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The
Opera
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
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BOOKS
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BUGLE
CHORAL - VOCAL - CHOIR
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MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
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RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
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Flute, Basso continuo (16)
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2 Cors en Mib et Piano (16)
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Baritone voice (16)
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Fac-similé (16)
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String quintet (15)
Opéra (15)
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2 Cornets, Cor en Mib et Tuba (15)
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Cajon (15)
Opéra Full Score (15)
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Viola da Gamba (14)
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2 Bassoons (duet) (14)
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2 Trompettes ou Cornets et Tub… (13)
Voice, Clarinet, Piano (13)
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Ensemble De Contrebasse (11)
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Choeur à L'Unisson et Orgue (11)
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Baritone Saxophone (10)
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Tempest, The (Libretto)
Opera
[Sheet music]
Faber Music Limited
Opera in 3 acts, Text: Meredith Oakes, after Shakespeare. Par ADES THOMAS. The L...
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Opera in 3 acts, Text: Meredith Oakes, after Shakespeare. Par ADES THOMAS. The Libretto of the Opera by Thomas Ades, adapted from the Shakespeare comedy by Meredith Oakes. The Opera was first performed at the Royal Opera House, Covent Garden in February 2004. / Opéra-opérette / Livre / Livret
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Utopia Limited (GILBERT WILLIAM SCHWENCK / SULLIVAN ARTHUR)
Opera
[Sheet music]
Faber Music Limited
Par GILBERT WILLIAM SCHWENCK / SULLIVAN ARTHUR. Having a rather idealistic view ...
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Par GILBERT WILLIAM SCHWENCK / SULLIVAN ARTHUR. Having a rather idealistic view of England and the English people, King Paramount of the south sea island of Utopia decides that his people should adopt all English customs and fashions, and that the kingdom should become a company limited . Utopia Limited , or The Flowers Of Progress , is a Savoy Opera, with music by Arthur Sullivan and Libretto by W.S. Gilbert. It was the second-to-last of Gilbert and Sullivan's fourteen collaborations, premiering on October 7, 1893 for a run of 245 performances. Available here is the vocal score of the Opera. / Niveau : Elémentaire / TV, Film, Comédie musicale / Recueil / Chant et Piano
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Faust (GOUNOD CHARLES)
Opera
[Sheet music]
Barenreiter
Opera with a Prologue and four Acts (First version) / Opera in five Acts (Second...
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Opera with a Prologue and four Acts (First version) / Opera in five Acts (Second version) Dialogue versions. Par GOUNOD CHARLES. Charles Gounod’s “Faust” secured its international recognition in the version as an entirely sung opera, which from thenceforth has largely obscured the fact that the work was originally composed with spoken dialogues. The early versions staged prior to the 1869 performance at the Paris Opéra containing substantial unknown material and with dialogues and melodramas are the subject of this new edition. (The third version “version opera” was published in a separate edition BA 8713 in 2016.) Even as the rehearsals were taking place at the Théâtre-Lyrique in 1858, during the first series of performances at the theatre in 1859, furthermore as the 1862 revival was approaching and during the performances on the smaller stage at the Place du Châtelet, there were constant changes and revisions. It is, thus, impossible to identify manifestly definitive versions. Nevertheless, by drawing on the entire source material now at hand (including fascinating material only recently discovered) and on the whole gamut of aspects communicated by the reception, Paul Prévost systematically presents us with a score laid out in two main versions in whose chronology constancy and change become transparent. With all the musical changes having been documented, the result is a practicable score for performances which reveals a still far too unknown “Faust” – a “Faust” that is rooted in the tradition of the opéra comique. Quite a few musical numbers are published as a score for the first time in this edition: the trio for Faust, Wagner and Siebel “À l’étude ô mon maître”, the duet of Valentin and Marguerite “Adieu, mon bon frère!”, Méphistophélès’ air “Maître Scarabée”, Siebel’s romance “Versez vos chagrins dans mon âme!”, Valentin’s air with chorus “Chaque jour, nouvelle affaire”, the chorus of witches “Un deux et trois”, and also seven melodramas whose missing or incomplete orchestration has been written for our edition. It was only recently that the long-lost second part of Faust’s original cavatina “Salut! demeure chaste et pure” was unearthed. Only in details of orchestration do other numbers differ from the well-known pieces./ Répertoire / Opéra
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The Burning Boy (MCNEFF STEPHEN)
Opera
Peters
Par MCNEFF STEPHEN. A Miracle Play for Music Theatre - Opera in One Act by Steph...
