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CHOIR - VOC…
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DOBRO - GUI…
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ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
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ORCHESTRA -…
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ZITHER
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Orchestra
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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Mezzo-Soprano voice (32)
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Ensemble (28)
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Trio (26)
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Autoharp (22)
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Percussion Ensemble (22)
Tenor Saxophone and Piano (22)
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2 Violons, Alto, Violoncelle e… (21)
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Choeur SATB, 2 Trompettes, 2 T… (18)
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2 Flutes, Piano (18)
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Quintette à vent (17)
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1 Piano, 6 hands (17)
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Saxophone Ténor et Piano (16)
Choeur Mixte (SSATB) avec Soli… (16)
Bass Clarinet (16)
Violon 3 (Partie Séparée) (16)
5 A 9 Instruments A Vent (16)
Flûte à Bec, Guitare et Musi… (16)
Percussions (16)
Solo instrument and Organ (16)
Lap Steel Guitar (16)
3 Saxophones (trio) (16)
Trombone or Euphonium (16)
Solo SATB, Choeur SATB, Hautbo… (15)
Solistes SATB, Choeur SATB, 2 … (15)
Solistes SA, Choeur SATB, 3 Tr… (15)
Solistes SATB, Choeur SATB, 2 … (15)
Solistes TB, Choeur SATB, 2 Co… (15)
Solistes SATB, Choeur SATB, 2 … (15)
Choeur SATTB et Basse Continue… (15)
Trompette ou Bugle ou Cornet o… (15)
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Petit Ensemble Contemporain (15)
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Saxhorn and Piano (15)
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Choeur D'Enfants (Ou De Jeunes… (14)
Flûte Traversière, Violon, I… (14)
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Solistes SSA (TTB), Choeur SAT… (14)
Soli (SATB), Choeur Mixte (SAT… (14)
Flûte, Hautbois et Clarinette… (14)
Soli (SATB), Choeur Mixte (SAT… (14)
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Solistes SB, Choeur SSATB, 2 T… (14)
Choeur SATB/SATB, ou Basse Con… (14)
Chant et Guitare (14)
SATB, 4 Parties Mixtes, 2 Viol… (14)
2 Violins and Basso (14)
Woodwind Quintet (14)
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Voix Et Orff-Instruments (14)
Xylophone (14)
Chorale (14)
Choeur SSATB et Basse Continue… (14)
Solistes SATTBB, Choeur SATB/S… (13)
Solistes SATB, Choeur SATB, Tr… (13)
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Violoncelle (Partie Séparée)… (13)
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Solistes AT, Choeur SATB, Trom… (13)
Choeur SATB/SATB, (8 Instrumen… (13)
Solistes ST, Choeur SSATB, 3 T… (13)
Solistes SATB, Choeur SATB, (C… (13)
Soli (SATB), Choeur Mixte (SAT… (13)
Solistes, Choeur d'Enfants, 3 … (13)
Choeur d'Enfants et Ensemble (13)
Solistes SATB, Choeur SATB, 2 … (13)
Solistes SB, Choeur SATB, 2 Tr… (13)
Cello, String Bass (duet) (13)
Cornet (13)
4 Cellos (13)
Choeur d'Enfants (13)
Viola and orchestra (13)
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Flute, Clarinet, Piano (trio) (12)
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Solistes SATB, Choeur SATB, Fl… (12)
Catalogue des Oeuvres (12)
2 Oboes, 2 Horns and 2 Bassoon… (12)
Choeur SSATB, Basson, 2 Trompe… (12)
Violoncelle et Quatuor à Cord… (12)
Choeur SATTB, (5 Instruments, … (12)
Madrigaux (12)
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Trompette ou Cornet, Trombone … (12)
Solistes, Choeur d'Enfants, Fl… (12)
Piano et Orchestre (12)
Flûte Traversière, Clarinett… (12)
Solistes SB, Choeur SATB, 2 Ha… (12)
Scores (12)
Choeur SATB/SATB, (Contrebasse… (12)
Saxhorn en Sib (12)
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Choeur d'Enfants, Flûte Trave… (12)
Fanfare Band (12)
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6 Parties Mixtes (12)
Violin, Horn and Piano (12)
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Choeur (SATB) et Brass Band (12)
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Trumpet, Orchestra (12)
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Libretto (12)
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Contrebasse (Partie séparée)… (12)
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Cello Ensemble (10)
Trompette en Sib (10)
Orgue, 2 Violons, 2 Altos, 2 V… (10)
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Solistes SATB, Choeur SATB, Or… (10)
