SKU: HL.14030791
8.25x12.0x0.051 inches.
This title is taken from Dvorak. However. The models from which the songs are derived are clearly identifiable, as are the composers from whose language they have been derived. The piece appears to be in one movement though it is in fact two with a coda. The first is French in style, a sort of Waltz. It is quick and harks upon the likes of Francaix and where its idiom becomes more advanced, Messaien. The other is Germanic, a slow movement with echoes of German expressionism - perhaps Richard Strauss, perhaps Mahler. The two movements are partly complete; the cod reconciles their differences and completes them. I see the piece as my own version of En blanc et noir.
SKU: HL.14043723
ISBN 9781783059522.
This is an updated edition of Francis Poulenc 's 1962 work Sonata For Oboe And Piano , edited by Millan Sachania . Featuring the full score and a separate Oboe part, this exclusive edition also includes a download card, giving you instant online access to demonstration and accompaniment tracks. Originally completed in 1962, Poulenc 's Sonata For Oboe And Piano had been brewing in his mind for at least five years. The last of Poulenc 's trio of sonatas for woodwind instruments, he tragically passed away before it could be definitively engraved, leaving behind a work with a number of ambiguous notational marks that resulted in an incomplete first edition, publishedposthumously. A number of revisions have taken place, but this, expertly edited by Millan Sachania , aims to provide a playable, legible, precise and authoritative score that reflect closest Poulenc 's intentions. This new edition revises many minor details, including Piano chords, tied notes, the correction of various bars throughout as well as his crescendos during the third movement. At all points, Sachania has aimed to reproduce an authoritative and accurate score that is at once playable and a reflection of what Poulenc himself may have intended. This is a most exciting prospect considering the reputation that this work has garnered as a piece of profound poignancy. Dedicated to Sergey Prokofiev, it has been said that the mournful final movement, Deploration , is something of an obituary. What makes this edition of Sonata For Clarinet And Piano really special is the unique download card that provides exclusive online access to demonstration and accompaniment audio tracks. Professionally-recorded by renowned oboist Christopher Cowie and pianist Huw Watkins, the demonstration track allows you to hear exactly how the piece as a whole should sound, before the independent Piano-only track lets you take the place of the Oboe in your very own performance. This is a unique opportunity for oboists to learn from an authoritative.
SKU: BT.EMBZ2589
English-German.
Bagpipers is the first movement of the three-movement Sonatina composed in 1915 (1. Bagpipers, 2.Bear Dance and 3. Finale). The composer said of the piece, ''Originally I planned a group of Romanianfolk dances for piano. I selected three parts of this and called it Sonatina. The first movement, Bagpipers[...] consists of two dances played by two bagpipers.'' The piece is based on a couple dance fromTransylvania, the ardeleana (also known as the kanászos), while the middle section was inspired bythe bagpipe playing of a middle-aged man recorded by Bartók in Váncsfalva (now Oncesti) of Bihar County during February 1910. In 1931, Bartók arranged it for symphony orchestraunder the title Dances from Transylvania. This arrangement for oboe and piano was made by Liszt Prize-winningoboist Tibor Szeszler (1919 1992).
SKU: BT.EMBZ3769
English-German-Hungarian.
The source of the present edition of the Oboe Concerto in A minor by Antonio Vivaldi is the Collected Works of Vivaldi, edited by Malipiero, published by Ricordi 1955. The title of the original score is Concerto in La minore per oboe, archi e cembalo the original setting: Oboe, Violini I-II, Viole, Violoncelli, Contrabassi and Cembalo. The arrangement for oboe and piano is kept in accurate conformity with the musical text of score, the continuo part - however - has been more freely adapted (of course within the possibilities of baroque style). The piano part contains the entire orchestral material in the Tutti-s, thus the soloist is not obliged to play all the Tutti parts.However, in Movement I and III the first and last Tutti may never be omitted by the performer. Die Grundlage dieser Ausgabe des Oboenkonzertes in A-Moll von Antonio Vivaldi ist die von Malipiero redigierte Gesamtausgabe (Ricordi, 1955). Der Titel der Originalpartitur lautet: Concerto in La minore per oboe, archi e cembalo: die Besetzung ist folgende: Oboe, Violini I-II, Viole, Violoncelli, Contrabassi, Cembalo. Die Ausgabe für Oboe und Klavier ist dem Urtext der Partitur getreu, doch ist die Ausarbeitung des Continuos etwas freier behandelt (natürlich nur im Rahmen der vom Stil der Barockmusik gebotenen Möglichkeit). Die Klavierstimme enthält an den Tuttistellen das Stimmaterial des ganzen Orchesters: der Solist ist daher nicht verpflichtet, sämtliche Tuttimitzuspielen. (Im I. und III. Satz dürfen jedoch die ersten und letzten Tutti vom Solisten nicht weggelassen werden.