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Par MCNEFF STEPHEN. A Miracle Play for Music Theatre - Opera in One Act by Stephen McNeff, A Miracle Play for Music Theatre - Opera in One Act by Stephen McNeff,/ Répertoire / Opéra
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Io RCT 45 (RAMEAU JEAN-PHILIPPE)
Opera
Barenreiter
Acte de Ballet. Par RAMEAU JEAN-PHILIPPE. Rameau Io RCT 45 (Vocal Score) In Rame...
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Acte de Ballet. Par RAMEAU JEAN-PHILIPPE. Rameau Io RCT 45 (Vocal Score) In Rameau's operatic oeuvre, 'Io' is certainly the work shrouded in the most mystery: the acte de ballet has survived only in the form of a copy of the score and parts which was made by a collector from the generation after Rameau from the autograph that now is lost. Although the copy seems to have been used, presumably for a trial read-through, the work was apparently never regularly performed during Rameau's lifetime. And for good reason: the work breaks off abruptly at the beginning of the divertissement; neither the librettist nor a plan for a theatre location are known. Because of its incompleteness, 'Io' was long regarded as Rameau's last work, but there is much to suggest that the composition must have been written between 1740 and 1745. The introduction to this edition examines the references regarding the dating as well as various hypotheses about performance possibilities and librettists. The plot revolves around one of those typical mythological flirtations that are inevitably to be expected when Jupiter and a nymph, here Io, are involved. With the appearance of madness, La Folia, the work reaches a dramaturgical climax. However after this, the opera breaks off. In order to make the piece performable, the editors of ?Opera Omnia Rameau? propose an addition to the divertissement as well as an ending borrowed from the ballet bouffon 'Platée' in its 1745 version, which shows numerous parallels to 'Io'. Thus, these additions come as close as possible to Rameau's style of the 1740s while bringing the plot to a conclusion. - Fragmentary work completed with original music by Rameau - Based on the score of ?Opera Omnia Rameau?, Volume V/1 - Particularly suitable for academies and conservatories as few soloists are required and the few choral movements can be sung by soloists / Date parution : 2023-06-01/ Répertoire / Opéra
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Xerxes (Serse)
Opera
Chester
Georg Frideric Händel 's Serse (Xerxes) has everything one would expect from a ...
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Georg Frideric Händel 's Serse (Xerxes) has everything one would expect from a Baroque opera - many intertwining love stories, affairs, intrigues, scheming, misunderstanding and forgiving - all presented in the great master's magnificent music. The opera is set in Persia in 480 BC and is very loosely based upon Xerxes I of Persia, though there is little in either the Baroque libretto or music that is relevant to that setting, the main focus is on the characters ( Serse , Arsamene, Amastre, Romilda, Atalanta, Ariodate and Elviro - some of which are based on real historical persons) and their plotting. The English version for the opera in three acts was made for the English National Opera's production, first performed in 1985, on the 300th anniversary of Händel 's birth. In this edition of the Vocal score with the original Italian and the later English lyrics accompaniment is provided by the instruments indicated in the orchestration (2 Recorders (or Flutes), 2 Oboes, 2 Horns in F, Trumpet in D, Strings and Continuo [Harpsichord, Cello, Double Bass, Bassoon]), but can also be played by the Piano. Serse 's part, originally sung by a castrato, can be performed by a Soprano or a Countertenor. / Chant Et Piano
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The Great Gatsby (HARBISON JOHN)
Opera
Associated Music Publishers
Opera in Two Acts Piano/Vocal Score. Par HARBISON JOHN. F. Scott Fitzgerald's cl...
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Opera in Two Acts Piano/Vocal Score. Par HARBISON JOHN. F. Scott Fitzgerald's classic novel The Great Gatsby was adapted into a two-act opera in 1999 featuring words and music by John Harbison. This book presents all 11 scenes from the opera in a complete piano/vocal score. F. Scott Fitzgerald's classic novel The Great Gatsby was adapted into a two-act opera in 1999 featuring words and music by John Harbison. This book presents all 11 scenes from the opera in a complete piano/vocal score. / Opéra-opérette / Répertoire / Opéra
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The Cenci (BATTISTELLI GIORGIO)
Opera
[Score]
Ricordi
Theatre De Musique D'Apres Antonin Artaud. Par BATTISTELLI GIORGIO. Theatre De M...
