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Musical course - Solfege
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Rock And Pop Theory : The Essential Guide (WINTERSON JULIA / HARRIS PAUL)
Musical course - Solfege
[Sheet music]
Faber Music Limited
Par WINTERSON JULIA / HARRIS PAUL. Rock and Pop Theory: the essential guide offe...
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Par WINTERSON JULIA / HARRIS PAUL. Rock and Pop Theory: the essential guide offers musicians of all ages and levels a practical and relevant guide to music theory today. With a special focus on popular music, this indispensable guide: - introduces key musical concepts such as pitch, tempo, rhythm, harmony, scales, instruments, musical forms and structure - outlines the conventions governing music notation, applying these specifically to rock and pop music - provides interesting facts and real music examples to contextualise music theory - offers practical tips on how to identify intervals, make up melodies and rhythms, set words to music and much more - includes an introduction and 'theory in practice' notes by renowned educationalist Paul Harris - contains quick-reference tools including an appendix, list of further repertoire examples, table of instruments, periods of music history, table of scales and modes and summary keys and time signatures./ Méthode / Formation Musicale
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Real Ear Training (PERRIN ROLAND)
Musical course - Solfege
[Sheet music + Audio access]
Faber Music Limited
Par PERRIN ROLAND. Imagine turning on the radio, hearing a good song and being a...
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Par PERRIN ROLAND. Imagine turning on the radio, hearing a good song and being able to write the whole thing down ? tune, chords, bassline and drums. That is what you will learn with this course. Real Ear Training is the ultimate book for learning to hear, write down and understand melodies, chords, basslines, rhythms and drum kit grooves. No instrument is required and only basic music notation knowledge is needed. With step-by-step instructions, packed with exercises and accompanied by online audio, this unmissable book is suitable for all levels. Real Ear Training is ideal for rock
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Rockschool : Popular Music Theory Guidebook - Grades 6 - 8
Musical course - Solfege
Rock School Limited (RSL)
The Rockschool Popular Music Theory Guidebook (Grades 6 - 8) is a music theory h...
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The Rockschool Popular Music Theory Guidebook (Grades 6 - 8) is a music theory handbook for students taking Rockschool's new Level 3 (Grades 6 - 8) theory exams. Use it along with the accompanying Popular Music Theory Workbooks (Grades 6 to 8) to ensure success in your exams. Rock and pop music is analysed in depth, making this essential reading for students of all rock and pop styles. Rockschool's Popular Music Theory series is also ideal for Music Technology, GCSE and Further Education students.FeaturesAdvanced music notationTime signaturesModes and modal key signaturesAdvanced scalesHow transposition worksExtended chords and voice leadingHow to write for instruments in different styles of musicA guide to improvisationHow to read and analyse a musical scoreAND MUCH MORE!Rockschool's Popular Music Theory Syllabus is fully accredited by all four UK regulators and offers UCAS points at Grades 6, 7 and 8. / Formation Musicale
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Rockschool : Popular Music Theory Workbook - Grade 8
Musical course - Solfege
Rock School Limited (RSL)
The Rockschool Popular Music Theory Workbook (Grade 8) is the ideal preparation ...
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The Rockschool Popular Music Theory Workbook (Grade 8) is the ideal preparation for students taking Rockschool's new theory exams. Practise each section of your Rockschool Popular Music Theory exam in isolation, then study a specimen paper from the Grade 8 exam! Use your Grade 8 Workbook along with the accompanying Popular Music Theory Guidebook (Grades 6 - 8) to ensure success in your exams! Rockschool's Popular Music Theory series is also ideal for Music Technology, GCSE and Further Education students.Includes sample questions from each of the following sections of your theory exam:Music notationPopular music harmonyBand knowledgeBand analysisGrade 8 specimen paper included!Rockschool's Popular Music Theory Syllabus is fully accredited by all four UK regulators and offers UCAS points at Grades 6, 7 and 8. / Formation Musicale
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Rockschool : Popular Music Theory Workbook - Debut
Musical course - Solfege
Rock School Limited (RSL)
The Rockschool Popular Music Theory Workbook (Debut) is the ideal preparation fo...
