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CHOIR - VOC…
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OUD
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One
Orchestra, Violin
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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Ludwig van Beethoven: Concerto For Violin In D Op.61: Mixed Ensemble: Study
Orchestra, Violin
Barenreiter
Beethoven?s Concerto For Violin And Orchestra is one of the most famous works in...
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Beethoven?s Concerto For Violin And Orchestra is one of the most famous works in the history of music. Over the last 150 years it has been published in numerous editions none of which have up to now done justice to the work. For this edition Jonathan Del Mar has freed the work of additions made over the decades by various editors and violinists. The significance of Beethoven?s solo and tutti markings has also been clarified for the first time. Following the publication of the full score Piano reduction and orchestral parts (BA 9019) in the autumn of 2009 Bärenreiter is now publishing a study score of this pioneeringcritical edition which will prove indispensible for all violinists and students as well as for orchestras and music libraries. An introduction by Beethoven expert Barry Cooper on the history of this concerto is included for the first time. Del Mar?s edition clarifies Beethoven?s solo and tutti markings for the first time.
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Ludwig van Beethoven: Konzert Für Violine Und Orchester: Violin: Score
Orchestra, Violin
[Sheet music]
Barenreiter
for Violin and Orchestra-Beethovens concert for violin and orchestra is one of t...
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for Violin and Orchestra-Beethovens concert for violin and orchestra is one of the most famous pieces in music history. It was numerously published in the last 150 years but none lived up to the original composition.
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Tzigane: Violin: Score
Orchestra, Violin
Barenreiter
In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Jos...
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In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim Jelly D?Aranyi in concert in London. Following the performance Ravel spent the remainder of the evening requesting D?Aranyi to play numerous gypsy tunes on her violin probing her on the technical limits of the instrument. The result of this encounter is Ravel?s virtuoso classic ?Tzigane?. Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano producing a sound similar to the rich overtones of the Cimbalon) the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel laterorchestrated ?Tzigane? and both versions remain a ?must? for music-lovers and aspiring violinists today. Jelly D?Aranyi performed both versions regularly throughout her long career. This Urtext edition presents the first scholarly-critical edition of Ravel?s masterpiece. It is published both in the orchestral version complete with full score and performance material as well as in the composer?s earlier version for violin and piano. All known sources including letters have been drawn on for the new edition; one of the available sources consulted for the first time was a copy of ?Tzigane? from the estate of Jelly D?Aranyi which is today part of a private collection. The version for piano and violin contains besides the Urtext part a second violin part as a facsimile with performance instructions by Jelly D?Aranyi. D?Aranyi?s alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D?Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto.First scholarly-critical Urtext edition of the work Presented are both versions: for violin and orchestra and for violin and pianoIncludes Jelly D?Aranyi?s fingering
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Anders Hillborg: Violin Concerto No.1: Orchestra: Score
Orchestra, Violin
Faber Music Limited
Full Score-Hillborg’s first Violin Concerto composed in the early 90s i...
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Full Score-Hillborg’s first Violin Concerto composed in the early 90s is a pivotal work in his oeuvre. Composed in the wake of his highly experimental Clang & Fury and Celestial Mechanics both of which employ complex and unconventional tuning systems the concerto displays a more pragmatic approach though the drama it sets up is far from conventional with a very fluid soloist-orchestra relationship. Esteemed conductor and composer Esa-Pekka Salonen who has recorded the concerto in 2002 has described it as one Hillborg’s best pieces.
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Mozart W.a. - Works For Violin And Orchestra Kv 2017, 211, 216, 218, 219, 261, 269 (261a), 373
Orchestra, Violin
Barenreiter
Mozart, Wolfgang Amadeus Works for Violin and Orchestra KV 2017, 211, 216, 218, ...
