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Mad
Opera
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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Recorder (36)
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Tenor Saxophone (35)
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Quatuor (34)
2 Cellos (duet) (34)
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Flûte Traversière Et Cordes (31)
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B Flat, E Flat, C and Bass cle… (29)
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2 Clarinettes, 2 Violons, Orgu… (28)
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2 Violons et Orchestre (27)
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Voix Et Orchestre (27)
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Biography (26)
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Wind ensemble (25)
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2 Violons et Alto (24)
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Flûte à Bec Alto ou Flûte T… (22)
Accordion ensemble (22)
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Quintette (20)
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Accessoire (20)
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Trio (19)
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Flûte Traversière, Cordes et… (19)
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Solistes SATB, Choeur SATB, 2 … (19)
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Mezzo-Soprano voice (19)
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Orchestre Et Orgue (18)
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3 Recorders (trio) (18)
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Choeur Mixte (SATB), Orchestre… (17)
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Treble (Alto) Recorder (17)
Pocket, Study conductor (17)
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Baritone voice (17)
Violon, Hautbois ou Violon) et… (16)
Flûte Traversière ou Violon … (16)
Harp, Flute (duet) (16)
Cor, 2 Violons et Basse Contin… (16)
Flûte Traversière ou Flûte … (16)
Flûte Traversière, Violon, A… (16)
Quintette à vent (15)
Double Bass (15)
2 Flûtes à Bec Alto ou Flût… (15)
Flûte Traversière, Hautbois … (15)
Recorder Ensemble (15)
Choeur SATB et Basse Continue,… (15)
3 Flûtes à Bec Alto (15)
Piano et Orchestre (15)
Harp (15)
Octuor A Vent (15)
2 Violons, Alto, Violoncelle E… (15)
Harmonica (15)
Clarinette, Viola and Piano (t… (15)
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Partition D'Orchestre In 16 Po… (14)
2 Flûtes à Bec Alto ou Flût… (14)
SATB, 4 Parties Mixtes, 2 Viol… (14)
Violin, Viola and Orchestra (14)
Cello, Orchestra (14)
Flute ensemble (14)
2 Saxophones (duet) (14)
4 Parties Mixtes et Orchestre (14)
Solistes SAT, Choeur SATB, 2 V… (13)
Choral Unison (13)
2 Hautbois, 2 Cors Et 2 Basson… (13)
Soprano, 4 Parties Mixtes 2 Tr… (13)
2 Flûtes Traversières et Bas… (13)
Choeur SATB, 2 Violons, Alto e… (13)
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Bassoon (13)
Treble (Alto) Recorder, Basso … (13)
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Quatuor de Cordes (12)
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Clarinette et Orchestre à Cor… (12)
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Quatuor à vent (12)
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2 Violons, 2 Altos et 2 Violon… (12)
Violon, Alto Et Orchestre (12)
Solistes SATBB, Choeur SATB, 2… (12)
2 Oboes, 2 Horns and 2 Bassoon… (12)
Solistes SSSSSTTBB, Flûte Tra… (12)
Solistes SATB, Choeur SATB, 2 … (12)
Violon, Alto, Violoncelle et C… (12)
Clarinette, Basson, Cor, 2 Vio… (12)
Solo S, 2 Hautbois ou 2 Flûte… (12)
Clarinette, Alto et Violoncell… (12)
2 Violons, 2 Altos, Violoncell… (12)
Flûte Traversière, Viole de … (12)
Carte Postale (12)
:: (12)
String Quintet: 2 violins, vio… (12)
2 Flutes, Piano (12)
Piano Trio: Violin, Viola, Pia… (11)
Clarinette (Clarinette De Bass… (11)
Choeur SATB, 2 Hautbois, 2 Cla… (11)
Violon, Orchestre à Cordes et… (11)
Flûte Traversière et Alto (11)
Clavecin (Ou Piano), 2 Violons… (11)
4 Instruments A Vent Et Orches… (11)
Harpsichord (11)
Horn and String Quartet (Quint… (11)
Clarinet Ensemble (11)