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The Rockschool Popular Music Theory Workbook (Debut) is the ideal preparation for students taking Rockschool's new theory exams. Practise each section of your Rockschool Popular Music Theory exam in isolation, then study a specimen paper from the Debut exam! Use your Debut Workbook along with the accompanying Popular Music Theory Guidebook (Grades Debut - 5) to ensure success in your exams! Rockschool's Popular Music Theory series is also ideal for Music Technology, GCSE and Further Education students.Includes sample questions from each of the following sections of your theory exam:Music notationPopular music harmonyBand knowledgeBand analysisDebut specimen paper included!Rockschool's Popular Music Theory Syllabus is fully accredited by all four UK regulators and offers UCAS points at Grades 6, 7 and 8. / Formation Musicale
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Rockschool : Popular Music Theory Workbook - Grade 5
Musical course - Solfege
Rock School Limited (RSL)
The Rockschool Popular Music Theory Workbook (Grade 5) is the ideal preparation ...
(+)
The Rockschool Popular Music Theory Workbook (Grade 5) is the ideal preparation for students taking Rockschool's new theory exams. Practise each section of your Rockschool Popular Music Theory exam in isolation, then study a specimen paper from the Grade 5 exam! Use your Grade 5 Workbook along with the accompanying Popular Music Theory Guidebook (Grades Debut - 5) to ensure success in your exams! Rockschool's Popular Music Theory series is also ideal for Music Technology, GCSE and Further Education students.Includes sample questions from each of the following sections of your theory exam:Music notationPopular music harmonyBand knowledgeBand analysisGrade 5 specimen paper included!Rockschool's Popular Music Theory Syllabus is fully accredited by all four UK regulators and offers UCAS points at Grades 6, 7 and 8. / Formation Musicale
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Rockschool : Popular Music Theory Workbook - Grade 2
Musical course - Solfege
Rock School Limited (RSL)
The Rockschool Popular Music Theory Workbook (Grade 2) is the ideal preparation ...
(+)
The Rockschool Popular Music Theory Workbook (Grade 2) is the ideal preparation for students taking Rockschool's new theory exams. Practise each section of your Rockschool Popular Music Theory exam in isolation, then study a specimen paper from the Grade 2 exam! Use your Grade 2 Workbook along with the accompanying Popular Music Theory Guidebook (Grades Debut - 5) to ensure success in your exams! Rockschool's Popular Music Theory series is also ideal for Music Technology, GCSE and Further Education students.Includes sample questions from each of the following sections of your theory exam:Music notationPopular music harmonyBand knowledgeBand analysisGrade 2 specimen paper included!Rockschool's Popular Music Theory Syllabus is fully accredited by all four UK regulators and offers UCAS points at Grades 6, 7 and 8. / Formation Musicale
14.09 EUR - Sold by LMI-partitions
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Improve Your Aural! Grade 3 (HARRIS PAUL)
Musical course - Solfege
[Sheet music + Audio access]
Faber Music Limited
Par HARRIS PAUL. The very thought of aural, especially in examinations, strikes ...
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Par HARRIS PAUL. The very thought of aural, especially in examinations, strikes fear into the heart of many young pianists and instrumentalists. But aural should not be an occasional optional extra, it?s something to be developing all the time, because having a good ear will help you to improve as a musician more than any other single musical skill. Improve your Aural! Is designed to take the fear out of aural. Through fun listening activities, boxes to fill in and practice exercises, this workbook focuses on all the elements of the aural test. And because all aspects of musical training are of course connected, a range of interconnected activities are included to help develop the ear including singing, clapping, playing your instrument, writing music down, improvising and composing. This new edition of this popular series supports new ABRSM syllabus requirements from 2010, ensuring success in the aural test of graded exams. All the answers for Improve Your Aural! Grade 3 are provided on the last page of the physical book. / Methods
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Targeting Music (Reception Year) Reception Year
Musical course - Solfege
[Sheet music]
Schott
A Year-By-Year Series For Teachers In Primary Schools. Par TAYLOR DOROTHY. 4-5 a...
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A Year-By-Year Series For Teachers In Primary Schools. Par TAYLOR DOROTHY. 4-5 ans : c'est le premier livre de la série. Avec guidage abondante pour l'enseignant, il fixe une fondation d'expérience musicale à travers des activités intégrées et un répertoire de chansons et de jeux de chants. Il vise tout au long d'encourager un sentiment pour la musique et de cultiver une oreille attentive sensible./ Méthode / Formation Musicale
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Musiktheorie Kurz Gefasst Jazz Rock Pop
Musical course - Solfege
Peters
Musiktheorie kurz gefasst Jazz Rock Pop ist eine Musiklehre,die ganz auf die spe...
