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Opera
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
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FRENCH HORN
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LAP STEEL GUITAR
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MUSIC COURSE
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OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
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UKULELE
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XYLOPHONE
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Thomas Adès: The Tempest: Opera: Vocal Score
Opera
[Sheet music]
Faber Music Limited
Opera in 3 acts Text: Meredith Oakes after Shakespeare-The opera The Tempest i...
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Opera in 3 acts Text: Meredith Oakes after Shakespeare-The opera The Tempest is inspired by Shakespeareâ??s play rather than literally being based on every aspect of it. There are key images from the play as well as new material. From among the playâ??s many themes and possible interpretations the opera focusses on the difficulty and the necessity of mercy. The libretto uses contemporary vocabulary. Its lines are short rhythmic and rhymed or semi-rhymed echoing Shakespeareâ??s strophic songs more than his blank verse. This choice reflects the playâ??s magical ritual childlike elements and acknowledges the traditional power of incantation in song. The operatic Prospero is the passionately vengeful man seen in the play more than the wise disconnected actor also seen there. Despite his near-omnipotence he finds things out as he goes along and experiences contradictory emotions to the end. Please note: Full Score and Parts are rental material. Please contact hire@fabermusic.com
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Faust (GOUNOD CHARLES)
Opera
[Sheet music]
Barenreiter
Opera with a Prologue and four Acts (First version) / Opera in five Acts (Second...
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Opera with a Prologue and four Acts (First version) / Opera in five Acts (Second version) Dialogue versions. Par GOUNOD CHARLES. Charles Gounod’s “Faust” secured its international recognition in the version as an entirely sung opera, which from thenceforth has largely obscured the fact that the work was originally composed with spoken dialogues. The early versions staged prior to the 1869 performance at the Paris Opéra containing substantial unknown material and with dialogues and melodramas are the subject of this new edition. (The third version “version opera” was published in a separate edition BA 8713 in 2016.) Even as the rehearsals were taking place at the Théâtre-Lyrique in 1858, during the first series of performances at the theatre in 1859, furthermore as the 1862 revival was approaching and during the performances on the smaller stage at the Place du Châtelet, there were constant changes and revisions. It is, thus, impossible to identify manifestly definitive versions. Nevertheless, by drawing on the entire source material now at hand (including fascinating material only recently discovered) and on the whole gamut of aspects communicated by the reception, Paul Prévost systematically presents us with a score laid out in two main versions in whose chronology constancy and change become transparent. With all the musical changes having been documented, the result is a practicable score for performances which reveals a still far too unknown “Faust” – a “Faust” that is rooted in the tradition of the opéra comique. Quite a few musical numbers are published as a score for the first time in this edition: the trio for Faust, Wagner and Siebel “À l’étude ô mon maître”, the duet of Valentin and Marguerite “Adieu, mon bon frère!”, Méphistophélès’ air “Maître Scarabée”, Siebel’s romance “Versez vos chagrins dans mon âme!”, Valentin’s air with chorus “Chaque jour, nouvelle affaire”, the chorus of witches “Un deux et trois”, and also seven melodramas whose missing or incomplete orchestration has been written for our edition. It was only recently that the long-lost second part of Faust’s original cavatina “Salut! demeure chaste et pure” was unearthed. Only in details of orchestration do other numbers differ from the well-known pieces./ Répertoire / Opéra
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Richard Danielpour: Margaret Garner: Opera: Vocal Score
Opera
[Sheet music]
Associated
Opera Vocal Score-'More than anything else Margaret Garner is an opera that rem...
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Opera Vocal Score-'More than anything else Margaret Garner is an opera that reminds us that we all belong to the same human family and it demonstrates what can happen when we forget this fundamental truth... - RichardDanielpour This Opera by Grammy-winning composer Richard Danielpour tells the story of Margaret Garner an enslaved African-American woman in pre-Civil War America who gained notoriety for killing her owndaughter to prevent her from suffering the degradation of a life of slavery. In this adaptation of the famous tale Edward Gaines acquires his deceased brother’s Kentucky estate and pledges to let all of the slave familieson the Maplewood Plantation stay together. However when he takes a special interest in one of the slaves Margaret Garner it is not long before her husband Robert is sent away alone to another plantation. One night Robertsneaks back to Maplewood and attempts to escape with Margaret and their children to the ‘Free State’ of Ohio. They are caught and Margaret murders her children in a crime of passion sparing them from a life of slavery. Margaretis condemned to death and although she is granted clemency at the last minute she chooses the freedom of the gallows over life as a slave. The tragic work features a libretto by Toni Morrison and gained highcritical praise at its first performance in Philadelphia in 2006. Watch a clip from the performance here:
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Berenice, Regina d'Egitto HWV 38 (HAENDEL GEORG FRIEDRICH)
Opera
[Sheet music]
Barenreiter
Operas in three acts Version of the premiere, London 1737. Par HAENDEL GEORG FRI...
