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Opera
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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Piano, Vocal and Guitar (5877)
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Musical course - Solfege (190)
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Piano Trio: piano, violin, cel… (168)
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Chant (144)
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Viola, Piano (121)
2 Pianos, 4 hands (121)
Low voice, Piano (117)
Alto Saxophone and Piano (114)
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Voice, Guitar (108)
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Banjo (97)
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CD (87)
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Descant (Soprano) Recorder (84)
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B Flat, E Flat, C and Bass cle… (78)
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Orchestra, Violin (71)
Flute and Guitar (71)
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Tuba or Euphonium or Saxhorn (66)
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Opera (64)
2 Cellos (duet) (63)
Bassoon, Piano (duet) (61)
Eb Instruments (57)
2 Recorders (duet) (56)
Mezzo-Soprano voice, Piano (56)
Woodwind Quintet: flute, oboe,… (55)
Percussion (55)
2 Clarinets (duet) (55)
Piano Quartet: piano, violin, … (53)
Trombone and Piano (53)
Choral SSATB (52)
Harpsichord (50)
Saxophone and Piano (50)
Treble (Alto) Recorder (50)
Saxophone Quartet: 4 saxophone… (50)
Educatif (46)
Band Scores (46)
Piano, Voice, Guitar tablature… (45)
2 Saxophones (duet) (45)
Tuba and Piano (44)
Partition de Poche (43)
Partie Séparée (43)
Double bass, Piano (duet) (41)
Exemplaire Complet (40)
Parties Supplémentaires (40)
Children choir (40)
Choral SSAATTBB (37)
Choral SSAA (37)
Violon Solo, Violoncelle Solo,… (36)
Solistes SATB, Choeur SATB, 4 … (36)
Biography (36)
Voix et Instruments Divers (36)
Trio avec Piano (35)
Ensemble à Cordes (35)
Flute, Orchestra (34)
Voice and Orchestra (34)
Bassoon, Orchestra (33)
Piano Accompaniment (33)
2 Flûtes Traversières ou 2 F… (32)
String Trio: 2 violins, cello (32)
Clarinette et Orchestre (32)
Music Theory (32)
Euphonium (31)
Brass Quartet (31)
Solistes SATB, Choeur SATB, 2 … (30)
Recorder Quartet (29)
Travaux Pour Choeurs (29)
Concert Band/Harmonie (29)
Violin, Cello (duet) (29)
Choeur SAM (29)
3 Recorders (trio) (29)
2 Hautbois, 2 Clarinettes, 2 B… (28)
A Cappella (28)
Children choir, Piano (28)
Ensemble (28)
B Flat, E Flat and C Instrumen… (27)
Clavecin (26)
Solistes STBar, Choeur SATB, 2… (26)
Guitare ou Luth (26)
4 Parties Mixtes (26)
Choeur d'Enfants, Solistes, In… (26)
Recorder, Piano (25)
Vocal duet, Piano (25)
Guitare Electrique (25)
Quartette Pour Flûtes à Bec … (24)
Piano Quintet: piano, 2 violin… (24)
2 Trumpets (duet) (24)
Parties Orchestrales (24)
Pennywhistle (24)
Livret (24)
Descent (Soprano) Recorder, Pi… (24)
Choeur de Femmes (24)
Low voice (23)
Bass Clef Instruments (23)
Flute Trio: 3 flutes (23)
Cello, Orchestra (23)
Flexible Instrumentation (22)
Violin, Viola (duet) (22)
Brass Quartet: 4 trombones (22)
Flute ensemble (22)
2 Violons, Alto, Violoncelle e… (21)
4 Guitars (Quartet) (21)
Clarinette et Quatuor à Corde… (21)
Piano Quintet: piano, violin, … (21)
Solistes SATB, Choeur SATB, 2 … (21)
Solistes SAT, Choeur SATB, 2 F… (21)
Violon, Ensembles de Cordes et… (21)
Clarinet, Orchestra (21)
Clarinet Quartet: 4 clarinets (21)
Piano, Guitar (duet) (21)
Flûte Traversière ou Violon)… (20)
2 Violons, Alto et Violoncelle… (20)
Flûte Traversière, Clarinett… (20)
Accordion ensemble (20)
Dulcimer (20)
Choral Unison (20)
Accessoire (20)
Soprano voice (20)
Trio (19)
Choeur SATB, 2 Flûtes Travers… (19)
Solistes SB, Choeur SATB, 2 Ha… (19)
Solistes SATBB, Choeur SATB, 2… (19)
Treble (Alto) Recorder, Piano (19)
Harpsichord and Strings (19)
Piano, Guitar (Chords) (19)
Flute, Clarinet (duet) (19)
Petit Choeur AT, 2 Flûtes Tra… (18)
Flute, Cello, Piano (trio) (18)
Oboe, Organ (18)
Choeur SATB, 2 Trompettes, 2 T… (18)
Voix et Orchestre (18)
Choral SSATTB (18)
Oboe and Orchestra (18)
Trio à Cordes (18)
Big Note Piano (18)
Quatuor (18)
Alto (Partie séparée) (18)
Trio de Pianos, Salon Ensemble… (18)
DVD concert (18)
Musical Awakening (18)
Solistes STBB, Choeur SATTBB, … (17)
Solo S, 2 Flûtes Traversière… (17)
Solistes ST, Choeur SSAATB, 2 … (17)
High voice (17)
2 Trombones (duet) (17)
Cor en Fa (17)
Voix Mixtes (17)
Flute, Basso continuo (17)
3 Guitars (trio) (17)
Choeur Mixte et Ensemble de Ch… (16)
Solistes SAB, Choeur SATB, Cto… (16)
Flûte à Bec Soprano (Flûte … (16)
Saxophone Ténor et Piano (16)
Choeur Mixte (SSATB) avec Soli… (16)
Violon 3 (Partie Séparée) (16)
5 A 9 Instruments A Vent (16)
Flûte à Bec, Guitare et Musi… (16)
2 Flutes, Piano (16)
Ensemble Mixte (16)
Instruments Cuivre (16)
Tenor voice (16)
Snare drums (16)
Solo SATB, Choeur SATB, Hautbo… (15)