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Orchestre Scolaire (2 Flûtes … (10)
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String Trio: 2 violins, viola (10)
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Viola da Gamba (10)
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Choeur Mixte (Unisson) Avec Or… (9)
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Ensemble de Cordes (9)
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Solo SATB, Choeur SATB, 2 Flû… (9)
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Choeur SATB et Basse Continue (9)
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Piccolo (9)
2 Violins, Piano (9)
Violoncello, Basso continuo (9)
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Flute and String Quartet (8)
Conga (8)
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Brant Adams Pepper Choplin Stan Pethel: We Were There: Orchestra: Parts
Orchestra
Shawnee Press
Inspired by the spiritual “Were You There ” this musical experience ...
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Inspired by the spiritual “Were You There ” this musical experience is based on several monologues by thosse who were at the cross. The work leads us through many emotions: from the Holy Love shown to Mary Magdalene to the intimacy of Mother Marty's Still My Son to the regret of Peter in It Should Have Been Me. The musical can be of almost any length since each momologue and anthem may be used independently. However We WereThere is used it will provide a powerful Holy Week resource for years to come. Maximum length if all pieces are used: 53 minutes.Includes: Were You There?; Holy Love; Christ Is Our Brother; Surely This Was the Sonof God; How Can It Be?; Still My Son; It Should Have Been Me; We Were There; At the Cross.
324.99 GBP - Sold by Musicroom UK
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Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented...
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Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as ?Preciosa', ?Oberon', and ?Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music - cantatas, odes and other occasional works - stage works - lieder and vocal works - orchestral works - chamber music - music for piano - piano reductions - miscellanea, arrangements and orchestrations - works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. / Score
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Richard Strauss: Der Zweikampf [The Duel] (1884): Orchestra: Score and Parts
Orchestra
Spartan Press
o.Op. 82 TrV 133- We are grateful to the University of Edinburgh Library Centr...
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o.Op. 82 TrV 133- We are grateful to the University of Edinburgh Library Centre for Research Collections for providing us with access to a manuscript of this work. At shelf-mark Mus.M.645 is a set of parts in the hand of an unknown copyist annotated by John Parr (the bassoonist of Sheffield) who also wrote a full score and second copies of the bassoon and bass parts. The score is dated 1930 and the bassoon part 1934. It is here entitled merely 'duet for flute and bassoon with orchestra' and ascribed to R. Strauss. We are also grateful for advice from Dr Christian Wolf of the Richard-Strauss-Institut in Munich whohave access to a copy of 'der Zweikampf' made by Cl. Schubert but the Richard-Strauss-Archiv in Garmisch-Partenkirchen will not permit them to make a complete copy for us but has permitted sample pages to be copied confirming the identity of the music. They also affirm the considerable doubt as to Richard Strauss being the composer however no other composer has been suggested in his stead. In the Strauss bibliography a date of composition of 1884 is given when he was twenty years old. We would also like to acknowledge with thanks the help of Drs Jenny Nex and Lance Whitehead of Edinburgh in deciphering the manuscript and advising on the piano reduction. In editing the work we have corrected a few evident errors and made the dynamics consistent. There was no given tempo indication in some of the parts but Parr added 'allegro moderato' which is also the tempo indication in the Munich manuscript. He also suggested the bass pizzicato in most of the polacca but perhaps this was intended only for the double bass should one be present. There are some discrepancies between the Edinburgh score and parts which we have resolved somewhat arbitrarily on musical grounds. The differences between the Munich and Edinburgh versions are mostly small as far as we can discern; the
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Sinfonia N. 8 (HENZE HANS WERNER)
Orchestra
[Study Score / Miniature]
Schott
Music Of Our Time. Par HENZE HANS WERNER. ‘My Sinfonia No. 8 is not at all tra...
