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Orchestra, Violin
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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Concerto For Violin And Orchestra E Minor Op. 64 (MENDELSSOHN-BARTHOLDY FELIX)
Orchestra, Violin
[Sheet music]
Barenreiter
Early Version Of 1844 And Late Version Of 1845. Par MENDELSSOHN-BARTHOLDY FELIX....
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Early Version Of 1844 And Late Version Of 1845. Par MENDELSSOHN-BARTHOLDY FELIX. Replaces BA 9050- The orchestral parts are unchanged and continue to be available as BA 9050-65/-74/-75/-79/-82/-85 Mendelssohn' s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première- the 'child prodigy' Joseph Joachim- and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David- now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn' s approval. That the young violinist made a positive impression on the composer is confirmed in the latter' s correspondence following their joint performance. Mendelssohn is full of praise for Léonard' s playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)/ Répertoire / Violon et Orchestre
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Concerto For Violin And Orchestra E Minor Op. 64 (MENDELSSOHN-BARTHOLDY FELIX)
Orchestra, Violin
Barenreiter
E Minor Op. 64. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn?s Violin Concerto o...
(+)
E Minor Op. 64. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn?s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the premiere - the ?child prodigy? Joseph Joachim - and Hubert Leonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Leonard. The letter informs us that the composer invited Leonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David - now we know that he also gave some to Leonard. The recently discovered proofs reveal how Leonard played the concerto with Mendelssohn on that memorable evening in February 1845. That the young violinist made a positive impression on the composer is confirmed in the latter?s correspondence following their joint performance. The editor of this revised edition of the Mendelssohn Violin Concerto, Clive Brown, is an acknowledged expert on Romantic performance practice. This study score complements the full score and orchestral parts (BA 9099), the piano reduction of the 1844 version (BA 9099-92), the piano reduction of the 1845 version (BA 9099-90), as well as the brochure ?Performance Practices in the Violin Concerto op. 64 and Chamber Music for Strings of Felix Mendelssohn Bartholdy? (BA 9060)./ Répertoire / Violon et Orchestre
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Romances In F Major And G Major For Violin And Orchestra Op. 50, 40 (BEETHOVEN LUDWIG VAN)
Orchestra, Violin
Barenreiter
Par BEETHOVEN LUDWIG VAN. Beethoven's 'Romances' are performed all over the worl...
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Par BEETHOVEN LUDWIG VAN. Beethoven's 'Romances' are performed all over the world, yet how many conductors, performers and listeners are aware that op. 50 which was incidentally composed before op. 40, comes down to us in an unfinished form? The autograph score contains little to no articulation or dynamics and to the present day the work has existed only in highly over-edited publications. The performer has no way of knowing what was originally intended by the composer. Bärenreiter's new Urtext edition of opp. 50 and 40 offers the score to op. 50 twice- the first score reflects the state of Beethoven's autograph with editorial markings clearly indicated, the second score has been edited based on other works by Beethoven from that period. This manner of publishing remains true to the sources and at the same time offers musicians a reliable transparent score for performances. In addition to the Urtext solo part, a second solo part with fingering and bowing by Detlef Mahn is also included in the piano reduction. - Piano reduction which includes an Urtext solo part as well as an additional solo part with fingering and bowing - The score to op. 50 available in two versions - Detailed critical commentary (Eng)/ Répertoire / Violon et Orchestre
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Concerto Kv 218 / W.A. Mozart - Violon And Orch.
Orchestra, Violin
[Sheet music + CD]
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Intermediate
Dowani
Dowani 3 Tempi Play est long une méthode efficace et éprouvée par le temps de...
