Overture From The Tempest Op.109 No.1 comes from an hour-long score of incidental music for orchestra by Finnish composer Jean Sibelius. In 1925 Sibelius was commissioned by the Danish Royal Theatre to create incidental music for Shakespeare's The Tempest. The resulting 34 miniatures represent Sibelius at his most modernistic and it is both rousing and powerful yet elsewhere light gentle and airy fully reflecting the breadth and depth of Shakespeare’s characters.

Extra parts for Handel's anthem for the wedding service of Princess Anne 1734 for SATB soloists with SSAATTBB Chorus and orchestra edited by Donald Burrows.

Sibelius completed this work in February 1923 and conducted the premiere at Helsinki on February 19 of that same year. His first reference to the work in 1918 described it as wild and passionate in character. Dark with pastoral contrasts. Probably in 4 movements...intensifying in a dark orchestral swell [until] the main theme is drowned. At the same time he cautioned that his plan could change — and how it did! — depending on the way my musical thinking develops. I am always a slave to my themes and obey their demands.

Description The two symphonies reprinted here are superb compositions in their own right and remain two of Dvorak's most popular works. Symphony No.7 In D Minor is considered by many to be Dvorak's finest achievement in the symphonic form with its strong, concise development, great emotional depths and heroic spirit earning many admirers among critics and public alike. This full score edition has been accurately reproduced from an authoritative German edition. Songlist Symphony No.6 In D Major Symphony No.7 In D Minor

Par SAINT-SAENS CAMILLE. “In this work I gave everything I had to give. […] What I did here I will never do again”. Camille Saint-Saëns was justifiably proud of his Symphony No. 3 in C minor op. 78, dedicated to the memory of Franz Liszt. Like Beethoven’s Ninth, this so-called “Organ Symphony” was commissioned by the Philharmonic Society in London, where itreceived its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony, a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No. 3 marks the launch of a large-scale project: the publication of “Camille Saint-Saëns - Complete Edition of the Instrumental Works”. This performing Urtext edition is based on volume BA 10303 from that series. - First scholarly-critical edition of this famous symphony based on “Camille Saint-Saëns – Complete Edition of the Instrumental Works”- Now with separate parts for all winds- Orchestral parts in a large format (25. 5 cm x 32. 5 cm) ; In this work I gave everything I had to give. [… ] What I did here I will never do again. Camille Saint-Saë ns was justifiably proud of his Symphony No. 3 in C minor Op. 78, dedicated to the memory of Franz Liszt. Like Beethoven's Ninth, this so-called ; Organ Symphony was commissioned by the Philharmonic Society in London, where it received its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony, a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No. 3 marksthe launch of a large-scale project: the publication of Camille Saint-Saë ns - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series. First scholarly-critical edition of this famous symphony based on Camille Saint-Saë ns & Complete Edition of the Instrumental Works Now with separate parts for all winds Orchestral parts in a large format (25. 5 cm x 32. 5 cm) / Niveau : 5 / Répertoire / Orchestre