(for the victims of the September 11, 2001 attacks and all victims of senseless violence). By Rene Clausen. Orchestra. For Piccolo, 2 Flutes, 2 Oboes, English Horn, 2 Clarinets, Bass Clarinet, 2 Bassoons, 4 Horns, 3 Trumpets, 2 Trombones, Bass Trombone, Tuba, Timpani, Cymbals, Mallets, Snare Drum, Bass Drum, Percussion, Harp, Piano, 2 Violins, Viola, Cello, Double Bass. Concert. Orchestral Full Score and Parts. Published by Roger Dean Publishing

By Gioachino Rossini. Edited by Tommy J. Fry. Arranged by Erik W. G. Leidzen. Concert Band. For Piccolo, Flute I, Flute II, Oboe I, Oboe II, English Horn, Clarinet I, Clarinet II, Clarinet III, Bass Clarinet, Bassoon I, Bassoon II, Alto Saxophone I, Alto Saxophone II, Tenor Saxophone, Baritone Saxophone, Trumpet I, Trumpet II, Trumpet III, Trumpet IV, Horn I, Horn II, Horn III, Horn IV, Tenor I, Tenor II, Tenor III, Euphonium, Tuba, Contrabass, Timpani, Snare Drum, Xylophone, Triangle, Suspended Cymbal, Bass Drum. Carl Fischer Classic Band Editions. Level: Grade 6. Score and Set of Parts. 79 pages. Duration 3:15. Published by Carl Fischer.

(Prelude to the Afternoon of a Faun). By Claude Debussy (1862-1918). Edited by Douglas Woodfull-Harris. For orchestra (3 flutes/2 oboes/english horn/2 clarinets/2 bassoons/4 horns/cymbal/2 harps/2 violins/viola/cello/double bass). This edition: Stapled, Urtext edition. Score. Text Language: English/French/German. 44 pages. Duration 10'. Published by Baerenreiter Verlag

By Mark Hayes. Orchestra. For SATB divisi Choir, Solo Quartet, flute/piccolo, oboe/english horn, clarinet, bassoon, horn, trumpet, percussion, harp, piano (for rehearsal only), violin 1 and 2, viola, cello, bass (with optional orchestra: Flute/Piccolo, Oboe/English Horn, Clarinet, Bassoon, Horn, Trumpet, Percussion, Harp, Piano (for rehearsal only), Violin 1 and 2, Viola, Cello, Bass). Christmas, General. Orchestral Score and Parts. Published by Roger Dean Publishing

Im Sommerwind. (Idyll for Orchestra). By Anton Webern (1883-1945). Orchestra. For Flute I, Flute II, Flute III, Oboe I, Oboe II, English Horn, Clarinet I, Clarinet II, II, Clarinet III, Clarinet IV, Bass Clarinet in Bb, Bassoon I, Bassoon II, Horn I, Horn II, Horn III, Horn IV, French Horn, French Horn, Trumpet in F I, Trumpet in F II,. Premiered May 25th, 1962, by the Philadelphia Orchestra under Eugene Ormandy, opened the First International Webern Festival, held under the auspices of the University of Washington in Seattle, Washington. Classical. Full score (large). Standard notation. Composed SEPTEMBER 16 1904. 32 pages. Duration 12 minutes. Published by Carl Fischer

(Cycle of Five Pieces - Study Score). By William Schuman (1910-1992). Orchestra. For Flute I, Flute II, Flute III, Piccolo, Oboe I, Oboe II, English Horn, Clarinet I, Clarinet II, Bass Clarinet, Bassoon I, Bassoon II, Contra Bassoon, Horn I, Horn II, Horn III, Horn IV, Trumpet in C I, Trumpet in C II, Trumpet in C III, Tenor I, Tenor II, . First performance: Eastman Philharmonic, Gustav Meier conducting, on October 29, 1972. Full score (study). Standard notation. 111 pages. Duration 25 minutes. Published by Theodore Presser Company

A Symphonic Poem - Full Score. By Howard Hanson. Orchestra. For Piccolo, Flute I, Flute II, Oboe I, Oboe II, English Horn, I, II, Bassoon I, Bassoon II, Contra Bassoon, Horn I, Horn II, Horn III, Horn IV, Trumpet I, Trumpet II, Trumpet III, Tenor I, Tenor II, Tenor III, Tuba, Timpani, Piano, Percussion, Violin I, Violin II, Viola, Cello, Contrabass. Carl Fischer Study Score Series: Orchestra Works - Chamber Music. Full Score - Study. Opus 26. 74 pages. Published by Carl Fischer.

