music down, improvising and composing. This new edition of this popular series supports new ABRSM syllabus requirements from 2010, ensuring success in the aural test of graded exams./ Autre FM / Test d'Ecoute
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Improve Your Aural! - Grade 5 - New Edition (HARRIS PAUL / LENEHAN JOHN)
Musical course - Solfege
[Sheet music + CD]
-
Intermediate
Faber Music Limited
Par HARRIS PAUL / LENEHAN JOHN. The very thought of aural, especially in examina...
(+)
Par HARRIS PAUL / LENEHAN JOHN. The very thought of aural, especially in examinations, strikes fear into the heart of many young pianists and instrumentalists. But aural should not be an occasional optional extra, it's something to be developing all the time, because having a good ear will help you to improve as a musician more than any other single musical skill. Improve your Aural! Is designed to take the fear out of aural. Through fun listening activities, boxes to fill in and practice exercises, this workbook with CD focuses on all the elements of the aural test. And because all aspects of musical training are of course connected, a range of interconnected activities are included to help develop the ear including singing, clapping, playing your instrument, writing music down, improvising and composing. This new edition of this popular series supports new ABRSM syllabus requirements from 2010, ensuring success in the aural test of graded exams. / Niveau : 3 / Répertoire / Tout Instrument
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Improve Your Aural! Grade 7 - 8 New! (HARRIS PAUL)
Musical course - Solfege
[Sheet music + CD]
-
Intermediate/advanced
Faber Music Limited
Par HARRIS PAUL. Does the very thought of the dreaded aural test fill you with f...
(+)
Par HARRIS PAUL. Does the very thought of the dreaded aural test fill you with fear? Does nothing seem as bad as being put on the spot, having to recognise discordant intervals, and singing back melodies that are simply too long to remember? Having a good ear is vital to becoming a successful musician, and Improve Your Aural! is here to help develop your musicianship in easy graded stages. Through fun listening activities, boxes to fill in and practice exercises, this workbook and CD focus directly on all those key skills you need. You'll be singing, clapping, playing your instrument, writing down music, improvising and composing - as well as securing that vital pass in the aural section of your grade exams. / Niveau : Intermédiaire à Avancé / Autre FM / Test d'Ecoute
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Improve Your Aural! Grade 2 - New! (HARRIS PAUL / LENEHAN J)
Musical course - Solfege
[Sheet music + CD]
Faber Music Limited
Par HARRIS PAUL / LENEHAN J.. Improve your Aural! Is designed to take the fear o...
(+)
Par HARRIS PAUL / LENEHAN J.. Improve your Aural! Is designed to take the fear out of aural. Through fun listening activities, boxes to fill in and practice exercises, this workbook with CD focuses on all the elements of the aural test. And because all aspects of musical training are of course connected, a range of interconnected activities are included to help develop the ear including singing, clapping, playing your instrument, writing music down, improvising and composing. This new edition of this popular series supports new ABRSM syllabus requirements from 2010, ensuring success in the aural test of graded exams./ Autre FM / Test d'Ecoute
10.40 EUR - Sold by LMI-partitions
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Improve Your Aural! Grade 6 New! (HARRIS PAUL)
Musical course - Solfege
[Sheet music + CD]
Faber Music Limited
Par HARRIS PAUL. Improve your Aural! Is designed to take the fear out of aural. ...
(+)
Par HARRIS PAUL. Improve your Aural! Is designed to take the fear out of aural. Through fun listening activities, boxes to fill in and practice exercises, this workbook with CD focuses on all the elements of the aural test. And because all aspects of musical training are of course connected, a range of interconnected activities are included to help develop the ear including singing, clapping, playing your instrument, writing music down, improvising and composing. This new edition of this popular series supports new ABRSM syllabus requirements from 2010, ensuring success in the aural test of graded exams./ Autre FM / Test d'Ecoute
12.00 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
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Improve Your Theory! Grade 5 (HARRIS PAUL)
Musical course - Solfege
[Sheet music]
Faber Music Limited
Par HARRIS PAUL. Improve your theory! Grades 1-5 are the latest additions to the...
