Par ANZAGHI LUIGI ORESTE. Sonore, noms des sons, du personnel, prestation de sons en rigo, valeurs musicales, mesure, temps, temps Division, subdivision du times, prolongation de sons, tons et de demi-tons, teinte, ressemblant à des échelles, l'échelle cro, …/ Théorie / Opéra Théorique ou Didactique

Par ANZAGHI LUIGI ORESTE. / Solfège/Formation Musicale / Opéra Théorique ou Didactique

Par ANZAGHI LUIGI ORESTE. / Solfège/Formation Musicale / Opéra Théorique ou Didactique

Monteverdi’s opera “L’Orfeo”, based on the legend of Thracian singer Orpheus and his love of Eurydice, is a masterpiece of musical declamation and ornamentation. It was first performed during the 1607 carnevale in the “Palazzo Ducale” in Mantua. When an edition remains true to its sources, this certainly does not mean that it is not also practical to use, as is demonstrated in this Bärenreiter edition of Monteverdi’s “L’Orfeo”. Edited by Rinaldo Alessandrini, the new publication follows the Bärenreiter edition of Monteverdi’s “Il ritorno d’Ulisse in patria”. Two contemporary prints of “L’Orfeo” from the years 1609 and 1615 have been passed down to us. Four copies of each of these prints still survive today in public libraries. The later print includes many corrections to the earlier edition and was accordingly used as the primary source for this Bärenreiter edition. However, when solving musical problems the editor frequently follows the more coherent style of the earlier print. The numerous interesting variants, not only between the two editions but also amongst the eight surviving copies, are listed in the critical commentary. This edition of “L’Orfeo” offers in addition to Monteverdi’s somewhat sparse original figures also figures added to the bass line by the editor. The continuo player should, however, feel free to follow his own judgment. The notation has been, when necessary, adapted to suit modern practice, for example with regard to the clefs. The sections that were originally written in “chiavetta” have been transposed a fifth lower. In the appendix these sections also appear in their original notation in facsimile as well as transposed a fourth lower. - Detailed introduction by the editor (Ital/Eng/Ger) on the work’s genesis and performance practice - Comprehensive critical commentary (Eng) in the score - Idiomatic piano reduction Edition no.: BA 8793-90 ISMN: 9790006533121 Composer / Author: Monteverdi, Claudio Title: L'Orfeo Favola in musica in one prologue and five acts Detailed instrumentation: Soprano solo (7), Tenor solo (4), Bass solo (3), Mixed choir: SSATTB, Male choir: TTBBB, Orchestra Librettist: Striggio, Alessandro (junior) Editor: Alessandrini, Rinaldo Foreword / Introduction: Alessandrini, Rinaldo Product format: Piano reduction, Urtext edition Language(s) of work: Italian Language(s) of text: German, Italian, English Publisher: Bärenreiter Binding: Paperback Print run: 1st printing 2012 Pages / Format: XIV, 143 S. - 27,0 x 19,0 cm Weight: 428 g

For this opera in two acts, composer and librettist Mark Adamo revisits Louisa May Alcott's classic chronicle of growing up female in post-Civil War New England, focusing on the theme that even sincerest love and strongest will cannot stave off change and loss. / Opéra

Par VIVALDI ANTONIO. C'est seulement en 1713 que Vivaldi aborde l'opéra ; certaines sources parlent de 94 productions, mais seules 50 ont été identifiées. La musique de ces opéras n'ayant pas été imprimée, contrairement aux livrets, il ne reste trace (complète ou partielle) que d'une vingtaine d'opéras. Impresario du Teatro San Angelo de Venise, Vivaldi écrira la majorité de ces opéras pour ce théâtre. Les 30 airs de ce recueil sont proposés en réduction chant-clavier, pour voix de contre-ténor, extraits des opéras : Andromeda Liberata, Ottone in villa, L'Olimpiade, Tietiberga, Tito Manlio, Il Tigrane, Bajazet, Il Giustino, Olando finto pazzo, La Verità in cimento, La Fida nonfa, Orlando Furioso. / Date parution : 2014-07-01/ Recueil / Contre Ténor

Libro Del Alumno. Par IBANEZ / CURSA. Último libro de la nueva colección de metodología de Lenguaje Musical de Ibáñez/Cursá. Como en el resto de los volúmenes, el libro del profesor, contiene las respuestas correctas del alumno y las fichas de trabajo del alumno están perforadas y son fáte extraíbles, por si el profesor considera oportuno corregirlas individualmente. Ambos presentan la misma paginación. Algunos aspectos tratados en el libro: Alteraciones, acordes, cadencias, compases, modulación, tipos rítmicos, forma musical, dictusicales y análisis musical. / Pédagogie / Autre FM / Opéra Théorique ou Didactique

Libro del Profesor. Par IBANEZ / CURSA. Último libro de la nueva colección de metodología de Lenguaje Musical de Ibáñez/Cursá. Como en el resto de los volúmenes, el libro del profesor, contiene las respuestas correctas del alumno y las fichas de trabajo del alumno están perforadas y son fáte extraíbles, por si el profesor considera oportuno corregirlas individualmente. Ambos presentan la misma paginación.Algunos aspectos tratados en el libro: Alteraciones, acordes, cadencias, compases, modulación, tipos rítmicos, forma musical, dictasicales y análisis musical. / Pédagogie / Autre FM / Opéra Théorique ou Didactique

Par ARENOSA / OLIVER / PILDAIN. Tercer y último volumen de esta colección que al igual que el resto de volúmenes incide no sólo en el desarrollo de lo ya aprendido sino que introduce nuevas e interesantes materias con una gran amplitud de ejercicios. 69 lecciones. Se trata de ir prndo ante el alumno todos los procesos del lenguaje musical que le llevarán a entenderlo y a ser dueño de los elementos que lo componen./ Solfège/Formation Musicale / Opéra Théorique ou Didactique

Par GILBERT WILLIAM SCHWENCK / SULLIVAN ARTHUR. Having a rather idealistic view of England and the English people, King Paramount of the south sea island of Utopia decides that his people should adopt all English customs and fashions, and that the kingdom should become a company limited . Utopia Limited , or The Flowers Of Progress , is a Savoy Opera, with music by Arthur Sullivan and Libretto by W.S. Gilbert. It was the second-to-last of Gilbert and Sullivan's fourteen collaborations, premiering on October 7, 1893 for a run of 245 performances. Available here is the vocal score of the Opera. / Niveau : Elémentaire / TV, Film, Comédie musicale / Recueil / Chant et Piano