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Orchestra, Violin
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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Children choir, Piano (28)
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Guitare ou Luth (26)
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4 Guitars (Quartet) (21)
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Clarinet Quartet: 4 clarinets (21)
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Dulcimer (20)
Choral Unison (20)
Accessoire (20)
Soprano voice (20)
Trio (19)
Choeur SATB, 2 Flûtes Travers… (19)
Solistes SB, Choeur SATB, 2 Ha… (19)
Solistes SATBB, Choeur SATB, 2… (19)
Treble (Alto) Recorder, Piano (19)
Harpsichord and Strings (19)
Piano, Guitar (Chords) (19)
Flute, Clarinet (duet) (19)
Petit Choeur AT, 2 Flûtes Tra… (18)
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Oboe, Organ (18)
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Voix et Orchestre (18)
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Oboe and Orchestra (18)
Trio à Cordes (18)
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Quatuor (18)
Alto (Partie séparée) (18)
Trio de Pianos, Salon Ensemble… (18)
DVD concert (18)
Musical Awakening (18)
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Solo S, 2 Flûtes Traversière… (17)
Solistes ST, Choeur SSAATB, 2 … (17)
High voice (17)
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Ensemble Mixte (16)
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Tenor voice (16)
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Solistes SATB, Choeur SATB, 2 … (15)
Solistes SA, Choeur SATB, 3 Tr… (15)
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Solistes SATB, Choeur SATB, Tr… (13)
Quintette à vent (13)
Solistes SSTB, Choeur SATB, 2 … (13)
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Solistes SSATB, Choeur SATB, 3… (13)
Solistes AT, Choeur SATB, Trom… (13)
Choeur SATB/SATB, (8 Instrumen… (13)
Solistes ST, Choeur SSATB, 3 T… (13)
Solistes SATB, Choeur SATB, (C… (13)
Solistes, Choeur d'Enfants, 3 … (13)
String Quartet : 4 violas (13)
Choeur d'Enfants et Ensemble (13)
Solistes SATB, Choeur SATB, 2 … (13)
Trompette ou Bugle ou Cornet o… (13)
Solistes SB, Choeur SATB, 2 Tr… (13)
Woodwind Quintet (13)
Clarinet Ensemble (13)
Marimba (13)
Chorale (13)
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Solistes SATB, Choeur SATB, Fl… (12)
Catalogue des Oeuvres (12)
Choeur SSATB, Basson, 2 Trompe… (12)
Violoncelle et Quatuor à Cord… (12)
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Solistes, Div. Instruments à … (12)
Trompette ou Cornet, Trombone … (12)
Bass Clarinet (12)
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Choeur SATTB, (5 Instruments, … (12)
Flûte Traversière, Clarinett… (12)
Double bass, Orchestra (12)
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Flute, Oboe, Clarinet, Bassoon… (12)
Choeur SATB/SATB, (Contrebasse… (12)
Saxhorn en Sib (12)
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Soli and Orchestra (12)
Choeur d'Enfants, Flûte Trave… (12)
String quintet (12)
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Fanfare Band (12)
Harp, Flute (duet) (12)
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Clarinette, Saxophone, Trompet… (12)
Choeur (SATB) et Brass Band (12)
SATB et Orchestre (12)
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Violin, Guitar (duet) (12)
Choeur d'Enfants (12)
4 Cellos (12)
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Solo S, Choeur SATB, 2 Trompet… (11)
Solistes SATB (Solo T, Auswahl… (11)
Choral, Orchestra (11)
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Choeur Mixte et Orchestre (11)
Trumpet, Trombone (duet) (11)
Solistes SATB, Choeur SATB, 3 … (11)
2 Violas (duet) (11)
4 Euphoniums (11)
Choeur SSATB, 2 Hautbois, 3 Vi… (11)
Bass Clarinet, Piano (11)
Baritone voice (11)
Solistes ATB, Choeur SATB, 2 H… (11)
6 Parties Mixtes (11)
Solo B, Trompette, Violon, Alt… (11)
Scores (11)
Solo B, Choeur SATB, 2 Hautboi… (11)
Saxhorn and Piano (11)
Solo instrument and Organ (11)
Organ, Trumpet (duet) (11)
Ocarina (11)
Guitar Ensemble (11)
Cornet and Piano (11)
Electric bass, Drums (10)
Solistes STB (SB/TB/SATB), Cho… (10)
Solistes SA, Choeur SATB, 2 Ha… (10)
String Quintet: 2 violins, 2 v… (10)
Choeur D'Hommes (TTBB) A Cappe… (10)
Gemischter Chor (SATB) und Orc… (10)