Solistes SATB, Choeur SATB, 2 … (15)
Solistes SA, Choeur SATB, 3 Tr… (15)
Solistes SATB, Choeur SATB, 2 … (15)
Solistes TB, Choeur SATB, 2 Co… (15)
Solistes SATB, Choeur SATB, 2 … (15)
Choeur SATTB et Basse Continue… (15)
Piccolo, Piano (15)
Clavier Electronique et Ligne … (15)
Concert band, Choral (15)
Petit Ensemble Contemporain (15)
Tenor Saxophone and Piano (15)
Big band (15)
Percussions (15)
Violin, Basso continuo (15)
Recorder Ensemble (15)
Choeur D'Enfants (Ou De Jeunes… (14)
Petit Choeur SATTB, 5 Instrume… (14)
Solistes ST, Choeur SSATB/SSAT… (14)
Solistes SSA (TTB), Choeur SAT… (14)
Solistes ATB, Choeur SATB, Tro… (14)
Solistes SB, Choeur SSATB, 2 T… (14)
Clarinet, Cello, Piano (trio) (14)
Choeur SATB/SATB, ou Basse Con… (14)
Chant et Guitare (14)
Solistes SATB, Choeur SATB, 2 … (14)
Euphonium, Piano (duet) (14)
Violin, Organ (14)
Choeur Mixte, Soprano et Orche… (14)
Voix Et Orff-Instruments (14)
Lute (14)
Flute Quartet: 4 flutes (14)
Choeur SSATB et Basse Continue… (14)
Solistes SATTBB, Choeur SATB/S… (13)
Solistes SATB, Choeur SATB, Tr… (13)
Quintette à vent (13)
Solistes SSTB, Choeur SATB, 2 … (13)
Violoncelle (Partie Séparée)… (13)
Solistes SSATB, Choeur SATB, 3… (13)
Solistes AT, Choeur SATB, Trom… (13)
Choeur SATB/SATB, (8 Instrumen… (13)
Solistes ST, Choeur SSATB, 3 T… (13)
Solistes SATB, Choeur SATB, (C… (13)
Solistes, Choeur d'Enfants, 3 … (13)
String Quartet : 4 violas (13)
Choeur d'Enfants et Ensemble (13)
Solistes SATB, Choeur SATB, 2 … (13)
Trompette ou Bugle ou Cornet o… (13)
Solistes SB, Choeur SATB, 2 Tr… (13)
Woodwind Quintet (13)
Clarinet Ensemble (13)
Marimba (13)
Chorale (13)
Solistes SBar, Choeur SSATB, 2… (12)
Solistes SMSATB, Choeur SATB, … (12)
Solistes SATB, Choeur SATB, Fl… (12)
Catalogue des Oeuvres (12)
Choeur SSATB, Basson, 2 Trompe… (12)
Violoncelle et Quatuor à Cord… (12)
Solistes AT, Choeur SATB/SATB/… (12)
Solistes, Div. Instruments à … (12)
Trompette ou Cornet, Trombone … (12)
Bass Clarinet (12)
Solistes, Choeur d'Enfants, Fl… (12)
Choeur SATTB, (5 Instruments, … (12)
Flûte Traversière, Clarinett… (12)
Double bass, Orchestra (12)
Solistes SB, Choeur SATB, 2 Ha… (12)
Flute, Oboe, Clarinet, Bassoon… (12)
Choeur SATB/SATB, (Contrebasse… (12)
Saxhorn en Sib (12)
Hautbois, Basson et Piano ou O… (12)
Soli and Orchestra (12)
Choeur d'Enfants, Flûte Trave… (12)
String quintet (12)
Saxophone Baryton (12)
Fanfare Band (12)
Harp, Flute (duet) (12)
3 Choeurs (SATB, SATB et SATB)… (12)
Clarinette, Saxophone, Trompet… (12)
Choeur (SATB) et Brass Band (12)
SATB et Orchestre (12)
Choeur, Parties Solo, Narrateu… (12)
Violin, Guitar (duet) (12)
Choeur d'Enfants (12)
4 Cellos (12)
Contrebasse (Partie séparée)… (12)
Choeur SSATTB, (6 Instruments,… (11)
Solo A, Choeur SATB/SATB, 2 Or… (11)
Solo S, Choeur SATB, 2 Trompet… (11)
Solistes SATB (Solo T, Auswahl… (11)
Choral, Orchestra (11)
Solo SA, Flûte Traversière, … (11)
Solo B, Choeur SATB, 2 Flûtes… (11)
Choeur Mixte et Orchestre (11)
Trumpet, Trombone (duet) (11)
Solistes SATB, Choeur SATB, 3 … (11)
2 Violas (duet) (11)
4 Euphoniums (11)
Choeur SSATB, 2 Hautbois, 3 Vi… (11)
Bass Clarinet, Piano (11)
Baritone voice (11)
Solistes ATB, Choeur SATB, 2 H… (11)
6 Parties Mixtes (11)
Solo B, Trompette, Violon, Alt… (11)
Scores (11)
Solo B, Choeur SATB, 2 Hautboi… (11)
Saxhorn and Piano (11)
Solo instrument and Organ (11)
Organ, Trumpet (duet) (11)
Ocarina (11)
Guitar Ensemble (11)
Cornet and Piano (11)
Electric bass, Drums (10)
Solistes STB (SB/TB/SATB), Cho… (10)
Solistes SA, Choeur SATB, 2 Ha… (10)
String Quintet: 2 violins, 2 v… (10)
Choeur D'Hommes (TTBB) A Cappe… (10)
Gemischter Chor (SATB) und Orc… (10)
Choeur SATB, 2 Violons et Bass… (10)
Concert Band ou Harmonie et Ba… (10)
2 Violins and Basso (10)
Orgue et Musique de Chambre (10)
Guitare et Voix (10)
Choeur SSATB, 2 Violons et Bas… (10)
Solistes SAB, Choeur SATB, 4 F… (10)
Solistes, 1-2stg Choeur d'Enfa… (10)
Solistes SSATB, Choeur SATB, 2… (10)
Solistes STBarB, Choeur SATB, … (10)
Orgue, 2 Violons, 2 Altos, 2 V… (10)
Solistes SATB, Choeur SATB, 2 … (10)
Solistes SATB, Choeur SATB, Or… (10)
Choeur SATB, 3 Flûtes Travers… (10)
Orchestre Scolaire (2 Flûtes … (10)
Voice, Organ (10)
4 Instruments Cuivre (Trompett… (10)
Choeur SATB, Paroisse, 2 Hautb… (10)
Percussion Ensemble (10)
School Ensemble (10)
Ensemble Instrumental et Petit… (10)
Mezzo-Soprano voice (10)
Nursery rhyme (10)
Cello, Guitar (duet) (10)
Viola and orchestra (10)
Solistes SATB, Choeur SATB, Ha… (9)
Choeur Mixte (Unisson) Avec Or… (9)
Solistes SAB, Choeur SATB, 2 H… (9)
Solistes SATB, Choeur SSATTB, … (9)
Oboe, Violin, Viola and Violon… (9)
Solo S, Flûte Traversière, H… (9)
2 Violons Solo, 2 Violons, Alt… (9)
Soli (SATB), Choeur Mixte (SAT… (9)
Soli (SATB, Soprano Aussi Chor… (9)
Solistes SSATTB, 2 Trompettes,… (9)
Solo SATB, Choeur SATB, 2 Flû… (9)
Solistes SATB, Choeur SATB, 3 … (9)
Choeur SATB, 2 Trompettes, 2 T… (9)
Choeur D'Enfants (SMezA) Avec … (9)
8 Instruments (9)
Choeur Mixte (SATB) Avec Solis… (9)