Flûte à Bec Alto, Violon ou … (11)
Solo T et Orchestre (11)
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Choeur SATB/SATB et Basse Cont… (11)
Choeur SATB, 2 Violons, Alto, … (11)
Flute Quartet: Flute, Violin, … (11)
3 Cors De Basset (11)
Recorder, Piano (11)
Organ, Trumpet (duet) (11)
Ensemble Mixte (11)
4 Cellos (11)
String quintet (11)
Tuba (11)
2 Flûtes Traversières ou Vio… (10)
Solistes STB, Choeur SATB, 2 C… (10)
Solo S, Choeur SATB, 2 Clarine… (10)
Solo à et Orchestre (10)
2 Flûtes à Bec Alto, 2 Flût… (10)
Choeur Mixte (SATB), Orchestre… (10)
Choeur Mixte, Cordes et Orgue (10)
Choeur SATB, 2 Flûtes Travers… (10)
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Choeur Mixte et Orchestre (10)
Choral, Orchestra (10)
Flûte Traversière, Harpe Et … (10)
Concert Band/Harmonie (10)
Piano Accompaniment (10)
Solo B et Orchestre (10)
Low voice (10)
Flute, Violin, Viola (10)
Choeur Mixteor (SATB), Orchest… (10)
B Flat, E Flat and C Instrumen… (10)
Solo Instrument (Violon I, Vio… (9)
4 Euphoniums (9)
Choeur SATB, 2 Cors, Violon So… (9)
Children choir (9)
Chamber Music (9)
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Choeur SATB, 2 Flûtes Travers… (9)
Chant et Guitare (9)
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Trumpet, Orchestra (9)
Hautbois, 2 Violons, Alto et V… (9)
Choeur SATB, 2 Clarines, 2 Tro… (9)
Flute, Clarinet (duet) (9)
String quartet: 4 violins (9)
Soprano (9)
Solo S, Choeur SATB, 2 Clarine… (9)
Soli (T (Evangelist), B (Jesus… (9)
Ensemble A Vent (9)
Choeur Mixte, Soprano et Corde… (9)
2 Violins, Piano (9)
Nursery rhyme (9)
Recorder Quartet (9)
Chanson (9)
Violon ou Hautbois ou Flûte T… (8)
Flûte à Bec Alto, Violon et … (8)
Trio à Cordes (8)
Flûte Traversière, Hautbois,… (8)
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Clarinette, Violoncelle et Pia… (8)
Trompette, 2 Violons, Alto et … (8)
Piano, Clarinette et Orchestre… (8)
Solistes SS, 2 Violons, Alto, … (8)
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2 Violons et Alto ou Violoncel… (8)
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Flûte à Bec Alto ou Flûte T… (8)
Oboe, Bassoon (duet) (8)
Solistes SATB, Choeur SATB, 2 … (8)
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Flute and Strings Trio (8)
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Pennywhistle (8)
Flûte Traversière, 2 Violons… (8)
2 Hautbois, 2 Clarinettes, 2 C… (8)
2 Clarinets, Bassoon (8)
Trompette, Cor et Piano ou Org… (8)
2 Hautbois, 2 Clarinettes Sib,… (8)
2 Violons, 2 Altos et Basse Co… (8)
2 Violons, Contrebasse ou Viol… (8)
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Flûte Traversière, 2 Violons… (8)
Horn, Violin, 2 Violas and Cel… (8)
Flûte Traversière Violoncell… (8)
Saxophone ensemble (8)
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Choeur SATB, 2 Hautbois, 2 Cla… (8)
Flûte Traversière, 2 Cors, V… (8)
Trombone or Euphonium (8)
Solo S, Flûte Traversière, 2… (8)
Cor de Basset ou Clarinette et… (8)
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2 Hautbois ou 2 Violons et Cor… (8)
Flûte Traversière, Alto et G… (8)
Dobro (8)
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Choeur SSATB et Basse Continue… (8)
Soprano, Orgue et Orchestre (8)
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Clarinette et Orchestre (8)
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S, A, T, B, Choeur Mixte A 4 V… (7)
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Cordes Et Orgue (7)
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Percussion Ensemble (7)
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Hautbois et Basse Continue (7)
Hautbois ou Flûte à Bec ou V… (7)
Flûte à Bec Alto ou Flûte T… (7)
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Soli (ATB), Choeur Mixte (SATB… (7)
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Flûte à Bec Alto ou Flûte T… (7)
3 Clarinettes en Sib et Clarin… (7)
Voix Et Instruments Divers (7)
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Hautbois ou Flûte Traversièr… (7)
Recorder, Bass Continuo (7)
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Double Choeur Mixte et Orchest… (7)
Treble (Alto) Recorder, Piano (7)
DVD concert (7)
Flûte Traversière et Orchest… (7)
Flûte Traversière , 2 Hautbo… (7)
Violon 1, Violon 2, Alto, Viol… (7)