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Operas in three acts Version of the premiere, London 1737. Par HAENDEL GEORG FRIEDRICH. “Charming Berenice” – the Earl of Shaftesbury attended a rehearsal of the opera on 12 May 1737 and went into raptures about this “inexpressible delight”. “Berenice” was premiered at Covent Garden Theatre in London just a few days later on 18 May 1737. “Berenice” is one of the “light” operas and offers a wealth of musical gems, the second movement of the overture having become famous as “The Minuet from Berenice”, for instance, as has Berenice’s extended aria in the third act, in which she reflects on the inconstancy of the god Amor in duet with the solo oboist. The musical imagery which Handel worked into the opera is likewise enchanting, such as the imitation of bees humming in Fabio’s “Vedi l’ape” and the sorrowful cooing of a dove in Selene’s “Tortorella che rimira”. The scholarly-critical new edition contains the musical text of the first performance together with pieces in the appendix which Handel excised or shortened in preparation for the premiere. As is customary with our editions, a preface provides a detailed introduction to the genesis of the work, the story’s historical context, the source material and reception. Furthermore, the edition includes a translation of the libretto and an exhaustive Critical Report./ Répertoire / Opéra
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Richard Wagner: Gotterdammerung: Opera: Libretto
Opera
Schirmer
The final episode of the Ring cycle 'Gotterdammerung' is itself a colossal work...
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The final episode of the Ring cycle 'Gotterdammerung' is itself a colossal work - one of the longest evenings of opera in the standard repertory. Musically Wagner has gained such mastery of his music drama and his use of musicalmotives that he treats both with superb freedom - the handling of Leitmotives in this opera can be thought of as one of the most powerful psychological achievements in art. This is the Schirmer edition of the Libretto in theoriginal German with an English translation by Stewart Robb.
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Richard Wagner: Die Walkure - Vocal Score: Opera: Vocal Score
Opera
[Vocal Score]
-
Intermediate/advanced
Dover Publications
The second opera in Richard Wagnerâ??s mighty The Ring cycle Die Walkure remai...
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The second opera in Richard Wagnerâ??s mighty The Ring cycle Die Walkure remains among the most popular and frequently performed of his works. It is a masterful epic with themes and motifs that combine and interplay to create some of the finest woven musical threads ever. From its gripping opening in which the hero finds himself weaponless in the house of his enemy; to its heartrending finale when a father bids farewell to his favourite daughter generations of listeners have swooned to this story and its majestic fantastical music. This Vocal Score of this Opera with lyrics in German and English features a piano reduction of the orchestral part and isideal for study rehearsal and concert performances.
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Wolfgang Amadeus Mozart: The Marriage of Figaro (Le Nozze di Figaro): Opera:
Opera
[Libretti]
Schirmer
Italian/English-Mozart's 'The Marriage Of Figaro' was based on Beaumarchais' pol...
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Italian/English-Mozart's 'The Marriage Of Figaro' was based on Beaumarchais' politically radical play - the second of the trilogy which begun with 'The Barber Of Seville' - later of course adapted into an opera by Rossini. As in 'Il Barbiere diSiviglia' 'The Marriage of Figaro' depicted the aristocracy as buffoons controlled and outwitted by their cunning servants. This time Figaro and Susanna are due to wed but must first outwit the Count who is determined toexercise a master's ancient right to deflower the bride of his servant. This is the Schirmer edition of the libretto in the original Italian with an English translation by Ruth and Thomas Martin.
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Hans Werner Henze: L'Upupa Und Der Triumphe Der Sohnesliebe: Opera: Score
Opera
[Sheet music]
Chester
The fifteenth full Opera from the prolific Hans Werner Henze and the first to f...
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The fifteenth full Opera from the prolific Hans Werner Henze and the first to feature a self-penned libretto. After the poems he wrote for his Songs from the Arabian Henze has produced this unusal tale through adaptingboth Arab and Persian legends and invoking the same half-real half-imaginary Arabia as the song cycle. The story itself is a fairy tale comedy with much in common with The Magic Flute. The orchestral arrangement is huge featuring quadruple wind five percussionists and a part for tape.
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Mozart W.a. - 7 Great Opera Overtures - Full Score
Opera
Dover Publications
This outstanding volume features a rich selection of the composer's greatest ove...
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This outstanding volume features a rich selection of the composer's greatest overtures: Idomeneo (K.366); The Abduction from the Seraglio (K.384); The Marriage of Figaro (K.492); Don Giovanni (K.527); Così Fan Tutte (K.588); The Magic Flute (K.620); and La Clemenza di Tito (K.621). All reproduced in full score from authoritative early editions. Content : OVERTURES TO THE OPERAS Idomeneo Idomeneo, rè di Creta / Idomeneus, King of Crete Die Entführung aus dem Serail The Abduction from the Seraglio Le Nozze di Figaro Die Hochzeit des Figaro / The Marriage of Figaro Don Giovanni Il dissoluto punito, ossia II Don Giovanni / Don Juan Così fan Tutte . . . ossia La scuola degli amanti / Weibertreue Die Zauberflöte The Magic Flute La Clemenza di Tito The Clemency of Titus
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Richard Wagner: Die Walküre: Opera: Libretto
Opera
Schirmer
Of the four episodes of the 'Ring Cycle' 'Die Walkure' is most often performed ...