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Theatre De Musique D'Apres Antonin Artaud. Par BATTISTELLI GIORGIO. Theatre De Musique D'Apres Antonin Artaud / Musique contemporaine / Date parution : 1905-06-28/ Répertoire / Opéra
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The Snow Queen Vol. 1 (ABRAHAMSEN HANS)
Opera
[Sheet music]
Wilhelm Hansen
Full Score English version. Par ABRAHAMSEN HANS. Vocal score in two volumes to t...
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Full Score English version. Par ABRAHAMSEN HANS. Vocal score in two volumes to the opera The Snow Queen, after the fairy tale by Hans Christian Andersen. Commissioned by The Royal Opera in Copenhagen and first performed on 13 October 2019./ Répertoire / Opéra
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Camelot (Libretto) (LERNER A)
Opera
[Sheet music]
Faber Music Limited
Par LERNER A. / LOEWE F.. Camelot is a popular Musical, which also received a fi...
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Par LERNER A. / LOEWE F.. Camelot is a popular Musical, which also received a film adaptation in 1967. Available here is the Libretto for the Musical, with book and lyrics by Alan Jay Lerner, and music by Frederick Loewe. The show is based on the King Arthur legend as based on the T.H. White novel The Once and Future King ./ Recueil / Livret
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The Tempest - Limited Edition (ADES THOMAS)
Opera
[Score]
Faber Music Limited
Full Score. Par ADES THOMAS. Thomas Adès' The Tempest, one of the most striking...
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Full Score. Par ADES THOMAS. Thomas Adès' The Tempest, one of the most striking and successful operas of recent years, is available for the first time as a beautifully produced, limited-edition full score. Featuring the stunning image 'Octopus' by artist Claire Burbridge, this unique cased edition includes colour plates of exclusive images from Ades' original handwritten score and sketches. Each copy is signed and numbered by the composer. Limited to 250 copies, with signed and numbered limitation page. Cased, square back and sewn. Endpapers feature original artwork 'The Firmament' by Claire Burbridge. Case features original artwork 'Octopus' by Claire Burbridge, printed in neon Pantone 809, with scratch-proof matt lamination and high gloss uv. Black book-block edges, ribbon and head and tail bands. From the turbulent orchestral prelude with which it begins to Ariel's stratospheric yet ethereal 'Five fathoms deep' and the radiant quintet of reconciliation in its final act, Thomas Adès conjures up a wholly compelling musical world in The Tempest. Responding to librettist Meredith Oakes' clear, unfussy refashioning of Shakespeare into formalised rhyme schemes, Adès has created a new kind of tonal language that is both direct and communicative but also indelibly contemporary. / Opéra-opérette / Répertoire / Opéra
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The Monster In The Maze (Taiwanese Version) (DOVE JONATHAN)
Opera
Peters
Par DOVE JONATHAN. The Monster in the Maze (El Monstre al Laberint), an opera fo...
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Par DOVE JONATHAN. The Monster in the Maze (El Monstre al Laberint), an opera for children, young people and adults by Jonathan Dove. (Taiwanese translation) / Opéra-opérette / Répertoire / Opéra
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The Tempest (ADES THOMAS)
Opera
[Sheet music]
Faber Music Limited
Full Score. Par ADES THOMAS. With The Tempest, Thomas Adès composed one of the ...
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Full Score. Par ADES THOMAS. With The Tempest, Thomas Adès composed one of the most striking and successful operas of recent years. From the turbulent orchestral prelude with which it begins to Ariel's stratospheric yet ethereal 'Five fathoms deep' and the radiant quintet of reconciliation in its final act, its composer conjures up a wholly compelling musical world. Responding to librettist Meredith Oakes' clear, unfussy refashioning of Shakespeare into formalised rhyme schemes, Adès has created a new kind of tonal language that is both direct and communicative but also indelibly contemporary./ Répertoire / Opéra
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Orphee Et Euridice (GLUCK CHRISTOPH WILLIBALD)
Opera
[Score]
Barenreiter
Tragédie-opéra Drame héroïque en trois actes. Par GLUCK CHRISTOPH WILLIBALD....