Choeur SATB, 2 Violons et Bass… (10)
Concert Band ou Harmonie et Ba… (10)
2 Violins and Basso (10)
Orgue et Musique de Chambre (10)
Guitare et Voix (10)
Choeur SSATB, 2 Violons et Bas… (10)
Solistes SAB, Choeur SATB, 4 F… (10)
Solistes, 1-2stg Choeur d'Enfa… (10)
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Orgue, 2 Violons, 2 Altos, 2 V… (10)
Solistes SATB, Choeur SATB, 2 … (10)
Solistes SATB, Choeur SATB, Or… (10)
Choeur SATB, 3 Flûtes Travers… (10)
Orchestre Scolaire (2 Flûtes … (10)
Voice, Organ (10)
4 Instruments Cuivre (Trompett… (10)
Choeur SATB, Paroisse, 2 Hautb… (10)
Percussion Ensemble (10)
School Ensemble (10)
Ensemble Instrumental et Petit… (10)
Mezzo-Soprano voice (10)
Nursery rhyme (10)
Cello, Guitar (duet) (10)
Viola and orchestra (10)
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Choeur Mixte (Unisson) Avec Or… (9)
Solistes SAB, Choeur SATB, 2 H… (9)
Solistes SATB, Choeur SSATTB, … (9)
Oboe, Violin, Viola and Violon… (9)
Solo S, Flûte Traversière, H… (9)
2 Violons Solo, 2 Violons, Alt… (9)
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Soli (SATB, Soprano Aussi Chor… (9)
Solistes SSATTB, 2 Trompettes,… (9)
Solo SATB, Choeur SATB, 2 Flû… (9)
Solistes SATB, Choeur SATB, 3 … (9)
Choeur SATB, 2 Trompettes, 2 T… (9)
Choeur D'Enfants (SMezA) Avec … (9)
8 Instruments (9)
Choeur Mixte (SATB) Avec Solis… (9)
Euphonium or Saxhorn and Piano… (9)
Organ, Piano (duet) (9)
Violoncelle ou Contrebasse (Pa… (9)
Harmonie (9)
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Solistes SATB, Choeur SATB, Ba… (9)
Quintette à Cordes (9)
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Choeur SATB, (4 Instruments, C… (9)
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Solistes SATB, Choeur SATB, 2 … (9)
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Cordes, Basse Continue, Partie… (9)
Choeur SATB, 2 Hautbois, 2 Vio… (9)
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2 Euphoniums et Piano ou Orgue… (9)
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Alto et Orchestre (9)
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Flûte Traversière, Hautbois … (9)
Choeur SATB et Basse Continue (9)
2 Clarinets, Piano (9)
Diverses Formations (9)
2 Bassoons (duet) (9)
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String Trio: 3 violins (8)
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Saxophone Alto, 2 Trombones, T… (8)
Solistes ou AuswahlChoeur SATB… (8)
Quintette avec Piano (8)
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2 Violons et Cordes (8)
Voix et Orchestre à vent (8)
Défilé et parade (8)
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Clarinette, Basson, Violon, Vi… (8)
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2 Flûtes Traversières, 2 Hau… (8)
Choeur SATB, 2 Tubes en plasti… (8)
SATB, (4 InstrumentS Basse et … (8)
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Solistes STB, Choeur SATB, 2 H… (8)
Flûte à Bec et Piano (8)
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4 Parties Mixtes (Ou 3 Parties… (8)
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Trompette en Sib (8)
Horn Ensemble (8)
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5 Instruments (Instruments à … (8)
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Flûte Traversière Hautbois, … (8)
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Instruments A Vent (8)
Choeur Mixte et Basse Continue… (8)
Cor en Mib (8)
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Solistes SATTBarB, Choeur SATB… (8)
Solistes SSAATTBar, Choeur SSA… (8)
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Cello Ensemble (8)
Flûte Traversière et Orchest… (8)
Dobro (8)
Piccolo (8)
Guitare Flatpick et Plectre (7)
Choeur SATB, Cor, 2 Violons, V… (7)
3 Violons, Instruments à Cord… (7)
Choeur SATB, 2 Violons, 2 Alto… (7)
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Solo T, Trombone Alto ou Alto,… (7)
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Flûte Traversière Et Orchest… (7)
Solo B, Choeur SATB, 2 Violons… (7)
Solistes, Choeur d'Enfants à … (7)
Trombone or Euphonium (7)
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Konzert Für Violine Und Orchester (Erste Fassung 1844 Und Zweite Fassung 1845)
Orchestra, Violin
[Sheet music]
Barenreiter
Les éditions Bärenreiter ont édité sous la référence BA 9050 cette partiti...