Euphonium or Saxhorn and Piano… (9)
Organ, Piano (duet) (9)
Violoncelle ou Contrebasse (Pa… (9)
Harmonie (9)
Solistes SATB, SATB et Orchest… (9)
Solistes SATB, Choeur SATB, 2 … (9)
Solistes SATB, Choeur SATB, Ba… (9)
Quintette à Cordes (9)
Solistes SATB, Choeur SATB, 2 … (9)
Choeur SATB, (4 Instruments, C… (9)
Solistes S (A) TB, Choeur SATB… (9)
Solistes SATB, Choeur SATB, 2 … (9)
Quintette (9)
Cordes, Basse Continue, Partie… (9)
Choeur SATB, 2 Hautbois, 2 Vio… (9)
Solistes SATB, Choeur SATB, 2 … (9)
Violon, Ensembles de Cordes et… (9)
4 Compagnons, 4 Voleurs, Direc… (9)
Voix, Flûte à Bec et Percuss… (9)
Choeur d'Enfants, Flûte Trave… (9)
Hautbois, Cor Anglais et Hecke… (9)
2 Euphoniums et Piano ou Orgue… (9)
3 Clarinets (trio) (9)
Choeur SSATTB, 4 Trombones, 4 … (9)
Alto et Orchestre (9)
Oboe, Clarinet, Bassoon (trio)… (9)
Flûte Traversière, Hautbois … (9)
Choeur SATB et Basse Continue (9)
2 Clarinets, Piano (9)
Diverses Formations (9)
2 Bassoons (duet) (9)
Baryton (9)
Soli (AT), Choeur Mixte (SATB)… (9)
3 Saxophones (trio) (9)
String Trio: 3 violins (8)
Choeur SSATB, 2 Violons, Alto,… (8)
Solistes SATB, Choeur SATB/SAT… (8)
Solistes, Div. Instruments à … (8)
Solistes SSAT, Choeur SATB, 2 … (8)
Solo SATB, Choeur SATB, 2 Viol… (8)
Saxophone Alto, 2 Trombones, T… (8)
Solistes ou AuswahlChoeur SATB… (8)
Quintette avec Piano (8)
Violon, Viole de Gambe et Orgu… (8)
2 Violons et Cordes (8)
Voix et Orchestre à vent (8)
Défilé et parade (8)
Choeur SATB, 3 Trombones, 2 Vi… (8)
2 Oboes, 2 Horns and 2 Bassoon… (8)
Clarinette, Basson, Violon, Vi… (8)
Choeur SSAM, Flûte Traversiè… (8)
Violon, Alto, Violoncelle et C… (8)
Solistes SB, Choeur SATB, Haut… (8)
Choeur d'Enfants 1 à 4 Partie… (8)
Octuor (8)
Soli (SB), Choeur Mixte (SATB)… (8)
Hautbois, 2 Flûtes Traversiè… (8)
2 Flûtes Traversières, 2 Hau… (8)
Choeur SATB, 2 Tubes en plasti… (8)
SATB, (4 InstrumentS Basse et … (8)
Solo Baryton, Choeur SATB, 2 H… (8)
Flûte, Hautbois et Clarinette… (8)
Clarinette, Violon et Piano (8)
Solistes SATB, Choeur SATB, Fl… (8)
Piano, Bass, Drums (trio) (8)
Solistes SSAATTB, Choeur SATB,… (8)
Solistes SAB, Choeur SATB, 2 F… (8)
Clarinette, 2 Violons, Alto et… (8)
Choeur Mixte (SATB) Avec Solis… (8)
Solistes STB, Choeur SATB, 2 H… (8)
Flûte à Bec et Piano (8)
Solistes SATB, Choeur SATB, 2 … (8)
4 Parties Mixtes (Ou 3 Parties… (8)
Solo B, Choeur SSATB, 2 Violon… (8)
Choeur Mixte (SATB, Partie(s) … (8)
Solistes SATB, Choeur SATB, 2 … (8)
Choeur TTBB, (2 Cors et 3 Trom… (8)
Trompette en Sib (8)
Horn Ensemble (8)
Choeur d'Enfants (SMez) avec I… (8)
Hautbois, Clarinette et Basson… (8)
Solo S, Flûte Traversière, 2… (8)
Choeur SSTBBar/ST (A) TBBar, 2… (8)
1 Piano, 6 hands (8)
Solistes SSA, Choeur SATB, Hau… (8)
Solistes SSA, Choeur SATB, 2 F… (8)
5 Instruments (Instruments à … (8)
SATB, 4 Parties Mixtes, 2 Viol… (8)
5 Instruments à Vent (8)
Flûte Traversière Hautbois, … (8)
Clarinette, Quatuor Pour Instr… (8)
Choeur De Jeunes (Ou De Femmes… (8)
Instruments A Vent (8)
Choeur Mixte et Basse Continue… (8)
Cor en Mib (8)
Choeur SSATB, 2 Hautbois, 2 Vi… (8)
Solo Baryton, Choeur SSAAB, 2 … (8)
Solistes SSTTAB (SATTB), Choeu… (8)
Choeur SATB/SATB, 2 Trompettes… (8)
Solistes SATTBarB, Choeur SATB… (8)
Solistes SSAATTBar, Choeur SSA… (8)
Choeur SSATTB, Violon, Violonc… (8)
Petit Orchestre: Récitant, So… (8)
Gemischter Chor (SSATB/SSATB/S… (8)
Choeur SSATB, 2 Violons, 2 Alt… (8)
Carte Postale (8)
Solistes SB (B), Choeur SATB, … (8)
Guitare Tablatures Electrique (8)
Cello Ensemble (8)
Flûte Traversière et Orchest… (8)
Dobro (8)
Piccolo (8)
Guitare Flatpick et Plectre (7)
Choeur SATB, Cor, 2 Violons, V… (7)
3 Violons, Instruments à Cord… (7)
Choeur SATB, 2 Violons, 2 Alto… (7)
Solo S, Choeur SATB, 2 Hautboi… (7)
Soli (ATB), Choeur Mixte (SATB… (7)
Choeur de Jeunes à 1 à 3 Par… (7)
Solo T, Trombone Alto ou Alto,… (7)
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Utopia Limited (GILBERT WILLIAM SCHWENCK / SULLIVAN ARTHUR)
Opera
[Sheet music]
Faber Music Limited
Par GILBERT WILLIAM SCHWENCK / SULLIVAN ARTHUR. Having a rather idealistic view ...
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Par GILBERT WILLIAM SCHWENCK / SULLIVAN ARTHUR. Having a rather idealistic view of England and the English people, King Paramount of the south sea island of Utopia decides that his people should adopt all English customs and fashions, and that the kingdom should become a company limited . Utopia Limited , or The Flowers Of Progress , is a Savoy Opera, with music by Arthur Sullivan and Libretto by W.S. Gilbert. It was the second-to-last of Gilbert and Sullivan's fourteen collaborations, premiering on October 7, 1893 for a run of 245 performances. Available here is the vocal score of the Opera. / Niveau : Elémentaire / TV, Film, Comédie musicale / Recueil / Chant et Piano
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Die Harmonie der Welt Teil C (HINDEMITH PAUL)
Opera
Schott
Par HINDEMITH PAUL. The opera is set in a variety of locations between the years...
