SKU: HL.14007465

Cyril Scott was an English composer, writer, and poet. He was essentially a late romantic composer, whose style was at the same time strongly influenced by impressionism. His harmony was notably exotic. Scott wrote around four hundred works,which include two mature symphonies, three operas, three Piano concertos,concertos for Violin, Cello, Oboe and Harpsichord, several overtures, four oratorios, as well as a mass of chamber music.

Scott composed his Concerto For Oboe & Orchestra in 1946. The three movements (Molto vigoroso - Andante,Pastorale:Tranquillo and Rondo giocoso: Allegronon troppo - cadenza - Con spirit) are published here with a Piano reduction of the orchestra accompaniment.

Complete performance time of the entire piece is approximately 20 minutes.

SKU: BT.AMP-405-400

ISBN 9789043148474. English-German-French-Dutch.

Part of the Anglo Music Play-Along Series, Philip Sparke’s 15 Easy Christmas Carols is aimed at the young instrumentalist who can play just over an octave. Specifically tailored to suit the individual instrument, this book introducesthe beginning player to the world’s most popular Christmas tunes by selecting simple yet attractive melodies that fit their limited range. This book will provide invaluable additional material to complement any teaching method and includes both pianoaccompaniment and a demo/play-along CD.

Philip Sparkes 15 Easy Christmas Carols sind Teil der Anglo Music Play-Along Reihe und richten sich an junge Instrumentalisten, die den Tonumfang von einer Oktave beherrschen. Auf jedes Instrument zugeschnitten, führen diese Ausgaben,für die einfache und zugleich ansprechende Melodien ausgewählt wurden die sich für diesen begrenzten Tonumfang eignen, den Anfänger an die weltweit beliebtesten Weihnachtslieder heran. Dieser Band bietet wertvolles Ergänzungsmaterial, das zu jederInstrumentalschule passt und sowohl eine Klavierbegleitung als auch eine Play-Along-CD enthält.

Faisant partie de l’Anglo Music Play-Along Series, les 15 Easy Christmas Carols(15 chants de Noël faciles) de Philip Sparke visent les jeunes instrumentistes qui arrivent jouer un peu plus d’une octave. Adapté pourconvenir chaque instrument spécifique, ce recueil introduit le joueur débutant aux chants de Noël les plus populaires en sélectionnant des mélodies simples les plus intéressantes qui correspondent leur registre limité. Ce recueil fournit dumatériel supplémentaire indispensable qui complète n’importe quelle méthode pédagogique et inclut un accompagnement pour piano ainsi qu’une version sur CD avec démos.

SKU: BO.B.3647

Al Valles, for oboe and piano, is a work that has two distinct characteristics-it is a concert work but was composed as a work for a final examination piece. The work is dedicated to Vicent Montalt, who performed it for his final examination at the Mozarteum in Saltzburg, 2012.

Al Valles begins with a Paganini-like cadenza for the oboe which introduces the main feature of the work- the alternation of legato with spiccato which is at times rapid and at other times lento. The cadenza is followed by an Allegro which begins with decisiveness by the piano. The two instruments establish a game of brief and very specific rhythmic figures with rapid chromatic descents, which in the piano are in octaves. A tranquil and mysterious passage ends with a sudden fortissimo. The oboe plays another cadenza, reminiscent of the first one, which is followed by a return of the Allegro. However, this time the music stops on a trill on F # in the high register of the oboe. The work concludes with a rapid coda which begins brilliantly in the piano with chromatic descending octaves.

SKU: IS.OP4179EM

ISBN 9790365041794.

In 1901, Flor Alpaerts finished his music studies at the Flemish School of Music of Antwerp, which later became the Royal Flemish Conservatory. He studied harmony and composition with Jan Blockx. In 1903 he became professor at this institute and from 1934 until 1941 its director. For one season (1922-1923) he was also director of the Royal Flemish Opera House of Antwerp together with the bass Arthur Steurbaut. His fame, as a composer and a conductor, came shortly after World War I, when he succeeded Eduard Keurvels in 1919 as conductor of the concerts organized by the Royal Zoological Society of Antwerp and as artistic director of the Peter Benoit Fonds. He also conducted the choral group Arti Vocali. As a composer, Flor Alpaerts was the leading figure in the Flemish impressionistic movement, utilizing an impressionism that came closer to Richard Strauss and Ottorino Respighi than to Claude Debussy. A highlight in this direction was the symphonic poem Pallieter (1921-1924). With his suite James Ensor, inspired by four works of the Ostend painter, he created an expressionistic work. In his later compositions he turned to neo-classicism. Though mostly known for writing larger scale works during his life, this Concertstuk for oboe and piano, composed towards the end of his life came at a time when he unexpectedly because to compose chamber music. In addition to this work for oboe, he composed a solo piece for clarinet, as well as four string quartets during his final years.

SKU: ST.C551

ISBN 9790570815517.

Bagatelle for Oboe and Piano was composed in 1950. This is the first time that the piece has been published.