SKU: BR.MR-2295
ISBN 9790004488430. 9 x 12 inches.
It is difficult to determine exactly how many oboe concertos Antonio Vivaldi wrote. Although the present Concerto in F major was earlier seen as a secure work by Vivaldi (therefore it has the old RV-number 458), Vivaldi's authorship got even more disputable (in contrast to the C major Concerto RV 446 MR 2294). The doubts cannot even be dispelled by the existence of two sources from a large collection in Lund, Sweden. The Adagio central movement deserves our particular attention, as it was transmitted in different versions in the two sources. In this first edition for oboe and piano, the non-ornamented version is given first and followed by the version supplied by editor Sandro Caldini with ornaments typical of Vivaldi's time, which make this version of the Adagio particularly interesting for performers.In this first edition for oboe and piano, the non-ornamented version is given first and followed by the version supplied by editor Sandro Caldini with ornaments typical of Vivaldi's time.
SKU: IS.OP4179EM
ISBN 9790365041794.
In 1901, Flor Alpaerts finished his music studies at the Flemish School of Music of Antwerp, which later became the Royal Flemish Conservatory. He studied harmony and composition with Jan Blockx. In 1903 he became professor at this institute and from 1934 until 1941 its director. For one season (1922-1923) he was also director of the Royal Flemish Opera House of Antwerp together with the bass Arthur Steurbaut. His fame, as a composer and a conductor, came shortly after World War I, when he succeeded Eduard Keurvels in 1919 as conductor of the concerts organized by the Royal Zoological Society of Antwerp and as artistic director of the Peter Benoit Fonds. He also conducted the choral group Arti Vocali. As a composer, Flor Alpaerts was the leading figure in the Flemish impressionistic movement, utilizing an impressionism that came closer to Richard Strauss and Ottorino Respighi than to Claude Debussy. A highlight in this direction was the symphonic poem Pallieter (1921-1924). With his suite James Ensor, inspired by four works of the Ostend painter, he created an expressionistic work. In his later compositions he turned to neo-classicism. Though mostly known for writing larger scale works during his life, this Concertstuk for oboe and piano, composed towards the end of his life came at a time when he unexpectedly because to compose chamber music. In addition to this work for oboe, he composed a solo piece for clarinet, as well as four string quartets during his final years.
SKU: HL.49017529
ISBN 9790001148658. 9.25x12.0x0.221 inches.
The Hungarian composer Istvan Szelenyi (1904-1972) studied composition with Zoltan Kodaly and later taught at the Conservatoire of Budapest. He wrote primarily chamber and piano music. His hitherto unpublished Sonata for oboe and piano was written in 1969 and constitutes an important contribution to the rather small 20th-century oboe repertoire. The one-movement sonata is composed in free tonality and thrives on charming rhythmic turns borrowed from Hungarian folk music.
SKU: SU.29050050
In three MovementsOboe & Piano Duration: 16’ Composed: 1992 Published by: Whitco Press.
SKU: BT.EMBZ1852
Hungarian.
It s quite rare when a composer s diploma work becomes a successful, popular piece even after 70 years. Frigyes Hidas (1928 2007) Oboe Concerto, written in 1951, is a work that Péter Pongrácz, Lajos Lencsés, and many other Hungarian and foreign oboists gladly add to their concert programs. It is difficult to pinpoint exactly what stylistic conventions helped to form the musical language of the Oboe Concerto: the three-movement form is suggestive of Viennese Classicism, and Hungarian motifs of the era can also be detected here and there. However, the main influences can be felt from the Neoclassicism of the 1920s and 1930s, the Baroque era, and the French woodwind school. Aswith all of his musical creations, Hidas demonstrates here that he is a master of instrumental knowledge, consideration towards his works performers, and tasteful moderation. This publication is printed on high-quality, age-resistant, pale-yellow paper that is produced in an environmentally-friendly, climate-neutral manner using renewable raw materials.