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Dowani 3 Tempi Play est long une méthode efficace et éprouvée par le temps de pratiquer qui offre plus que conventionnels jouent au long éditions. Dowani 3 Tempi Play permet Outre-vous pour apprendre un travail de manière systématique et avec un accompagnement à différents tempi.La première chose que vous entendez sur le CD est la version de concert dans un enregistrement de première classe avec instrument soliste et orchestre, continuo, ou l'accompagnement au piano. Puis le piano ou le clavecin d'accompagnement s'inscrit dans le tempo lent et moyen à des fins pratiques, avec l'instrument soliste entendre en sourdine au tempo lent. Enfin, vous pouvez jouer au tempo d'origine pour l'accompagnement d'un orchestre, le piano, ou basso continuo.Toutes les versions figurant sur le CD ont été enregistrés en direct par des solistes de renom, accompagnateurs, et des orchestres. Il n'y a aucun sons synthétisés dans une édition Dowani! / Violon Et Orchestre / 40 pages / niveau : Moyen / Partition Cd
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Concerto No 9 Op. 104 / Ch. A. De Bériot - Violon And Orch.
Orchestra, Violin
[Sheet music + CD]
Dowani
Dowani 3 Tempi Play est long une méthode efficace et éprouvée par le temps de...
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Dowani 3 Tempi Play est long une méthode efficace et éprouvée par le temps de pratiquer qui offre plus que conventionnels jouent au long éditions. Dowani 3 Tempi Play permet Outre-vous pour apprendre un travail systématique et avec un accompagnement à différents tempi.La première chose que vous entendez sur le CD est la version de concert dans un enregistrement de première classe avec instrument soliste et orchestre, continuo, ou l'accompagnement au piano. Puis le piano ou le clavecin d'accompagnement s'inscrit dans le tempo lent et moyen à des fins pratiques, avec l'instrument soliste entendre en sourdine au tempo lent. Enfin, vous pouvez jouer au tempo d'origine pour l'accompagnement d'un orchestre, le piano, ou basso continuo.Toutes les versions figurant sur le CD ont été enregistrés en direct par des solistes de renom, accompagnateurs, et des orchestres. Il n'y a aucun sons synthétisés dans une édition Dowani! / Violon Et Orchestre / 33 pages / niveau : Elémentaire / Partition + Cd
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Violin Concerto
Orchestra, Violin
Schott
My Violin Concerto is scored for a Classical-sized orchestra, with the addition ...
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My Violin Concerto is scored for a Classical-sized orchestra, with the addition of a harp and celeste, and lasts around 17 minutes. Although the work sets out to explore the lyrical characteristics of the solo instrument, it is only gradually that the violin finds its full, lyric voice, and thence, as the work progresses, a more dominant role. This, in one sense, is the 'journey' of the piece.The work's straightforward formal scheme consists of three movements (roughly fast-slow-fast) framed by a reflective introduction and epilogue. However, these formal divisions exist within a single, unbroken arc. Such an overall symmetrical shape places the slow Arioso (itself divided into three subsections) at the midpoint, sandwiched between the two Allegro movements. The dramaturgy of the piece centres on a twofold search. First there is the ongoing pursuit to 'recapture' the simple melodic material stated by the solo violin - accompanied by the harp's bass register - during the opening bars. Whilst aspects of this melody are invoked frequently throughout (especially in the violin cadenza which closes the Arioso movement), it is only with the final and most important climax of the work that the melody appears again in its complete form, now accompanied by violent, orchestral stabs. The second search is for a tonal resting place, the arrival of which is delayed until the close of the epilogue.The original version of the Violin Concerto, commissioned by the Netherlands Chamber Orchestra, was premiered in Amsterdam in February 2012 with Gordan Nikolic as soloist. The present, revised version was created for Barnabás Kelemen and the Hallé. The piece is dedicated, with admiration, to my friend Oliver Knussen. (Ryan Wigglesworth) / Violon Et Orchestre
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Concerto Kv 216 In G-Major / W.A. Mozart - Vl/Orch
Orchestra, Violin
[Sheet music + CD]
-
Intermediate
Dowani
Wolfgang Amadeus Mozart Concerto en sol majeur pour violon et orchestre appartie...