Violon Solo et Orchestre (0.20… (7)
Oboe and String quartet (6)
2 Flûtes à Bec Alto, Cordes … (6)
2 Cors, 2 Violons, Alto et Con… (6)
Choeur Mixte (SATB), Soli Et O… (6)
Choeur Mixte, Orgue Et Orchest… (6)
4 Solistes, Choeur Et Orchestr… (6)
Violon Ou Flûte Traversière … (6)
Ensemble (6)
High voice (6)
Kammerorchester (6)
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Soprano, Orchestre et Orgue (6)
Piano, Flûte Traversière, 2 … (6)
Violine und Orchester (6)
Choeur SATB, 2 Violons, Violon… (6)
2 Euphoniums et Piano ou Orgue… (6)
Horn Ensemble (6)
2 Choeurs Mixtes (SATB Et SATB… (6)
3 Guitars (trio) (6)
Saxophone and Orchestra (6)
Soli (SAT), Choeur Mixte (SATB… (6)
Trombone, Tuba (duet) (6)
6 Pianos Et Orchestre (6)
2 Flûtes à Bec Alto ou Flût… (6)
Trio avec Piano (6)
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Woodwind Quintet (6)
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3 Clarinets (trio) (6)
Children choir, Piano (6)
Clarinet Quintet: 5 clarinets (6)
Bass Clef Instruments (6)
Choral SSAATTBB (6)
Choeur SATB, 2 Clarinettes, 2 … (5)
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2 Flûtes Traversières ou Vio… (5)
Flûte à Bec Alto ou Flûte T… (5)
Bugle Et Piano (5)
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Flûte traversière (5)
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Petit Ensemble Contemporain (5)
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Clarinette et Cordes (5)
Alto et Basse Continue (5)
Piccolo (5)
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2 Oboes and English horn (5)
Flûte Traversière et Violon (5)
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Cloudlifter (5)
Trompette, Cor Et Tuba (5)
2 Trumpets (duet) (5)
Clarinet and Strings (5)
Voix Basse(s) Et Piano (5)
Descent (Soprano) Recorder, Pi… (5)
Euphonium (5)
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Quatuor à Vents variable (4)
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Flûte à Bec Alto, Flûte Tra… (4)
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2 Cors, 2 Violons, Alto, Violo… (4)
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Wolfgang Amadeus Mozart: Le nozze di Figaro (vocal score paperback) KV492: Mixed
Opera
Barenreiter
Opera buffa in vier Akten - ??bersetzung von Brieger/Layer-Premi?red at the Vien...
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Opera buffa in vier Akten - ??bersetzung von Brieger/Layer-Premi?red at the Vienna Hoftheater on 1 May 1786 Wolfang Amadeus Mozart???s and Lorenzo Da Ponte???s Le nozze di Figaro may be safely regarded as one of the greatest operatic successes of all times. Yet its success was not entirely due to Mozart???s music: on the contrary because of the extraordinary demands it placed on the orchestra (especially the woodwinds) the music even posed an obstacle to the work???s spread outside the German-speaking countries. At least equally responsible for the opera???s success was the librettist Lorenzo Da Ponte who managed to transform a topical and socio-critical stage play into an opera libretto as effective as it isamusing.Many of the sources for Mozart???s first opera from the Lorenzo Da Ponte trilogy only became available to scholars again after the ???New Mozart Edition??? volume was published. These include the autograph scores of acts 3 and 4 now held at the Biblioteka Jagiello ka in Krak?w significant portions of the original sets of parts and acts 2 to 4 of the conductor???s copy from the first performance of 1786.These original sources now available again offer compelling solutions to several previously unresolved questions.Edition based on the Urtext of the ???New Mozart Edition??? reflecting the latest musicological researchWith findings from original sources now available againDetailed foreword (Ger/Eng)Full score (BA4565-01) Vocal score (BA4565-92) study score format 22.5 x 16.5cm and Facsimile (BVK1882) available for saleV43 Performance material (BA4565-72) available to hire
45.00 GBP - Sold by Musicroom UK
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Amadeo Vives: Amadeo Vives: Bohemios Vocal Score: Opera: Vocal Score
Español
Opera
[Sheet music]
Unión Musical Ediciones
Bohemios was based on Henry Murger’s Scènes de la vie de bohème th...