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Musiktheorie kurz gefasst Jazz Rock Pop ist eine Musiklehre,die ganz auf die speziellen Anforderungen von Rock- und Popmusikernzugeschnitten ist. Ohne Kenntnisse der Musiknotationvorauszusetzen, führt das Buch Stufe um Stufe in Rhythmus,Tonbezeichnungen, Tonleitern, Akkorde und Form ein und erklärtBegrifflichkeiten und Zeichen auf leicht verständliche und anschaulicheWeise.Mit Musiktheorie kurz gefasst Jazz Rock Pop gelingt es, sich inkürzester Zeit ein geeignetes Jazz-Rock-Pop-Vokabular anzueignen.Eine ideale Ergänzung zum Band Allgemeine Musiklehreund ein Must have für Bands, Schüler, Musiker und Musiklehrer.- Einführung in alle zentralen Bereiche der Jazz-Rock-Pop-Musik- Anschaulich und schnell verständlich auch ohne musikalischeVorkenntnisse- Zahlreiche Noten- und Hörbeispiele- Überblick über die typischen Jazz- und Rock-Stile von Anfangdes 20. Jh. bis heute- Einschließlich Skalen-Tabellen, Gitarren-TAB-Notation,Schlagzeugnotation und Glossar der musikalischen Begriffe / Formation Musicale
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Improve Your Aural! Grade 1 - New! (HARRIS PAUL / LENEHAN J)
Musical course - Solfege
[Sheet music + CD]
Faber Music Limited
Par HARRIS PAUL / LENEHAN J.. The very thought of aural, especially in examinati...
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Par HARRIS PAUL / LENEHAN J.. The very thought of aural, especially in examinations, strikes fear into the heart of many young pianists and instrumentalists. But aural should not be an occasional optional extra, it's something to be developing all the time, because having a good ear will help you to improve as a musician more than any other single musical skill. Improve your Aural! Is designed to take the fear out of aural. Through fun listening activities, boxes to fill in and practice exercises, this workbook with CD focuses on all the elements of the aural test. And because all aspects of musical training are of course connected, a range of interconnected activities are included to help develop the ear including singing, clapping, playing your instrument, writing music down, improvising and composing. This new edition of this popular series supports new ABRSM syllabus requirements from 2010, ensuring success in the aural test of graded exams./ Autre FM / Test d'Ecoute
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Improve Your Aural! - Grade 5 - New Edition (HARRIS PAUL / LENEHAN JOHN)
Musical course - Solfege
[Sheet music + CD]
-
Intermediate
Faber Music Limited
Par HARRIS PAUL / LENEHAN JOHN. The very thought of aural, especially in examina...
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Par HARRIS PAUL / LENEHAN JOHN. The very thought of aural, especially in examinations, strikes fear into the heart of many young pianists and instrumentalists. But aural should not be an occasional optional extra, it's something to be developing all the time, because having a good ear will help you to improve as a musician more than any other single musical skill. Improve your Aural! Is designed to take the fear out of aural. Through fun listening activities, boxes to fill in and practice exercises, this workbook with CD focuses on all the elements of the aural test. And because all aspects of musical training are of course connected, a range of interconnected activities are included to help develop the ear including singing, clapping, playing your instrument, writing music down, improvising and composing. This new edition of this popular series supports new ABRSM syllabus requirements from 2010, ensuring success in the aural test of graded exams. / Niveau : 3 / Répertoire / Tout Instrument
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Improve Your Aural! Grade 2 - New! (HARRIS PAUL / LENEHAN J)
Musical course - Solfege
[Sheet music + CD]
Faber Music Limited
Par HARRIS PAUL / LENEHAN J.. Improve your Aural! Is designed to take the fear o...
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Par HARRIS PAUL / LENEHAN J.. Improve your Aural! Is designed to take the fear out of aural. Through fun listening activities, boxes to fill in and practice exercises, this workbook with CD focuses on all the elements of the aural test. And because all aspects of musical training are of course connected, a range of interconnected activities are included to help develop the ear including singing, clapping, playing your instrument, writing music down, improvising and composing. This new edition of this popular series supports new ABRSM syllabus requirements from 2010, ensuring success in the aural test of graded exams./ Autre FM / Test d'Ecoute
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Improve Your Aural! Grade 6 New! (HARRIS PAUL)
Musical course - Solfege
[Sheet music + CD]
Faber Music Limited
Par HARRIS PAUL. Improve your Aural! Is designed to take the fear out of aural. ...
