| Chronological Thematic
Catalogue Of The Works Of
Max Reger And Their
Sources Français Orchestra G. Henle
Since the 1980s scholarly research into Reger has built up a picture of the dive...(+)
Since the 1980s scholarly research into Reger has built up a picture of the diversity, complexity and variety of Reger's work and shown that the composer was the first to depart from the supposed logical evolution of music history. In the musical scene, on the other hand, ideas prevail that are clichéd and based on a small canon of works. This is now about to change.Since the beginning of the twenty-first century a thematic catalogue of the works of Max Reger and their sources has been put together in the Max-Reger-Institut Karlsruhe funded by the Deutsche Forschungsgemeinschaft. This will be a fitting addition to our series of thematic catalogues of the works of Beethoven, Brahms, Chopin and Schumann. It contains in-depth information in a readable form on the complete original works and arrangements, both published and unpublished, completed or fragmentary. Information concerning the genesis, place and state of the handwritten and printed sources are presented comprehensively and reflect the current state of research. Thus not only scholars but also performers, music lovers and concert organizers will be able to get to know Reger's neglected but in many ways surprising works.Numerous indexes will make the Reger Thematic Catalogue easy and clear to use and it has all of the prerequisites to soon become the definitive reference work for Max Reger. / Orchestre
600.30 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order |
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| Camille Saint-Saëns:
Symphony No.3 In C Minor
Op.78 - Organ: Orchestra:
Part Orchestra [Part] Barenreiter
“In this work I gave everything I had to give. […] What I did here ...(+)
“In this work I gave everything I had to give. […] What I did here I will never do again”. Camille Saint-Saëns was justifiably proud of his Symphony No.3 in C minor Op.78 dedicated to the memory of Franz Liszt. Like Beethoven’s Ninth this so-called “Organ Symphony” was commissioned by the Philharmonic Society in London where it received its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No.3 marksthe launch of a large-scale project: the publication of Camille Saint-Saëns - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series. First scholarly-critical edition of this famous symphony based on Camille Saint-Saëns – Complete Edition of the Instrumental Works Now with separate parts for all winds Orchestral parts in a large format (25.5 cm x 32.5 cm)
10.50 GBP - Sold by Musicroom UK |
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| Camille Saint-Saëns:
Symphony No.3 In C Minor
Op.78 - Organ: Orchestra:
Score Orchestra Barenreiter
?In this work I gave everything I had to give. [?] What I did here I will never ...(+)
?In this work I gave everything I had to give. [?] What I did here I will never do again?. Camille Saint-Saëns was justifiably proud of his Symphony No.3 in C minor Op.78 dedicated to the memory of Franz Liszt. Like Beethoven?s Ninth this so-called ?Organ Symphony? was commissioned by the Philharmonic Society in London where it received its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No.3 marksthe launch of a large-scale project: the publication of Camille Saint-Saëns - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series. First scholarly-critical edition of this famous symphony based on Camille Saint-Saëns ? Complete Edition of the Instrumental Works Now with separate parts for all winds Orchestral parts in a large format (25.5 cm x 32.5 cm)
382.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| Alexander Scriabin: Poem
Of Ecstasy And
Prometheus: Orchestra:
Score Orchestra Dover Publications
In the early years of our century when vital new forces were revolutionising th...(+)
In the early years of our century when vital new forces were revolutionising the arts Russian-born Alexander Scriabin (1872-1915) was one of the visionary pioneers who sought a new musical language. At least a full decade before the advances of Stravinsky and Schoenberg Scriabin had begun the process of a complete break with all musical conventions. By 1905 he was immersed in a search for a way to express in sound the mystical and theosophical ideas obsessed him. Scriabin’s last two orchestral works were the products of a virtual delirium of composing. Simultaneously refining his poem called Poem of Ecstasy andcompleting the symphony that grew out of it (and shared its name) Scriabin never forgot the rapture of composing this work about creation and self-fulfilment: “I gasp for breath but oh what bliss! The very meter kindles the meaning…” Prometheus: Poem of Fire – Scriabin’s last and most revolutionary symphony – portrays Man’s epic journey from the mists of beginning time to a wonderous self-realisation given the gift of fire and light to make creative vision possible. Massively scored Prometheus incorporates a “colour Organ” to bathe the performance space in a vast interplay of coloured lights. For the music professional and every student of composition orchestration and conducting both scores are strikingly original and instructive. Equally fascinating are Scriabin’s approach to composition the extraordinary sonorities of his orchestra and his fanciful often supercharged performance instructions that replace conventional words for tempo mood and expression.