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Bohemios was based on Henry Murger’s Scènes de la vie de bohème the same source for the operas of both Puccini and Leoncavallo.At its première in 1904 the Chorus of bohemians in Bohemios received such a rapturous response from the audience that three encores were demanded. The piece was performed an average of nine hundred times per year in its first twenty years and a fully operatic version was later produced. Amadeo Vives was a composer conductor and teacher of music in Spain in the late 19th and early 20th century. He was a choirmaster of renown and composer of many serious works as well as operettas and zarzuelas of which Bohemios was one of his best works. He broughtto zarzuela a raised standard of harmony Orchestration and taste and he suffered the frustrations of people of serious ambition whose lighter works are the most beloved and remembered.
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Flauto Magico, Il (MOZART WOLFGANG AMADEUS)
Opera
Carisch
Par MOZART WOLFGANG AMADEUS. / Livre / Livret d'Opéra
10.00 EUR - Sold by LMI-partitions
(Seller in french langage)
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On order
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Zauberflöte Kv 620 (MOZART WOLFGANG AMADEUS)
Opera
[Sheet music]
Breitkopf & Härtel
Par MOZART WOLFGANG AMADEUS. / Répertoire / Opéra
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Bastien Und Bastienne Kv 50 (MOZART WOLFGANG AMADEUS)
Opera
[Sheet music]
Breitkopf & Härtel
Par MOZART WOLFGANG AMADEUS. Editeur(s) d'origine: Haverkam Piano, Ulrich/ Répe...
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Par MOZART WOLFGANG AMADEUS. Editeur(s) d'origine: Haverkam Piano, Ulrich/ Répertoire / Opéra
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Les Noces De Figaro (Le Nozze di Figaro) (MOZART WOLFGANG AMADEUS)
Opera
Avant Scène Opéra
Par MOZART WOLFGANG AMADEUS. / Accessoire / Livret d'Opéra
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Zauberflöte Kv 620 (MOZART WOLFGANG AMADEUS)
Opera
[Sheet music]
Breitkopf & Härtel
Par MOZART WOLFGANG AMADEUS. B1/ Répertoire / Opéra
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Cosi Fan Tutte Kv 588 (Ital-Dt) (MOZART WOLFGANG AMADEUS)
Opera
[Sheet music]
Breitkopf & Härtel
Par MOZART WOLFGANG AMADEUS. Editeur(s) d'origine: Levi, H. -Link, J. -D./ Répe...
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Par MOZART WOLFGANG AMADEUS. Editeur(s) d'origine: Levi, H. -Link, J. -D./ Répertoire / Opéra
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Zauberflöte Kv 620 (MOZART WOLFGANG AMADEUS)
Opera
[Sheet music]
Breitkopf & Härtel
T1. Par MOZART WOLFGANG AMADEUS. / Répertoire / Opéra
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Zauberflöte Kv 620 (MOZART WOLFGANG AMADEUS)
Opera
[Sheet music]
Breitkopf & Härtel
Par MOZART WOLFGANG AMADEUS. Editeur(s) d'origine: Wittmann, C F/ Répertoire / ...
