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Instruments
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Trompette Sib 1 Cor en Fa 1 Tr… (60)
:: (60)
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Piano Quintet: piano, 2 violin… (59)
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Ligne Mélodique/Instruments D… (59)
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Violin, Viola (duet) (51)
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Flûte Traversière, Instrumen… (44)
Hautbois 1 Clarinette en Sib 1… (44)
Ensemble A Vent (43)
Conducteur (43)
Flûte Traversière(S) Et Autr… (41)
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4 Instruments à Cordes (4 Boi… (40)
Saxophone Et Piano Et/Ou Autre… (40)
Opera (40)
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Cajon (37)
Flute, Cello, Piano (trio) (36)
Concert Band/Harmonie (36)
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3 Recorders (trio) (36)
2 Trombones (duet) (36)
Flute Trio: 3 flutes (36)
Descent (Soprano) Recorder, Pi… (35)
Orchestre D'Instruments A Plec… (34)
Xylophone or Marimba or Vibrap… (34)
Voix et Instruments (34)
Vibraphone (34)
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Ensemble Mixte (34)
Brass Quartet: 2 trumpets, hor… (34)
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Orff-Instruments (33)
Saxophone Soprano, Saxophone A… (32)
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Choeur SSATTB, (6 Instruments,… (31)
Percussions (31)
3 Clarinettes en Sib et Clarin… (31)
Partition de Poche (31)
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Choral TTBB (31)
Big Note Piano (31)
Tuba en Do et Piano (30)
Tuba Solo (30)
Piano Quintet: piano, violin, … (30)
Dobro (30)
ENS::Ensemble (30)
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Brass Quartet: 4 trombones (29)
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Trio avec Piano (28)
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SATB, (4 InstrumentS Basse et … (27)
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2 Violas (duet) (27)
Cornet and Piano (27)
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Trompette en Do ou et Trompett… (26)
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Nursery rhyme (26)
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Choeur SATB/SATB, (8 Instrumen… (25)
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Trompette 2 Violons 1 Alto 1 V… (24)
Quatuor de Cordes (24)
Flûte Traversière 3 Clarinet… (24)
Hautbois 2 Violons 1 Alto 1 Vi… (24)
Trompette 3 Clarinettes Sib 1 … (24)
Hautbois, Instruments à Corde… (24)
Trompette, Instruments à Cord… (24)
Clarinet Ensemble (24)
Clarinette 2 Violons 1 Alto 1 … (24)
Flûte Traversière 2 Violons … (24)
Flute, Basso continuo (24)
Instruments Cuivre (24)
Flute, Violin, Keyboard (basso… (24)
Flûte A Bec Et Instruments Di… (24)
Saxophone ensemble (23)
Hautbois et Instruments Divers… (23)
Choeur SATB/SATB, (8 Instrumen… (23)
Chant (23)
Flute ensemble (23)
Organ, Trumpet (duet) (23)
1 Piano, 6 hands (23)
Trompette Solo (22)
Choral SSAA (22)
Trombone Solo (22)
Chamber Music (22)
Violon, Instruments A Cordes E… (22)
Soprano Saxophone (22)
Guitare Electrique (22)
Orgue Et Instruments Divers (21)
Instruments A Vent, Cordes Et … (21)
Woodwind Trio: any 3 woodwinds… (21)
Euphonium Ensemble (21)
Tenor voice, Piano (21)
Quintette Variable (21)
7 Instruments à Vent (21)
Trompettes et Autres Instrumen… (21)
Electric bass, Drums (21)
2 Flutes, Piano (21)
Bass Clarinet (21)
Piano Trio: mixed chamber inst… (20)
4 Parties Mixtes, Instruments … (20)
Pianos Et Instruments Divers (… (20)
Trompette, Instruments à Cord… (20)
Viola, Cello (duet) (20)
Conga (20)
4 Guitars (Quartet) (20)
Autoharp (20)
Violoncelle Et Ensemble Instru… (20)
Concert band, Choral (20)
Woodwind Quintet (20)
Choral CD (20)
Lute (19)
3 Guitars (trio) (19)
Saxophone Alto Solo (19)
Choeur Mixte (SATB), Instrumen… (19)
Accordion ensemble (19)
Trio (19)
2 Trumpets, Keyboard (piano or… (19)
String Trio: 2 violins, cello (19)
Woodwind Quartet (19)
Quatuor (19)
4 Clarinettes en Sib et Clarin… (18)
Hautbois Solo (18)
Oboe, Bassoon (duet) (18)
4 Bassoons (18)
Euphonium ou Saxhorn Solo (18)
Flute, Clarinet, Piano (trio) (18)
Voix ou Récitant et Instrumen… (18)
Clarinet, Cello, Piano (trio) (18)
Choeur d'Enfants à 2 Parties … (18)
Clarinet, Orchestra (18)
Accessoire (18)
Guitar Ensemble (18)
English horn, Piano (17)
String Quartet : 4 violas (17)
Violin, Horn and Piano (17)
Choeur et Instruments Divers (17)