Mary Chandler was born in Kent in 1911. She studied music privately, and her teachers included Harry Farjeon (composition), Margaret Eliot and Leon Goossens (oboe) and Harold Craxton (piano). She read English at Oxford University and taught in London schools before joining the City of Birmingham Symphony Orchestra as principal oboist. She appeared with the CBSO as soloist (oboe and piano) and composer and gave broadcasts and recitals in the Midlands. Later, as a free-lance orchestral player, she formed the Mercian Trio (flute, oboe and piano) which gave concerts around the country.
In 1960 Mary became Area Director of the Kent Music School, in charge of its wind teaching and of the varied activities of its Tonbridge Music Centre. She conducted many student groups and composed and arranged music for them until she retired in 1971. She continued to be actively involved in music thereafter, examining, composing and organising concerts. She spent her later years in Gloucestershire and died in 1996.

Dr. Kristin Leitterman is currently the Assistant Professor of Oboe at Arkansas State University in Jonesboro, Arkansas, USA, where she teaches oboe and bassoon, Double Reed Techniques, and coaches small chamber ensembles. She is also the Director of the Lucarelli Oboe Master Class, a week-long immersive oboe master class founded by Bert Lucarelli in 1996. As a guest artist she has presented master classes at many institutions, including the Manhattan School of Music, New York University, and the Hartt School.

As a researcher, Kirstin has interests in the life and works of Mary Chandler. She has presented her research at The Juilliard School, Music by Women Festival, the International Double Reed Society conferences, and the Brazilian Double Reed Society’s conference in João Pessoa, Paraíba, Brazil.

SKU: YM.GTW01090837

ISBN 9784636908374.

20 songs arranged for solo oboe and piano. Oboe part with a book for piano accompaniment and Karaoke CD.
20Shou Shuang Huang Guan Du Zou Qu ,Gang Qin Ban Zou . Han Shuang Huang Guan Pu Ji Gang Qin Ban Zou Pu &Ban Zou CD.

1. Soshunfu(Ode to Early Spring); 2. Oborozukiyo(A Night with a Hazy Moon); 3. Furusato(My Old Town); 4. Haru yo Koi(Come spring!); 5. Hana wa Saku(Flowers Will Bloom); 6. Hamabe no Uta(A Song at the Seaside); 7. Shonen Jidai(Boyhood); 8. Natsu no Omoide(A Memory from Summer); 9. Shabondama(Soap Bubbles); 10. Machibo-oke(Waiting in Vain); 11. Satoukibi Batake(In a Large Field of Sugarcane); 12. Chiisai Aki Mitsuketa(I've Found a Little Autumn); 13. Yuyake Koyake; 14. Kojo no Tsuki(Moon over the Ruined Castle); 15. Kawa no nagare no Yo ni(As a River's Running); 16. Sen no Kaze ni natte(A Thousand Winds); 17. Miagete goran Yoru no Hoshi wo(Look up at the Night sky); 18. Nagori Yuki(Snowfall at the end of the Winter); 19. Kita no Kunikara(From Northern Country); 20. Nada SouSou(Down Come My Tears)
1. Zao Chun Fu ; 2. Meng Long Yue Ye ; 3. Gu Xiang ; 4. Chun Tian ,Lai Ba ; 5. Hua Zheng Zai Kai ; 6. Hai Bin Zhi Ge ; 7. Shao Nian Shi Dai ; 8. Xia Ri Hui Yi ; 9. Fei Zao Pao ; 10. Man Zhou Chang Ge ; 11. Gan Zhe Tian ; 12. Zhao Dao Liao Xiao Xiao De Qiu Tian ; 13. Wan Xia Jian Dan ; 14. Huang Cheng Zhi Yue ; 15. Chuan Liu Bu Xi ; 16. Hua Wei Qian Feng ; 17. Yang Wang Xing Kong ; 18. Can Xue ; 19. Bei Guo Zhi Lian ; 20. Lei Guang Shan Shan.

SKU: ST.C550

ISBN 9790570815500.

Traveller’s Joy — Two Walking Tunes for Oboe and Piano was composed in 1956. This is the first time the piece has been published.

Mary Chandler was born in Kent in 1911. She studied music privately, and her teachers included Harry Farjeon (composition), Margaret Eliot and Leon Goossens (oboe) and Harold Craxton (piano). She read English at Oxford University and taught in London schools before joining the City of Birmingham Symphony Orchestra as principal oboist. She appeared with the CBSO as soloist (oboe and piano) and composer and gave broadcasts and recitals in the Midlands. Later, as a free-lance orchestral player, she formed the Mercian Trio (flute, oboe and piano) which gave concerts around the country.

In 1960 Mary became Area Director of the Kent Music School, in charge of its wind teaching and of the varied activities of its Tonbridge Music Centre. She conducted many student groups and composed and arranged music for them until she retired in 1971. She continued to be actively involved in music thereafter, examining, composing and organising concerts. She spent her later years in Gloucestershire and died in 1996.

Dr. Kristin Leitterman is currently the Assistant Professor of Oboe at Arkansas State University in Jonesboro, Arkansas, USA, where she teaches oboe and bassoon, Double Reed Techniques, and coaches small chamber ensembles. She is also the Director of the Lucarelli Oboe Master Class, a week-long immersive oboe master class founded by Bert Lucarelli in 1996. As a guest artist she has presented master classes at many institutions, including the Manhattan School of Music, New York University, and the Hartt School.

As a researcher, Kirstin has interests in the life and works of Mary Chandler. She has presented her research at The Juilliard School, Music by Women Festival, the International Double Reed Society conferences, and the Brazilian Double Reed Society’s conference in João Pessoa, Paraíba, Brazil.