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Par MOZART WOLFGANG AMADEUS. Editeur(s) d'origine: Wittmann, C F/ Répertoire / Opéra
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Zauberflöte Kv 620 (MOZART WOLFGANG AMADEUS)
Opera
[Sheet music]
Breitkopf & Härtel
Par MOZART WOLFGANG AMADEUS. / Répertoire / Opéra
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Cosi Fan Tutte Kv 588 (Ital-Dt) (MOZART WOLFGANG AMADEUS)
Opera
[Sheet music]
Breitkopf & Härtel
Par MOZART WOLFGANG AMADEUS. Editeur(s) d'origine: Levi, H. -Link, J. -D./ Répe...
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Par MOZART WOLFGANG AMADEUS. Editeur(s) d'origine: Levi, H. -Link, J. -D./ Répertoire / Opéra
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Le Nozze Di Figaro Kv 492 (Les Noces de Figaro) (MOZART WOLFGANG AMADEUS)
Opera
[Sheet music]
Breitkopf & Härtel
Par MOZART WOLFGANG AMADEUS. Editeur(s) d'origine: Levi, H. / Klengel, P./ Répe...
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Par MOZART WOLFGANG AMADEUS. Editeur(s) d'origine: Levi, H. / Klengel, P./ Répertoire / Opéra
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Don Giovanni Kv 527 (MOZART WOLFGANG AMADEUS)
Opera
[Sheet music]
Breitkopf & Härtel
Par MOZART WOLFGANG AMADEUS. Editeur(s) d'origine: Levi, H. -Wüllner, F./ Répe...
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Par MOZART WOLFGANG AMADEUS. Editeur(s) d'origine: Levi, H. -Wüllner, F./ Répertoire / Opéra
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Don Giovanni Kv 527 (MOZART WOLFGANG AMADEUS)
Opera
[Sheet music]
Breitkopf & Härtel
Par MOZART WOLFGANG AMADEUS. Editeur(s) d'origine: Levi, H. -Wüllner, F./ Répe...
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Par MOZART WOLFGANG AMADEUS. Editeur(s) d'origine: Levi, H. -Wüllner, F./ Répertoire / Opéra
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Zauberflöte Kv 620 (MOZART WOLFGANG AMADEUS)
Opera
[Sheet music]
Breitkopf & Härtel
S1. Par MOZART WOLFGANG AMADEUS. / Répertoire / Opéra
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Poul Ruders: The Thirteenth Child: Opera: Score
Opera
[Sheet music]
Wilhelm Hansen
A Fairytale Opera In Two Acts-The Thirteenth Child - A Fairytale Opera In Two Ac...
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A Fairytale Opera In Two Acts-The Thirteenth Child - A Fairytale Opera In Two Acts by Poul Ruders (2014-15). Libretto by Becky Starobin and David Starobin. Scenario by Becky Starobin. Suggested by 'The Twelve Brothers' by the Brothers Grimm. SYNOPSIS Act 1 Scene 1 The neighboring Kingdoms of Frohagord and Hauven are in crisis. Following a warning by his embittered cousin Drokan Regent of Hauven King Hjarne of Frohagord is convinced that his twelve sons are plotting to overthrow him. The twelve princes oblivious to their father's paranoia play in the courtyard. The enraged King threatensthe safety of his sons telling his pregnant wife Queen Gertrude that she must provide him with a female heir as 'only she shall wear the crown'. Gertrude calms Hjarne and they sing of the Lilies of Frohagord magical flowers that protect the kingdom. When Benjamin the youngest prince innocently plucks a lily from the garden Hjarne flies into a mad rage and strikes Gertrude. Drokan observing the encounter admits his love for Gertrude and feels 'the trembling of the earth'. Act 1 Scene 2 Eighteen years have passed and King Hjarne has just died. At Hjarne's funeral Frederic Drokan and the mourners tell of the mysterious disappearance of the King's thirteen children and the shadows that haunt the kingdom. Queen Gertrude now mortally ill and her daughter Princess Lyra enter the Royal Chapel. Gertrude is repelled by the sight of Drokan while Frederic is drawn to Lyra. Drokan plots to usurp the Kingdom of Frohagord and Frederic dreams of the day when Lyra will be his. Act 1 Scene 3 Queen Gertrude is on her deathbed attended by Princess Lyra. Lyra asks her mother why she was sent away. Gertrude has Lyra open a secret drawer where Lyra finds twelve shirts
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Io RCT 45 (RAMEAU JEAN-PHILIPPE)
Opera
Barenreiter
Acte de Ballet. Par RAMEAU JEAN-PHILIPPE. Rameau Io RCT 45 (Vocal Score) In Rame...