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Par HARRIS PAUL. Improve your theory! Grades 1-5 are the latest additions to the bestselling 'Improve your …' series by Paul Harris. This theory workbook takes students through every aspect of music theory covered in the grade 3 ABRSM examination. Firmly rooted in Paul Harris's Simultaneous Learning approach, it will transform how music theory is taught and learnt, improving every aspect of musicianship along the way. Never before has theory been so fun or seemed so natural! Handy fact files that cover different areas of music theory Practice questions to help students prepare for examinations Fun games and quizzes to engage students and offer new and interesting ways to tackle difficult concepts Questions that connect theory directly with pupils' own pieces - allowing them to discover the links between music in theory and music in practice Opportunities for composing, improvising, aural and listening activities, all carefully devised to consolidate musical understanding. / Solfège/Formation Musicale / Formation Musicale
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Improve Your Practice! Instrumental Gd 1 (HARRIS PAUL)
Musical course - Solfege
[Sheet music]
-
Easy
Faber Music Limited
Par HARRIS PAUL. This new series from Paul Harris builds on his previous series'...
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Par HARRIS PAUL. This new series from Paul Harris builds on his previous series' Improve your Scales and Improve your Sightreading . Improve your Practice Grade 1 begins by encouraging students to plan their practice sessions, starting with warm-ups and then giving tips on how to 'explore a piece'. This book will help children to think about different aspects of their music as they play giving them a better musical understanding of their pieces and also encourages independent thought and exploration. / Niveau : Facile / Répertoire / Tout Instrument
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A Teacher's Guide To Jazz For Young People Vol.1
Musical course - Solfege
Hal Leonard
Jazz for Young People vous permet de vous familiariser avec le langage du jazz g...
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Jazz for Young People vous permet de vous familiariser avec le langage du jazz grâce à des explications de qualité combinées à un apprentissage par la pratique ! Présenté en deux volumes, il comprend des leçons évolutives qui combinent contenu et enregistrements audio/video de Wynton Marsalis et du Jazz at Lincoln Center Orchestra avec l'apprentissage interactif des élèves, comprenant des instruments que tout professeur de musique possède ou peut facilement se procurer. Idéal pour une classe de musique générale, pour une classe de jazz débutante, ou un ensemble de jazz débutant. / Divers
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Jazz Improvisation : A Complete Course - 5 Cd's
Musical course - Solfege
Music Minus One
This absolutely unique and amazing self-learning course will give you all you ne...
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This absolutely unique and amazing self-learning course will give you all you need to master the art of Jazz Improvisation. Five compact discs filled with instruction and musical exercises, with a printed workbook for your musical dictation answers, as well as a complete reference and answers book. Serves as a companion to MMO's Rutgers Music Dictation Course (MMOCD 7001), is a perfect prerequisite to this course. Requires a basic knowledge of scales and music notation.Includes five compact discs featuring verbal instruction, examples and dictation exercises, a pre-printed workbook and a separate reference and answers book. / Voix
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Hal Leonard Perfect Pitch Method
Musical course - Solfege
[Sheet music + Audio access]
Hal Leonard
Perfect pitch - also called absolute pitch - has been a source of endless fascin...