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Music Of Our Time. Par HENZE HANS WERNER. ‘My Sinfonia No. 8 is not at all tragic or moody like the Seventh. It is a summer piece and is based on three moments from Shakespeare’s A Midsummer Night’s Dream‘, writes Hans Werner Henze. This, however, is all we get to know from the composer regarding the work’s reference to Shakespeare’s comedy. On closer examination of the three-movement symphony it turns out that the first movement is a fantasia on Oberon’s order to Puck to search for the magic flower. In the second movement, Henze apparently set the love scenes between Titania and Bottom to music. Ultimately, the final movement shines gracefully and peacefully as if everything that had happened before had only been a dream. - Hans Werner Henze/ Répertoire / Orchestre
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Die Abenteuer Der Gestohlenen Geige (SCHWERTBERGER GERALD)
Orchestra
[Sheet music]
Doblinger
Ein Musikalisches Märchen. 10 Einfache Stücke F. Gem. Ensemble (4-5 Stimm. Str...
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Ein Musikalisches Märchen. 10 Einfache Stücke F. Gem. Ensemble (4-5 Stimm. Str.Ensemble Oder Andere Instr.), Erzähler Ad Lib.. Par SCHWERTBERGER GERALD. Die reizende und humorvolle Geschichte einer Geige, die bei einer aufregenden Reise durch die Welt unglaubliche musikalische Abenteuer erlebt. Die Ausgabe enthält die Stimmen 1-4 (+ Vla.), 3 Solostimmen, zudem die Stimmen 1-3 in Bb, 2 Gitarrestimmen (inkl. Akkordsymbolen) und eine Keyboard-/ Klavierstimme (ebenfalls mit Akkordsymbolen)/ Répertoire / Orchestre
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Die Abenteuer Der Gestohlenen Geige (SCHWERTBERGER GERALD)
Orchestra
[Sheet music]
Doblinger
Ein Musikalisches Märchen. 10 Einfache Stücke F. Gem. Ensemble (4-5 Stimm. Str...
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Ein Musikalisches Märchen. 10 Einfache Stücke F. Gem. Ensemble (4-5 Stimm. Str.Ensemble Oder Andere Instr.), Erzähler Ad Lib.. Par SCHWERTBERGER GERALD. Die reizende und humorvolle Geschichte einer Geige, die bei einer aufregenden Reise durch die Welt unglaubliche musikalische Abenteuer erlebt. Die Ausgabe enthält die Stimmen 1-4 (+ Vla.), 3 Solostimmen, zudem die Stimmen 1-3 in Bb, 2 Gitarrestimmen (inkl. Akkordsymbolen) und eine Keyboard-/ Klavierstimme (ebenfalls mit Akkordsymbolen)/ Répertoire / Orchestre
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Die Abenteuer Der Gestohlenen Geige (SCHWERTBERGER GERALD)
Orchestra
[Sheet music]
Doblinger
Stimme 3 In Es (Altsax) Musikalisches Märchen. 10 Einfache Stücke F. Gem. Ense...