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Tragédie-opéra Drame héroïque en trois actes. Par GLUCK CHRISTOPH WILLIBALD. Christoph Willibald Gluck’s most popular opera “Orphée et Euridice” was performed in 1774 in Paris to sensational success. This new adaption followed the original Viennese version with Italian text that was first performed in 1762 under the direction of the composer in the Burgtheater. For the Paris version Gluck changed the leading part Orpheus from an alto to a tenor role and composed new recitatives. Both versions of Gluck’s reform drama are based on a libretto by Ranieri de’ Calzabigi and revolutionised metastasian opera of the 18th century. Solo and choral music, instrumental music, pantomime and dance are all closely connected; the myth replaces a historical plotsurrounded by intrigue; where there would have been a da-capo aria there are now simple song forms and coloratura is largely abandoned. These meticulously revised vocal scores of both versions are also newly set. Urtext editions based on “Gluck, The Complete Works” Revised and newly set The revised editions are compatible with the old editions T48Full score (BA2282-01) and vocal score (BA2282-90) available for sale Performance material (BA2282-72) available for hire/ Répertoire / Opéra
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Barry G. - The Importance Of Being Earnest
Opera
Schott
opera in 3 acts based on the text by Oscar Wilde
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Passion, Poison And Pertrification Or The Fatal Gazogene (TAUB BRUCE)
Opera
Peters
or the Fatal Gazogene. Par TAUB BRUCE. A Chamber Opera after George Bernard Shaw...
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or the Fatal Gazogene. Par TAUB BRUCE. A Chamber Opera after George Bernard Shaw Text: English / Contemporain / Répertoire / Opéra
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The Fairy Queen - Purcell Society Volume 12 Full Score - Opera
Opera
[Sheet music]
Novello & Co Ltd.
Description Purcell Society Edition No.12. The Fairy Queen In Full Score. T...
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Description Purcell Society Edition No.12. The Fairy Queen In Full Score. The drama adapted from Shakespeare's A Midsummer Night's Dream . The work may be perfomed with a minimum of five soloists: Soprano I, Soprano II, Alto or countertenor, or Tenor, Tenor, Bass. The orchestral scoring consists of two recorders, two oboes, two trumpets, timpani, strings and continuo. Orchestral parts are available for hire from the publisher. Vocal Score available for sale. Songlist The Fairy Queen
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Gioacchino Rossini The Barber Of Seville In Full Score- Opera
Opera
Dover Publications
Description Based on the play by Beaumarchais, The Barber Of Seville is one...
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Description Based on the play by Beaumarchais, The Barber Of Seville is one of the greatest of all comic operas, delighting audiences with its keenly sketched characters, melodic elegance, rhythmic exhilaration, superb ensemble writing, and original and delightful orchestration. Presented in full score, reproduced directly from the authoritative edition published by Ricordi. Songlist The Barber Of Seville
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Die Harmonie der Welt Teil C (HINDEMITH PAUL)
Opera
Schott
Par HINDEMITH PAUL. The opera is set in a variety of locations between the years...
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Par HINDEMITH PAUL. The opera is set in a variety of locations between the years 1608 and 1630 and throws a spotlight on individual scenes, sometimes presented simultaneously, from the life of the astronomer Johannes Kepler (1571-1630); the opera takes its name from Kepler’s theoretical work ‘Harmonices mundi’. Hindemith utilises substantial historical studies as the basis for his sketches of individuals within Kepler’s circle who each accompany the astronomer’s scientific endeavours with a variety of personal ambitions. The military commander Wallenstein attempts to utilise Kepler’s astrological abilities to realise his own pretensions to power while Kepler’s assistant Ulrich aspires to scientific fame and recognition. Kepler’s mother urges her son to apply his scientific abilities to the services of her black magic and the Lutheran minister Hizler forbids the astronomer to receive communion because Kepler questions the doctrine of Holy Communion in the Lutheran church and expresses sympathy for Calvinist doctrine. The few figures shed in a positive light include Kepler’s wife Susanna who supports her husband’s pursuit of truth and knowledge and the child Susanna who listens to the voices of nature and the moon in her childish naivety, thereby gaining revelatory knowledge. At the end of his life, Kepler takes stock of his situation, succumbs to a state of resignation and considers death as the greatest harmony of all. In his state of agony, music of the spheres can be heard; the constellations appear as allegorical figures in the opera and contradict Kepler’s negative concepts: lying beyond all that can be researched by mankind is a final majestic realm with the powers to ‘permit us to be amalgamated into a gigantic harmony of the spheres.’ / Date parution : 2022-07-20/ Répertoire / Opéra
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Akhnaten (GLASS PHILIP)
Opera
Dunvagen Music Publishers
Par GLASS PHILIP. The third in Glass' trilogy of operas about men who changed th...