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Par HARRIS PAUL. Improve your Aural! Is designed to take the fear out of aural. Through fun listening activities, boxes to fill in and practice exercises, this workbook with CD focuses on all the elements of the aural test. And because all aspects of musical training are of course connected, a range of interconnected activities are included to help develop the ear including singing, clapping, playing your instrument, writing music down, improvising and composing. This new edition of this popular series supports new ABRSM syllabus requirements from 2010, ensuring success in the aural test of graded exams./ Autre FM / Test d'Ecoute
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Ear Training Vol.1 (BUSCH SIGI)
Musical course - Solfege
Advance Music
Jazz - Rock - Pop. Par BUSCH SIGI. A basic ear training text for self-study. Tra...
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Jazz - Rock - Pop. Par BUSCH SIGI. A basic ear training text for self-study. Translated by Michael Lee. CD narrated by Jerry Granelli. Each of the ten lessons is divided into three parts: Intervals/Chords, Rhythm, Melody. Examples and exercises are played by different instruments, including piano/keyboard, saxophone, trumpet, drums, percussion, and synthesizer. The answer section at the end of the book is ideal for self-study. / Méthode / Méthode / Tout Instrument
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Les Essentiels de la musique - 600 mots de la musique vol. B : genres et formes (CAO HELENE)
Français
Musical course - Solfege
[Book]
Billaudot
Par CAO HELENE. Les deux tomes des 600 Mots de la musique couvrent l’essentiel...
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Par CAO HELENE. Les deux tomes des 600 Mots de la musique couvrent l’essentiel du vocabulaire de la musique occidentale dite « savante ». Ce volume A contient les mots concernant la théorie (chromatisme, tonalité), les procédés compositionnels (contrepoint, renversement), les pratiques (basse continue, transposition), les esthétiques et courants musicaux (baroque, style classique, musique spectrale). Le volume B s’attache aux genres et aux structures formelles. Les vocables relatifs à la facture instrumentale, qui appartiennent à un autre domaine, ont donc été écartés, ainsi que la terminologie propre aux traditions orales, musiques extra-européennes et populaires (chanson, jazz, pop, rock, etc.). Les mots les plus importants donnent leur titre aux entrées. Mais au sein des notices, des termes supplémentaires sont également définis (par exemple, « bécarre » apparaît dans la page consacrée à « altération ») : il nous a semblé plus pertinent de mettre immédiatement en perspective des notions intimement liées et d’éviter la formule du dictionnaire qui aurait entraîné un grand nombre de redites. L’intitulé de quelques entrées associe deux ou trois mots (« ambitus, tessiture, registre », ou « chaconne et passacaille »), lorsqu’il s’avère judicieux de les traiter de conserve. Un index regroupe la totalité des termes et permet de retrouver aisément ceux qui ne disposent pas d’entrée propre. Dans le corps du texte, le signe ‡ désigne les mots explicités dans le volume A ; l’astérisque *, ceux qui sont commentés dans le volume B. Afin d’alléger la présentation, les mots les moins « techniques » et les plus familiers (tels air, concert, improvisation, romantisme, tempo) ne portent pas systématiquement de signe de renvoi. Ces signes sont également absents des citations et des titres d’œuvres. Par souci de lisibilité et d’accessibilité, les exemples musicaux des œuvres anciennes sont imprimés en notation moderne et l’orthographe des citations anciennes est actualisée. La date indiquée à la suite d’une oeuvre correspond à l’année de son achèvement. Lorsque la composition s’étend sur un nombre d’années conséquent et qu’il nous semble utile de donner cette information, la date de début de composition est précisée en sus de celle de fin. La date d’édition se substitue à la date de composition lorsque celle-ci reste inconnue./ Solfège/Formation Musicale / Formation Musicale
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600 mots de la musique vol. A : histoire et technique (CAO HELENE)
Français
Musical course - Solfege
[Book]
Billaudot
Par CAO HELENE. Les deux tomes des 600 Mots de la musique couvrent l’essentiel...
