SKU: BT.DHP-1165768-400

ISBN 9789043151887. German.

Hören, lesen and spielen, die Bläserschule von heute, zeichnet sich unter anderem durch Ergänzungshefte mit genau auf das eigentliche Schulwerk abgestimmter Spielliteratur aus. Zu den vorhandenen Heften mit gemischter Sololiteratur (Liederspielbuch, Solospielbuch und Stilbuch) sowie dem Duobuch (für zwei gleiche Instrumente) gesellt sich nun Weihnachten, eine Sammlung von Liedern für die Festtage, die zu jeder Lektion des Schulwerks mindestens ein passendes Lied enthält. Neben zahlreichen bekannten, schülergerecht ausgesuchten und arrangierten Liedern umfasst die Auswahl auch eine Anzahl eigens komponierter, sehr leichter Lieder passendzu den ersten Lektionen von Hören, lesen and spielen. Untermalt von den stimmungsvoll arrangierten Begleittracks auf der beigefügten CD, wird so Anfängern auf der Oboe selbst nach kurzer Unterrichtszeit die Möglichkeit für ein Vorspiel in weihnachtlicher Atmosphäre gegeben. Weihnachten kann kommen!

SKU: HL.48180818

UPC: 888680853068. 9x12 inches.

The Techniques of the Oboe, Sonority and Mechanism by Louis Bleuzet is a method for oboe, using the rational study of the scale. This first volume for beginners includes the following topics: 1. Scales 2. Mechanism 3. Sonority 4. Articulations 5. Trills. The two other volumes focus on: Scales in third, Mechanism, Scales in fourths, Mechanism, Whole tone scales, Chromatic scale, Arpeggios and Staccato. Louis Bleuzet (1874-1941) was a French oboist and a professor at the Paris Conservatoire.

SKU: GI.G-M589

ISBN 9781579996420. English.

Do It! Play and Teach is an innovative and comprehensive text for college secondary instrument courses or for any instrumental music teacher looking to master a new wind instrument. This spiral-bound book with accompanying CD is designed to develop the performance skills teachers need to provide students with exemplary instrumental models. “Focus on Teaching” bullets found throughout each book develop the pedagogical understanding needed to teach technical and musical skills to beginning and intermediate level students. Do It! Play and Teach also gives teachers the tools to assess their students’ technical and musical skills. From clear photographic models of embouchure, posture, instrument position, and hand position, to an artist-rendered CD of “Listen and Play” tracks, this series has the potential to transform both your music making and your music teaching. James O. Froseth Molly A. Weaver, contributing editor.

SKU: SU.94010762

Dedicated to Titus Underwood, Principal Oboe, Nashville Symphony OrchestraOboe Duration: 5' Composed: 2020 Published by: Subito Music Publishing PROGRAM NOTE: The year 2020 has definitely been a very challenging year with many upheavals. During this time of the COVID-19 health crisis, wearing masks, and high racial tensions, I decided to compose four short solo woodwind works for flute, oboe, clarinet, and bassoon, which represent the core woodwind section in an orchestra. I was inspired to compose these short pieces after I first heard Igor Stravinsky's three short pieces for clarinet, which totals a little more than four minutes in duration. I thought that it would be nice to highlight and honor my African-American male colleagues in the orchestral music world. I wanted to celebrate the fact that they are the principal player in the section of their respective orchestras. The short pieces are as follows: Principal Brother No. 1 for flute solo for Demarre McGill, Principal Flute of the Seattle Symphony Orchestra, Principal Brother No. 2 for oboe solo for Titus Underwood, Principal Oboe of the Nashville Symphony Orchestra, Principal Brother No. 3 for clarinet solo for Anthony McGill, Principal Clarinet of the New York Philharmonic, and Principal Brother No. 4 for bassoon solo for Bryan Young, Principal Bassoon of the Baltimore Chamber Orchestra. These works all begin with notes that are representative of their name; D for Demarre, B for Titus (ti in solfège starting on C), A for Anthony, and Bb for Bryan. There is also a rhythmic figure in the opening measures of each piece, which represent the utterance of their names. All four of these works are rhapsodic in nature with elements of improvisation. - James Lee III.

SKU: BT.EMBZ12002

English-German-Hungarian.

'Joseph Sellner (1787-1843) was a famous oboe player of his time. In 1825, Sellner published an oboe tutor in three volumes entitled Theoretisch-Praktische Oboen-Schule. Despite the fact that the instrument has undergone considerable changes and improvements since his time, the majority of Sellner's work has still retained its usefulness to this day. His studies provide valuable help for achieving smooth technique and tone-colour, especially at the beginner level. The obsolete two-part exercises and interval studies written for the instrument of his time have been omitted in this volume. The studies have been arranged here, as opposed to the original sequence, accordingto the order of key signatures.' - Péter Pongrácz

Joseph Sellner (1787-1843) war ein berühmter Oboist seiner Zeit und Autor der Theoretisch-Praktischen Oboen-Schule. Obwohl sich das Instrument seither verändert hat, ist der Großteil von Sellners Werk heute noch sehr wertvoll - besonders für Anfänger auf der Oboe. Die Etüden in dieser Ausgabe wurden anders als im Original nach Tonarten geordnet.

Joseph Sellner (1787-1843) était un célèbre hautbo ste allemand, auteur de la méthode Theoretisch-Praktischen Oboen-Schule (Méthode théorique et pratique pour hautbois. Bien que le hautbois ait évolué depuis, la majorité des pièces et études composées par Sellner restent un élément précieux complémentaire toute méthode d'apprentissage du hautbois.