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Par HINDEMITH PAUL. The opera is set in a variety of locations between the years 1608 and 1630 and throws a spotlight on individual scenes, sometimes presented simultaneously, from the life of the astronomer Johannes Kepler (1571-1630); the opera takes its name from Kepler’s theoretical work ‘Harmonices mundi’. Hindemith utilises substantial historical studies as the basis for his sketches of individuals within Kepler’s circle who each accompany the astronomer’s scientific endeavours with a variety of personal ambitions. The military commander Wallenstein attempts to utilise Kepler’s astrological abilities to realise his own pretensions to power while Kepler’s assistant Ulrich aspires to scientific fame and recognition. Kepler’s mother urges her son to apply his scientific abilities to the services of her black magic and the Lutheran minister Hizler forbids the astronomer to receive communion because Kepler questions the doctrine of Holy Communion in the Lutheran church and expresses sympathy for Calvinist doctrine. The few figures shed in a positive light include Kepler’s wife Susanna who supports her husband’s pursuit of truth and knowledge and the child Susanna who listens to the voices of nature and the moon in her childish naivety, thereby gaining revelatory knowledge. At the end of his life, Kepler takes stock of his situation, succumbs to a state of resignation and considers death as the greatest harmony of all. In his state of agony, music of the spheres can be heard; the constellations appear as allegorical figures in the opera and contradict Kepler’s negative concepts: lying beyond all that can be researched by mankind is a final majestic realm with the powers to ‘permit us to be amalgamated into a gigantic harmony of the spheres.’ / Date parution : 2022-07-20/ Répertoire / Opéra
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Monteverdi C. - L'orfeo - Vocal Score
Opera
[Vocal Score]
Barenreiter
Monteverdi’s opera “L’Orfeo”, based on the legend of Thracian singer Orp...
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Monteverdi’s opera “L’Orfeo”, based on the legend of Thracian singer Orpheus and his love of Eurydice, is a masterpiece of musical declamation and ornamentation. It was first performed during the 1607 carnevale in the “Palazzo Ducale” in Mantua. When an edition remains true to its sources, this certainly does not mean that it is not also practical to use, as is demonstrated in this Bärenreiter edition of Monteverdi’s “L’Orfeo”. Edited by Rinaldo Alessandrini, the new publication follows the Bärenreiter edition of Monteverdi’s “Il ritorno d’Ulisse in patria”. Two contemporary prints of “L’Orfeo” from the years 1609 and 1615 have been passed down to us. Four copies of each of these prints still survive today in public libraries. The later print includes many corrections to the earlier edition and was accordingly used as the primary source for this Bärenreiter edition. However, when solving musical problems the editor frequently follows the more coherent style of the earlier print. The numerous interesting variants, not only between the two editions but also amongst the eight surviving copies, are listed in the critical commentary. This edition of “L’Orfeo” offers in addition to Monteverdi’s somewhat sparse original figures also figures added to the bass line by the editor. The continuo player should, however, feel free to follow his own judgment. The notation has been, when necessary, adapted to suit modern practice, for example with regard to the clefs. The sections that were originally written in “chiavetta” have been transposed a fifth lower. In the appendix these sections also appear in their original notation in facsimile as well as transposed a fourth lower. - Detailed introduction by the editor (Ital/Eng/Ger) on the work’s genesis and performance practice - Comprehensive critical commentary (Eng) in the score - Idiomatic piano reduction Edition no.: BA 8793-90 ISMN: 9790006533121 Composer / Author: Monteverdi, Claudio Title: L'Orfeo Favola in musica in one prologue and five acts Detailed instrumentation: Soprano solo (7), Tenor solo (4), Bass solo (3), Mixed choir: SSATTB, Male choir: TTBBB, Orchestra Librettist: Striggio, Alessandro (junior) Editor: Alessandrini, Rinaldo Foreword / Introduction: Alessandrini, Rinaldo Product format: Piano reduction, Urtext edition Language(s) of work: Italian Language(s) of text: German, Italian, English Publisher: Bärenreiter Binding: Paperback Print run: 1st printing 2012 Pages / Format: XIV, 143 S. - 27,0 x 19,0 cm Weight: 428 g
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Phaedra (Vocal Score)
Opera
[Vocal Score]
Chester
Phaedra by German composer Hans Werner Henze is a 'concert opera' in two acts wh...
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Phaedra by German composer Hans Werner Henze is a 'concert opera' in two acts whose first performance was given at the Berlin State Opera in 2007. Phaedra was Henze's penultimate opera, and this item presents the vocal score, with the entire work lasting around 75 minutes. The parts are for Mezzo-Soprano, Soprano, Tenor, Countertenor, Bass Baritone, as well as a mime.Featuring a unique libretto by Christian Lehnert and sound effects by Francesco Antonioni, this opera presents the wonderful story of Phaedra, filled with drama and fantastic music. This Vocal Score presents the work in German and English language, with German lyrics.Phaedra was co-commissioned and co-produced by Staatsoper Unter den Linden Berlin, Berliner Festspiele, Théâtre de la Monnaie Brussels, Alte Oper Frankfurt and Wiener Festwochen. Hans Werner Henze was a hugely prolific composer who drew influences from a wide number of sources. Phaedra is regarded as among his greatest works and would certainly make for a stunning performance. / Chant Et Piano
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The Threepenny Opera (WEILL KURT)
Opera
Universal Edition
Par WEILL KURT. Piano-Vocal Score for Kurt Weill's Threepenny Opera./ Répertoir...
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Par WEILL KURT. Piano-Vocal Score for Kurt Weill's Threepenny Opera./ Répertoire / Piano
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Io RCT 45 (RAMEAU JEAN-PHILIPPE)
Opera
Barenreiter
Acte de Ballet. Par RAMEAU JEAN-PHILIPPE. Rameau Io RCT 45 (Vocal Score) In Rame...
