Heinz Holliger more than any other oboist has been a unique driving force in the development of 20th-century oboe playing. This early sonata for oboe is nevertheless more than just a tour de force and a showpiece for competitions or recitals: the ?Capriccio? is a polished example of the art of counterpoint and the 'Aria' is soulful and deeply moving.

Oboe And Piano-Quickie is a very short and fast-paced piece for oboe and piano composed by Victor Brightmore and is a great exercise for the advancing oboe student. The solo oboe part is also included on a separate insert.

A simple fun way to learn the basics of improvisation!-Easy Improvisation is a great way to learn the basics of improvising on your own with friends or with the whole band! Musicians are given guidance to play along in parts to play along with written-out solos or to improvise on their own. The audio tracks include demonstration of the music on the page or just the background rhythms and chords. 30 different styles are included: rock 'n' roll hip-hop jazz EDM country Bossa Nova calypso cha-cha reggae and more. Use sample solos and other tips to start improvising today!

Philip Sparkeâ??s Skilful Solos is the second volume of a progressive series of solo books that takes the young wind player from beginner to accomplished musician. Following on from the first book in the series Starter Solos this collection generally contains longer pieces suitable for the developing young musician. Specifically tailored for each instrument Skilful Solos introduces the concept of phrasing by suggesting suitable breathing points and takes the player into new keys with extended instrumental ranges new notes being introduced in a gradual and logical manner. Skilful Solos comes with a play-along CD. The advantages of playing either with piano or CD accompaniment arethat the beginning player can now experience the important aspects of ensemble playing from their earliest lessons thus developing the essential skills of listening while they play and maintaining strict tempo which is not always achieved when playing alone.

Arrangeur: Evelyn Rothwell. Par SAMMARTINI GIOVANNI BATTISTA. Sammartini Sonate en sol majeur pour hautbois et piano édité et arrangé par Evelyn Rothwell. Basse chiffrée réalisée par A. Gibilaro. / Niveau : Intermédiaire à Avancé / Rép Classique / Répertoire / Hautbois

Performed by Elaine Douvas oboe Accompaniment: Erik Nielsen piano This wonderful album for the beginning to early intermediate oboe player includes thirteen pieces ranging from Boccherini to Grieg to Richard Strauss to William Walton. Says James Roe of The Double Reed: With the poise of a great virtuoso [Ms. Douvas] approaches these 'easy' pieces as she would a solo line in a great symphony...the richness of her tone the variety in her articulation and the beauty and clarity of her line all represent the very best example for students as they develop their concept of playing. And it's all pretty inspiring for us professional oboists as well. Ms. Douvas's extensiveperformance notes are a delight and will be inspiring to students and an important aid to teachers. Includes a complete solo part printed on high-quality ivory paper annotated with performance suggestions and a compact disc with complete versions (with soloist) followed by piano accompaniments to each piece minus the soloist.

Oboe 1 Part for George Frideric Handel's Concerto Grosso In G Op.6 No.1. The Concerti Grossi Op.6 HWV 319-330 are 12 concerti for solo instruments (usually Violins and Cello) accompanied by a four-part string orchestra and Cembalo continuo. Originally published in 1739 they were written to be played during performances of Handel's oratorios and odes and are amongst the finest examples in the genre of Baroque Concerto Grosso.

Oboe Solos: Beginning Level is a collection of 15 Oboe solos for the beginning to intermediate oboist. The solos are on classic and folk favourites. A piano accompaniment for each solo is available as a freeinternet download. These solos are ideal for concert recital and fun.