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Perfect pitch - also called absolute pitch - has been a source of endless fascination for hundreds of years. The ability to recognize musical tones with no reference is often viewed as a kind of magical power, a gift that only a select few musicians are born with, a skill that cannot be learned. But perfect pitch is largely a misunderstood phenomenon. The Hal Leonard Perfect Pitch Method is designed to help you develop a sense of perfect pitch. In the process, your overall musicianship will benefit and you´ll start listening to music on a deeper level and getting more satisfaction from it. At the heart of this book is a series of 49 ear-training sessions, one per day for seven weeks, using the included CDs or the online audio. Many of the lessons include three separate drills. You can do just one and save the others for later, or all three at the same time. Take your time, advancing to the next session only when you´re satisfied with your results on the previous session. Pretty soon, you´ll notice a marked improvement in your pitch acuity!Online audio is accessed at halleonard.com/mylibrary / Formation Musicale
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Playing Outside the Chord (KANE DAVID)
Musical course - Solfege
[Sheet music]
Aebersold Jamey
A Manual of Techniques and Possibilities for the Adventurous Improvising Musicia...
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A Manual of Techniques and Possibilities for the Adventurous Improvising Musician. Par KANE DAVID. Sure - everybody has an opinion on how to play ?outside?. But until now, no one has made an in-depth exploration of the commonalities and differences in how the greatest jazz players on the planet have incorporated their inspiring, harmony defying techniques. With Playing Outside the Chord, David Kane invokes a thoughtfully curated selection of transcribed phrases that take the reader beyond the simple mechanics of what is being played and offer revelatory insights into what the players are (or might be) thinking when they play it. It?s a daunting, seemingly impossible objective; yet here it is, beautifully examined, notated, and explained in an accessible way that every musician can understand. 'This book is a treasure trove, full of important information on chromaticism and its usage. From Bach to Schoenberg, Dave covers a lot of ground and the book is very well organized. He specifically addresses the melodic aspect of improvisation, including lines and phrases, rather than the usual emphasis on harmony. What's special is that he explores the ?feeling? and overall effect of the lines on the listener. This book is all you need as a working guide towards understanding the implications of 20th century jazz and classical music.? -David Liebman LEVEL-UP!!! If you?re feeling uninspired, stuck, or limited by your current play, this is the perfect book to help you break those chains, stimulate your creativity, and take your playing and composing in compelling new directions. Enthusiastically endorsed by modern jazz luminaries such as David Liebman and Richie Beirach, Playing Outside the Chord is devoted to melodic phrasing that transcends conventional chord/scale relationships. This exciting technique incorporating the theory and practice of horizontal playing and extended tonality pioneered by jazz titans such as Michael Brecker, Cory Henry, John Scofield, Brad Meldhau, and Jacob Collier is a vital component of the modern jazz performance and improvisation toolbox. Featuring over 200 musical examples gleaned from classic solos, plus 15 extensive transcriptions of legendary performances, this book is skillfully designed to clue you in on the theoretical basis of ?outside? play as practiced by these trail-blazing musicians. It systematically describes each type of technique used, including timing and source considerations, and by doing so unlocks a wealth of modern ideas that offer rich possibilities for the creative improviser. Kane?s insightful treatise on outside playing represents an important expansion of the ideas available to the dedicated student of improvisation. / Date parution : 2022-04-01/ Etude / Tout Instrument
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Jazz Course for All Instruments (GABRIC LUKAS)
Musical course - Solfege
[Sheet music]
Mel Bay
5 Simple Strategies for Developing Jazz Language and Fluency. Par GABRIC LUKAS. ...
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5 Simple Strategies for Developing Jazz Language and Fluency. Par GABRIC LUKAS. According to musician and musicologist Gunther Schuller, 75% of all harmonic movement in jazz consists of ii-V-I progressions. Consequently, for the jazz improvisor, it is extremely important to be capable of playing a coherent phrase based on any member note of the ii chord and its extensions, in any key. In this book, music educator and world-renowned jazz saxophonist, Lukas Gabric focuses on helping you develop this essential skill.The five strategies outlined in Jazz Course for All Instruments are specifically designed to enhance your vocabulary and fluency as a jazz improviser. In a key segment, Gabric explains how longer phrases can be generated by combining minimal source materials. He also seeks to further your transposition and memorization skills as well as instrumental technique?all of which are required for effective improvisation. For those familiar with other styles of music, this reasoned, incremental approach could well open the door to the exciting world of improvised jazz. / Date parution : 2022-02-03/ Théorie / Tout Instrument
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Edexcel : A2 Revision Guide - 3Rd Edition
Musical course - Solfege
Rhinegold Publishing Ltd.
