OpEra comique in three acts. By Christoph Willibald von Gluck. Edited by Harald Heckmann. Arranged by Elisabeth Heckmann. Text: Louis H Dancourt. For Soprano Solo (4) Tenor Solo (3) Bass Solo (3) Speaker (2) Orchestra. Piano Reduction/Vocal Score; Urtext Edition (paperbound). Duration 120'. Published by Baerenreiter-Ausgaben (German import). (BA2280 90) ISBN M006419524.

Symphony No.12 'Hélsingeborg' BVN 318 by Rued Langgaard (1946). Critical edition by Bendt Viinholt Nielsen - The Rued Langgaard Edition. Instrumentation: 3.3.3.3/4.3.3.1/timp/perc/str.

Fra Højsangen. Instrumentation: Soprano+Tenor solo female choir 3.2.2.2/4.2.3.0/timp/perc/cel/org/str. BVN381

Opéra de ' Faust ' de Gounod (livret de Jules Barbier et Michel Carré de) est basé sur l'histoire d'amour de Faust et Marguerite qui est mais une partie du drame de Goethe ' Faust '. Par conséquent, le titre de l'opéra est inacceptable en Allemagne où il est renommé Margarethe, après l'héroïne. / Orchestre

Händel, Georg Friedrich Messiah HWV 56 Oratorio in three parts Details Edition no.: TP 175 ISMN: 9790006201532 Editor: Tobin, John Language(s) of work: English, German Language(s) of text: German, English Product format: Study score, Urtext edition Binding: Paperback

Fantasia In C Minor Op.80 (Choral Fantasy)-This volume contains two of Beethoven's most unusual highly innovative and original works: the Concerto in C Major Op. 56 for piano violin cello and orchestra; and the Fantasia in C Minor Op. 80 for piano chorus and orchestra.To this day the 'Triple Concerto' remains part of a rare breed in the literature--a fascinating symphonic framework of interaction between the classical orchestra and a trio of intimately interdependent soloists. The work remains a favorite vehicle of the great Beethoven specialists with numerous recordings by legendary performers.The 'Choral Fantasy' is a rarity in the Beethoven canon of ensemble music uniting thevirtuoso display of a semi-improvisational solo piano with the vocal and instrumental richness of chorus and orchestra. Said to have been composed under great time pressure the Fantasy concludes with an extensive choral setting of a text by an unknown poet: 'Schmeichelnd hold und lieblich klingen' ('Flatteringly lovely and fair are the sounds of our life?s harmonies...Accept gladly the gifts of beautiful art...').Reprinted from the authoritative Breitkopf & Härtel editions this volume offers musicians and music lovers an inexpensive high-quality full score of two exceptional works.

Premiered at the festival 'Magma Berlin 2002' by the Berlin Philharmonic Orchestra conducted by David Robertson 29th November 2002.3 Flutes 1st and 2nd also Alto Flutes in G 3rd also Piccolo3 Oboes 3rd also Cor Anglais in F3 Clarinets in Bb 3rd also Bass Clarinet in Bb3 Bassoons 3rd also Contra Bassoon4 Horn in F3 Trumpets in Bb3 Trombones1 TubaTimpani4 Percussion four playersPlayer 1 - Vibraphone Glockenspiel Water Chime Bell Tree Japanese Wood Blocks Cymbal (Suspended) TamTam (Medium)Player 2 - Triangle Tubular Bells Crotales Marimba Chinese CymbalPlayer 3 - TamTam (Large) Java Gong(Large very low) Bell Lyra (Handheld) Sizzle CymbalPlayer 4 - Bass Drum Glockenspiel Xylophone1 Harp1 Piano also CelestaStrings - 16/14/12/10/8All transposing instruments are notated in their relevant transpositions.Any accidental apply only to the note that it immediately precedes except tied notes.Naturals appear occasionally 'for safety'.'LISTENING EARTH' is a symphonic drama a one- movement composition in four parts based on the work by two writers Joseph Addison (1672-1719) and W.H.Auden (1907-1973). Joseph Addison is not particularly well known; he was English a classical scholar essayist poet and politician but one of his hymns was used by Benjamin Britten. in his setting of a Thomas Tallis canon.The hymn is singularly beautiful and being a composer always inspired by extramusical stimuli such as poems nature paintings I was immediately convinced when I carne across the Addison hymn that here was exactly what I wanted to use as my major source of inspiration for this piece commissioned by and written for The Berlin Philharmonic. I don't refer to the hymn in its entirety but have chosen the following 3 excerpts all acting as mottos for the first three sections of the piece thus turning the piece into a straightforward tonepoem in the classical