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Par GLASS PHILIP. The third in Glass' trilogy of operas about men who changed the world in which they lived through the power of their ideas, Akhnaten's subject is religion. The Pharaoh Akhnaten was the first monotheist in recorded history, and his substitution of a one-god religion for the multi-god worship in use when he came to power was responsible for his violent overthrow. The opera describes the rise, reign, and fall of Akhnaten in a series of tableaux. This newly typeset edition is in accord with the vocal score, DU11199, first released in 2017./ Répertoire / Opéra
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L'Amour De Loin (Vocal Score)
Opera
-
Advanced
Chester
Saariaho's L'armour De Loin is an opera in five acts and was premiered in Salzbu...
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Saariaho's L'armour De Loin is an opera in five acts and was premiered in Salzburg in August 2000, with additional productions being staged at the theatre Bern in Switzerland. The story is based on the life of Prince of Bleye , one of the first great troubadours of the 12th century, and follows his glowing passion for a woman from the East of whom he has only heard is the central theme of the libretto. Libretto written by Amin Maalouf. This is the Vocal Score of Saariaho's remarkable opera. / Chant Et Piano
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Berenice, Regina d'Egitto HWV 38 (HAENDEL GEORG FRIEDRICH)
Opera
[Sheet music]
Barenreiter
Operas in three acts Version of the premiere, London 1737. Par HAENDEL GEORG FRI...
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Operas in three acts Version of the premiere, London 1737. Par HAENDEL GEORG FRIEDRICH. “Charming Berenice” – the Earl of Shaftesbury attended a rehearsal of the opera on 12 May 1737 and went into raptures about this “inexpressible delight”. “Berenice” was premiered at Covent Garden Theatre in London just a few days later on 18 May 1737. “Berenice” is one of the “light” operas and offers a wealth of musical gems, the second movement of the overture having become famous as “The Minuet from Berenice”, for instance, as has Berenice’s extended aria in the third act, in which she reflects on the inconstancy of the god Amor in duet with the solo oboist. The musical imagery which Handel worked into the opera is likewise enchanting, such as the imitation of bees humming in Fabio’s “Vedi l’ape” and the sorrowful cooing of a dove in Selene’s “Tortorella che rimira”. The scholarly-critical new edition contains the musical text of the first performance together with pieces in the appendix which Handel excised or shortened in preparation for the premiere. As is customary with our editions, a preface provides a detailed introduction to the genesis of the work, the story’s historical context, the source material and reception. Furthermore, the edition includes a translation of the libretto and an exhaustive Critical Report./ Répertoire / Opéra
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Magic Flûte, The (Vocal Score) (MOZART WOLFGANG AMADEUS)
Opera
[Sheet music]
Faber Music Limited
Par MOZART WOLFGANG AMADEUS. Mozart's Singspiel 'The Magic Flute' (or 'Die Zaube...
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Par MOZART WOLFGANG AMADEUS. Mozart's Singspiel 'The Magic Flute' (or 'Die Zaubeflote')is regarded as one of the greatest operas of the entire repertoire. What makes it a great work of art is Mozart's unique ability to translate his humanistic ideals into music of extraordinary beauty and suggestiveness. This is the Faber edition of the Libretto, in English only. / Niveau : Intermédiaire à Avancé / Répertoire / Voix
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Patience (SULLIVAN ARTHUR)
Opera
[Sheet music]
Faber Music Limited
Par SULLIVAN ARTHUR. This opera opened April 23, 1881 at the Opera Comique and r...
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Par SULLIVAN ARTHUR. This opera opened April 23, 1881 at the Opera Comique and ran for 578 performances at both the Opera Comique and Savoy Theatres. The county dames are in love with two poets while the poets are both in love with Patience, the village milkmaid. The brigade men don't see the point to aesthetics, but decide they had better give it a try to win the women's love. / Vocal Music / Répertoire / Voix
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Samson Et Dalila (SAINT-SAENS CAMILLE)
Opera
[Sheet music]
Barenreiter
Opera In Three Acts. Par SAINT-SAENS CAMILLE. Today, 'Samson et Dalila? is undou...