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Acte de Ballet. Par RAMEAU JEAN-PHILIPPE. Rameau Io RCT 45 (Vocal Score) In Rameau's operatic oeuvre, 'Io' is certainly the work shrouded in the most mystery: the acte de ballet has survived only in the form of a copy of the score and parts which was made by a collector from the generation after Rameau from the autograph that now is lost. Although the copy seems to have been used, presumably for a trial read-through, the work was apparently never regularly performed during Rameau's lifetime. And for good reason: the work breaks off abruptly at the beginning of the divertissement; neither the librettist nor a plan for a theatre location are known. Because of its incompleteness, 'Io' was long regarded as Rameau's last work, but there is much to suggest that the composition must have been written between 1740 and 1745. The introduction to this edition examines the references regarding the dating as well as various hypotheses about performance possibilities and librettists. The plot revolves around one of those typical mythological flirtations that are inevitably to be expected when Jupiter and a nymph, here Io, are involved. With the appearance of madness, La Folia, the work reaches a dramaturgical climax. However after this, the opera breaks off. In order to make the piece performable, the editors of ?Opera Omnia Rameau? propose an addition to the divertissement as well as an ending borrowed from the ballet bouffon 'Platée' in its 1745 version, which shows numerous parallels to 'Io'. Thus, these additions come as close as possible to Rameau's style of the 1740s while bringing the plot to a conclusion. - Fragmentary work completed with original music by Rameau - Based on the score of ?Opera Omnia Rameau?, Volume V/1 - Particularly suitable for academies and conservatories as few soloists are required and the few choral movements can be sung by soloists / Date parution : 2023-06-01/ Répertoire / Opéra
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Zoroastre rct 62B (RAMEAU JEAN-PHILIPPE)
Opera
Barenreiter
Oper in Funf Akten Version 1756. Par RAMEAU JEAN-PHILIPPE. Richer than ever ? Ra...
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Oper in Funf Akten Version 1756. Par RAMEAU JEAN-PHILIPPE. Richer than ever ? Rameau?s ?Zoroastre? in the version of 1756. Opera in five acts. Rameau?s revised version of his opera ?Zoroastre?, which could be heard and seen between 20 January 1756 and 26 March 1757 at the Académie royale de musique, was favourably received. Also from today?s point of view the work profits dramaturgically from many of the changes and seems altogether richer and more tightly woven than the original of 1749. The subject matter of the libretto, derived from Ancient Persian sources, is timeless: the struggle between good and bad. The good is embodied by the religious reformer Zoroastre, a representative of the supreme light being Orosmade. He is opposed by the ambitious magician Abramane who serves Ariman, the spirit of the dark. The opera includes some of Rameau?s most ecstatic and spiritual musical numbers, such as the episode of sun worship in Act 3 with the sublime ?Hymne à la Lumière?, which, for unknown reasons, was not integrated in the revision of 1756. It is therefore included in Appendix 3 of this Bärenreiter edition. Incidentally, with ?Zoroastre? the prologue, wh ich had been customary since the beginnings of French opera in the 1670s, was abandoned. Instead Rameau was the first to introduce an overture which set the scene for the entire drama and thereby anticipated Gluck?s opera reform by many years. - One of Rameau?s main works for the stage, now available with all its versions - With a straight-forward piano reduction in the vocal score by François Saint-Yves - Available on sale full score (B0A8867-01) and vocal score (BA08867-90) - Performance material available for hire BA08867-72 - Jean-Philippe Rameau - Opera Omnia (OOR) IV/26 / Date parution : 2022-07-30/ Répertoire / Chant et Piano
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Georges Bizet: Les Pêcheurs De Perles: Opera: Score
Opera
[Sheet music]
Dover Publications
A pair of men take an oath of eternal friendship but their vow is threatened by ...