SKU: HL.48186455
UPC: 888680828639. 9x12 inches.
“Born to an Italian father and a French mother, Eugène Bozza (1905-1991) divided his music studies between the Academia Santa Cecilia in Rome and the Conservatoire de Paris, where he was taught by Henri Büsser and Henri Rabaud. His chamber music compositions reveal a marked predilection for wind instruments, as reflected in Fantaisie pastorale for oboe and piano (1939) and New-Orléans for bass saxhorn and piano (1944). During his stay a few years earlier at the Villa Medici in Rome (1936), Bozza had written his Aria Pour Saxophone Alto Et Piano ' a free adaptation of the third movement of Johann Sebastian Bach's Organ Pastorale in F major BWV 590. This expansive and nostalgic melody, which unfolds over a regular meter, has become one of the most widely played SaxoEphone pieces in the world. Having enjoyed such success, Éditions Leduc has decided to supplement its republication with an audio version that will enable saxoEphonists to carry out 'full-scale' practice.&rdquo.
SKU: HL.48182707
French composer, Pierre Max Dubois (1930-1995) significantly contributed to the woodwind repertoire. Let's Delve into the Oboe for Oboe and Piano was published in 1970 and remains popular for beginner oboists. Dubois' music is characteristically light-hearted with unusual harmonic and melodic textures. Let's Delve into the Oboe is made up of ten movements composed in various dance styles, such as Petit Ballet (Little Ballet) and Petite Valse (Little Waltz). Essential to beginner oboist's repertoire, Dubois' Let's Delve into the Oboe is a delightful, delicate addition to the Oboe's repertoire and provides beginners and intermediate players with suitable performance pieces..
SKU: FL.FX072377
As the light whose reflection in the water is sometimes broken by the waves, I used ascending and descending movement in the melody. The pervasive use of syncopation also enabled me to exacerbate the impact felt by the ebb and flow. - Alain LOPEZ.
SKU: FL.FX072375
SKU: HL.14007465
Cyril Scott was an English composer, writer, and poet. He was essentially a late romantic composer, whose style was at the same time strongly influenced by impressionism. His harmony was notably exotic. Scott wrote around four hundred works,which include two mature symphonies, three operas, three Piano concertos,concertos for Violin, Cello, Oboe and Harpsichord, several overtures, four oratorios, as well as a mass of chamber music.
Scott composed his Concerto For Oboe & Orchestra in 1946. The three movements (Molto vigoroso - Andante,Pastorale:Tranquillo and Rondo giocoso: Allegronon troppo - cadenza - Con spirit) are published here with a Piano reduction of the orchestra accompaniment.
Complete performance time of the entire piece is approximately 20 minutes.
SKU: HL.49045130
ISBN 9790001159937. UPC: 888680646448. 9.0x12.0x0.225 inches.
Composed for Heinz Holliger, this virtuoso and spirited Oboe Concerto is really something new. The edition with solo part and piano score makes it possible to study the work and use it for performance (of all or individual movements) at conservatoires and competitions.
SKU: HL.50510437
ISBN 9790080131015. UPC: 073999054682. A/4 inches. Ferenc Farkas.
The Concertino IV for oboe and string orchestra was composed in 1982-83 and dedicated to the renowned Swiss oboist Jean-Paul Goy. Its three short movements, following the traditional tempo order, mirror Farkas's attraction to Classical order and harmony. The musical language is modern and personal, however, and allows the soloist to exhibit his virtuosity.
SKU: FL.FX074297
3 movements of a mini concerto for mini soloists who have been playing their instruments for 4-5 years - Pascal PROUST ; Instruments: 1 Oboe 1 Piano; Difficuly Level: Grade 3; Duration: 3 mn 35 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Pascal PROUST.
SKU: FL.FX072878
As its name suggests, here is a little air that can last a very long time! For young instrumentalists from the first year of practice. - Pascal PROUST ; Instruments: 1 Oboe 1 Piano; Difficuly Level: Grade 1.
SKU: FL.FX073563
Instruments: 1 Oboe 1 Piano; Difficuly Level: Grade 5.
SKU: FL.FX071908
Blues with simple rhythmic cells and small ascending and descending chromatic movements. This piece will allow you to familiarize yourself with 'swing', supported by the piano accompaniment, imitating the horse's trot.
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