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Acte de Ballet. Par RAMEAU JEAN-PHILIPPE. Rameau Io RCT 45 (Vocal Score) In Rameau's operatic oeuvre, 'Io' is certainly the work shrouded in the most mystery: the acte de ballet has survived only in the form of a copy of the score and parts which was made by a collector from the generation after Rameau from the autograph that now is lost. Although the copy seems to have been used, presumably for a trial read-through, the work was apparently never regularly performed during Rameau's lifetime. And for good reason: the work breaks off abruptly at the beginning of the divertissement; neither the librettist nor a plan for a theatre location are known. Because of its incompleteness, 'Io' was long regarded as Rameau's last work, but there is much to suggest that the composition must have been written between 1740 and 1745. The introduction to this edition examines the references regarding the dating as well as various hypotheses about performance possibilities and librettists. The plot revolves around one of those typical mythological flirtations that are inevitably to be expected when Jupiter and a nymph, here Io, are involved. With the appearance of madness, La Folia, the work reaches a dramaturgical climax. However after this, the opera breaks off. In order to make the piece performable, the editors of ?Opera Omnia Rameau? propose an addition to the divertissement as well as an ending borrowed from the ballet bouffon 'Platée' in its 1745 version, which shows numerous parallels to 'Io'. Thus, these additions come as close as possible to Rameau's style of the 1740s while bringing the plot to a conclusion. - Fragmentary work completed with original music by Rameau - Based on the score of ?Opera Omnia Rameau?, Volume V/1 - Particularly suitable for academies and conservatories as few soloists are required and the few choral movements can be sung by soloists / Date parution : 2023-06-01/ Répertoire / Opéra
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Anaximanders Ende (THARICHEN WERNER)
Opera
Bote and Bock
Par THARICHEN WERNER. Chamber Opera In One Act/ Répertoire / Livret d'Opéra
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Aufstieg Und Fall Der Stadt Mahagonny (WEILL KURT)
Opera
Universal Edition
Par WEILL KURT. / Répertoire / Livret d'Opéra
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Schwanda The Bagpiper (WEINBERGER JAROMIR)
Opera
Boosey and Hawkes
Volksoper in 2 Akten. Par WEINBERGER JAROMIR. Folk Opera In 2 Acts/ Feuillet / L...
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Volksoper in 2 Akten. Par WEINBERGER JAROMIR. Folk Opera In 2 Acts/ Feuillet / Livret d'Opéra
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Abu Hassan (WEBER CARL MARIA VON)
Opera
[Sheet music]
Peters
Par WEBER CARL MARIA VON. Voice - Piano/ Répertoire / Opéra
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Le Comte Ory -Opera In Two Acts-
Opera
Barenreiter
Mit ?Le comte Ory' erscheint der fünfte Band aus der vielbeachteten Reihe ?Work...
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Mit ?Le comte Ory' erscheint der fünfte Band aus der vielbeachteten Reihe ?Works of Gioachino Rossini'. Nach seiner Uraufführung in Paris feierte das Werk große Erfolge an den europäischen Bühnen des 19. Jahrhunderts. Die turbulente Komödie um den Grafen Ory, der sich mit seinen wüsten Kumpanen Zutritt zu einem Nonnenkloster verschafft, ist eines von Rossinis effektvollsten Meisterwerken.Der Herausgeber Damien Colas legt in Zusammenarbeit mit dem ?Center for Italian Opera Studies Chicago' eine kritische Neuausgabe vor, die unter Heranziehung einer Vielzahl von Quellen einen originalen Text des Werkes präsentiert, der in vielen Fällen von der bislang erklungenen Überlieferung abweicht. So konnten originale Besetzungen, formale Verläufe und zahlreiche fragliche Lesarten wieder hergestellt bzw. korrigiert werden. / Opéra
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Wagner R. - Tristan Und Isolde Wwv 90 - Facsimile
Opera
Barenreiter
Edition no.: BVK 2270 ISBN: 9783761822708 Volume / Series: Documenta musicologic...
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Edition no.: BVK 2270 ISBN: 9783761822708 Volume / Series: Documenta musicologica II/45 / Bärenreiter Facsimile Editor: Konrad, Ulrich Language(s) of work: English, German Product format: Facsimile Binding: Half-leather binding Pages / Format: 405 S. - 41,7 x 30,0 cm “This Tristan will be something formidable! This last act!” “I fear the opera will be banned – if the whole work is not parodied through bad performance: only mediocre performances can save me! Thoroughly good ones will surely drive people crazy.” Richard Wagner While working on the score to “Tristan und Isolde”, Richard Wagner expressed his excitement and elation about his new musical drama. Indeed, the radical originality of the work proved to be both unique and forward-looking: Over 150 years ago it signified the “dawn” of the modern era and to this day it has not lost any of its fascination. Throughout his life, Richard Wagner was proud of his even handwriting. He constantly strove to produce manuscripts of a high calligraphic standard. The Tristan manuscript is also clearly written. More so than in his other scores however, traces of his working process are evident. It is precisely this aspect of the autograph that makes it fascinating. Reading it, one is witness to Wagner’s highlyconcentrated, powerful and relentless writing. This manuscript is in every possible way unparalleled reflecting individuality and uniqueness. In time for the 200th anniversary of Wagner’s birth in 2013, this great work will be published as a BÄRENREITER FACSIMILE in cooperation with the National Archive of the Richard-Wagner-Stiftung Bayreuth. In addition to the complete score, the edition includes the autograph concert ending of the Vorspiel as well as three pages that Wagner rejected while composing and later used for sketches. Ulrich Konrad, the renowned musicologist describes the genesis and performance history of the work in his comprehensive commentary. He also details the physical appearance and condition of the autograph as well as giving an insight into the musical language of Wagner.
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Scipione Affricano (CAVALLI FRANCESCO)
Opera
Barenreiter
Par CAVALLI FRANCESCO. In 1662, Cavalli’s career was at its zenith. The two do...
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Par CAVALLI FRANCESCO. In 1662, Cavalli’s career was at its zenith. The two dozen operas he had written for Venice had helped establish Venice as the world’s first operatic superpower. “Scipione Affricano” (Venice 1664), Cavalli’s first opera after returning from France, was one of his most successful compositions. In a period that valued new works over familiar ones, “Scipione” was one of a handful of operas to live on after its premiere season: it was revived eight times and chosen to inaugurate Rome’s Teatro Tordinona in 1671. Cavalli’s librettist, Nicolò Minato, was inspired by historical accounts of the life of the Roman general Scipio, whose defeat of Carthage in 202 BCE earned him the honorary agnomen “Africanus.” In setting Minato’s libretto, Cavalli drew upon the lyrical gifts that have made operas like “La Calisto” and “Giasone” so popular today. But at the same time “Scipione Affricano” also shows the composer embracing aspects of his two years in France, and responding to musical changes that, in the 1660s, were rapidly altering the face of Italian opera: the growing dominance of arias, a clearer sense of aria organization, and increased interplay between voice and instruments. The first goal of this edition is a practical one: to develop a version of the opera suited to the needs of both professional and student performers. A second goal is to reconstruct the opera’s complete performance history. An amply documented appendix reconstructs earlier versions of 21 arias. Other appendices print the surviving additional music from revivals in Rome and Venice. The edition is framed by a substantial Introduction, covering the drama, the musical style, the composition, premiere, and revivals, and a guide for performance today, plus a detailed “decoding” of the sources. - series Francesco Cavalli – Opere / Date parution : 2022-11-08/ Répertoire / Opéra
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Berenice, Regina d'Egitto HWV 38 (HAENDEL GEORG FRIEDRICH)
Opera
[Sheet music]
Barenreiter
Operas in three acts Version of the premiere, London 1737. Par HAENDEL GEORG FRI...