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A pair of men take an oath of eternal friendship but their vow is threatened by their attraction to the same woman. The object of their rivalry faces her own dilemma torn between worldly passion and her calling as a priestess.Their romantic triangle forms the heart of this 1863 opera Les Pêcheurs De Perles (The Pearl Fishers) in which the composer of Carmen the world's most popular opera made his first mark.Set in ancientCeylon this enchanting tale of friendship love and betrayal has been performed in Opera houses around the world. The famous Baritone/Tenor duet in the second act is among the most recorded of Opera highlights and a copy of thefull score is essential for conductors as well as for students of composition and orchestration. This large-format version of Bizet's three-act Opera offers musicians an affordable alternative to high-priced hard-to-findeditions.
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Georg Friedrich Händel: Xerxes (Serse): Opera: Vocal Score
Opera
[Sheet music]
Chester
Georg Frideric Händel?s Serse (Xerxes) has everything one would expect from a B...
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Georg Frideric Händel?s Serse (Xerxes) has everything one would expect from a Baroque opera - many intertwining love stories affairs intrigues scheming misunderstanding and forgiving allpresented in the great master?s magnificent music.The opera is set in Persia in 480 BC and is very loosely based upon Xerxes I of Persia though there is little in either the Baroque libretto or music that is relevant tothat setting the main focus is on the characters (Serse Arsamene Amastre Romilda Atalanta Ariodate and Elviro some of which are based on real historical persons) and their plotting. The English version forthe opera in three acts was made for the English National Opera?s production first performed in 1985 on the 300th anniversary of Händel?s birth.In this edition of the Vocal score with the original Italian and thelater English lyrics accompaniment is provided by the instruments indicated in the orchestration (2 Recorders (or Flutes) 2 Oboes 2 Horns in F Trumpet in D Strings and Continuo [Harpsichord Cello Double Bass Bassoon]) butcan also be played by the Piano. Serse?s part originally sung by a castrato can be performed by a Soprano or a Countertenor.
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Georg Friedrich Händel: Rodrigo Hwv5: Mixed Choir: Vocal Score
Opera
[Sheet music]
Barenreiter
“Rodrigo” was premiered in autumn 1707 in Florence and is therefore ...
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“Rodrigo” was premiered in autumn 1707 in Florence and is therefore one of Handel’s early stage works. The composer only 22 years old wrote a densely-woven musical scenario for his first opera composed in Italy. It masterfully portrays the dramatic states of mind of the protagonists surrounding the Iberian tyrant Rodrigo and the plot full of deception betrayal adultery war as well as the transformation wrought by Rodrigo’s abdication. The work was not as was long thought a commission from the Prince of Medici. Despite this “Rodrigo” seems to have been so popular thatHandel extended his stay in Italy and was able to compose several operas during the following period. In “Rodrigo” the mastery which made Handel’s succeeding opera “ Agrippina” such a success is already clearly evident. “Agrippina” consequently made Handel’s name famous throughout Europe and soon led to his first journey to London. The new vocal score is based on Volume II/2 of the “Halle Handel Edition” (BA 4083). The appendix contains the surviving variants in the versions of the first performances from Handel’s lifetime. Performance material available for hire. Based on the Urtext of the “Halle Handel Edition”. Original Italian text underlaid with German singing translation. Basso continuo and editorial additions in small print. Foreword in two languages (Ger/Eng)
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Gustave Charpentier: Louise: Voice: Vocal Score
Opera
[Vocal Score]
Heugel
French composer Gustave Charpentier (1860-1956) is best known for his Opera Lo...
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French composer Gustave Charpentier (1860-1956) is best known for his Opera Louise. Having premiered in 1900 the Opera remains performed to this day. Louise depicts Parisian working-class life telling the story between a young seamstress Louise and an artist Julien. Having undertaken composition lessons from Jules Massenet at the Paris Conservatoire Charpentier's career took off immediately. The Opera Louise was successful from the first performance and was made into a film in 1939. For all Opera fans Charpentier's Louise is an essential contribution tothe genre.
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Scipione Affricano (CAVALLI FRANCESCO)
Opera
Barenreiter
Par CAVALLI FRANCESCO. In 1662, Cavalli’s career was at its zenith. The two do...