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Par CAO HELENE. Les deux tomes des 600 Mots de la musique couvrent l’essentiel du vocabulaire de la musique occidentale dite « savante ». Ce volume A contient les mots concernant la théorie (chromatisme, tonalité), les procédés compositionnels (contrepoint, renversement), les pratiques (basse continue, transposition), les esthétiques et courants musicaux (baroque, style classique, musique spectrale). Le volume B s’attache aux genres et aux structures formelles. Les vocables relatifs à la facture instrumentale, qui appartiennent à un autre domaine, ont donc été écartés, ainsi que la terminologie propre aux traditions orales, musiques extra-européennes et populaires (chanson, jazz, pop, rock, etc.). Les mots les plus importants donnent leur titre aux entrées. Mais au sein des notices, des termes supplémentaires sont également définis (par exemple, « bécarre » apparaît dans la page consacrée à « altération ») : il nous a semblé plus pertinent de mettre immédiatement en perspective des notions intimement liées et d’éviter la formule du dictionnaire qui aurait entraîné un grand nombre de redites. L’intitulé de quelques entrées associe deux ou trois mots (« ambitus, tessiture, registre », ou « chaconne et passacaille »), lorsqu’il s’avère judicieux de les traiter de conserve. Un index regroupe la totalité des termes et permet de retrouver aisément ceux qui ne disposent pas d’entrée propre. Dans le corps du texte, le signe ‡ désigne les mots explicités dans le volume A ; l’astérisque *, ceux qui sont commentés dans le volume B. Afin d’alléger la présentation, les mots les moins « techniques » et les plus familiers (tels air, concert, improvisation, romantisme, tempo) ne portent pas systématiquement de signe de renvoi. Ces signes sont également absents des citations et des titres d’œuvres. Par souci de lisibilité et d’accessibilité, les exemples musicaux des œuvres anciennes sont imprimés en notation moderne et l’orthographe des citations anciennes est actualisée. La date indiquée à la suite d’une oeuvre correspond à l’année de son achèvement. Lorsque la composition s’étend sur un nombre d’années conséquent et qu’il nous semble utile de donner cette information, la date de début de composition est précisée en sus de celle de fin. La date d’édition se substitue à la date de composition lorsque celle-ci reste inconnue./ Solfège/Formation Musicale / Formation Musicale
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12 - Tone Improvisation
Musical course - Solfege
Advance Music
A novel approach to jazz improvisation with 12 tones by the saxophonist John O´...
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A novel approach to jazz improvisation with 12 tones by the saxophonist John O´Gallagher. The author is an active member of the New York avant-garde scene and a popular workshop lecturer. His new method combines jazz harmonies and twelve-note melodies into an exciting new tonal language. The edition is completed by numerous exercises for all instruments. / Tout Instrument
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Musical Forms Made Easy
Musical course - Solfege
[Sheet music + CD]
Alfred Publishing
This book provides a wonderfully clear and concise introduction for each musical...
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This book provides a wonderfully clear and concise introduction for each musical form---step by step, from the most elementary to the most complex---with examples of the most popular compositions from the Baroque, Classical, and Romantic eras. A correlated CD is included to enhance the learning process. / Formation Musicale
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Vivre La Musique Aujourd'Hui Pj99 - Popule Meus - 3 Choeurs Mixtes (SERRA / REIBEL)
Musical course - Solfege
[Sheet music]
Heugel
Popule Meus. Par SERRA / REIBEL. / Autre FM / Pédagogie Musicale
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Anthologie Chants Pop. 1
Français
Musical course - Solfege
Durand
/ Formation Musicale
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Anthologie Chants Pop. 3
Français
Musical course - Solfege
Durand
/ Formation Musicale
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Anthologie Chants Pop. 4
Français
Musical course - Solfege
Durand
/ Formation Musicale
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Lexikon Der Harmonielehre
Musical course - Solfege
Doblinger
/ Formation Musicale
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Adler S. - Etude De L'orchestration
Français
Musical course - Solfege
[Textbook]
Lemoine, Henry
ADLER Samuel Etude de l'orchestration Discipline / Instrument : tous instruments...