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Operas in three acts Version of the premiere, London 1737. Par HAENDEL GEORG FRIEDRICH. “Charming Berenice” – the Earl of Shaftesbury attended a rehearsal of the opera on 12 May 1737 and went into raptures about this “inexpressible delight”. “Berenice” was premiered at Covent Garden Theatre in London just a few days later on 18 May 1737. “Berenice” is one of the “light” operas and offers a wealth of musical gems, the second movement of the overture having become famous as “The Minuet from Berenice”, for instance, as has Berenice’s extended aria in the third act, in which she reflects on the inconstancy of the god Amor in duet with the solo oboist. The musical imagery which Handel worked into the opera is likewise enchanting, such as the imitation of bees humming in Fabio’s “Vedi l’ape” and the sorrowful cooing of a dove in Selene’s “Tortorella che rimira”. The scholarly-critical new edition contains the musical text of the first performance together with pieces in the appendix which Handel excised or shortened in preparation for the premiere. As is customary with our editions, a preface provides a detailed introduction to the genesis of the work, the story’s historical context, the source material and reception. Furthermore, the edition includes a translation of the libretto and an exhaustive Critical Report./ Répertoire / Opéra
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Princess Ida (Libretto) (GILBERT WILLIAM SCHWENCK / SULLIVAN ARTHUR)
Opera
[Sheet music]
Faber Music Limited
Par GILBERT WILLIAM SCHWENCK / SULLIVAN ARTHUR. Libretto to Gilbert and Sullivan...
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Par GILBERT WILLIAM SCHWENCK / SULLIVAN ARTHUR. Libretto to Gilbert and Sullivan's 'Princess Ida' (Castle Adamant.) / Opéra-opérette / Livre / Opéra
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Samson Et Dalila (SAINT-SAENS CAMILLE)
Opera
[Sheet music]
Barenreiter
Opera In Three Acts. Par SAINT-SAENS CAMILLE. Today, 'Samson et Dalila? is undou...
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Opera In Three Acts. Par SAINT-SAENS CAMILLE. Today, 'Samson et Dalila? is undoubtedly one of the best-known of Camille Saint-Saëns's thirteen operas, being more present in the repertoire of international stages than most other French 19th century compositions. During Saint-Saëns's lifetime, the opera was already regarded as the pinnacle of his dramatic stage works. The fact that the work's genesis and first performances nonetheless posed substantial difficulties is shown in this edition by Andreas Jacob and Fabien Guilloux (libretto edition). A detailed recount of this complex history, based on meticulous comparisons of all libretti and other musical sources, is the great merit of this critical edition. The edition contains the full score, edited versions of both original libretti, a historical Foreword (Fr/En/Ger), a Critical Commentary (Eng), facsimile pages of 'Livret de mise-en-scène? from the first Paris production, and a musical appendix containing the 'Air de Ballet? (which was inserted before the Bacchanale in act 3 for performances at the Paris Opéra). The underlaid text in the score is presented in two languages and contains the libretto text by Ferdinand Lemaire as well as the text of the Weimar premiere by Richard Pohl (1877), a performance that was initiated by Franz Liszt./ Répertoire / Chant et Orchestre
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Faust (GOUNOD CHARLES)
Opera
[Sheet music]
Barenreiter
Opera with a Prologue and four Acts (First version) / Opera in five Acts (Second...
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Opera with a Prologue and four Acts (First version) / Opera in five Acts (Second version) Dialogue versions. Par GOUNOD CHARLES. Charles Gounod’s “Faust” secured its international recognition in the version as an entirely sung opera, which from thenceforth has largely obscured the fact that the work was originally composed with spoken dialogues. The early versions staged prior to the 1869 performance at the Paris Opéra containing substantial unknown material and with dialogues and melodramas are the subject of this new edition. (The third version “version opera” was published in a separate edition BA 8713 in 2016.) Even as the rehearsals were taking place at the Théâtre-Lyrique in 1858, during the first series of performances at the theatre in 1859, furthermore as the 1862 revival was approaching and during the performances on the smaller stage at the Place du Châtelet, there were constant changes and revisions. It is, thus, impossible to identify manifestly definitive versions. Nevertheless, by drawing on the entire source material now at hand (including fascinating material only recently discovered) and on the whole gamut of aspects communicated by the reception, Paul Prévost systematically presents us with a score laid out in two main versions in whose chronology constancy and change become transparent. With all the musical changes having been documented, the result is a practicable score for performances which reveals a still far too unknown “Faust” – a “Faust” that is rooted in the tradition of the opéra comique. Quite a few musical numbers are published as a score for the first time in this edition: the trio for Faust, Wagner and Siebel “À l’étude ô mon maître”, the duet of Valentin and Marguerite “Adieu, mon bon frère!”, Méphistophélès’ air “Maître Scarabée”, Siebel’s romance “Versez vos chagrins dans mon âme!”, Valentin’s air with chorus “Chaque jour, nouvelle affaire”, the chorus of witches “Un deux et trois”, and also seven melodramas whose missing or incomplete orchestration has been written for our edition. It was only recently that the long-lost second part of Faust’s original cavatina “Salut! demeure chaste et pure” was unearthed. Only in details of orchestration do other numbers differ from the well-known pieces./ Répertoire / Opéra
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Les Pêcheurs De Perles
Opera
[Sheet music]
Dover Publications
A pair of men take an oath of eternal friendship but their vow is threatened by ...
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A pair of men take an oath of eternal friendship but their vow is threatened by their attraction to the same woman. The object of their rivalry faces her own dilemma, torn between worldly passion and her calling as a priestess. Their romantic triangle forms the heart of this 1863 opera, Les Pêcheurs De Perles (The Pearl Fishers) , in which the composer of Carmen, the world's most popular opera, made his first mark. Set in ancient Ceylon, this enchanting tale of friendship, love, and betrayal has been performed in Opera houses around the world. The famous Baritone/Tenor duet in the second act is among the most recorded of Opera highlights, and a copy of the full score is essential for conductors as well as for students of composition and orchestration. This large-format version of Bizet 's three-act Opera offers musicians an affordable alternative to high-priced, hard-to-find editions. / Conducteur Opéra
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Arminio (HAENDEL GEORG FRIEDRICH)
Opera
[Score]
Barenreiter
Opera in tre atti. Par HAENDEL GEORG FRIEDRICH. Antonio Salvi's ; Arminio is one...
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Opera in tre atti. Par HAENDEL GEORG FRIEDRICH. Antonio Salvi's ; Arminio is one of the best-loved operatic librettos of the Baroque period. Against the historical background of the so-called ; Battle of the Teutoburg Forest in 9 AD in which the Cherusci leader Arminius as ; Liberator of Germany (Tacitus) inflicted a devastating defeat on the Romans, Handel's opera, first performed in 1737, is about the disputes between the Chatti and the Cherusci. Arminius has married the daughter of his arch-enemy Segestes. When he is imprisoned, Segestes, who has conspired with the Romans, sees his opportunity for revenge. - Urtextedition based on the ; Halle Handel Edition - Libretto in Italian with singable German translation - Comprehensive foreword (Ger/Eng) with important information on the history of the libretto as well as on the genesis and the performance history of the work. A detailed resume of the plot is also contained. - Extensive appendix with richly ornamented versions of two arias - Idiomatic piano reduction in the vocal score - Full score (BA4100) and vocal score (BA4100-90) available for sale - Performance material (BA4100-72) for hire/ Répertoire / Opéra
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Faust
Opera
Barenreiter
'Faust? stands for the composer Gounod himself, who was torn between the express...