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Wolfgang Amadeus Mozart Concerto en sol majeur pour violon et orchestre appartient au répertoire standard de tous les violonistes. Dowani de 3 Jouez Tempi long Edition vous permet de travailler à travers la pièce systématiquement à différents tempos avec un accompagnement professionnel. / Violon Et Orchestre / 50 pages / niveau : Moyen / Partition + Cd
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Violinkonzert (MOZART WOLFGANG AMADEUS)
Orchestra, Violin
[Sheet music]
Barenreiter
Par MOZART WOLFGANG AMADEUS. Mozart composed the majority of his works for solo ...
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Par MOZART WOLFGANG AMADEUS. Mozart composed the majority of his works for solo String Instruments and Orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775, which witnessed the creation of the five concertos for Violin and Orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity in this domain lie partly in the fact that Mozart, who still occupied the post of concertmaster to the Prince-Archbishop, was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimenting withall the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773. The Piano reduction of Mozart ’s G Major Violin Concerto is easier to play, uncluttered and practical with page turns where you need them and where necessary fold-out pages. The solo part gives players the critical Urtext of the New Mozart Edition. The tutti passages are all presented in normal size print for players wanting to perform these sections with the first Violins. An ossia has been included in small print for the last four measures before the first solo passage to allow for the transition to the solo section. A prepared performance part is also included with bowings, fingerings and performance practice comments. An additional brochure is included with todays most performed cadenzas, ”Eingänge” and fermata embellishments by Eugène Ysaÿe, Leopold Auer, Sam Franko and Martin Wulfhorst. This collection offers players a spectrum of styles available in no other publication. Urtext of the New Mozart Edition Full score and parts (BA4865), Violin and Piano reduction (BA4865-90) and study score format 22. 5 x 16. 5cm (TP272) available for sale./ Répertoire / Violon et Orchestre
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Tzigane
Orchestra, Violin
Barenreiter
In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Jos...
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In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tzigane?. Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano, producing a sound similar to the rich overtones of the Cimbalon), the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel later orchestrated 'Tzigane? and both versions remain a 'must? for music-lovers and aspiring violinists today. Jelly D'Aranyi performed both versions regularly throughout her long career. This Urtext edition presents the first scholarly-critical edition of Ravel's masterpiece. It is published both in the orchestral version, complete with full score and performance material, as well as in the composer's earlier version for violin and piano. All known sources, including letters, have been drawn on for the new edition - one of the available sources, consulted for the first time, was a copy of 'Tzigane? from the estate of Jelly D'Aranyi, which is today part of a private collection. The version for piano and violin contains, besides the Urtext part, a second violin part as a facsimile with performance instructions by Jelly D'Aranyi. D'Aranyi's alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D'Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto.- First scholarly-critical Urtext edition of the work - Presented are both versions: for violin and orchestra and for violin and piano- Includes Jelly D'Aranyi's fingering / Violon Et Orchestre
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Camille Saint-saens Danse Macabre And Havanise Orch - Violin
Orchestra, Violin
[Sheet music]
Kevin Mayhew
Description Two of Saint-Saens most popular works appear together in this aff...
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Description Two of Saint-Saens most popular works appear together in this affordable volume. First composed in a song form Danse Macabre was later rewritten as a symphonic poem. It is important to remember that risque music was considered more daring and controversial than today and audiences at its 1875 debut were resistant to its unconventional charms, but it eventually became a crowd pleaser. Havanaise is among the most challenging of violin and orchestra pieces, but a standard showpiece in the repertoire of every serious violinist. Based on the Cuban dance, Habanera, the 1887 work features a languid mood, highlighted by bursts of virtuoso activity. This volume contains the full score for violin and orchestra of both these magnificent pieces.
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Konzert In D Für Violine Und Orchester 'Nr. 4' (MOZART WOLFGANG AMADEUS)
Orchestra, Violin
[Sheet music]
Barenreiter
for Violin and Orchestra. Par MOZART WOLFGANG AMADEUS. Mozart composed the major...