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Mozart, Wolfgang Amadeus Works for Violin and Orchestra KV 2017, 211, 216, 218, 219, 261, 269 (261a), 373 Based on the Urtext of the ?New Mozart Edition?, this new study score unites the five violin concertos and the 3 single movements for violin from the pen of Mozart in one thoroughly reliable study score. A new historical introduction by Gudula Schütz provides valuable additional information. Full scores, piano reductions and performance material to all works included in the study score are readily available. This new edition will replace the following study scores: Concerto for Violin and Orchestra no. 1 K. 207, TP 270 Concerto for Violin and Orchestra no. 2 K. 211, TP 271 These study scores will continue to be available: Concerto for Violin and Orchestra no. 3 K. 216, TP 272 Concerto for Violin and Orchestra no. 4 K. 218, TP 273 Concerto for Violin and Orchestra no. 5 K. 219, TP 20 Edition no.: TP 325 ISMN: 9790006205349 Editor: Mahling, Christoph-Hellmut Language(s) of text: German, English Product format: Study score, Anthology, Urtext edition Binding: Paperback Pages / Format: XXII, 303 S. - 22,5 x 16,5 cm
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Michael Nyman: Concerto For Violin and Orchestra: Violin: Instrumental Work
Orchestra, Violin
Chester
The Violin Concerto was commissioned by Stiftung Schleswig-Holstein Musik Festiv...
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The Violin Concerto was commissioned by Stiftung Schleswig-Holstein Musik Festival. It was first performed by Gidon Kremer (violin) and the Schleswig-Holstein Musik Festival Orchester conducted by DennisRussell Davies at the Musikhalle Hamburg Germany on 29 August 2003. Interpolated within this one-minute-one-movement layout is a recurrent refrain where the soloist articulates one of the basic harmonic foundations of anumber of the one minute sections (six dominant 7ths - on E F sharp C A B D) in an undisguised Bachian fashion. The slow arpeggios in the later variants of the refrain not unexpectedly find themselves sharing a bed with theopening of Berg's Violin Concerto. Nyman has effectively adopted Berg's orchestral template with two exceptions - the omission of the alto Saxophone and replaced Berg's Percussion section with Marimba and Vibraphone mallet instruments which intertwine with the soloist in the Concerto. Alban Berg's Violin Concerto was dedicated to 'the memory of an angel' Manon Gropius. Nyman's Concerto was dedicated to the memory of DanielToscan du Plantier a friend and neighbour - in Nyman's words 'certainly no angel but a major figure in the recording and film industries'. Arranged for solo Violin and Piano accompaniment the duration of thiswork is approximately: 25 minutes.
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Works For Violin And Orchestra K. 207, 211, 216, 218, 219, 261, 269 (261A), 373
Orchestra, Violin
[Sheet music]
Barenreiter
KV 207, 211, 216, 218, 219, 261, 269 (261a), 373. Par MOZART WOLFGANG AMADEUS. B...
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KV 207, 211, 216, 218, 219, 261, 269 (261a), 373. Par MOZART WOLFGANG AMADEUS. Based on the Urtext of the 'New Mozart Edition”, this new study score unites the five violin concertos and the 3 single movements for violin from the pen of Mozart in one thoroughly reliable study score. A new historical introduction by Gudula Schütz provides valuable additional information. Full scores, piano reductions and performance material to all works included in the study score are readily available./ Répertoire / Violon et Orchestre
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Violin Concerto
Orchestra, Violin
Schott
My Violin Concerto is scored for a Classical-sized orchestra, with the addition ...
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My Violin Concerto is scored for a Classical-sized orchestra, with the addition of a harp and celeste, and lasts around 17 minutes. Although the work sets out to explore the lyrical characteristics of the solo instrument, it is only gradually that the violin finds its full, lyric voice, and thence, as the work progresses, a more dominant role. This, in one sense, is the 'journey' of the piece.The work's straightforward formal scheme consists of three movements (roughly fast-slow-fast) framed by a reflective introduction and epilogue. However, these formal divisions exist within a single, unbroken arc. Such an overall symmetrical shape places the slow Arioso (itself divided into three subsections) at the midpoint, sandwiched between the two Allegro movements. The dramaturgy of the piece centres on a twofold search. First there is the ongoing pursuit to 'recapture' the simple melodic material stated by the solo violin - accompanied by the harp's bass register - during the opening bars. Whilst aspects of this melody are invoked frequently throughout (especially in the violin cadenza which closes the Arioso movement), it is only with the final and most important climax of the work that the melody appears again in its complete form, now accompanied by violent, orchestral stabs. The second search is for a tonal resting place, the arrival of which is delayed until the close of the epilogue.The original version of the Violin Concerto, commissioned by the Netherlands Chamber Orchestra, was premiered in Amsterdam in February 2012 with Gordan Nikolic as soloist. The present, revised version was created for Barnabás Kelemen and the Hallé. The piece is dedicated, with admiration, to my friend Oliver Knussen. (Ryan Wigglesworth) / Violon Et Orchestre
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Peter Maxwell Davies: Concerto For Violin And Orchestra: Violin: Miniature Score
Orchestra, Violin
[Sheet music]
Chester
This work was commissioned by the Royal Philharmonic Orchestra to celebrate its ...