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Stimme 3 In Es (Altsax) Musikalisches Märchen. 10 Einfache Stücke F. Gem. Ensemble (4-5 Stimm. Str.Ensemble Oder Andere Instr.), Erzähler Ad Lib.. Par SCHWERTBERGER GERALD. Die reizende und humorvolle Geschichte einer Geige, die bei einer aufregenden Reise durch die Welt unglaubliche musikalische Abenteuer erlebt. Die Ausgabe enthält die Stimmen 1-4 (+ Vla.), 3 Solostimmen, zudem die Stimmen 1-3 in Bb, 2 Gitarrestimmen (inkl. Akkordsymbolen) und eine Keyboard-/ Klavierstimme (ebenfalls mit Akkordsymbolen)/ Répertoire / Orchestre
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Symphonie 07 (HENZE HANS WERNER)
Orchestra
[Score]
Schott
Par HENZE HANS WERNER. In this work, I had wanted completely to submit to the tr...
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Par HENZE HANS WERNER. In this work, I had wanted completely to submit to the traditional rules of the classical symphony so as to mould my musical expression as if in a furnace and enable it to reach the listener as directly and clearly as possible. The first movement is a kind of German dance, an Allemande, so to speak; the second one a Lied. The third, in strict scherzo-form, is a representation of the sufferings of the German poet Friedrich Hölderlin, in Dr. Autenriedth's mental institution in Tübingen. The last movement is a setting of Hölderlin's poem 'Half of Live'. - Hans Werner Henze/ Répertoire / Orchestre
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Judith Weir: Music Untangled: Orchestra: Score
Orchestra
[Sheet music]
Chester
The music for this piece was inspired by a short extract from a traditional melo...
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The music for this piece was inspired by a short extract from a traditional melody sung by women cloth-workers in Barra in the Western Isles of Scotland. The Scottish folk music tradition is one that Weir has frequently drawn onin the past both in shorter works such as the songs of Scotch Minstrelsy and in her second opera The Vanishing Bridegroom and it is one she has completely assimilated into her technique. The modal feel of this piece however is as much a result of Weir's intuitive and idiomatic harmonic sense as of the original inspiration. Overture for Orchestra commissioned by the Boston Symphony Orchestra in honour of the 50th anniversary of the Tanglewood MusicCentre in 1991; it received its first performance there on 3 August that year.
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Hans Werner Henze: Scorribanda Sinfonica: Orchestra: Score
Orchestra
[Sheet music]
-
Intermediate/advanced
Chester
Composer's Notes:This piece written during the winter months of 2000-2001 cons...
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Composer's Notes:This piece written during the winter months of 2000-2001 consists of one movement Allegro con fuoco in which an old score is revisited raided and ravished by its composer. The earlier music hadbeen written in the mid-fifties for a stage work Maratona di Danza and for its maker the director Luchino Visconti.Elements from the older piece reappear on and off like shadows under the surface of new ones like more orless vague memories images of young people suffering pain and despair in their struggle for survival in a barbaric pitiless modern world.My new composition is a kind of concerto for very large symphony orchestra an étude onconstant and often rapid musical changes of mood and colours built on a variety of rhythmic figures incessantly and brutally pushing the music ahead. Sometimes it is as though voices are weeping sometimes crying out loud withpain with anxiety under the cold hearted pressure of an overwhelming violence. Hans Werner Henze Commissioned on the occasion of the 50th anniversary of das neue werk Hamburg. Premiered on 29th June 2001. Duration 15minutes.
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Malcolm Arnold: Four Welsh Dances Op.138 (Full Score): Orchestra: Score
Orchestra
[Sheet music]
Novello & Co Ltd.
One of the towering musical figures of the 20th century Sir Malcolm Arnold has ...
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One of the towering musical figures of the 20th century Sir Malcolm Arnold has a remarkable catalogue of major concert works to his credit including nine symphonies seven ballets two operas one musical over twenty concertos two string quartets and music for brass-band and wind-band He has also written 132 film scores and among these are some of the finest works ever composed for the medium: Bridge on the River Kwai Inn of the Sixth Happiness Hobson's Choice; Whistle down the Wind and David Copperfield.