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Les éditions Bärenreiter ont édité sous la référence BA 9050 cette partition musicale pour satisfaire au maximum les amateurs de musique Classique et plus particulièrement les pratiquant de Violon. Cette partition a pour titre Konzert für Violine und Orchester (erste Fassung 1844 und zweite Fassung 1845) et pour compositeur Mendelssohn Bartholdy Felix. / Violon Et Orchestre / Partition
81.90 EUR - Sold by LMI-partitions
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Concerto For Violin And Orchestra E Minor Op. 64 (MENDELSSOHN-BARTHOLDY FELIX)
Orchestra, Violin
Barenreiter
E Minor Op. 64. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn?s Violin Concerto o...
(+)
E Minor Op. 64. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn?s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the premiere - the ?child prodigy? Joseph Joachim - and Hubert Leonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Leonard. The letter informs us that the composer invited Leonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David - now we know that he also gave some to Leonard. The recently discovered proofs reveal how Leonard played the concerto with Mendelssohn on that memorable evening in February 1845. That the young violinist made a positive impression on the composer is confirmed in the latter?s correspondence following their joint performance. The editor of this revised edition of the Mendelssohn Violin Concerto, Clive Brown, is an acknowledged expert on Romantic performance practice. This study score complements the full score and orchestral parts (BA 9099), the piano reduction of the 1844 version (BA 9099-92), the piano reduction of the 1845 version (BA 9099-90), as well as the brochure ?Performance Practices in the Violin Concerto op. 64 and Chamber Music for Strings of Felix Mendelssohn Bartholdy? (BA 9060)./ Répertoire / Violon et Orchestre
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Violin Concerto Op. 31 (SCHWERTSIK KURT)
Orchestra, Violin
Boosey and Hawkes
Hawkes Pocket Scores HPS 943. Par SCHWERTSIK KURT. Détails de la formation inst...
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Hawkes Pocket Scores HPS 943. Par SCHWERTSIK KURT. Détails de la formation instrumentale: 1.picc.1.2(I=Eb Clarinette,II=bcl).2-2.1.0.1-timp.perc:t.bells/marimba/BD-harp-strings - Durée: 20' -/ Répertoire / Violon et Orchestre
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Violin Concerto Op. 31 (SCHWERTSIK KURT)
Orchestra, Violin
[Part]
Boosey and Hawkes
Par SCHWERTSIK KURT. Détails de la formation instrumentale: 1.picc.1.2(I=Eb Cla...
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Par SCHWERTSIK KURT. Détails de la formation instrumentale: 1.picc.1.2(I=Eb Clarinette,II=bcl).2-2.1.0.1-timp.perc:t.bells/marimba/BD-harp-strings - Durée: 20' - Format: DIN A4/ Répertoire / Violon et Orchestre
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Violin Concerto
Orchestra, Violin
Schott
My Violin Concerto is scored for a Classical-sized orchestra, with the addition ...
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My Violin Concerto is scored for a Classical-sized orchestra, with the addition of a harp and celeste, and lasts around 17 minutes. Although the work sets out to explore the lyrical characteristics of the solo instrument, it is only gradually that the violin finds its full, lyric voice, and thence, as the work progresses, a more dominant role. This, in one sense, is the 'journey' of the piece.The work's straightforward formal scheme consists of three movements (roughly fast-slow-fast) framed by a reflective introduction and epilogue. However, these formal divisions exist within a single, unbroken arc. Such an overall symmetrical shape places the slow Arioso (itself divided into three subsections) at the midpoint, sandwiched between the two Allegro movements. The dramaturgy of the piece centres on a twofold search. First there is the ongoing pursuit to 'recapture' the simple melodic material stated by the solo violin - accompanied by the harp's bass register - during the opening bars. Whilst aspects of this melody are invoked frequently throughout (especially in the violin cadenza which closes the Arioso movement), it is only with the final and most important climax of the work that the melody appears again in its complete form, now accompanied by violent, orchestral stabs. The second search is for a tonal resting place, the arrival of which is delayed until the close of the epilogue.The original version of the Violin Concerto, commissioned by the Netherlands Chamber Orchestra, was premiered in Amsterdam in February 2012 with Gordan Nikolic as soloist. The present, revised version was created for Barnabás Kelemen and the Hallé. The piece is dedicated, with admiration, to my friend Oliver Knussen. (Ryan Wigglesworth) / Violon Et Orchestre
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Doremi
Orchestra, Violin
Schott
Die Struktur musikalischer Hierarchien in drei Sätzen: ?Do' für die westliche,...