The Edexcel: A2 Revision Guide - 3rd Edition is designed to prepare you fully fo...
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The Edexcel: A2 Revision Guide - 3rd Edition is designed to prepare you fully for Section B of your final A2 Music exam. Written in a clear and concise manner by an experienced examiner and teacher, it includes:An introduction to the exam that explains what you'll be expected to know.A succinct revision section that presents all the key facts for each set work, broken down into individual segments on the elements of music.Sample essay questions, mark schemes and answers.Helpful hints on how to improve your own written answers in the exam.A comprehensive glossary.This guide will help you to understand how the exam works, how questions are worded and what your examiners are looking for. It will give you the edge you need to achieve a better grade.This revision guide is suitable for exams from 2015-2017. / Formation Musicale
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Bergonzi J. - Inside Improvisation Vol. 6 - Developing A Jazz Language + Cd
Musical course - Solfege
Advance Music
Inside Improvisation : vol. 6 Learning a language requires listening on many lev...
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Inside Improvisation : vol. 6 Learning a language requires listening on many levels to the meanings, the sounds, the intentions, and the inflections or nuances of the language. The first chapters of this volume on learning the language of jazz focus on the prerequisites of chord scales, approach notes to chord tones and target notes, scale motives and sequences, and lines. Part two qualifies improvisational techniques into three areas; melodic, harmonic and sonic (rhythmic devices are the focus of Vol. IV, Melodic Rhythms) and it is designed as a menu of soloing devices from which you can select your personal course of study. Over 100 specific devices are discussed and conceptualized so as to give the improviser more depth of expression and a greater well from which to draw ideas. Among the numerous topics presented are: guide tones, voice leading, chord substitutions, three tonic system for composition, tritonics, hexatonics, tonal expansions, whole tone playing, augmented symmetric scales, double diminished scales, limited range and large range playing, shapes, blues melodies, accents, comping as a soloing device, common tones, articulations, laying back on the... The CD contains twelve standard chord progressions, each played in two different tempos. Renato Chicco - piano Dave Santoro - bass Adam Nussbaum - drums
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Prends Ton Tempo (CARRE SOPHIE)
Musical course - Solfege
[Sheet music]
Transatlantiques
Par CARRE SOPHIE. In Prends Ton Tempo , Sophie Carre has included all of the con...
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Par CARRE SOPHIE. In Prends Ton Tempo , Sophie Carre has included all of the concepts that need to be acquired during the first years of music studies. Concepts such as reading intervals, sol and fa keys and reading different rhythms. These theoretical concepts are helpfully contextualised by a number of original songs and rhymes as well as by short musical segments. All of the essential concepts of learning to play music are featured in Prends Ton Tempo , such as the different notes, intervals and even basic arpeggios. Sophie Carre 's skill in writing such an effective beginner's book means she intersperses the lessons with real music, enabling you to develop your musicality as well as your theoretical knowledge./ Solfège/Formation Musicale / Formation Musicale
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How To Read Music
Musical course - Solfege
Hal Leonard
Music notation is a language that has been developing for thousands of years- ev...
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Music notation is a language that has been developing for thousands of years- even the manner in which we read music today has been around for several centuries. In learning to read music, we encounter basic symbols for pitch, duration, and timing. As we advance, we learn about dynamics, expression, timbre, and even special effects. How to Read Music will introduce you to the basics, then provide more advanced information. As a final reward for all your hard work, you´ll get a chance to play excerpts from three classic piano pieces. Topics include: pitch - rhythm - meter - special words and symbols - plus classical piano pieces by Bach, Mozart, and Beethoven. / Formation Musicale
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Real Ear Training (PERRIN ROLAND)
Musical course - Solfege
[Sheet music + Audio access]
Faber Music Limited
Par PERRIN ROLAND. Imagine turning on the radio, hearing a good song and being a...