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Fraternité (HENZE HANS WERNER)
Orchestra
[Study Score / Miniature]
Schott
Air pour l'orchestre. Par HENZE HANS WERNER. In October of 1997, I received an i...
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Air pour l'orchestre. Par HENZE HANS WERNER. In October of 1997, I received an invitation from New York Philharmonic Music Director Kurt Masur asking me to contribute a musical message for the coming millennium. Maestro Masur's letter read 'My dream would be to have you provide us with a work lasting from 10 to 15 minutes that could both stand on its own or perhaps be combined with musical messages with other composers which we might compile for a full evening's concert.' I welcomed the opportunity to bring one of six unique perspectives to this collective exploration of the meanings of the new millennium, and it is my hope that the Multi-Arts Production Fund will chose to support the New York Philharmonic's 'Messages for the Millennium' project. My Millennium Message, Fraternité, Air for Orchestra, can best be described as a quiet and placid work in which all the instruments of the orchestra are as one ... and sing in praise of harmony and peace. - Hans Werner Henze/ Répertoire / Orchestre
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Lowell Alexander: Alive Again!: Orchestra: Parts
Orchestra
PraiseSong
I-Pak (Full Orchestra)-Beautifully inspired songs of the resurrection are woven ...
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I-Pak (Full Orchestra)-Beautifully inspired songs of the resurrection are woven together with powerful narrative in this work from Lowell Alexander powerfully arranged by Richard Kingsmore and Camp Kirkland. From the sounds of dawning in the firstmeasures to the driving conclusion this 20-minute mini-musical delivers the life-changing message of Easter with clarity and conviction.Available separately: SATB ChoirTrax CD Instrumental Pak (full orchestra) CD 10-Pak Preview Pak Preview CD and RehearsalTrax Paks for Soprano/Alto and for Tenor/Bass.
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Lord Berners: A Wedding Bouquet: Orchestra: Study Score
Orchestra
Chester
A WEDDING BOUQUET is undoubtedly Berners' most original and successful work. Som...
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A WEDDING BOUQUET is undoubtedly Berners' most original and successful work. Some might say unique, since choral ballets are rare indeed. It is based on the opening pages of Gertrude Stein's play, They Must. Be Wedded. To Their Wife. The first performance took place at Sadler's Wells Theatre on 27th April 1937, with scenario, costumes and set designs by Berners himself, choreography by Frederick Ashton.
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Carl Maria von Weber: Great Overtures In Full Score: Orchestra: Score
Orchestra
Dover Publications
This convenient playing and study edition marks the first single-volume publicat...
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This convenient playing and study edition marks the first single-volume publication of five great staples of the orchestral repertoire: Jubilee Overture overture to the play Preciosa and overtures to the operas Der Freischütz Euryanthe and Oberon.One of the Romantic school's first composers of note Carl Maria von Weber devised novel conceptions of orchestration and subject matter that helped to lay the foundations for nineteenth-century opera. Marschner Meyerbeer and Wagner were influenced by Weber's works as well as latter-day composers such as Hindemith Mahler Stravinsky and Debussy who remarked that the sound of the Weber orchestra derived from thecomposer's scrutiny of the soul of each instrument.Reprint of 'Preciosa' from a Breitkopf and Härtel Leipzig n.d. edition. All others from Overtüren für Orchester von C.M. von Weber C. F. Peters Leipzig n.d.
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Lord Berners: A Wedding Bouquet (Full Score): Orchestra: Score
Orchestra
[Sheet music]
Chester
A Wedding Bouquet was the idea of Lord Berners who wanted Frederick Ashton to m...