L'Arlésienne Suites Nos. 1 and 2 consist of selections from Bizet's incidental music. For Suite No. 1 Bizet chose four sections from the original score of 27 episodes extensively modifying and rescoring the music in the process. The pieces for Suite No. 2 were selected and reorchestrated by Bizet's close friend Ernest Guiraud following the composer's death in 1875. Reproduced here from the authoritative Breitkopf & Härtel editions they will delight musicians and music lovers. Reprinted from the Breitkopf & Härtel Wiesbaden Germany n.d. editions.

Columbine - Polka Mazurka for Orchestra by H.C. Lumbye. Edited by Peter Ettrup Larsen. Parts are available on hire: hire@ewh.dk

This convenient playing and study edition marks the first single-volume publication of five great staples of the orchestral repertoire: Jubilee Overture overture to the play Preciosa and overtures to the operas Der Freischütz Euryanthe and Oberon.One of the Romantic school's first composers of note Carl Maria von Weber devised novel conceptions of orchestration and subject matter that helped to lay the foundations for nineteenth-century opera. Marschner Meyerbeer and Wagner were influenced by Weber's works as well as latter-day composers such as Hindemith Mahler Stravinsky and Debussy who remarked that the sound of the Weber orchestra derived from thecomposer's scrutiny of the soul of each instrument.Reprint of 'Preciosa' from a Breitkopf and Härtel Leipzig n.d. edition. All others from Overtüren für Orchester von C.M. von Weber C. F. Peters Leipzig n.d.

The 5th Dimension (2012) for 2 Boys soli and Boys Chorus Mixed Chorus and Orchestra by the Danish jazz pianist and composer Carsten Dahl. Edited by Kæv Gliemann. Danish text by the composer transl. into Latin by Christian Høgel. Vocal score = WH31559C Parts are for hire: hire@ewh.dk

Søren Nils Eichberg's Symphony No. 2 - 'Before Heaven Before Earth' (2010). Commissioned by The Danish National Symphony Orchestra / DR. Parts are available on hire: hire@ewh.dk Programnote Symfoni nr. 2 er kronen på værket af et helt værkkompleks som Søren Nils Eichberg har arbejdet med siden 2008. På et stipendieophold i Italien fik han så mange idéer fra hånden at selv ikke de tre værker han dengang var ved at komponere kunne udnytte dem alle. Stoffet blev brugt til dobbeltkoncerten til en opera og etorkesterværk bestilt af det tyske Ensemble Modern. Og materialet lever videre i hans Symfoni nr. 2 der afslutter en nærmest eksplosiv fase af kreativitet. Man behøver ikke kende de tre andre værker for at få udbytte af symfonien pointerer Søren Nils Eichberg. Det materiale som værkerne har til fælles fremtræder da også også på vidt forskellig måde. I stykket til Ensemble Modern (In Circles) virker idéerne som rastløse og flygtige indfald mens de i Symfoni nr. 2 bliver anvendt på en mere gennemarbejdet facon. Symfonien varer ca. 25 minutter og spilles i ét uafbrudt forløb. Alligevel er den opbygget efter klassisk model hvor man fornemmer en ”1. sats” en ”langsom sats” og en ”finale” undervejs. Det hele udspringer af to kontrasterende temaer der begge præsenteres to gange i begyndelsen. Det er et symfonisk princip der stammer helt tilbage fra symfonigenrens barndom. ”Dobbelt-præsentationen” er særlig nyttig i musik som lytterne ikke kender på forhånd. Symfoniens første tema er en række akkorder der spilles af violiner og bratscher. Kontrasttemaet er en hurtig rytmisk basfigur som