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for Violin and Orchestra. Par MOZART WOLFGANG AMADEUS. Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775, which witnessed the creation of the five concertos for violin and orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity in this domain lie partly in the fact that Mozart, who still occupied the post of concertmaster to the Prince-Archbishop, was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimenting withall the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773. The piano reduction of Mozart’s D major violin concerto is easier to play, uncluttered and practical with page turns where you need them and where necessary fold-out pages. The solo part gives players the critical Urtext of the New Mozart Edition. A prepared performance part is also included with bowings, fingerings and performance practice comments. An additional brochure is included with todays most performed cadenzas, 'Eingänge' and fermata embellishments. This collection offers players a spectrum of styles available in no other publication. Urtext of the New Mozart Edition Full score and parts (BA4866), violin & piano reduction (BA4866-90) and study score format 22. 5 x 16. 5cm (TP273) available for sale/ Répertoire / Violon et Orchestre
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Mozart W.a. - Works For Violin And Orchestra Kv 2017, 211, 216, 218, 219, 261, 269 (261a), 373
Orchestra, Violin
Barenreiter
Mozart, Wolfgang Amadeus Works for Violin and Orchestra KV 2017, 211, 216, 218, ...
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Mozart, Wolfgang Amadeus Works for Violin and Orchestra KV 2017, 211, 216, 218, 219, 261, 269 (261a), 373 Based on the Urtext of the ?New Mozart Edition?, this new study score unites the five violin concertos and the 3 single movements for violin from the pen of Mozart in one thoroughly reliable study score. A new historical introduction by Gudula Schütz provides valuable additional information. Full scores, piano reductions and performance material to all works included in the study score are readily available. This new edition will replace the following study scores: Concerto for Violin and Orchestra no. 1 K. 207, TP 270 Concerto for Violin and Orchestra no. 2 K. 211, TP 271 These study scores will continue to be available: Concerto for Violin and Orchestra no. 3 K. 216, TP 272 Concerto for Violin and Orchestra no. 4 K. 218, TP 273 Concerto for Violin and Orchestra no. 5 K. 219, TP 20 Edition no.: TP 325 ISMN: 9790006205349 Editor: Mahling, Christoph-Hellmut Language(s) of text: German, English Product format: Study score, Anthology, Urtext edition Binding: Paperback Pages / Format: XXII, 303 S. - 22,5 x 16,5 cm
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Concert N01 Op. 77 (Violon Et (CHOSTAKOVITCH DIMITRI)
Orchestra, Violin
[Sheet music]
Sikorski
Par CHOSTAKOVITCH DIMITRI. This is the first edition of Shostakovich's Violin Co...
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Par CHOSTAKOVITCH DIMITRI. This is the first edition of Shostakovich's Violin Concerto, and was originally completed in 1948. However, owing to the political climate of the time the work was withheld for seven years and later revised and released with the Opus number of 99./ Répertoire / Violon et Orchestre
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Britten B. - Lachrymae Op.48a - Violin And String Orchestra
Orchestra, Violin
Boosey and Hawkes
Reflections on a Song by Dowland Studienpartitur - STP - viola and string orche...
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Reflections on a Song by Dowland Studienpartitur - STP - viola and string orchestra composer: Britten, Benjamin Série: Hawkes Pocket Scores (HPS 904)
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Concerto For Violin And Orchestra D Major Op. 77 (BRAHMS JOHANNES)
Orchestra, Violin
[Sheet music]
Barenreiter
Brown, Clive. Par BRAHMS JOHANNES. Johannes Brahms Concerto pour violon, écrit ...