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Par PERRIN ROLAND. Imagine turning on the radio, hearing a good song and being able to write the whole thing down ? tune, chords, bassline and drums. That is what you will learn with this course. Real Ear Training is the ultimate book for learning to hear, write down and understand melodies, chords, basslines, rhythms and drum kit grooves. No instrument is required and only basic music notation knowledge is needed. With step-by-step instructions, packed with exercises and accompanied by online audio, this unmissable book is suitable for all levels. Real Ear Training is ideal for rock
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Teaching Key Stage 1 Music (BRYANT ANN)
Musical course - Solfege
[Sheet music + CD]
Faber Music Limited
Par BRYANT ANN. This book is ideal for primary teachers with little or no experi...
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Par BRYANT ANN. This book is ideal for primary teachers with little or no experience of teaching music. It will also offer fresh ideas and inspiration to the most experienced music specialists. Teaching Key Stage 1 contains an entire scheme of work for pupils in Year 1 and Year 2, with a CD of performance and accompaniment tracks and photocopiable resources. The scheme has been devised by Ann Bryant to offer guidance for those with no formal musical training and build the confidence of all primary level teachers. The lesson plans are completely flexible and can accommodate mixed age and mixed ability groups, making them perfect for schools with more than one intake. Any teacher will benefit from Ann?s broad experience and imaginative ideas and children will have fun singing the fun, original songs that have been incorporated into this structured and accessible set of lesson plans. Following Ann Bryant?s training at the Royal College of music and her postgraduate course in Dalcroze Eurythmics, she has taught music movement and Drama to young people both here in the U.K and in Europe. For the last fifteen years Ann has specialised in Foundation and Key Stage 1, developing a unique and dynamic style of teaching. Author of the award-winning Teaching Key Stage 1 Music (best New Music Product - Music Industry Associations Awards 2002), she has also established a highly successful career as a children?s author. / Methods
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Teaching Foundation Music (BRYANT ANN)
Musical course - Solfege
[Sheet music + CD]
Faber Music Limited
Par BRYANT ANN. This book is ideal for primary teachers with little or no experi...
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Par BRYANT ANN. This book is ideal for primary teachers with little or no experience of teaching music. It will also offer fresh ideas and inspiration to the most experienced music specialists. 'Teaching Foundation Music' is the first of Ann Bryant's music work schemes for primary teachers. The book includes lots of songs and rhymes with flexible lesson plans built around them as well as a CD of performance and accompaniment tracks to accommodate teachers with limited keyboard skills. This scheme offers guidance for those with no formal musical training and will build the confidence of all primary level teachers. The lesson plans are completely flexible and can accommodate mixed age and mixed ability groups, making them perfect for schools with more than one intake. Any teacher will benefit from Ann's broad experience and imaginative ideas and Children will love getting involved and singing the wide range of original songs and rhymes that have been incorporated into this structured and accessible set of lesson plans. Following Ann Bryant's training at the Royal College of music and her postgraduate course in Dalcroze Eurythmics, she has taught music movement and Drama to young people both here in the U.K and in Europe. For the last fifteen years Ann has specialised in Foundation and Key Stage 1, developing a unique and dynamic style of teaching. Author of the award-winning 'Teaching Key Stage 1 Music' (best New Music Product - Music Industry Associations Awards 2002), she has also established a highly successful career as a children's author./ Méthode / Formation Musicale
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Voir Et Entendre No5 Mozart Symphonie No40 - K550
Musical course - Solfege
Beauchesne
Lorsque Jean-Marc Déhan et Jacques Grindel, dans les années 80, réalisèrent ...