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'Faust? stands for the composer Gounod himself, who was torn between the expression of excessive sensuality and a deep spirituality which he was searching for in his Catholic faith. As such, in this most important musical setting of Goethe's drama, the work was given a deeply personal interpretation. With a detailed Foreword (Fr/Eng/Ger) this new edition presents the genesis of the work with its various, during Gounod's lifetime, completely sung versions.The main version of our edition was performed at the Paris Opéra on 3 March 1869. However, simple cross references in the score enable a reconstruction of the earlier and later stages of this work for performance. Rounding off this publication is a critical edition of the libretto. All available sources are described and the Critical Commentary provides information about any changes made to the individual numbers.The two earlier Faust versions with spoken dialogue will be included in a separate volume within this series (in preparation, BA 8714). / Opéra
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Zoroastre rct 62B (RAMEAU JEAN-PHILIPPE)
Opera
Barenreiter
Oper in Funf Akten Version 1756. Par RAMEAU JEAN-PHILIPPE. Richer than ever ? Ra...
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Oper in Funf Akten Version 1756. Par RAMEAU JEAN-PHILIPPE. Richer than ever ? Rameau?s ?Zoroastre? in the version of 1756. Opera in five acts. Rameau?s revised version of his opera ?Zoroastre?, which could be heard and seen between 20 January 1756 and 26 March 1757 at the Académie royale de musique, was favourably received. Also from today?s point of view the work profits dramaturgically from many of the changes and seems altogether richer and more tightly woven than the original of 1749. The subject matter of the libretto, derived from Ancient Persian sources, is timeless: the struggle between good and bad. The good is embodied by the religious reformer Zoroastre, a representative of the supreme light being Orosmade. He is opposed by the ambitious magician Abramane who serves Ariman, the spirit of the dark. The opera includes some of Rameau?s most ecstatic and spiritual musical numbers, such as the episode of sun worship in Act 3 with the sublime ?Hymne à la Lumière?, which, for unknown reasons, was not integrated in the revision of 1756. It is therefore included in Appendix 3 of this Bärenreiter edition. Incidentally, with ?Zoroastre? the prologue, wh ich had been customary since the beginnings of French opera in the 1670s, was abandoned. Instead Rameau was the first to introduce an overture which set the scene for the entire drama and thereby anticipated Gluck?s opera reform by many years. - One of Rameau?s main works for the stage, now available with all its versions - With a straight-forward piano reduction in the vocal score by François Saint-Yves - Available on sale full score (B0A8867-01) and vocal score (BA08867-90) - Performance material available for hire BA08867-72 - Jean-Philippe Rameau - Opera Omnia (OOR) IV/26 / Date parution : 2022-07-30/ Répertoire / Chant et Piano
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Handel G.f. - Acis And Galatea Hwv 49b (2nd Version) - Vocal Score
Opera
[Vocal Score]
Barenreiter
Edition no.: BA 10700-90 ISMN: 9790006542161 Editor: Heinrich, Artie Arranger: K...
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Edition no.: BA 10700-90 ISMN: 9790006542161 Editor: Heinrich, Artie Arranger: Köhs, Andreas Language(s) of work: English, Italian, German Language(s) of text: German, English Product format: Piano reduction, Urtext edition Handel set the myth about the love of the shepherd Acis for the sea nymph Galatea from Ovid?s ?Metamorphoses? a total of three times: in the cantata ?Aci, Galatea e Polifemo? HWV 72 (1708), the masque ?Acis and Galatea? HWV 49a (1718) and finally the pasticcio-like serenata ?Acis and Galatea? HWV 49b (1732) of which the original version is now made available in its complete form for the first time. A particular charm is provided by the use of two languages in the serenata. The work was originally conceived in English, as was required for the first performance. However, Handel?s Italian singers were criticised for their poor command of English, ? so in the end, many numbers were sung in Italian. The extensive appendix to the vocal score includes the additional arias and newly composed movements for the versions used in the 1734 and 1736 performances. - Urtext edition based on the ?Halle Handel Edition? - English and Italian original text with singable German translation - Extensive foreword in two languages (Ger/Eng) - Clear, straightforward piano reduction
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Lessons In Love And Violence (BENJAMIN GEORGE)
Opera
[Score]
Faber Music Limited
Par BENJAMIN GEORGE. Premiered in 2018, the 90-minute opera Lessons in Love and ...
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Par BENJAMIN GEORGE. Premiered in 2018, the 90-minute opera Lessons in Love and Violence delves into the dark and turbulent events of Edward II's life and death. George Benjamin and Martin Crimp's third collaboration, it unfolds as a taut slow burning arch of seven tableaux. This work boasts particularly rich string textures, and is coloured by basset horn and cimbalom together with a pair of harps, celesta, and percussion (including talking drums and tombak). Several of the opera's powerful interludes are dominated by braying, sardonic brass - with tuba substituted by the more menacing contrabass trombone. There is also much spectacular ensemble writing: in Scene Three's play within a play, several strands of independent music collide, and the result is perhaps one of the most complex musical structures Benjamin has ever tackled. The music's relationship to the drama is often unstable and seemingly very spontaneous, but beneath it all one senses a rigorous architecture, unflinchingly guiding the listener deeper and deeper into the opera's disquieting emotional world. This full score is a perfect accompaniment to the previously published vocal score and text. / Musique contemporaine / Répertoire / Opéra
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Akhnaten (GLASS PHILIP)
Opera
Dunvagen Music Publishers
Par GLASS PHILIP. The third in Glass' trilogy of operas about men who changed th...
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Par GLASS PHILIP. The third in Glass' trilogy of operas about men who changed the world in which they lived through the power of their ideas, Akhnaten's subject is religion. The Pharaoh Akhnaten was the first monotheist in recorded history, and his substitution of a one-god religion for the multi-god worship in use when he came to power was responsible for his violent overthrow. The opera describes the rise, reign, and fall of Akhnaten in a series of tableaux. This newly typeset edition is in accord with the vocal score, DU11199, first released in 2017./ Répertoire / Opéra
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La Bellezza ravveduta nel trionfo del Tempo e del Disinganno HWV 46a (HAENDEL GEORG FRIEDRICH)
Opera
[Sheet music]
Barenreiter
Oratorio in two parts Rome 1707. Par HAENDEL GEORG FRIEDRICH. With his “La Bel...