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A Wedding Bouquet was the idea of Lord Berners who wanted Frederick Ashton to make a ballet pantomime out of one of Gertrude Stein's plays and who both wrote the music and designed the 'decor' and costumes. The name ofthe play was 'They must be Wedded to Their Wife' but this was thought too long for advertising and was changed to A Wedding Bouquet. Lord Berners went to visit Gertrude Stein in Bilignin and she liked the idea and he foundin her house a carpet which gave him the pattern for the backcloth for the ballet.The ballet was first spoken of as a choral ballet and the opera chorus did sing or chant the words at the early performances but it was entirelyunlike any other choral ballet before or since. The words explained the action introduced the characters made utterly irrelevant comments worked themselves into a frenzied rhythmical accompaniment or injected on occasional aptphrase that devastated dancers and audience alike. Not all of the words have ever been really intelligible but gradually the audience got to know certain phrases by heart and the ballet has a devoted public although inevitably ithas always been a rather special one and to this day there are people who detest the whole affair don't 'understand' it and think it an absurd waste of time and talent.
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Peter Maxwell Davies: Maxwell's Reel With Northern Lights: Orchestra: Miniature
Orchestra
[Sheet music]
Chester
Miniature Score.This work was commissioned by the Royal Philharmonic Orchestra. ...
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Miniature Score.This work was commissioned by the Royal Philharmonic Orchestra. It was first performed on 13th May 1998 London. This piece is based on a genuine old tune 'Maxwell's Strathspey' which the composer found inan 1824 collection of Scottish melodies and which unfolds at the start of the piece on solo cello. Variations and a bold up-tempo to the quick dance we know as a reel ultimately yield to the magic that has been promised right atthe start: the northern lights take over at the end of the piece. Its inspiration comes from a walk to a community event in Hoy Hall during which Davies saw the lights in the sky pulsing in and out of time with the sounds comingfrom the hall. Duration 12 minutes. Conductor's score and orchestral parts are available on hire.
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Greg Gilpin: Why We Sing: Orchestra: Parts
Orchestra
Shawnee Press
Orchestration-This powerful original ballad by Greg Gilpin is stunning in lyric...
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Orchestration-This powerful original ballad by Greg Gilpin is stunning in lyric and song. A simple unison beginning builds to an ending with full choral presence and moving descant. “A sound of hope a sound of peace a sound thatcelebrates and speaks what we believe ... this is why we sing why we lift our voice.” This will be your power ballad for the year and with the full orchestration available or CD accompaniment track your singers andaudience will literally be moved to tears. An outstanding choral work! Available separately: SATB SAB TBB SSAA 2-part Orchestration StudioTrax CD.
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Nico Muhly: Wish You Were Here: Orchestra: Score
Orchestra
St Rose Music Publishing
Wish You Were Here written for the Boston Pops pays homage to Colin McPhee on...
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Wish You Were Here written for the Boston Pops pays homage to Colin McPhee one of the first western musicologists to study Balinese gamelan as well as to the great illustrators Carl Barks and Herge (responsible for Donald Duck & Tintin respectively). Muhly has written a completely romantic and fanciful gamelan-influenced piece. On top of this twittery and excited music a long lonesome melody unfolds. After a desolate interlude with severe ship’s-horn brass the energetic patterns start again and the long line returns this time with a triumphant revelatory ending. Arranged for orchestra this piece has a duration ofapproximately 8 minutes.
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Per Nørgård: Wenn Die Rose Sich Selbst Schmückt: Orchestra: Score
Orchestra
Wilhelm Hansen
Wenn Die Rose Sich Selbst Schmückt Schmückt Sie Auch Den Garten (When The Ros...