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ADLER Samuel Etude de l'orchestration Discipline / Instrument : tous instruments Genre : Méthode - études Média : Livre Nombre de pages : 1136 (17,8 x 25,4 cm) Editeur : Lemoine Date de parution : 15/06/2011 ISBN / ISMN : 9790230982122 plus de 150 ans après Hector BERLIOZ, plus de 50 ans après Charles KOECHLIN ou Nikolaï RIMSKI-KORSAKOV, et quelques années après... un long travail, Les éditions Henry Lemoine ont le plaisir de vous présenter, enfin en langue française, de Samuel ADLER : Etude de l'orchestration TRAITE PRATIQUE Titre original : The Study of Orchestration, traité d'orchestration de réputation internationale Véritable défi éditorial, l'ouvrage est proposé ici sous la forme d'une édition française, augmentée de 280 pages (+33%) par rapport à la version traduite. En effet, le texte original, déjà riche, est complété : - par Gilbert Amy, d'un chapitre nous offrant son regard sur l'orchestre en musique contemporaine aujourd'hui, - par Bruno Gillet, de trois chapitres concernant la voix humaine, - de 60 pages de commentaires et annotations, à vocation pédagogique, du traducteur de l'ouvrage Philippe Vernier - enfin, d'un index complet et performant (accru de 150%) sans lequel une telle ampleur de contenu se révélerait assez rapidement vaine. Samuel Adler Compositeur et chef d'orchestre américain d'origine allemande parti très jeune aux états-unis, Samuel Adler a composé plus de quatre cents oeuvres publiées, dont cinq opéras, six symphonies, douze concerti, huit quatuors à cordes, quatre oratorios et bien d'autres pièces orchestrales, chorales, vocales ou pour band. Elève notamment de Paul Hindemith, Aaron Copland et Sergei Koussevitski, il enseigna à son tour à l'University of North Texas (1957-1966) puis à l'Eastman School of Music de l'university of Rochester (1966-1995), et depuis 1997 reste membre intervenant à la Juilliard School of Music au sein du département composition. Auteur d'autres ouvrages que celui-ci (Choral Conducting et Sight Singing), Samuel Adler a reçu plusieurs prix et distinctions pour sa contribution exceptionnelle au monde musical comme compositeur, chef d'orchestre et auteur - en 2001, il entre à l'American Academy of Arts and letters. En tant que chef, il s'est produit avec de nombreux orchestres prestigieux, aux états-unis ou ailleurs - plus d'une cinquantaine de ses oeuvres furent enregistrées et sont distribuées par des labels américains ou européens de premier plan. Gilbert Amy Elève de Milhaud et Messiaen au Conservatoire de Paris, Gilbert Amy est un compositeur dont le talent a été salué par de multiples prix et dont les oeuvres sont jouées dans les plus hauts lieux mondiaux de la création musicale. Succédant à Pierre Boulez à la direction des concerts du Domaine musical, Gilbert Amy a ensuite poursuivi une carrière de chef d'orchestre. Fondateur du Nouvel Orchestre Philharmonique de Radio-France, il en sera le premier chef et directeur artistique jusque dans les années 1980. Pédagogue reconnu, il a enseigné la composition et l'analyse musicale à l'Université de Yale puis occupé le poste de directeur du C.N.S.M. de Lyon de 1984 à 2000. Bruno Gillet Compositeur, Bruno Gillet a beaucoup écrit pour la voix, en formations de chambre, en duos avec divers instruments, en ensemble vocal, et avec orchestre. Au théâtre, il a collaboré, entre autres auteurs, avec Italo Calvino et Georges Perec. Au C.N.S.M. de Paris, il a inauguré la classe d'analyse et culture musicale spécialement destinée aux chanteurs, et assuré au C.N.A.D. la formation musicale des acteurs. Philippe Vernier Philippe Vernier se passionne très tôt pour les musiques orales dont il approfondit la connaissance d'abord en autodidacte (chanson, folk music...) puis sous l'impulsion du guitariste Alain Berkès (manouche, blues, jazz...). Après une expérience pop-rock, il étudie la théorie classique, suit l'enseignement des compositeurs Alain Roizenblat, Michel Decoust et Philippe Leroux - il reçoit alors plusieurs Premiers Prix (Orchestration, Composition...) et un D.E.M. en électro-acoustique. Compositeur de pièces pour bande, ensemble, chansons, musiques de film ou de scène, il a remporté le Prix de la Création Musicale au festival Paris-Tout-Court (2002).
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