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Lorsque Jean-Marc Déhan et Jacques Grindel, dans les années 80, réalisèrent la collection ' voir et entendre ', celle-ci s'adressait autant aux collèges et lycées qu'aux conservatoires et écoles de musique. Il nous a semblé que cet outil remarquable pouvait, avec quelques ajouts, redevenir un outil pédagogique de tout premier plan.Le parti-pris a été cependant de réimprimer à l'identique les fascicules, mais en les enrichissant d'un court dossier pédagogique, donnant, pour chaque titre, des pistes d'utilisation complémentaires de celles déjà mises en lumière dans les partitions elles-mêmes.Il est possible d'utiliser ces partitions :- pour la lecture de notes -- pour la lecture de rythmes -- pour la dictée musicale -- pour le chant, en faisant chanter et mémoriser les principaux thèmes -- pour la formation de la pensée musicale : les thèmes mémorisés pourront être transposés à l'oreille et donner lieu le cas échéant à des autodictées -- pour l'analyse musicale et l'harmonie, grâce aux analyses fines de J.-M. Déhan et J. Grindel reportées sur la partition -- pour l'histoire de la musique grâce aux textes de présentation -- et, bien sûr, pour l'écoute raisonnée des oeuvres en suivant tout simplement la partition, quitte à faire porter l'audition sur des éléments précédemment indiqués par le professeur.Chaque professeur pourra adapter ces exercices au niveau de ses élèves.Mais ces partitions sont également destinées aux amateurs éclairés pour qui la lecture des clés d'ut dans les partitions d'orchestre habituelles, ainsi que le casse-tête des instruments transpositeurs sont souvent des obstacles rédhibitoires.Souhaitons seulement que cette réédition permette une meilleur connaissance par tous, jeunes et moins jeunes, futurs professionnels ou amateurs éclairés, de quelques oeuvres fondamentales du répertoire.N.B. Après bien des hésitations, nous avons décidé d'indiquer des liens vers des interprétations des oeuvres elles-mêmes et des écoutes complémentaires que nous avons suggérées. Ces choix ont été fonction des interprétations facilement accessibles par Youtube mais ne prétendent pas constituer des modèles. C'est seulement une facilité que nous avons voulu donner à ceux qui n'ont pas à leur disposition une abondante discothèque. À chacun de retrouver ensuite l'interprétation qu'il préfère? / Formation Musicale
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Voir Et Entendre No 13 Borodine Dans Les Steppes De L'Asie Centrale
Musical course - Solfege
Beauchesne
Lorsque Jean-Marc Déhan et Jacques Grindel, dans les années 80, réalisèrent ...
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Lorsque Jean-Marc Déhan et Jacques Grindel, dans les années 80, réalisèrent la collection ' voir et entendre ', celle-ci s'adressait autant aux collèges et lycées qu'aux conservatoires et écoles de musique. Il nous a semblé que cet outil remarquable pouvait, avec quelques ajouts, redevenir un outil pédagogique de tout premier plan.Le parti-pris a été cependant de réimprimer à l'identique les fascicules, mais en les enrichissant d'un court dossier pédagogique, donnant, pour chaque titre, des pistes d'utilisation complémentaires de celles déjà mises en lumière dans les partitions elles-mêmes.Il est possible d'utiliser ces partitions :- pour la lecture de notes -- pour la lecture de rythmes -- pour la dictée musicale -- pour le chant, en faisant chanter et mémoriser les principaux thèmes -- pour la formation de la pensée musicale : les thèmes mémorisés pourront être transposés à l'oreille et donner lieu le cas échéant à des autodictées -- pour l'analyse musicale et l'harmonie, grâce aux analyses fines de J.-M. Déhan et J. Grindel reportées sur la partition -- pour l'histoire de la musique grâce aux textes de présentation -- et, bien sûr, pour l'écoute raisonnée des oeuvres en suivant tout simplement la partition, quitte à faire porter l'audition sur des éléments précédemment indiqués par le professeur.Chaque professeur pourra adapter ces exercices au niveau de ses élèves.Mais ces partitions sont également destinées aux amateurs éclairés pour qui la lecture des clés d'ut dans les partitions d'orchestre habituelles, ainsi que le casse-tête des instruments transpositeurs sont souvent des obstacles rédhibitoires.Souhaitons seulement que cette réédition permette une meilleur connaissance par tous, jeunes et moins jeunes, futurs professionnels ou amateurs éclairés, de quelques oeuvres fondamentales du répertoire.N.B. Après bien des hésitations, nous avons décidé d'indiquer des liens vers des interprétations des oeuvres elles-mêmes et des écoutes complémentaires que nous avons suggérées. Ces choix ont été fonction des interprétations facilement accessibles par Youtube mais ne prétendent pas constituer des modèles. C'est seulement une facilité que nous avons voulu donner à ceux qui n'ont pas à leur disposition une abondante discothèque. À chacun de retrouver ensuite l'interprétation qu'il préfère? / Formation Musicale
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Voir Et Entendre No17 Berlioz Symphonie Fantastique 5ème Mouvement
Musical course - Solfege
Beauchesne
Lorsque Jean-Marc Déhan et Jacques Grindel, dans les années 80, réalisèrent ...