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Oratorio in two parts Rome 1707. Par HAENDEL GEORG FRIEDRICH. With his “La Bellezza ravveduta nel trionfo del Tempo e del Disinganno” (“Beauty Reformed in the Triumph of Time and Enlightenment”), HWV 46a, the 22-year-old Handel notched up one of his greatest successes in this genre right at the very beginning of his oratorio oeuvre. Composed in Rome in 1707, the work was for a long time known as “Il trionfo del Tempo e del Disinganno” (“The Triumph of Time and Enlightenment”). In keeping with the Halle Handel Edition, however, the title is that of the name given in the primary source. In many cases inspired by the melodically rich ideas of Reinhard Keiser (1674–1739), the work is unsurpassed by any other oratorio by Handel. At the end of an impressive sequence of truly captivating arias, duets and quartets, Bellezza’s reformation in favour of living a life pleasing to God is accompanied in incisive E major by her overwhelmingly beautiful, impossibly sad closing aria “Tu del ciel ministro eletto”, the consummate pinnacle of dramatic irony in Handel’s output. By virtue of its flawless dramatic structure as well – unlike many other oratorios and all operas of the Baroque period, the story never goes off at a tangent and all arias revolve around the dispute of the four dramatic personae – the oratorio has enjoyed long runs of widely acclaimed, mostly staged performances in the last few years./ Répertoire / Opéra
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Prima La Musica E Poi Le Parole (Salieri dans ce ' théâtre dans le théâtre ' dans le arias aussi parodié la musique de Giuseppe Sarti de ' Giulio Sabino , ' il joue avec pré- existant , le public de première de la musique bien connue)
Opera
Barenreiter
Le projet ' OPERA ' - spectre de théâtre musical européen dans Einzeleditione...
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Le projet ' OPERA ' - spectre de théâtre musical européen dans Einzeleditionenwidmet l' édition critique des oeuvres marquantes du théâtre européen de la musique du 17e 20 Siècle.Emis un total de 21 compositions en franCais, italien , allemand, anglais , scandinaves et d'origine slave , qui genres aussi ciblés sont inclus , qui ont reCu peu d'attention dans les entreprises éditoriales précédentes et apportent chacun leurs propres problèmes éditoriaux avec elle , comme le ballet , la musique de théâtre , mélodrame ou opérette .Une nouvelle fonctionnalité est la présentation sous la forme d' éditions dits hybrides , publié par les scores welchendie dans les sources de tissu lié , et la undtextlichen musical traditionnel , les éditions des textes dramatiques et les rapports critiques sont préparés et présentés sur une plate-forme électronique ( Edirom ) .Les décisions de l'éditeur est grâce complètement transparent pour la capacité à accéder aux sources sous-jacentes de l'utilisateur . Ce particulier de ' OPERA ' poursuivi accès éditoriale ouvre de nouvelles perspectives pour la science , la scène et concert semblables.La présentation numérique des éditions OPERA utilise le Edirom logiciel , qui a été développé dans le même , basé sur le projet de la Fondation allemande pour la recherche ( DFG ) Université de Paderborn . Tous les composants de la partie électronique sont codés selon les normes modernes en XML , les portions de texte utilisant la norme de la ' Text Encoding Initiative ' ( TEI ) .Les premiers volumes de la série avec Edirom ( Digital Music Edition) :- Antonio Salieri , Giambattista Casti : ' Prima la musica e poi le parole ' (1786 ) , Ed . Thomas Betzwieser / Adrian La Salvia ( BA 8811 )- Adolphe Beno t Blaise , Marie -Justine- Beno te Favart : ' Annette et Lubin ' (1762 ) , Ed . Andreas Münzmay ( BA 8812 )- Thomas Arne , Isaac Bickerstaff , ' Love in a village ' (1762 ) , Ed . N.N. ( BA 8814 )- Ferdinando Paër , Giacomo Cinti : ' Leonora ossia L'amor conjugale ' (1804 ) , Ed . Norbert Dubowy ( BA 8813 )- Pierre de Lindpaintner , Johann Wolfgang von Goethe , Carl Seydelmann : ' Ouverture , entreacte , des choeurs et des chansons à Faust de Goethe par le cadre pittoresque de Carl Seydelmann ' (1832) , Ed . Antje Tumat ( BA 8815 )' Prima la musica e poi le parole ' ( BA 8811 ) :Le 7 Février 1786 s'inscrivait dans le cadre d'un festival , avait invité à l'empereur Joseph II dans l'Orangerie du château de Schönbrunn , un concours musical mémorable . L'Italien ' Hofoperisten ' a présenté le ' Impresario ' de Mozart , qui a été présenté par un ensemble Singspiel allemand , en face de l' opéra-bouffe ' Prima la musica e poi le de libération conditionnelle ' par Antonio Salieri . Cette satire délicieux opéra appartient au genre de la ' metamelodramma ' dans laquelle l'opéra est l'objet de l' action elle-même . Les personnes impliquées dans une production d'opéra , comme poète , compositeur et Prima Donna , se produisent même en apparence . De cette faCon , il ya une auto-réflexion humoristique de l'artiste dans les personnages de théâtre . Par Salieri dans ce ' théâtre dans le théâtre ' dans le arias aussi parodié la musique de Giuseppe Sarti de ' Giulio Sabino , ' il joue avec pré- existant , le public de première de la musique bien connue . Grâce à sa réflexion musicale sur le style musical et dramatique et la discussion de la priorité de parole ou de son, ce chef-d'oeuvre s'avère précurseur précoce de Richard Strauss ' Capriccio ' .La nouvelle édition de la partition dans le cadre de ' OPERA - spectre de théâtre musical européen dans les éditions simples ' a apporté de nombreux changements avec lui ( livret , les indications scéniques , articulation , ornements , etc.) / Opéra
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Camelot (Libretto) (LERNER A)
Opera
[Sheet music]
Faber Music Limited
Par LERNER A. / LOEWE F.. Camelot is a popular Musical, which also received a fi...
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Par LERNER A. / LOEWE F.. Camelot is a popular Musical, which also received a film adaptation in 1967. Available here is the Libretto for the Musical, with book and lyrics by Alan Jay Lerner, and music by Frederick Loewe. The show is based on the King Arthur legend as based on the T.H. White novel The Once and Future King ./ Recueil / Livret
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Jenufa (JANACEK LEOS)
Opera
[Score]
Universal Edition
Oper in 3 Akten aus dem mährischen Bauernleben. Par JANACEK LEOS. With his thir...
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Oper in 3 Akten aus dem mährischen Bauernleben. Par JANACEK LEOS. With his third opera Jenufa Leoš Janácek succeeded in making his breakthrough as an operatic composer. Since the premiere of this moving story about the fate of the sexton and her stepdaughter Jenufa at the Brno National Theatre in 1904, it has become one of the composer's most frequently performed works. Janácek was the first to succeed in transforming everyday speech directly into music. His method of using speech-melodic motives is clearly distinctive. It is known that the composer preserved everyday conversations in the form of little musical sketches: 'Jotting down genuine speech melody is, as it were, music's life class,' he said./ Répertoire / Opéra
667.80 EUR - Sold by LMI-partitions
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