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Die Struktur musikalischer Hierarchien in drei Sätzen: ?Do' für die westliche, ?Mi' für die östliche, pentatonische Musikkultur, ?Re' im Wechsel. Eötvös baut in seinem zweiten Violinkonzert komplexe Weltbilder - gewidmet ist das Werk der Geigerin Midori. / Violon Et Orchestre
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Concerto For Violin And Orchestra E Minor Op. 64 (MENDELSSOHN-BARTHOLDY FELIX)
Orchestra, Violin
[Sheet music]
Barenreiter
Early Version Of 1844 And Late Version Of 1845. Par MENDELSSOHN-BARTHOLDY FELIX....
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Early Version Of 1844 And Late Version Of 1845. Par MENDELSSOHN-BARTHOLDY FELIX. Replaces BA 9050- The orchestral parts are unchanged and continue to be available as BA 9050-65/-74/-75/-79/-82/-85 Mendelssohn' s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première- the 'child prodigy' Joseph Joachim- and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David- now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn' s approval. That the young violinist made a positive impression on the composer is confirmed in the latter' s correspondence following their joint performance. Mendelssohn is full of praise for Léonard' s playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)/ Répertoire / Violon et Orchestre
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Tzigane
Orchestra, Violin
Barenreiter
In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Jos...
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In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tzigane?. Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano, producing a sound similar to the rich overtones of the Cimbalon), the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel later orchestrated 'Tzigane? and both versions remain a 'must? for music-lovers and aspiring violinists today. Jelly D'Aranyi performed both versions regularly throughout her long career. This Urtext edition presents the first scholarly-critical edition of Ravel's masterpiece. It is published both in the orchestral version, complete with full score and performance material, as well as in the composer's earlier version for violin and piano. All known sources, including letters, have been drawn on for the new edition - one of the available sources, consulted for the first time, was a copy of 'Tzigane? from the estate of Jelly D'Aranyi, which is today part of a private collection. The version for piano and violin contains, besides the Urtext part, a second violin part as a facsimile with performance instructions by Jelly D'Aranyi. D'Aranyi's alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D'Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto.- First scholarly-critical Urtext edition of the work - Presented are both versions: for violin and orchestra and for violin and piano- Includes Jelly D'Aranyi's fingering / Violon Et Orchestre
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Violin Concerto (VINE CARL)
Orchestra, Violin
[Sheet music]
Faber Music Limited
Par VINE CARL. Carl Vine’s atmospheric Violin Concerto (2011) creates a rich a...
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Par VINE CARL. Carl Vine’s atmospheric Violin Concerto (2011) creates a rich and multi-faceted relationship between soloist and orchestra. Unfolding over two finely-crafted movements of roughly equal length, the 23-minute work often uses the orchestra sparingly, with players from the orchestra joining the soloist in delicate chamber-music textures. / Scores / Répertoire / Violon et Orchestre
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Konzert In D Für Violine Und Orchester 'Nr. 4' (MOZART WOLFGANG AMADEUS)
Orchestra, Violin
[Sheet music]
Barenreiter
for Violin and Orchestra. Par MOZART WOLFGANG AMADEUS. Mozart composed the major...
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for Violin and Orchestra. Par MOZART WOLFGANG AMADEUS. Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775, which witnessed the creation of the five concertos for violin and orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity in this domain lie partly in the fact that Mozart, who still occupied the post of concertmaster to the Prince-Archbishop, was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimenting withall the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773. The piano reduction of Mozart’s D major violin concerto is easier to play, uncluttered and practical with page turns where you need them and where necessary fold-out pages. The solo part gives players the critical Urtext of the New Mozart Edition. A prepared performance part is also included with bowings, fingerings and performance practice comments. An additional brochure is included with todays most performed cadenzas, 'Eingänge' and fermata embellishments. This collection offers players a spectrum of styles available in no other publication. Urtext of the New Mozart Edition Full score and parts (BA4866), violin & piano reduction (BA4866-90) and study score format 22. 5 x 16. 5cm (TP273) available for sale/ Répertoire / Violon et Orchestre
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Camille Saint-saens Danse Macabre And Havanise Orch - Violin
Orchestra, Violin
[Sheet music]
Kevin Mayhew
Description Two of Saint-Saens most popular works appear together in this aff...