15.20 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| Small Pieces Composed In
Homage To The Saxon Court Orchestra Schott
Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented...(+)
Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as ?Preciosa', ?Oberon', and ?Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music - cantatas, odes and other occasional works - stage works - lieder and vocal works - orchestral works - chamber music - music for piano - piano reductions - miscellanea, arrangements and orchestrations - works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. / Score
321.00 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier |
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| Camille Saint-Saëns:
Symphony No. 3 C minor
Op. 78: Orchestra: Part Orchestra [Part] Barenreiter
?In this work I gave everything I had to give. [?] What I did here I will never ...(+)
?In this work I gave everything I had to give. [?] What I did here I will never do again?. Camille Saint-Saëns was justifiably proud of his Symphony No.3 in C minor Op.78 dedicated to the memory of Franz Liszt. Like Beethoven?s Ninth this so-called ?Organ Symphony? was commissioned by the Philharmonic Society in London where it received its premiere on 19 May 1886.In this first scholarly-critical edition of the symphony a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected.The edition of Symphony No.3 marks the launch of a large-scale project: thepublication of Camille Saint-Saëns - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series.First scholarly-critical edition of this famous symphony based on Camille Saint-Saëns Complete Edition of the Instrumental WorksNow with separate parts for all windsOrchestral parts in a large format (25.5 cm x 32.5 cm)
31.50 GBP - Sold by Musicroom UK |
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| Symphony No. 3 Op. 78
(SAINT-SAENS CAMILLE) Orchestra [Score] - Intermediate/advanced Barenreiter
Par SAINT-SAENS CAMILLE. “In this work I gave everything I had to give. […] ...(+)
Par SAINT-SAENS CAMILLE. “In this work I gave everything I had to give. […] What I did here I will never do again”. Camille Saint-Saëns was justifiably proud of his Symphony No. 3 in C minor op. 78, dedicated to the memory of Franz Liszt. Like Beethoven’s Ninth, this so-called “Organ Symphony” was commissioned by the Philharmonic Society in London, where itreceived its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony, a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No. 3 marks the launch of a large-scale project: the publication of “Camille Saint-Saëns - Complete Edition of the Instrumental Works”. This performing Urtext edition is based on volume BA 10303 from that series. - First scholarly-critical edition of this famous symphony based on “Camille Saint-Saëns – Complete Edition of the Instrumental Works”- Now with separate parts for all winds- Orchestral parts in a large format (25. 5 cm x 32. 5 cm) ; In this work I gave everything I had to give. [… ] What I did here I will never do again. Camille Saint-Saë ns was justifiably proud of his Symphony No. 3 in C minor Op. 78, dedicated to the memory of Franz Liszt. Like Beethoven's Ninth, this so-called ; Organ Symphony was commissioned by the Philharmonic Society in London, where it received its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony, a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No. 3 marksthe launch of a large-scale project: the publication of Camille Saint-Saë ns - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series. First scholarly-critical edition of this famous symphony based on Camille Saint-Saë ns & Complete Edition of the Instrumental Works Now with separate parts for all winds Orchestral parts in a large format (25. 5 cm x 32. 5 cm) / Niveau : 5 / Répertoire / Orchestre
66.12 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order |
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| Orchestral Works 1943-46 Orchestra Schott
Ce volume de la Hindemith Complete Edition contient deux oeuvres qui ont été ...(+)
Ce volume de la Hindemith Complete Edition contient deux oeuvres qui ont été écrites sous forme de commissions pour les orchestres américains. Ils sont associés les uns aux autres non seulement par leur proximité chronologique, mais aussi par leur prise de livraison et l'organisation d'autres compositions. Tous les quatre mouvements de la Métamorphose symphonique sont basées sur des oeuvres de Carl Maria von Weber tandis que le second mouvement de Symphonia Serena a été inspiré par Beethoven. / Orchestre
233.10 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order |
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| Franz Joseph Haydn:
Symphony No.89 In F Hob.
