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Wind:
Oboe, Piano (duet)
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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Thea Musgrave: Night Windows (Oboe/Piano): Oboe: Instrumental Work
Oboe, Piano (duet)
[Sheet music]
Novello & Co Ltd.
Walking down a darkened street it’s hard to resist looking in through lig...
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Walking down a darkened street it’s hard to resist looking in through lighted windows and catching a glimpse of other people’s lives. The imagination lingers…Night Windows is the title of a painting by Edward Hopper of a scene in one such lighted window. However the scenes in this work though reflecting something of the loneliness in so many of the Hopper paintings are all imaginary: highly charged emotional moments.Loneliness: Anger: Nostalgia: Despair: FrenzyThis work was commissioned by the International Double Reed Society and it is dedicated to Nicholas Daniel.
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Cloud Breathing for Oboe and Piano (BARNES LARRY)
Oboe, Piano (duet)
[Sheet music]
Alry Publications
Par BARNES LARRY. Cloud Breathing by Larry Barnes, for Oboe and Piano. Cloud bre...
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Par BARNES LARRY. Cloud Breathing by Larry Barnes, for Oboe and Piano. Cloud breathing is a technique in Chinese martial arts involving short, sharp inhaling breaths and a slow exhale to oxygenate the body in preparation for fighting, meditation and healing. In this work, the piano begins in the upper register with tones like wind chimes, with the oboe entering beneath. This meditative first section leads to sudden shifts in harmony under a quiet oboe melody. Activity increases, leading to an oboe cadenza and a fast section based on rapid repeated notes in the oboe with the piano accompanying with contrapuntal lines. A brief piano solo leads to fragments of melody from the slow opening, now transformed. After a fortissimo climax, the quiet wind chime opening suddenly returns. The music gradually regains momentum to break into a bright Lydian climax and a strong close. / Date parution : 2022-11-29/ Répertoire / Hautbois et Piano
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Camille Saint-Saëns: Oboe Sonata Op.166: Oboe: Instrumental Work
Oboe, Piano (duet)
[Sheet music]
G. Henle
The Oboe Sonata Op. 166 was the first of three Wind sonatas that Saint-Saëns wr...
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The Oboe Sonata Op. 166 was the first of three Wind sonatas that Saint-Saëns wrote in his final year. Throughout his life he had been more familiar with Keyboard and Stringed instruments so thecomposer this time found himself in rather unfamiliar territory. Yet he instantly hit upon the inflections and special characteristics of these instruments. To ensure that the parts reflected the technical and tonal idiosyncrasiesof each instrument he asked advice of Wind soloists of his acquaintance before publication. His Sonata Op. 166 met with the highest approval of the oboist; a passage in a letter bears witness to this: ?It wentlike clockwork?. We were able to consult the autograph for the first time for this Urtext edition.
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Matthäus Nikolaus Stulick: Oboe Concerto in C minor: Oboe: Instrumental Album
Oboe, Piano (duet)
[Reduction]
Spartan Press
Concerto In C Minor for Oboe Strings and Basso Continuo composed by Matthäus ...
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Concerto In C Minor for Oboe Strings and Basso Continuo composed by Matthäus Nikolaus Stulick [or Georg Friedrich Händel or Johann David Heinichen]. Piano reduction. There are three versions of this concerto with different assignments: Source A: In the library Schwerin [D-SWl] as „de Sing. Stulick' [Mus.5337]. Source B: In the collection Rheda [D-RH] as „Del Sing. Heinichen' [Ms 389]. Source C: In the univesity library Upsala [S-Uu]als „Dell Sing. Hendell' [i hs. 19:28]. The distribution of a baroque composition under various composers names was not uncommon and usually meant that it was aworthy work of high compositional quality. This Concerto for Oboe Strings and Basso continuo can serve in any case as evidence for this thesis. The question which of the three composers mentioned was the creator of the concert can not be answered conclusively. Two arguments suggest however that Matthäus Nikolaus Stulick (c.1700-1732) is the most likely of the three candidates: - The Schwerin manuscript [Source A] that names Stulick as the composer is the best by far; it contains far fewer errors and inconsistencies than the other two. - The designation of a work by a foreign composer name makes only sense if an unknown composer publishes under a name of a much more prominent composer not vice versa. Why should a work of Handel or at his time well-known Heinichen be played under the name of someone less known? We do not know much about the life of Matthäus Nikolaus Stulick. He was born around 1700 in Bohemia and worked in the 1730s as concertmaster at the court in Mainz where he died in 1732. Besides two Oboe concertos he composed a concerti à 4 for three wind instruments and BC.
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Raymond Parfrey: Sonatina For Oboe And Piano: Oboe: Instrumental Album
Oboe, Piano (duet)
[Sheet music]
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Intermediate/advanced
Queen's Temple Publications
Raymond Parfrey has written for Choir Piano Organ and String Orchestra though ...
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Raymond Parfrey has written for Choir Piano Organ and String Orchestra though he feels happiest when writing for wind instruments. Among his more popular works aer Travel Without Tears and A Variety Of Moods both ideal for the developing Oboe player.
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Marcel Bitsch: French Suite On Themes From The 17th Century: Oboe: Instrumental
Oboe, Piano (duet)
Leduc, Alphonse
Born in Toulouse Marcel Bitsch (1921-2011) went on to study at the Paris Conser...
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Born in Toulouse Marcel Bitsch (1921-2011) went on to study at the Paris Conservatoire before becoming a professor of counterpoint at the institution. As an exceptionally versatile musician Bitsch has composed orchestral works chamber works and numerous popular pieces for wind instruments French Suite On Themes From The 17th Century for Oboe being no exception. suitable for advanced oboists Bitsch's French Suite On Themes From The 17th Centurywas published in 1964. With a typical performance lasting around 7 minutes and 45 seconds the Suite is made up of four movements;Pavane Gaillarde Gigue and Riguadon. Bitsch's French Suite On Themes From The 17th Century addresses many musical aspects from the 17th century and is an outstanding and necessary addition to the Oboe repertoire.
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Francis Poulenc: Sonata For Oboe And Piano: Oboe: Instrumental Work
Oboe, Piano (duet)
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Intermediate/advanced
Chester
Written the year before his death and dedicated to the memory of Sergey Prokofi...
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Written the year before his death and dedicated to the memory of Sergey Prokofiev this piece is the last of Poulenc's wind sonatas and is a work of profound poignancy and delicacy. Poulenc would not live to see the piece tofruition as the work was published posthumously. This is the 2004 updated and revised version edited by Millan Sachania.
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Shaping The Air. Oboe And Piano (SAMUEL RHIAN)
Oboe, Piano (duet)
[Sheet music]
Stainer and Bell
Par SAMUEL RHIAN. Wind and Brass/ Répertoire / Hautbois et Piano
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Shadow Dance For Flûte, Oboe And Piano (SAMUEL RHIAN)
Oboe, Piano (duet)
[Sheet music]
Stainer and Bell
Par SAMUEL RHIAN. Wind and Brass/ Répertoire / Hautbois et Piano
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Up Front Album For Oboe: Oboe: Instrumental Album
Oboe, Piano (duet)
Brass Wind Publications
An album of solos with Piano accompaniment in a variety of twentieth century cla...
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An album of solos with Piano accompaniment in a variety of twentieth century classical and jazzy styles by Adam Gorb Stephen Dodgson Edward Gregson and Gordon Lewin. Each piece has been especially composed to be appropriate to the grade of the instrumentalist.
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