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Description Two of Saint-Saens most popular works appear together in this affordable volume. First composed in a song form Danse Macabre was later rewritten as a symphonic poem. It is important to remember that risque music was considered more daring and controversial than today and audiences at its 1875 debut were resistant to its unconventional charms, but it eventually became a crowd pleaser. Havanaise is among the most challenging of violin and orchestra pieces, but a standard showpiece in the repertoire of every serious violinist. Based on the Cuban dance, Habanera, the 1887 work features a languid mood, highlighted by bursts of virtuoso activity. This volume contains the full score for violin and orchestra of both these magnificent pieces.
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Concerto For Violin And Orchestra C Major Hob. VIIa:1
Orchestra, Violin
Barenreiter
In this Concerto in C major the soloist is accompanied purely by a string orches...
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In this Concerto in C major the soloist is accompanied purely by a string orchestra, a scoring which can be mastered easily, even by amateur ensembles.Continuing Bärenreiter's collaboration with the Henle publishing company in the areas of large vocal compositions, operas and symphonic works, the edition of this violin concerto is based on the Henle Complete Edition of the 'Works of Joseph Haydn?. The complete London and Paris symphonies as well as several 'Sturm und Drang? symphonies are already available. All works appear with a full score and performance material on sale in a large format.- Urtext from the Henle Complete Edition of the 'Works of Joseph Haydn?- Charming violin concerto where the accompaniment can be also be mastered by amateurs / Violon Et Orchestre
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Violinkonzert (MOZART WOLFGANG AMADEUS)
Orchestra, Violin
[Sheet music]
Barenreiter
Par MOZART WOLFGANG AMADEUS. Mozart composed the majority of his works for solo ...
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Par MOZART WOLFGANG AMADEUS. Mozart composed the majority of his works for solo String Instruments and Orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775, which witnessed the creation of the five concertos for Violin and Orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity in this domain lie partly in the fact that Mozart, who still occupied the post of concertmaster to the Prince-Archbishop, was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimenting withall the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773. The Piano reduction of Mozart ’s G Major Violin Concerto is easier to play, uncluttered and practical with page turns where you need them and where necessary fold-out pages. The solo part gives players the critical Urtext of the New Mozart Edition. The tutti passages are all presented in normal size print for players wanting to perform these sections with the first Violins. An ossia has been included in small print for the last four measures before the first solo passage to allow for the transition to the solo section. A prepared performance part is also included with bowings, fingerings and performance practice comments. An additional brochure is included with todays most performed cadenzas, ”Eingänge” and fermata embellishments by Eugène Ysaÿe, Leopold Auer, Sam Franko and Martin Wulfhorst. This collection offers players a spectrum of styles available in no other publication. Urtext of the New Mozart Edition Full score and parts (BA4865), Violin and Piano reduction (BA4865-90) and study score format 22. 5 x 16. 5cm (TP272) available for sale./ Répertoire / Violon et Orchestre
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Graal Theatre (Violin Concerto) - Solo Violin Part
Orchestra, Violin
Chester
The two-movement work was inspired by the title of a book by Jacques Roubaud and...
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The two-movement work was inspired by the title of a book by Jacques Roubaud and dedicated to Violinist Gidon Kremer whose playing and musicianship also inspired the work.Kaija Saariaho is a contemporary Finnish composer living and working in Paris and Graal Théâtre is one of her principal works, frequently performed in spite of its ferocious virtuosic requirements.Unlike many of her other works, Graal Théâtre has no electronic extensions, but explores the relationship fully between soloist and Orchestra.She gained international renown for her first opera l'Amour du Loin and continues a prolific compositional life with a wide range of international performances. / Violon Et Orchestre
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In Lieblicher Bläue
Orchestra, Violin
Schott
Julian Anderson's new Violin Concerto - his first ever concerto - extends the co...
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Julian Anderson's new Violin Concerto - his first ever concerto - extends the conventional exploration of relationships to the spacial. Beginning off stage, the soloist's physical location changes throughout the work, altering the dynamic between soloist, orchestra, and conductor. The work was written especially for Carolin Widmann. / Violon Et Orchestre
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Joachim Joseph - Fantasy On Hungarian Themes (1850) / Fantasy On Irish (scottish) Themes (1852) - Vi
Orchestra, Violin
Barenreiter
Joachim, Joseph Fantasy on Hungarian Themes (1850), Fantasy on Irish [Scottish] ...