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Opera In Three Acts. Par SAINT-SAENS CAMILLE. Today, 'Samson et Dalila? is undoubtedly one of the best-known of Camille Saint-Saëns's thirteen operas, being more present in the repertoire of international stages than most other French 19th century compositions. During Saint-Saëns's lifetime, the opera was already regarded as the pinnacle of his dramatic stage works. The fact that the work's genesis and first performances nonetheless posed substantial difficulties is shown in this edition by Andreas Jacob and Fabien Guilloux (libretto edition). A detailed recount of this complex history, based on meticulous comparisons of all libretti and other musical sources, is the great merit of this critical edition. The edition contains the full score, edited versions of both original libretti, a historical Foreword (Fr/En/Ger), a Critical Commentary (Eng), facsimile pages of 'Livret de mise-en-scène? from the first Paris production, and a musical appendix containing the 'Air de Ballet? (which was inserted before the Bacchanale in act 3 for performances at the Paris Opéra). The underlaid text in the score is presented in two languages and contains the libretto text by Ferdinand Lemaire as well as the text of the Weimar premiere by Richard Pohl (1877), a performance that was initiated by Franz Liszt./ Répertoire / Chant et Orchestre
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Monteverdi C. - L'orfeo - Vocal Score
Opera
[Vocal Score]
Barenreiter
Monteverdi’s opera “L’Orfeo”, based on the legend of Thracian singer Orp...
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Monteverdi’s opera “L’Orfeo”, based on the legend of Thracian singer Orpheus and his love of Eurydice, is a masterpiece of musical declamation and ornamentation. It was first performed during the 1607 carnevale in the “Palazzo Ducale” in Mantua. When an edition remains true to its sources, this certainly does not mean that it is not also practical to use, as is demonstrated in this Bärenreiter edition of Monteverdi’s “L’Orfeo”. Edited by Rinaldo Alessandrini, the new publication follows the Bärenreiter edition of Monteverdi’s “Il ritorno d’Ulisse in patria”. Two contemporary prints of “L’Orfeo” from the years 1609 and 1615 have been passed down to us. Four copies of each of these prints still survive today in public libraries. The later print includes many corrections to the earlier edition and was accordingly used as the primary source for this Bärenreiter edition. However, when solving musical problems the editor frequently follows the more coherent style of the earlier print. The numerous interesting variants, not only between the two editions but also amongst the eight surviving copies, are listed in the critical commentary. This edition of “L’Orfeo” offers in addition to Monteverdi’s somewhat sparse original figures also figures added to the bass line by the editor. The continuo player should, however, feel free to follow his own judgment. The notation has been, when necessary, adapted to suit modern practice, for example with regard to the clefs. The sections that were originally written in “chiavetta” have been transposed a fifth lower. In the appendix these sections also appear in their original notation in facsimile as well as transposed a fourth lower. - Detailed introduction by the editor (Ital/Eng/Ger) on the work’s genesis and performance practice - Comprehensive critical commentary (Eng) in the score - Idiomatic piano reduction Edition no.: BA 8793-90 ISMN: 9790006533121 Composer / Author: Monteverdi, Claudio Title: L'Orfeo Favola in musica in one prologue and five acts Detailed instrumentation: Soprano solo (7), Tenor solo (4), Bass solo (3), Mixed choir: SSATTB, Male choir: TTBBB, Orchestra Librettist: Striggio, Alessandro (junior) Editor: Alessandrini, Rinaldo Foreword / Introduction: Alessandrini, Rinaldo Product format: Piano reduction, Urtext edition Language(s) of work: Italian Language(s) of text: German, Italian, English Publisher: Bärenreiter Binding: Paperback Print run: 1st printing 2012 Pages / Format: XIV, 143 S. - 27,0 x 19,0 cm Weight: 428 g
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Les Pêcheurs De Perles
Opera
[Sheet music]
Dover Publications
A pair of men take an oath of eternal friendship but their vow is threatened by ...
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A pair of men take an oath of eternal friendship but their vow is threatened by their attraction to the same woman. The object of their rivalry faces her own dilemma, torn between worldly passion and her calling as a priestess. Their romantic triangle forms the heart of this 1863 opera, Les Pêcheurs De Perles (The Pearl Fishers) , in which the composer of Carmen, the world's most popular opera, made his first mark. Set in ancient Ceylon, this enchanting tale of friendship, love, and betrayal has been performed in Opera houses around the world. The famous Baritone/Tenor duet in the second act is among the most recorded of Opera highlights, and a copy of the full score is essential for conductors as well as for students of composition and orchestration. This large-format version of Bizet 's three-act Opera offers musicians an affordable alternative to high-priced, hard-to-find editions. / Conducteur Opéra
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