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Wenn Die Rose Sich Selbst Schmückt Schmückt Sie Auch Den Garten (When The Rose Beautifies Itself It Beautifies The Garden ) was composed by Per Nørgård in 1971. Chamber Cantata for four performers Scored for Soprano Alto Flute Double Bass and Percussion (all playing also Crotales). Composed for and dedicated to Dorothy Dorrow. Parts available: KP01092 Preface / Programme Note The title of the work is borrowed from a fragment by the German poet Friedrich Rückert.This fragment this short sentence (which Rückert apparently neverelaborated upon) is the entire basis of the work. I was inspired by the meaning as well as the sound of these words.I perceive the meaning of the sentence as being a defence for the refinement of an individual’s personal gifts - far from the present hostility toward individuality and the senseless praise of impersonal success in society. Personal refinement can so the fragment in my interpretation at its best be accompanied by a deep sense of responsibility and become an active and positive influence in society.The sound the timbre of the individual words and characters is employed both instraightforward text-sequences as well as in the exploration of individual vowels and consonants as pure sounds. The soprano is often used purely instrumentally echoing and pre-echoing discreetly the notes of the flute and the harmonics of the double bass often imperceptably stealing their notes and altering them into human sounds which then yetagain are absorbed into the instrumental tapestry. Per Nørgård 1971
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Joseph M. Martin: We Are the People of God: Orchestra: Parts
Orchestra
Shawnee Press
Truly inspiring We Are the People of God is destined to become the theme song f...
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Truly inspiring We Are the People of God is destined to become the theme song for many churches of all denominations. Drawing from the Psalms and incorporating Lead On O King Eternal this triumphant anthem of praise is a pledgeof allegiance to the Almighty and a powerful statement of who and whose we are.
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Overtures (SCHUBERT FRANZ)
Orchestra
[Sheet music]
Barenreiter
New Edition of the Complete Works V/5. Par SCHUBERT FRANZ. In addition to his sy...
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New Edition of the Complete Works V/5. Par SCHUBERT FRANZ. In addition to his symphonies, Franz Schubert also wrote and handed down to posterity a total of eight finished concert overtures (two of them in two versions) between ca. 1811 and 1819. With the exception of the “Overture in D” (D 4) to the comedy “Der Teufel als Hydraulicus” (“The Devil as Engineer”) and the “Overture in D” (D 26), whose original title was cut out of the manuscript, they are all compositions which are associated neither with a drama nor a programme. They thus embody the type of the pure concert overture at an astonishingly early point in the history of music and are also in keeping with this terminologically by virtue of explicitly not having any other appellations whatsoever in the title: the epithet common for two works “in the Italian style” was only added posthumously. Our volume sees publication for the first time of the “Italian Overture in C” (D 591) in its two authentic versions, this being in contrast to the performance tradition based on a potpourri of the sources. The widely handed-down but corrupted musical course of the “Overture in D” (D 590) has likewise been rectified for the first time. Overshadowed by his symphonies, Schubert’s overtures have hitherto been largely undervalued both in their reception and in musical practice – including the “Overture in E minor” (D 648), which sees Schubert venturing into radically new spheres of expression to a greater extent than in virtually any other of his works./ Recueil / Orchestre
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Peter Maxwell Davies: The Turn Of The Tide: Orchestra: Miniature Score
Orchestra
[Sheet music]
Chester
The task: to write a piece that could involve children as players singers and c...
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The task: to write a piece that could involve children as players singers and composers alongside a professional symphony or chamber orchestra. The solution: a peace-cry for the biosphere in which the collaborative nature of theenterprise is a metaphor for a wished-for human enlightenment to the ways of the natural world. Davies provides five musical elements and five ways of development and uses these to illustrate five branches of life on earth:water-plants trees fish birds and mammals (including man). There is a space for answers from children's instrumental groups and then a larger space in which the children can develop the given ideas perhaps with members of theorchestra. Davies returns as composer to depict through an excess of development creation turned sour. Finally everyone comes together with a unison hymn with orchestra and instrumental groups celebrating the turn of thetide.This work for young instrumentalists children's chorus and orchestra was commissioned by the Association of British Orchestras as the centrepiece of an education project which coincided with the implementation of theNational Curriculum for music in schools in England and Wales echoing similar developments in Scotland and Northern Ireland.Score. Duration c. 25mins.
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Musikvermittlung - Wozu?
Orchestra
Schott
Musikvermittlung hat sich zu einem festen Bestandteil unserer Musikkultur entw...