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Joachim, Joseph Fantasy on Hungarian Themes (1850), Fantasy on Irish [Scottish] Themes (1852) for Violin and Orchestra Edition no. BA 7898-90 ISMN 9790006566020 Joseph Joachim?s ?Fantasies on Hungarian and Irish [Scottish] Themes? was his first virtuoso music for the violin with orchestral accompaniment. Joachim was intent on creating popular works, not least at the urging of his family, but they also bore witness to his urbanity: the young Jewish-Hungarian musician spent many summers in England and its familiar, Irish melodies held great appeal for English audiences. Performances of the ?Fantasy on Hungarian Themes? in German cities met his need for self-display as the ?Hungarian lad?, to use Mendelssohn?s jocular epithet. Joachim was well aware that the style hongrois was all the rage in European capitals.
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Concert N01 Op. 77 (Violon Et (CHOSTAKOVITCH DIMITRI)
Orchestra, Violin
[Sheet music]
Sikorski
Par CHOSTAKOVITCH DIMITRI. This is the first edition of Shostakovich's Violin Co...
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Par CHOSTAKOVITCH DIMITRI. This is the first edition of Shostakovich's Violin Concerto, and was originally completed in 1948. However, owing to the political climate of the time the work was withheld for seven years and later revised and released with the Opus number of 99./ Répertoire / Violon et Orchestre
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Romances In F Major And G Major For Violin And Orchestra Op. 50, 40 (BEETHOVEN LUDWIG VAN)
Orchestra, Violin
Barenreiter
Par BEETHOVEN LUDWIG VAN. Beethoven's 'Romances' are performed all over the worl...
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Par BEETHOVEN LUDWIG VAN. Beethoven's 'Romances' are performed all over the world, yet how many conductors, performers and listeners are aware that op. 50 which was incidentally composed before op. 40, comes down to us in an unfinished form? The autograph score contains little to no articulation or dynamics and to the present day the work has existed only in highly over-edited publications. The performer has no way of knowing what was originally intended by the composer. Bärenreiter's new Urtext edition of opp. 50 and 40 offers the score to op. 50 twice- the first score reflects the state of Beethoven's autograph with editorial markings clearly indicated, the second score has been edited based on other works by Beethoven from that period. This manner of publishing remains true to the sources and at the same time offers musicians a reliable transparent score for performances. In addition to the Urtext solo part, a second solo part with fingering and bowing by Detlef Mahn is also included in the piano reduction. - Piano reduction which includes an Urtext solo part as well as an additional solo part with fingering and bowing - The score to op. 50 available in two versions - Detailed critical commentary (Eng)/ Répertoire / Violon et Orchestre
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Best Of Belwin: First Year Charts - Bass
Orchestra, Violin
Alfred Publishing
The Best of Belwin Jazz: First Year Charts for Jazz Ensemble is a collection o...
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The Best of Belwin Jazz: First Year Charts for Jazz Ensemble is a collection of twelve outstanding jazz ensemble arrangements for the young player. Each chart is written by experienced educational arrangers and composers in various styles and tempos: swing, Latin, ballad, waltz, holiday and pop. This collection is written for full instrumentation - five saxophones, three trumpets, three trombones, and four rhythm - but is designed to sound full and complete with reduced instrumentation of three saxes, two trumpets, one trombone and three rhythm. Optional parts are available for flute, clarinet, tuba, horn in F, and baritone T.C. The rhythm section parts offer suggestions for rhythms, piano voicings, and guitar chord frames. All solos are written out in improvised sections. The conductor's book includes full-length CD recordings of all titles. Titles include: Bill Bailey, Won't You Please Come Home, Birth of the Blues, Embraceable You, First Time Around, Gospel, Hot Chocolate, Jazzmin Tea, Jingle Bell Rock, Poco Loco, Splanky, Sunday Morning, TMI
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Violinkonzert 3 G-Dur Kv 216 (MOZART WOLFGANG AMADEUS)
Orchestra, Violin
[Sheet music]
Breitkopf & Härtel
Par MOZART WOLFGANG AMADEUS. Editeur(s) d'origine: Eisen, Cliff / Breig, Werner/...
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Par MOZART WOLFGANG AMADEUS. Editeur(s) d'origine: Eisen, Cliff / Breig, Werner/ Répertoire / Violon et Orchestre
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