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Lorsque Jean-Marc Déhan et Jacques Grindel, dans les années 80, réalisèrent la collection ' voir et entendre ', celle-ci s'adressait autant aux collèges et lycées qu'aux conservatoires et écoles de musique. Il nous a semblé que cet outil remarquable pouvait, avec quelques ajouts, redevenir un outil pédagogique de tout premier plan.Le parti-pris a été cependant de réimprimer à l'identique les fascicules, mais en les enrichissant d'un court dossier pédagogique, donnant, pour chaque titre, des pistes d'utilisation complémentaires de celles déjà mises en lumière dans les partitions elles-mêmes.Il est possible d'utiliser ces partitions :- pour la lecture de notes -- pour la lecture de rythmes -- pour la dictée musicale -- pour le chant, en faisant chanter et mémoriser les principaux thèmes -- pour la formation de la pensée musicale : les thèmes mémorisés pourront être transposés à l'oreille et donner lieu le cas échéant à des autodictées -- pour l'analyse musicale et l'harmonie, grâce aux analyses fines de J.-M. Déhan et J. Grindel reportées sur la partition -- pour l'histoire de la musique grâce aux textes de présentation -- et, bien sûr, pour l'écoute raisonnée des oeuvres en suivant tout simplement la partition, quitte à faire porter l'audition sur des éléments précédemment indiqués par le professeur.Chaque professeur pourra adapter ces exercices au niveau de ses élèves.Mais ces partitions sont également destinées aux amateurs éclairés pour qui la lecture des clés d'ut dans les partitions d'orchestre habituelles, ainsi que le casse-tête des instruments transpositeurs sont souvent des obstacles rédhibitoires.Souhaitons seulement que cette réédition permette une meilleur connaissance par tous, jeunes et moins jeunes, futurs professionnels ou amateurs éclairés, de quelques oeuvres fondamentales du répertoire.N.B. Après bien des hésitations, nous avons décidé d'indiquer des liens vers des interprétations des oeuvres elles-mêmes et des écoutes complémentaires que nous avons suggérées. Ces choix ont été fonction des interprétations facilement accessibles par Youtube mais ne prétendent pas constituer des modèles. C'est seulement une facilité que nous avons voulu donner à ceux qui n'ont pas à leur disposition une abondante discothèque. À chacun de retrouver ensuite l'interprétation qu'il préfère? / Formation Musicale
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Voir Et Entendre No19 Bach Cantate Bwv140
Musical course - Solfege
Beauchesne
Lorsque Jean-Marc Déhan et Jacques Grindel, dans les années 80, réalisèrent ...