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Musikvermittlung hat sich zu einem festen Bestandteil unserer Musikkultur entwickelt. In den Aufsätzen dieses Buches werden Umrisse und Aufgaben der künstlerischen Disziplin beschrieben, Arbeitsfelder, Ausbildungsfragen und Adressaten thematisiert, Methoden und neue Medien gesichtet, kritische Aspekte und Qualitätskriterien erörtert sowie historische Prozesse und zukunftsweisende Perspektiven aufgezeigt - Bestandsaufnahme und Neureflexion einer offenen und offensiven Musikvermittlung, die dem Musikleben neue Impulse verleiht. / Orchestre
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John Powell: How to Train Your Dragon: Orchestra: Score & Parts
Orchestra
[Score and Parts]
-
Intermediate
Hal Leonard
Composed by John Powell the exciting and emotionally powerful music from the fi...
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Composed by John Powell the exciting and emotionally powerful music from the film How to Train Your Dragon has taken on a life of its own featuring magnificent adventure themes along with hints of Celtic influences.
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Carl Maria von Weber: Preciosa Overture Op. 78 J 279/WeV F. 22: Orchestra:
Orchestra
Eulenburg
Overture-Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik un...
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Overture-Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.
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Carl Maria von Weber: Abu Hassan Overture J 160 / WeV C. 6: Orchestra: Miniature
Orchestra
Eulenburg
Overture-Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik un...
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Overture-Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.
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Sing We Now Of Christmas (Orchestra)
Orchestra
Alfred Publishing
Exquisite, fresh carol settings are woven together with scripture lessons and po...
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Exquisite, fresh carol settings are woven together with scripture lessons and poetic narration to create a refreshing celebration of Advent and Christmas. Howard Helvey's artistry shines in each rich arrangement. Optional congregational readings and singing are included as well, to complete the presentation. The work is as singable as it is effective and inspiring, and will usher in the season of rejoicing with joy and festivity. Create a celebration of the Incarnation with Sing We Now of Christmas. Performance time is 30 minutes if it is performed only with narration (and no lessons and additional congregational carols). If performed with the scripture lessons and congregational carols, performance time is 55 minutes. / Orchestre
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Hans Werner Henze: Sinfonia N. 6: Orchestra: Score
Orchestra
[Score]
Schott
New Version 1994-Symphony No. 6 was created in the late 1960s and was first per...
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New Version 1994-Symphony No. 6 was created in the late 1960s and was first performed in Havana on 26. November 1969 by the Cuban National Orchestra under my direction. This symphony reflects not only the excited atmosphere of awakening during those years but also my efforts to include in the composition the large number of new human and artistic stimuli that I experienced at that time. So the banjo starts to play a Vietnamese song of freedom (Stars in the Night) later the first bars of Mikis Theodorakis hymn of freedom is heard.The second movement is based on the poem Fe de erratas (errata sheet) by Miguel Barnet. In the original version the three parts of the symphony merge withoutinterruption. In the revised version I separated them to make it easier for the audience to register the caesuras which are also internal caesuras as regards content. Apart from strengthening the string sound the most significant alternation in comparison to the first version is that I fully composed all of the aleatoric passages and pitches which originally were to be freely improvised as was the fashion at that time. Thus I wanted to free them the realm of chance and indeterminacy and to bring them back into my artistic control.- Hans Werner Henze
42.50 GBP - Sold by Musicroom UK
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Joseph M. Martin: Even the Heavens are Weeping: Orchestra: Parts
Orchestra
Shawnee Press
A dramatic anthem from the best-selling cantata Song of the Shadows vividly po...
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A dramatic anthem from the best-selling cantata Song of the Shadows vividly portrays the death of Christ on the cross and how all creation mourned. Even the Heavens Are Weeping now available as an SAB anthem will make any HolyWeek service one which is long remembered.
49.99 GBP - Sold by Musicroom UK
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