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Par CAVALLI FRANCESCO. In 1662, Cavalli’s career was at its zenith. The two dozen operas he had written for Venice had helped establish Venice as the world’s first operatic superpower. “Scipione Affricano” (Venice 1664), Cavalli’s first opera after returning from France, was one of his most successful compositions. In a period that valued new works over familiar ones, “Scipione” was one of a handful of operas to live on after its premiere season: it was revived eight times and chosen to inaugurate Rome’s Teatro Tordinona in 1671. Cavalli’s librettist, Nicolò Minato, was inspired by historical accounts of the life of the Roman general Scipio, whose defeat of Carthage in 202 BCE earned him the honorary agnomen “Africanus.” In setting Minato’s libretto, Cavalli drew upon the lyrical gifts that have made operas like “La Calisto” and “Giasone” so popular today. But at the same time “Scipione Affricano” also shows the composer embracing aspects of his two years in France, and responding to musical changes that, in the 1660s, were rapidly altering the face of Italian opera: the growing dominance of arias, a clearer sense of aria organization, and increased interplay between voice and instruments. The first goal of this edition is a practical one: to develop a version of the opera suited to the needs of both professional and student performers. A second goal is to reconstruct the opera’s complete performance history. An amply documented appendix reconstructs earlier versions of 21 arias. Other appendices print the surviving additional music from revivals in Rome and Venice. The edition is framed by a substantial Introduction, covering the drama, the musical style, the composition, premiere, and revivals, and a guide for performance today, plus a detailed “decoding” of the sources. - series Francesco Cavalli – Opere / Date parution : 2022-11-08/ Répertoire / Opéra
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Georg Friedrich Händel: Tamerlano HWV 40: Mixed Choir: Score
Opera
[Sheet music]
Barenreiter
Dramma per musica in thre acts-Tamerlano HWV 18; Dramma per musica in 3 acts Han...
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Dramma per musica in thre acts-Tamerlano HWV 18; Dramma per musica in 3 acts Handel began the composition of Tamerlano one of the supreme masterpieces of Baroque opera seria on 3rd July 1724. The libretto was an adaptation by Nicola Haym of Agostino Piovene's Tamerlano Tragedia per musica which had been set to music by Francesco Gasparini and performed in Venice in 1711. When Handel dated the last page of the autograph on 4rd July the work appeared to be complete; but during the three months which passed before the premiere at the King's Theatre in the Haymarket on 31 October so many alterations and revisions were made that a fresh performing-score had to be writtern very late inthe proceedings to replace an earlier one which is now 1ost.There were twelve performances between 31 October 1724 and 8 May 1725. Handel revived the opera only once in 1731 for three performances. For this revival he marked in the performing score a number of cuts in the recitatives which are reproduced in the present edition; there is more recitative in Tamerlano than in any other Handel opera.Urtext of the Halle Handel Edition.Full score (BA4052) and vocal score (BA4052-90) available for sale Performance material (BA4052-72) available for hire
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Richard Wagner: Tannhauser Urtext: Opera: Miniature Score
Opera
Eulenburg
Numerous revisions and adaptations are entangled in the complex history of the w...
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Numerous revisions and adaptations are entangled in the complex history of the work 'Tannhäuser'. After the world premiere in Dresden in 1845 had failed to be well received by the audience Wagner revised large parts of the opera several times in the following decades. The most comprehensive changes were made for the Paris performance in March 1861 but even after that he made further revisions which superseded some of the previous changes and were performed in Vienna in 1875 among others.The study score is based on the version of 1875 which has misleadingly been published as the 'Paris version' until today and has actually to be referred to as 'Viennese version'. Themusical text is identical to that of the critical edition within the Wagner Complete Edition with the errata discovered since then having been corrected.
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Hans Werner Henze: L'Upupa Und Der Triumph Der Sohnesliebe: Opera: Vocal Score
Opera
[Vocal Score]
-
Intermediate/advanced
Chester
Commissioned by Salzburg Festival co-produced with Deutsche Oper Berlin Teatro ...
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Commissioned by Salzburg Festival co-produced with Deutsche Oper Berlin Teatro Real Madrid and Teatro Massimo Palermo.
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