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Brown, Clive. Par BRAHMS JOHANNES. Johannes Brahms Concerto pour violon, écrit pour Joseph Joachim, est resté un ouvrage de référence dans les programmes de concerts depuis sa première représentation en 1879. Bärenreiter de savante critique édition, préparé par Clive Brown, reflète non seulement score de Brahms autographe, une partie solo et réduction pour piano, mais aussi des copies personnelles du compositeur de la partition première édition et parties orchestrales. Le score, réduction pour piano, parties d'orchestre et un commentaire critique (BA 9049) ont été publiés par Bärenreiter à l'automne 2005, ce matériau est maintenant achevée avec la publication de la partition d'étude. L'excellent avant-propos (Eng / Ger), prises à partir de la partition complète, est inclus dans cette partition d'étude. Il offre un aperçu de la genèse de la composition et la relation de travail entre Brahms et Joachim. 'L'édition Bärenreiter, grâce à la contribution extraordinaire Clive Brown, est la plus belle publication que je n'ai jamais eu le privilège de revoir.' (ESTA - Nouvelles and Vues)/ Répertoire / Violon et Orchestre
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Scena (Score) (HARVEY JONATHAN)
Orchestra, Violin
[Sheet music]
Faber Music Limited
Par HARVEY JONATHAN. Scena is a quasi-operatic scene either for singer and ensem...
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Par HARVEY JONATHAN. Scena is a quasi-operatic scene either for singer and ensemble or for a singer-like solo instrument and ensemble. In this case of the latter the solo Violin proceeds through several dramatic events roughly signaled in the score as Lament, Mystical Event (the arrival of woodwind), Romantic Event, Dream (slow tremolando swells) and Metamorphosis (which takes and transforms a melody)./ Répertoire / Conducteur
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Graal Theatre (Violin Concerto) - Solo Violin Part
Orchestra, Violin
Chester
The two-movement work was inspired by the title of a book by Jacques Roubaud and...
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The two-movement work was inspired by the title of a book by Jacques Roubaud and dedicated to Violinist Gidon Kremer whose playing and musicianship also inspired the work.Kaija Saariaho is a contemporary Finnish composer living and working in Paris and Graal Théâtre is one of her principal works, frequently performed in spite of its ferocious virtuosic requirements.Unlike many of her other works, Graal Théâtre has no electronic extensions, but explores the relationship fully between soloist and Orchestra.She gained international renown for her first opera l'Amour du Loin and continues a prolific compositional life with a wide range of international performances. / Violon Et Orchestre
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Konzert Nr. 1 (SZYMANOWSKI KAROL)
Orchestra, Violin
[Study Score / Miniature]
Universal Edition
Par SZYMANOWSKI KAROL. 'Eastern exoticism, French impressionism and perfumed lyr...
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Par SZYMANOWSKI KAROL. 'Eastern exoticism, French impressionism and perfumed lyricism: Polish composer Karol Szymanowski in war-torn Europe in 1916 providing ecstasy without the agony in what he called 'a new style and new type of expression for the violin'.' (Andrew McGregor's BBC review) From its controversial beginnings, the Szymanowski Violin Concerto now evokes arguments only about whose performance is preferred! Its importance in modern repertoire is confirmed by its inclusion in UE's ongoing New Study Score Series. Dur.: 24'/ Répertoire / Violon et Orchestre
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Violinkonzert (BERG ALBAN)
Orchestra, Violin
[Score]
Universal Edition
According to the Critical Complete Edition. Par BERG ALBAN. UE presents a new cr...
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According to the Critical Complete Edition. Par BERG ALBAN. UE presents a new critical edition of Berg's Violin Concerto, which seeks to correct errors which have been incorporated in the score since its first publication. Carefully researched, this new definitive score is now the most accurate. Published in oversize (11' x 13') hardbound format. Dur.: 22'-25'/ Répertoire / Violon et Orchestre
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4 Iberian Miniatures (COLL FRANCISCO)
Orchestra, Violin
[Sheet music]
Faber Music Limited
Full score. Par COLL FRANCISCO. Francisco Coll's Four Iberian Miniatures glitter...
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Full score. Par COLL FRANCISCO. Francisco Coll's Four Iberian Miniatures glitter with sharp, Andalusian light. Premiered by Pekka Kuusisto and the Britten Sinfonia under Coll's mentor Thomas Adès, this dazzling 12-minute work sees the flamboyant soloist dancing through lucid textures which filter flamenco through Coll's own fractured and surreal musical voice./ Répertoire / Violon et Orchestre de Chambre
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