Orchestra

SKU: SU.94010400

For Orchestra. Composed by James Lee III. Orchestra. Study Score. Subito Music Corporation #94010400. Published by Subito Music Corporation (SU.94010400).

2,1 2,1 2,1 2,1; 4331; timp, perc(3), cel, hp; stgs Duration: 11' Composed: 2013 Published by: Subito Music Publishing Performance materials available on rental: Alas! Babylon’s Final Sunset is another installment in my series of works that musically comment on the biblical books of Daniel and Revelation. The principal source of inspiration for this works comes from the 18th chapter of the book of Revelation. This chapter states that the career of Babylon the Great is finally coming to an end. The music begins with a mysterious pianissimo tremolo accompanied by tam-tam and bass drum. The initial flourishes in the oboes and English horn serve as the principal motive of warning. As the music continues, there are varying degrees of agitation among the strings and woodwinds. Throughout the work there are rhythmic motives in the brass, percussion, and various woodwind instruments that sing and speak Babylon is Fallen in triple meter. As the tutti ensemble arrives at a climax, the orchestral texture becomes thinner and slightly transparent. As the music continues, the opening motive returns in the oboes, however the counterpoint produces a series of solo laments. These passages are intended to provide picturesque images of these words: And the voice of harpers, and musicians, and of pipers, and trumpeters, shall be heard no more at all in thee; and no craftsman, of whatsoever craft he be, shall be found any more in thee; and the sound of a millstone shall be heard no more at all in thee; And the light of a candle shall shine no more at all in thee. and the voice of the bridegroom and of the bride shall be heard no more at all in thee: for thy merchants were the great men of the earth; for by thy sorceries were all nations deceived. And in her was found the blood of prophets, and of saints, and of all that were slain upon the earth. Rev. 18:22-24 The following passages musically comment on the historical career of Babylon with a sense of her impending destruction. The series of laments transforms into the more emphatic rhythmic motive Babylon is Fallen. The orchestral texture begins to become more condense, once again, with the initial flourishes of, but with notable variations. Finally, the celesta, harp, oboes, English horn, and strings sing profundities that are finally transformed into a minor mode tonality that fades away with the ringing of the tam-tam. Babylon has finally seen her last sunset.

(For Orchestra - Study Score). By George Perle (1915-). Orchestra. For Piccolo, Flute I, Flute II, Oboe I, Oboe II, English Horn, Clarinet I, Clarinet II, Bass Clarinet, Bassoon I, Bassoon II, Contra Bassoon, Horn I, Horn II, Horn III, Horn IV, Trumpet in full score (study)

A Ballet - for Chorus, Solo Bass, and Piano (or Orchestra) - Score. By William Grant Still. Orchestra. For Flute I, Flute II, Piccolo I, Piccolo II, Oboe I, Oboe II, English Horn, Clarinet (in Eb), Clarinet I, Clarinet II, Bass Clarinet, Bassoon I, Bassoon II, Horn I, Horn II, Horn III, Horn IV, Trumpet I, Trumpet II, Tenor I, Tenor II, Tuba, Timpani, Percussion. Soft Cover. 47 pages. Published by Carl Fischer.

(For Piano and Orchestra - Full Score). By Ellen Taaffe Zwilich (1939-). Orchestra. For Piccolo, Flute I, Flute II, Oboe, English Horn, Clarinet, Bass Clarinet, Bassoon, Contra Bassoon, Horn I, Horn II, Trumpet in C I, Trumpet in C II, Suspended Cymbals, Hi-Hat, Pedal Bass Drum, Sizzle Cymbal, Piano Solo, Violin I, Violin II, Viola, Cello, C. Premiered September 22, 2000 - Cincinnati Symphony Orchestra, Jesus Lopez-Cobos, conductor, Jeffrey Biegel, pianist. Full score (study). Standard notation. 68 pages. Duration 20 minutes. Published by Theodore Presser Company

By Ralph Vaughan Williams (1872-1958). Arranged by David Matthews. For soprano voice solo, SSA chorus, and full orchestra (3 flutes (III doubling piccolo), 3 oboes (III doubling English horn), 3 clarinets (III doubling bass clarinet), 3 bassoons (III doubling contra), 4 horns, 3 trumpets, 3 trombones, tuba, timpani, percussion, celesta, harp, piano, organ, soprano solo, women). Orchestral. Miscellaneous. Study score. 168 pages. Duration 42'. Published by Oxford University Press