The 1st Recital Series presents high quality solo/recital literature appropriate for performers from beginner to early intermediate standard. A professionally recorded CD is included with each book providing a demonstration of each piece followed by an accompaniment track which can be used for performance or rehearsal. A separate piano accompaniment book is also available. / Hautbois / 16 pages / niveau : Facile - Elémentaire / Partition + Cd

Les auteurs ont conçu - avec l'aide de professeurs d'instruments - une méthode permettant d'avoir un outil à la fois ludique et vivant pour l'enfant, et le plus précis possible pour le professeur, tout en permettant à celui-ci d'enseigner suivant sa propre sensibilité musicale. Les avantages, non exhaustifs, de la formation musicale par l'orchestre : - un rapport beaucoup plus direct et moins abstrait entre le solfège et la pratique instrumentale (tout l'apprentissage solfégique étant directement lié à l'instrument que l'élève a choisi) - passer par l'oral avant l'écrit - une formation auditive plus développée, due aux partitions interprétées par différents instrumentistes - une meilleure compréhension/analyse des oeuvres proposées grâce à la pratique instrumentale - développer l'autonomie de l'élève - la pratique instrumentale collective au sein de ce cours donnera l'envie (dès que l'élève aura le niveau suffisant) de rejoindre un des ensembles instrumentaux du conservatoire ou de l'école de musique Chaque volume de Symphonic FM se présente sous la forme d'un livre de l'élève (choisi en fonction de l'instrument pratiqué) et d'un livre du professeur. A partir du volume 5, nous avons changé la présentation des livres des élèves pour des raisons pratiques (densité de l'ouvrage). Il y a désormais : un cahier principal comportant ce qui est commun à tous les instruments une partie séparée spécifique à chaque instrument comportant les duos instrumentaux, les versions instrumentales des chants et les pratiques instrumentales. Ainsi, chaque élève achètera non plus le correspondant à la famille de son instrument mais le cahier de son propre instrument.

No.1 No.5 No.8 No.9 and No.22 from 6 Sonates; No.4 No.8 and No.9 from 20 Etudes and 6 Grandes Sonates

Joseph-Hector Fiocco Arioso for Oboe and Piano. Edited by Arthur Bent and Norman O'Neill. 

Par POULENC FRANCIS. Ecrit l'année avant sa mort, et dédiée à la mémoire de Sergueï Prokofiev, cette pièce est la dernière des sonates de Poulenc et le vent est une oeuvre d'une profonde émotion et de délicatesse. Poulenc ne serait pas vivre pour voir la pièce à maturité, comme le travail a été publié à titre posthume. Ceci est la version actualisée et révisée 2004, édité par Millan Sachania. / Niveau : Intermédiaire à Avancé / Rép Classique / Répertoire / Hautbois

Voici une partition musicale pour Hautbois que vous pouvez acquérir pour moins de 10C. Classée dans la catégorie Classique cette partition a pour titre 6 SONATES VOLUME 1. C'est l'éditeur Billaudot sous la référence MRB1184 1 qui a les droits pour éditer cette partition. / Hautbois / Partition

This collection of etudes was written compiled and edited by Russian oboist and pedagogue Yuri Maizels to provide the most efficient means possible for young players to learn the basics of oboe playing. The composers Hinke (a German composer who taught and worked in St. Petersburg during the reign of the Tsars) Wiedemann Garnier and Debondue are among the finest of writers and pedagogues featured in this series. These studies begin very simply and gradually increase in difficulty becoming more challenging melodically and rhythmically with increasing comprehension of the instrument. Short phrases enable the student to learn to control both breathing and intonation. Thiscollection of studies in three volumes can help a high school student or young professional to master technique breathing and intonation while developing the endurance that is vitally important for oboe players. Yuri Maizels was born in Leningrad (now St. Petersburg) in the former Soviet Union. After the conclusion of the Second World War he was accepted at age 13 into the Naval Boarding Musical School in Leningrad (the school which had been organized in 1873 by Rimsky-Korsakov) to study the oboe. In 1964 he graduated from the College of Music with multiple degrees in oboe performance oboe teaching and conducting. During his career Yuri Maizels played in major orchestras working with such well-known conductors such as Yuri Temirkanov Mariss Jansons Yuri Simionov Valery Gergiev and others.