Orchestra (2(2 picc).1.2.2(dble bsn) - 2.3.2.0 - perc(3) - str)

SKU: BR.PB-5153-07

Study score. Composed by Friedhelm Dohl. Softbound. Partitur-Bibliothek (Score Library). World premiere Hannover, 1984. Music post-1945. Study Score. Composed 1984. 72 pages. Duration 16'. Breitkopf and Haertel #PB 5153-07. Published by Breitkopf and Haertel (BR.PB-5153-07).

ISBN 9790004208953. 14 x 11.5 inches.

Die Komposition entstand Juli bis November 1984 im Auftrag des Norddeutschen Rundfunks fur die Tage der Neuen Musik Hannover 1985. Der Titel ,,Passion ist in seinem mehrdeutigen Sinn zu verstehen, wie ich ihn einerseits in Bachs Matthaus-Passion widergespiegelt finde, hier besonders im letzten Choral in der Zeile ,,wenn mir am allerbangsten, auf die mich einst Uwe Rohl aufmerksam machte, andererseits in Trakls Gedicht ,,Passion (s. u.).Meine Musik ist primar ,,Medium der Selbstbegegnung. Dass sie sich hier zugleich auf Bach und Trakl bezieht, ist kein Widerspruch. Auch Bach und Trakl sind fur mich ,,aktuell - als Medium der Selbstbegegnung. Die Perspektiven von Bachs und Trakls ,,Passion bedingen sich, vertauschen sich (Trakls ,,Passion - Bachs Traum? Bachs ,,Passion - Trakls Er-Innerung, wie der Orpheusmythos? Bach - der Expressionist? Trakl - der Mystiker?). In der Wechselbeziehung beider erkenne ich mich, meine ,,Umwelt, unsere Betroffenheit: ,,wenn mir am allerbangsten, ,,wandelnd an den schwarzen Ufern, ,,schauen wir uns am Kreuzweg ... (Friedhelm Dohl)CDs:Nordwestdeutsche Philharmonie, cond. Klaus BernbacherMusik in Deutschland 1950-2000CD RCA 74321 73613 2Rundfunkorchester Hannover des NDR, cond. Othmar MagaCD Dreyer Gaido 21042

World premiere: Hanover, 1984.

Concert Band; Orchestra - Grade 1.5

SKU: AP.49120

Composed by Scott Watson. 5 or More; MakeMusic Cloud; Mixed Instruments - Flexible Instrumentation; Performance Music Ensemble; Quartet; Single Titles; Solo Small Ensembles. Challenger Band Series. Light Concert; Rock. Score and Part(s). 149 pages. Duration 4:00. Alfred Music #00-49120. Published by Alfred Music (AP.49120).

UPC: 038081563510. English.

This version of Rock Solid by Scott Watson is part of our Alfred FLEX offerings and is designed with maximum flexibility for use by any mix of instruments---wind, strings, and percussion, including like- or mixed-ensembles with as few as 4 players. The suggested instrumentation and a customizable Teacher Map will help you plan out how to best assign parts to suit your ensemble's needs. The 4-part instrumentation will support balanced instrumentation of the lower voices. It also comes with supplemental parts for maximum flexibility. With the purchase of this piece, permission is granted to photocopy the parts as needed for your ensemble. A percussion accompaniment track is also available as a free download. String parts have been carefully edited with extra fingerings and appropriate bowings to support students in mixed ensembles playing in less familiar keys.

Scott Watson's original composition features a moderate rock feel and gritty, dissonant harmonies that combine to portray the sound of industry---work gangs laboring with machinery whirring, clanging, grinding, and banging, along with several vocal shouts from the band and a factory whistle! (4:00)

Percussion Accompaniment Track Downloads:
with click.
without click.

This title is available in MakeMusic Cloud.

Orchestra

SKU: HL.14021435

Composed by Palle Mikkelborg. Music Sales America. Classical. Score. Music Sales #KP01379. Published by Music Sales (HL.14021435).

ISBN 9788759878606. English.

Palle Mikkelborg GOING TO PIECES WITHOUT FALLING APART 2002 for violin, harpe og strygereTilegnet Elise Batnes og Helen DaviesForord l Programnote En solful d morgentur i Melbourne bragte mig forbi en boghandel der specialiserede sig i spiritualbooks, og i vinduet faldt mine ojne pa et citat som ojeblikkeligt ramte mig folelsesmaessigtstaerkt- og jeg folte at jeg havde fundet titlen pa den komposition jeg pa tankeplan allerede vari gang med. Citatet lod:going to pieces ... without falling apartTre temaer og relaterede skalaer, baseret pa henholdsvis Elise Batnes', Helen Davies' og BergenKammerensembles navne, har vaeret afgorende for dele af tonesproget, og forekommer badeielose-up og mere douche i kompositionens syv hovedafsnit. Det barnlige, det enkle, det her-og-nu naive, det umiddelbare, kom til at spille en vigtig rolleunder arbejdet. Ikke fordi selve mit tonesprog er saerligt meget anderledes end ellers (hvordanskulle det ogsa kunne blive det?), men formuleringen: at go to pieces fik mig til at taenke pa atblive som barn pa ny, atter at vaere u-bange, at turde tro pa det enkle.Udover denne- i bedste betydning- enkle inspiration er onsket at kompositionens kurve kanopleves som en mulig meditiations-rejse: i starten en tro pa egen ro, langsomt breder uroensig, og i lystfulde glimt ser man sig selv danse en rituel dans, med andehuller her og der: ogfristelsen til at rive forhaenget vaek og go to pieces, og angsten for maske at miste sig selv undervejs,breder sig. Dog, til sidst erkender man at det var rejsen vaerd, og at man heller ikke denne gangfaldt apart, men kan se frem mod atter at vise livet sin respekt ved spirituelt fuldstaendigt at givesig hen, dog vel vidende at livet merciless & merciful, med kaerlig hand villade diggo to pieces ... without falling apartMen selvklart er mit egentlige onske: at man blot lader musikken leve sit eget ordlose liv - atlytteren har sin egen rejse. Palle Mikkelborg.