I: Orchestra: Score Orchestra Barenreiter
Haydn's Symphony Hob. I:89 belongs to a group of symphonies composed between the...(+)
Haydn's Symphony Hob. I:89 belongs to a group of symphonies composed between the ?Paris? symphonies (Hob. I:82-87) and their ?London? counterparts (Hob. I: 93-104) the last ones he wrote before his trips to England in 1791-92 and 1794-95.The Symphony in F major is dated 1787 in the autograph score. In this work Haydn borrowed two movements from an earlier piece possibly owing to deadline pressure. The second and fourth movements are arrangements of movements 2 and 3 from his Concerto in F major Hob. VIIh:5 for two ?lire organizzate? and orchestra. The fact that he also arranged movements from his other lire concertos suggests that heregarded them as a sort of musical quarry. This at least allowed him to recycle parts of these works after his patron had probably prohibited him from offering them commercially.This edition continues the collaboration with the Henle publishing company regarding Haydn's large-scale choral works operas and symphonies. It is based on the Henle Complete Edition of the Works of Joseph Haydn. The complete performance material for several Sturm und Drang symphonies and all of the London and Paris symphonies is now available from Bärenreiter.
40.00 GBP - Sold by Musicroom UK |
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| Camille Saint-Saëns:
Symphony No.3 In C Minor
Op.78: Orchestra: Parts Orchestra [Set of Parts] - Intermediate/advanced Barenreiter
“In this work I gave everything I had to give. […] What I did here ...(+)
“In this work I gave everything I had to give. […] What I did here I will never do again”. Camille Saint-Saëns was justifiably proud of his Symphony No.3 in C minor Op.78 dedicated to the memory of Franz Liszt. Like Beethoven’s Ninth this so-called “Organ Symphony” was commissioned by the Philharmonic Society in London where it received its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No.3 marksthe launch of a large-scale project: the publication of Camille Saint-Saëns - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series. First scholarly-critical edition of this famous symphony based on Camille Saint-Saëns – Complete Edition of the Instrumental Works Now with separate parts for all winds Orchestral parts in a large format (25.5 cm x 32.5 cm)
208.00 GBP - Sold by Musicroom UK |
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| Camille Saint-Saëns:
Symphony No.3 In C Minor
Op.78: Orchestra: Part Orchestra [Part] Barenreiter
“In this work I gave everything I had to give. […] What I did here ...(+)
“In this work I gave everything I had to give. […] What I did here I will never do again”. Camille Saint-Saëns was justifiably proud of his Symphony No.3 in C minor Op.78 dedicated to the memory of Franz Liszt. Like Beethoven’s Ninth this so-called “Organ Symphony” was commissioned by the Philharmonic Society in London where it received its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No.3 marksthe launch of a large-scale project: the publication of Camille Saint-Saëns - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series. First scholarly-critical edition of this famous symphony based on Camille Saint-Saëns – Complete Edition of the Instrumental Works Now with separate parts for all winds Orchestral parts in a large format (25.5 cm x 32.5 cm)
21.00 GBP - Sold by Musicroom UK |
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| Camille Saint-Saëns:
Symphony No.3 In C Minor
Op.78: Orchestra: Part Orchestra [Part] Barenreiter
“In this work I gave everything I had to give. […] What I did here ...(+)
“In this work I gave everything I had to give. […] What I did here I will never do again”. Camille Saint-Saëns was justifiably proud of his Symphony No.3 in C minor Op.78 dedicated to the memory of Franz Liszt. Like Beethoven’s Ninth this so-called “Organ Symphony” was commissioned by the Philharmonic Society in London where it received its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No.3 marksthe launch of a large-scale project: the publication of Camille Saint-Saëns - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series. First scholarly-critical edition of this famous symphony based on Camille Saint-Saëns – Complete Edition of the Instrumental Works Now with separate parts for all winds Orchestral parts in a large format (25.5 cm x 32.5 cm)
42.00 GBP - Sold by Musicroom UK |
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| Camille Saint-Saëns:
Symphony No.3 In C Minor
Op.78: Orchestra: Part Orchestra [Part] Barenreiter
?In this work I gave everything I had to give. [?] What I did here I will never ...(+)
?In this work I gave everything I had to give. [?] What I did here I will never do again?. Camille Saint-Saëns was justifiably proud of his Symphony No.3 in C minor Op.78 dedicated to the memory of Franz Liszt. Like Beethoven?s Ninth this so-called ?Organ Symphony? was commissioned by the Philharmonic Society in London where it received its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No.3 marksthe launch of a large-scale project: the publication of Camille Saint-Saëns - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series. First scholarly-critical edition of this famous symphony based on Camille Saint-Saëns ? Complete Edition of the Instrumental Works Now with separate parts for all winds Orchestral parts in a large format (25.5 cm x 32.5 cm)
42.00 GBP - Sold by Musicroom UK |
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| Saint-saens Camille -
Symphonie N°3 Op.78 -
Score Orchestra [Score] Barenreiter
Saint-Saëns, Camille Symphony no. 3 in C minor op. 78 - Study score to suppleme...(+)
Saint-Saëns, Camille Symphony no. 3 in C minor op. 78 - Study score to supplement the full score and performance material on sale - Based on ?Camille Saint-Saëns ? Complete Edition of the Instrumental Works? - Detailed Foreword (Ger/Eng/Fr) ?In this work I gave everything I had to give. [?] What I did here I will never do again?. (Camille Saint-Saëns) Camille Saint-Saëns was justifiably proud of his Symphony No. 3 dedicated to the memory of Franz Liszt. Like Beethoven?s Ninth, this so-called ?Organ Symphony? was commissioned by the Philharmonic Society in London where it received its premiere on 19 May 1886. This study score is based on ?Camille Saint-Saëns ? Complete Edition of the Instrumental Works?, Volume I/3.