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This work was commissioned by the Royal Philharmonic Orchestra to celebrate its 40th birthday. The first performance took place in June 1986 at St. Magnus' Cathedral Kirkwall as part of the tenth St. Magnus Festival.Writtenfor and first performed by Isaac Stern Davies's Violin Concerto brings together two streams in his music: symphonism and folk-fiddling. In its strongly developed substance it asks to be measured in the company of Beethoven Brahms and Sibelius while there is also particularly in the middle movement a strong element of the Scots lament. The orchestra is generally muted in colour though there is a dramatic role for the timpanist.There are threemovements played without a break - this is only one of many connections with the Mendelssohn Violin Concerto.Duration c. 30mins.
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Peter Maxwell Davies: A Spell For Green Corn - The MacDonald Dances: Violin:
Orchestra, Violin
[Sheet music]
Chester
A work for solo violin and orchestra commissioned by Donald McDonald for the 21...
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A work for solo violin and orchestra commissioned by Donald McDonald for the 21st birthday of the Scottish Chamber Orchestra and the 60th birthday of the composer. It was first performed in November 1993 in Glasgow by JamesClark and the Scottish Chamber Orchestra conducted by Maxwell Davies.The spell is one quoted by George Mackay Brown in his book An Orkney Tapestry: 'Let not plough be put to acre except a fiddle cross first the furrow.'Davies's dancing concerto imagines the fiddler following a route from field to field from dance to dance accompanied by a bunch of companions in the form of an orchestra. As the music goes on so it gets brighter and livelier moving from the dark colouring of clarinets bassoons and strings to full ensemble with prominent brass and (solo) tuned percussion as if the dancers as much as the fields were beginning to glow with new life.Score(miniature). Duration c. 20mins.
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Poul Ruders: Violin Concerto No.2: Violin: Score
Orchestra, Violin
[Sheet music]
Wilhelm Hansen
Ruders writes: My second concerto for violin and orchestra is a ‘reverseâ...
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Ruders writes: My second concerto for violin and orchestra is a ‘reverse’ cousin of Polydrama the cello concerto. The former starts out extremely slow and speeds up gradually and the latter progresses in exactly the opposite way but whereas the cello concerto is composed as one uninterrupted stretch the violin concerto is formally completely different: there are 4 movements each of them combined via a ‘ritornello’ a solo-cadenza which appears 4 times (the works conclude with a solo) in almost the shape i.e. the length varies from time to time.
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Franz Joseph Haydn: Concerto For Violin In C: Orchestra: Score
Orchestra, Violin
Barenreiter
Hob Vii A 1-One of Haydn's most attractive concertos from the mid seventeenth ce...
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Hob Vii A 1-One of Haydn's most attractive concertos from the mid seventeenth century the Concerto For Violin In C has only recently been re-discovered. In this charming concerto the soloist is accompanied by a String Orchestra a scoring which can be easily mastered by amateur ensembles. This Urtext edition full score is taken from the Henle Complete Edition of the Works of Joseph Haydn.
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Kaija Saariaho: Graal Theatre (Violin Concerto)- Solo Violin Part: Violin: Part
Orchestra, Violin
Chester
The two-movement work was inspired by the title of a book by Jacques Roubaud and...
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The two-movement work was inspired by the title of a book by Jacques Roubaud and dedicated to Violinist Gidon Kremer whose playing and musicianship also inspired the work.Kaija Saariaho is a contemporary Finnish composer livingand working in Paris and Graal Thé tre is one of her principal works frequently performed in spite of its ferocious virtuosic requirements. Unlike many of her other works Graal Thé tre has no electronic extensions but exploresthe relationship fully between soloist and Orchestra. She gained international renown for her first opera l?Amour du Loin and continues a prolific compositional life with a wide range of international performances.