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Of the four episodes of the 'Ring Cycle' 'Die Walkure' is most often performed separately and may be Wagner?s best-loved work. The source of this affection is certainly the sensitive depictions of Siegmund and Sieglinde's loveand the father-daughter relationship of Wotan and Brünnhilde.Siegmund stumbles into an unfamiliar house Sieglinde?s for shelter and the two fall for each other quickly. However Sieglinde's husband (from a forcedmarriage) Hunding is a kinsman of Siegmund?s foes and challenges Siegmund to a duel. Sieglinde gives Hunding a sleeping potion and the two realise they are brother and sister. Siegmund claims Sieglinde as his bride. Watching Wotan and Fricka tell Brünnhilde that she must defend Hunding's marriage rights. Brünnhilde sets out to observe the lovers. When Sieglinde falls asleep Brünnhilde berates Siegmund but when he argues she decides to help him.Hunding and Siegmund battle when Siegmund is about to win however Wotan appears and shatters his sword; he is killed. Brünnhilde escapes with Sieglinde and the broken sword. Wotan fells Hunding with a wave of his handand leaves to punish Brünnhilde. Sieglinde realises she bears Siegmund's child so takes the pieces of the sword and rushes off into the forest to hide. Brünnhilde herself flees to the Valkyries' Rock to hide but Wotan fins herand sentences her to become a mortal woman: she must lie in sleep to be claimed by any man who finds her but behind a wall of fire that only the bravest hero can pierce. This is the Schirmer edition of the Libretto inthe original German with an nglish translation by Stewart Robb.
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Jacques Offenbach: Prière Et Boléro: Cello: Score
Opera
[Sheet music]
Bote and Bock
Pour Violoncelle Avec Accompagnement De Piano-Prière et Boléro also known as ...
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Pour Violoncelle Avec Accompagnement De Piano-Prière et Boléro also known as Grande Scène espagnole was composed by Offenbach in 1840 to showcase his skills as a cello virtuoso. Originally written as a four-movement cycle the piece's two middle movements were removed by the composer and remain lost to this day.
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Richard Wagner: Das Rheingold: Mixed Choir: Vocal Score
Opera
Schirmer
'Das Rheingold' is the first part of Wagner's 'Ring Cycle'.Alberich a gnome of ...
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'Das Rheingold' is the first part of Wagner's 'Ring Cycle'.Alberich a gnome of the Nibelung discovers the all-powerful Rhine Gold and fashions a ring out of it knowing that whoever wears it will rule the world but must renounce love. The gods Wotan and his wife Fricka have build a new castle and paid the giants by promising them Fricka's sister Freia who grows the golden apples that give the gods their power. After a struggle she is kidnapped and all the gods begin to age and weaken. To get her back they decide to steal the Ring and bargain with the giants. Meanwhile Alberich has been forcing other to mine gold and Mime makes a helmet the 'Tarnhelm' out ofit thinking this will help him seize the Ring. Alberich steals the Tarnhelm but the gods arrive and trick both it the Ring and his gold out of him taking him prisoner. In a fury he curses the Ring to bring death and envy to all who posess it. The gods use the Ring and helmet to bargain with the giants. They win Freia back and go home to their new castle but as they leave the giant Fafner murders his brother Fasolt to claim the ring continuing its bloody history... This is the Schirmer edition of the Vocal Score with an English translation by Frederick Jameson.
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Le Comte Ory -Opera In Two Acts-
Opera
Barenreiter
Mit ?Le comte Ory' erscheint der fünfte Band aus der vielbeachteten Reihe ?Work...
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Mit ?Le comte Ory' erscheint der fünfte Band aus der vielbeachteten Reihe ?Works of Gioachino Rossini'. Nach seiner Uraufführung in Paris feierte das Werk große Erfolge an den europäischen Bühnen des 19. Jahrhunderts. Die turbulente Komödie um den Grafen Ory, der sich mit seinen wüsten Kumpanen Zutritt zu einem Nonnenkloster verschafft, ist eines von Rossinis effektvollsten Meisterwerken.Der Herausgeber Damien Colas legt in Zusammenarbeit mit dem ?Center for Italian Opera Studies Chicago' eine kritische Neuausgabe vor, die unter Heranziehung einer Vielzahl von Quellen einen originalen Text des Werkes präsentiert, der in vielen Fällen von der bislang erklungenen Überlieferung abweicht. So konnten originale Besetzungen, formale Verläufe und zahlreiche fragliche Lesarten wieder hergestellt bzw. korrigiert werden. / Opéra
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Neoklassizismus. Dialog Mit Der Geschichte (SCHERLIESS VOLKER)
Opera
[Sheet music]
Barenreiter
Par SCHERLIESS VOLKER. / Méthode / Livre
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