26.40 EUR - Sold by Woodbrass Pre-shipment lead time: On order |
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| Gabriel Fauré: Cantique
De Jean Racine: Mixed
Choir: Score Orchestra [Sheet music] Carus Verlag
Carus 70.301/10 which is part of the material associated with this piece can b...(+)
Carus 70.301/10 which is part of the material associated with this piece can be used as the choral score. Gabriel Fauré composed the Cantique de Jean Racine in 1865 the prizewinning work for the completion of his musical training. The composer expanded the original scoring for choir and organ by adding a string accompaniment; the version with orchestra was first performed in 1906. As a text Fauré chose a French adaptation by Jean Racine of the Latin hymn ?Consors paterni luminis.? The Cantique already displays the characteristics of an expressive choral setting typical for Fauré as well as the finely worked out orchestral accompaniment and together with the Requiem composed considerably later it is among the most popular works of the composer.
17.20 GBP - Sold by Musicroom UK |
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| Anton Bruckner: Symphony
No.5 In B Flat:
Orchestra: Score Orchestra Dover Publications
The nine symphonies composed by Anton Bruckner (1824-1896) constitute landmarks ...(+)
The nine symphonies composed by Anton Bruckner (1824-1896) constitute landmarks of the Austro-Germanic symphonic tradition. These staples of the orchestral literature possess a grandeur nobility of vision and originality that have survived despite extensive revision and unauthorized editing by other musicians. Moreover the original versions of these works reveal a logical organization far greater than originally realised. Symphony No.5 one of Bruckner's finest orchestral works was written in the late 1870s but not performed until 1894. Like the best of his earlier works it features strikinglyoriginal harmonies an extended structure and tonal range and a gripping monumental sonority. Based on the authoritative autograph score this complete restoration of the composer's original design offers musicians and music lovers the chance to study the music as originally conceived.
20.30 GBP - Sold by Musicroom UK |
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| Beethoven L.v. - Mass C
Major Op.86 - Vocal Score
Orchestra [Vocal Score] - Advanced Barenreiter
Beethoven’s sacred works include two settings of the Mass. The “Mass in C ma...(+)
Beethoven’s sacred works include two settings of the Mass. The “Mass in C major”, completed and premiered in 1807, has been unjustly described as a preliminary step towards the great “Missa solemnis”. Yet it is a self-contained and, for its time, decidedly modern piece of church music. Drawing on the rich body of sources, Beethoven specialist Barry Cooper suggests practical solutions to the work’s musical and interpretative problems. His deep study of the sources convinced him to include a fully realized organ part in the score, just as Beethoven envisioned it for the first printed edition. As stated in the sources, the parts for the soloists and choir are notated on joint staves to demonstrate that the soloists are also to sing the choral passages. Rounding off this Urtext edition are a Foreword on the work’s genesis and a detailed Critical Commentary. • Score with realization of the organ part • Bilingual Foreword (Eng/Ger) and Critical Commentary (Eng) • Idiomatic piano reduction
14.80 EUR - Sold by Woodbrass Pre-shipment lead time: On order |
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