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Felix Mendelssohn Bartholdy: Violin Concerto In E Minor Op.64: Violin:
Orchestra, Violin
Simrock
On July 30 1838 Mendelssohn wrote to Ferdinand David his concertmaster at Lei...
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On July 30 1838 Mendelssohn wrote to Ferdinand David his concertmaster at Leipzig telling him that he would like to write a Violin Concerto for him: One in E minor goes through my head and the beginning will not leave me in peace. This Violin Concerto is now a pillar of the Violin repertoire and is commonly known as the Mendelssohn Concerto.
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Wolfgang Amadeus Mozart: The Mozart Violin Concerti: Facsimile
Orchestra, Violin
Dover Publications
A Facsimile Edition of the Autographs-Only about a tenth of Mozarts works were p...
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A Facsimile Edition of the Autographs-Only about a tenth of Mozarts works were printed during his lifetime the rest having been published without the benefit of his supervision. This long-awaited edition of the autograph score offers a rare opportunity to see Mozarts violin concertosaccording to the composers intentions. Thanks to the well-preserved condition of the original manuscripts and Mozarts legible handwriting these reproductions of his scores can be used for study reference and performance. In addition to the fiveworks Concerto No. 1 in B Flat K. 207; Concerto No. 2 in D K. 211; Concerto No. 3 in G K. 216; Concerto No. 4 in D K. 218; and Concerto No. 5 in A K. 219 the volume includes two additional pieces the Adagio in E K. 261 and the Rondo in BFlat K. 261a. The first edition of this volume was published in a limited edition in 1986 and has been virtually unobtainable for many years. Two informative introductory essays by violinist Gabriel Banat who located the manuscripts missing sinceWorld War II supplement the collection: the first one traces Mozarts relationship with the violin and the other examines the history and importance of these manuscripts thought to have been forever lost. This outstanding edition offers teachers violinists conductors musicologists and Mozart enthusiasts an extraordinary chance to possess a score reproduced from the masters own hand.
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Philip Glass: Violin Concerto: Violin: Score
Orchestra, Violin
[Sheet music]
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Intermediate/advanced
Dunvagen Music Publishers
This concerto is dedicated to Dennis Russell Davies and Paul Zukofzky who prese...
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This concerto is dedicated to Dennis Russell Davies and Paul Zukofzky who presented the first performance. The orchestral accompaniment consists of two flutes (one doubling as piccolo) two oboes E-flat clarinet two clarinetsand bass clarinet two bassoons four horns three trumpets three trombones tuba timpani percussion (snare drum bass drum triangle cymbal woodblock) harp and strings.Presented here in full score.
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Tarantella da concerto op.1 (AUER LEOPOLD)
Orchestra, Violin
[Set of Parts]
versione per violino e orchestra d'archi a cura di Andrea Piccone. Par AUER LEOP...
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versione per violino e orchestra d'archi a cura di Andrea Piccone. Par AUER LEOPOLD. / Date parution : 2021-11-30/ Répertoire / Orchestre à Cordes et Violon / Edizioni Notami
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Best Of Belwin: First Year Charts - Bass
Orchestra, Violin
Alfred Publishing
The Best of Belwin Jazz: First Year Charts for Jazz Ensemble is a collection o...
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The Best of Belwin Jazz: First Year Charts for Jazz Ensemble is a collection of twelve outstanding jazz ensemble arrangements for the young player. Each chart is written by experienced educational arrangers and composers in various styles and tempos: swing, Latin, ballad, waltz, holiday and pop. This collection is written for full instrumentation - five saxophones, three trumpets, three trombones, and four rhythm - but is designed to sound full and complete with reduced instrumentation of three saxes, two trumpets, one trombone and three rhythm. Optional parts are available for flute, clarinet, tuba, horn in F, and baritone T.C. The rhythm section parts offer suggestions for rhythms, piano voicings, and guitar chord frames. All solos are written out in improvised sections. The conductor's book includes full-length CD recordings of all titles. Titles include: Bill Bailey, Won't You Please Come Home, Birth of the Blues, Embraceable You, First Time Around, Gospel, Hot Chocolate, Jazzmin Tea, Jingle Bell Rock, Poco Loco, Splanky, Sunday Morning, TMI
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