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Lorsque Jean-Marc Déhan et Jacques Grindel, dans les années 80, réalisèrent la collection ' voir et entendre ', celle-ci s'adressait autant aux collèges et lycées qu'aux conservatoires et écoles de musique. Il nous a semblé que cet outil remarquable pouvait, avec quelques ajouts, redevenir un outil pédagogique de tout premier plan.Le parti-pris a été cependant de réimprimer à l'identique les fascicules, mais en les enrichissant d'un court dossier pédagogique, donnant, pour chaque titre, des pistes d'utilisation complémentaires de celles déjà mises en lumière dans les partitions elles-mêmes.Il est possible d'utiliser ces partitions :- pour la lecture de notes -- pour la lecture de rythmes -- pour la dictée musicale -- pour le chant, en faisant chanter et mémoriser les principaux thèmes -- pour la formation de la pensée musicale : les thèmes mémorisés pourront être transposés à l'oreille et donner lieu le cas échéant à des autodictées -- pour l'analyse musicale et l'harmonie, grâce aux analyses fines de J.-M. Déhan et J. Grindel reportées sur la partition -- pour l'histoire de la musique grâce aux textes de présentation -- et, bien sûr, pour l'écoute raisonnée des oeuvres en suivant tout simplement la partition, quitte à faire porter l'audition sur des éléments précédemment indiqués par le professeur.Chaque professeur pourra adapter ces exercices au niveau de ses élèves.Mais ces partitions sont également destinées aux amateurs éclairés pour qui la lecture des clés d'ut dans les partitions d'orchestre habituelles, ainsi que le casse-tête des instruments transpositeurs sont souvent des obstacles rédhibitoires.Souhaitons seulement que cette réédition permette une meilleur connaissance par tous, jeunes et moins jeunes, futurs professionnels ou amateurs éclairés, de quelques oeuvres fondamentales du répertoire.N.B. Après bien des hésitations, nous avons décidé d'indiquer des liens vers des interprétations des oeuvres elles-mêmes et des écoutes complémentaires que nous avons suggérées. Ces choix ont été fonction des interprétations facilement accessibles par Youtube mais ne prétendent pas constituer des modèles. C'est seulement une facilité que nous avons voulu donner à ceux qui n'ont pas à leur disposition une abondante discothèque. À chacun de retrouver ensuite l'interprétation qu'il préfère? / Formation Musicale
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La Magie de La Musique Vol.5 (LAMARQUE ELISABETH / LAMARQUE EMMANUELLE)
Français
Musical course - Solfege
[Sheet music + Audio access]
Lemoine, Henry
Par LAMARQUE ELISABETH / LAMARQUE EMMANUELLE. La Magie de la Musique volume 5 s\...
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Par LAMARQUE ELISABETH / LAMARQUE EMMANUELLE. La Magie de la Musique volume 5 s\'adresse au 2e cycle 1re ou 2e année. Il s\'articule en 3 thèmes principaux pouvant correspondre aux 3 trimestres : - Les animaux en musique - La musique fait son cinéma - Les saisons en musique Chaque thème comporte 3 chapitres et un entracte. Des pages bleues (lecture de clés), jaunes (lectures et dictées rythmiques), roses (chants, thèmes, histoire de la musique) et vertes (théorie) complètent ces chapitres en respectant la chronologie des thèmes. La volonté est de faire progresser nos élèves musiciens à travers un choix d\'oeuvres éclectiques. Un livre du professeur et des liens YouTube et/ou Mp3 sont à votre disposition pour chaque oeuvre ainsi que pour les accompagnements des chants, la relation avec l\'écoute nous paraissant indispensable. Les cours sont possibles avec l\'instrument et des transcriptions pour les instruments transpositeurs sont disponibles sur le site (professeur). La Magie de la musique : un apprentissage aux sonorités de plaisir pour les musiciens curieux à la recherche d\'autonomie. / Niveau : 2e cycle / Date parution : 2023-01-07/ Solfège/Formation Musicale / Formation Musicale
33.80 EUR - Sold by LMI-partitions
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