Instruments miniatures (17)
Cor en Fa Solo (17)
Petit Ensemble Contemporain (17)
Choeur SATB/SATB/T, 7 Instrume… (17)
Treble (Alto) Recorder, Piano (17)
Low voice, Piano (17)
Solo instrument and Organ (17)
Ligne Mélodique et Instrument… (16)
Quatuor à vent (16)
3 Instruments à vent (16)
Flûte Traversière Hautbois, … (16)
Soli (SATB), Choeur Mixte (SAT… (16)
3 Trombones et Trombone Basse (16)
Guitare Et Instruments Divers (16)
Trio à Cordes ou Autres Instr… (16)
Piano ou Clavecin et Instrumen… (16)
5 Instruments à Vent (16)
Brass ensemble, Organ (16)
Trio de Cordes (16)
Trompette et Quatuor à Cordes… (16)
Big band (16)
5 A 9 Instruments A Vent (16)
Trumpet, Trombone (duet) (16)
Choral SSATB (16)
Voix et Ensemble Instrumental (16)
Harpe Et Instruments Divers (16)
Soprano Saxophone and Piano (16)
2 Violins, Piano (16)
Harpsichord and Strings (15)
String Quintet: 2 violins, 2 v… (15)
5 Instruments A Vent (15)
Solistes SATB, Choeur SATB, Ba… (15)
Ensemble De Cuivres Et Percuss… (15)
Choeur Mixte (SATB) Avec Choeu… (15)
Soli (SATB), Choeur Mixte (SAT… (15)
Violoncello, Basso continuo (15)
Flute, Orchestra (15)
Clarinette et Quatuor à Corde… (15)
Cors Et Autres Instruments (15)
Quatuor De Flûtes A Bec (Quat… (15)
Viola da Gamba (15)
Saxhorn and Piano (15)
Bass Trombone (15)
Choeur D'Enfants (MezMezMez) A… (14)
3 Violons, Instruments à Cord… (14)
Choeur D'Enfants (SMezA) Avec … (14)
Voix et Instruments Variés (14)
Chorale d'Enfants et Ensemble … (14)
Choeur SSATB, (5 Instruments, … (14)
Ensembles de Cordes (14)
Flûte à Bec C2, F1, C1 et F … (14)
Choeur SATTB, (5 Instruments, … (14)
Petit Choeur SATTB, 5 Instrume… (14)
2 Choeurs Mixtes Et Orchestre … (14)
Parties Instruments Divers (14)
2 Hautbois (14)
Flûte Traversière, Violon, I… (14)
Soprano, Piano (14)
Organ, Piano (duet) (14)
SATB, 4 Parties Mixtes, 2 Viol… (14)
Cello, String Bass (duet) (14)
Choeur Mixte (SATB/SATB) Basse… (14)
3 Trombones (trio) (14)
Tenor voice (14)
7 Instruments (14)
Clarinette en Sib et Clarinett… (13)
6 Instruments Cuivre (13)
Soprano, 4 Parties Mixtes 2 Tr… (13)
Clarinette Solo (13)
Choeur (Mez/Bar), Narrateurs E… (13)
Soli (STB), Choeur Mixte (SATB… (13)
Solistes, Div. Instruments à … (13)
3 Voix Egales et Instruments D… (13)
Mezzo-Soprano voice, Piano (13)
Cornet (13)
Violon Solo (13)
Clavecin Et Orchestre D'Instru… (13)
Recorder, Guitar (duet) (13)
Euphonium or Saxhorn and Piano… (13)
2 Violins and Basso (13)
Flute and Strings Trio (13)
Xylophone (13)
Choeur D'Enfants (SMezA) Avec … (13)
Bongos (13)
Clarinet, Violin, Cello, Piano… (13)
Piccolo, Piano (13)
Bass Trombone and Piano (13)
Solistes SBar, Choeur SSATB, 2… (12)
Saxhorn Basse en Sib et Piano (12)
8 Voix en 2 Choeurs (12)
Choeur SSAM, (4 Instruments Co… (12)
Flûte à Bec Solo (12)
Flute, Oboe, Clarinet (trio) (12)
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Flute, Violin, Violoncello and… (12)
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Euphonium ou Saxhorn en Clé d… (12)
Choeur D'Enfants Avec Piano (O… (12)
3 Trumpets (trio) (12)
Solistes SA, Petit SSATB, 5 In… (12)
Choeur SATB/SATB, 2 Orgues et … (12)
3 Instruments En Sib (12)
Flûte Traversière, Hautbois,… (12)
Ocarina (12)
Soprano voice (12)
Quintette à vent (12)
Orchestre (12)
Bagpipe (12)
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Flute, Violin, Piano (12)
Hautbois, Instruments à Corde… (12)
Petit Choeur SATB/SATB, Orgue … (12)
Piccolo et 3 Flûtes (12)
Brass Quartet: 4 trumpets (12)
Violin, Viola and Orchestra (12)
Ensembles Divers (12)
Flûte à Bec et Piano (12)
Clarinette, Viola and Piano (t… (12)
2 French horns (duet) (12)
Flûte Traversière et Autres … (11)
Clavecin ou Piano et Instrumen… (11)
Solo A, Choeur SATB/SATB, 2 Or… (11)
Choeur D'Hommes (TTBB) A Cappe… (11)
5 Harps (11)
Choeur Mixte (SATB/SATB) Instr… (11)
4 Instruments A Vent Et Orches… (11)
Alto Solo (11)
Solo B, Choeur SATB, 2 Flûtes… (11)
Solistes SAT, Choeur SATB, 2 H… (11)
Choeur D'Enfants (SMez) Avec P… (11)
3 Hautbois et Cor Anglais (11)
Clarinette, Quatuor Pour Instr… (11)
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SATBasse (2 Grands Choeurs Mix… (11)
Saxophone Soprano ou Saxophone… (11)
Solistes SATB, Choeur SATB, Ha… (11)
Viola and orchestra (11)
Choeur SATB/SATB, (8 Instrumen… (11)
Cordes Et Instruments A Vent (11)
Flute, Clarinet and Bassoon. (11)
Baritone voice, Piano (11)
Flute, Violoncello (11)
Biography (11)
Choeur D'Enfants Avec Narrateu… (10)
Solistes SST, Choeur SSAATB, 2… (10)
Trombones Et Autres Instrument… (10)
Choeur D'Enfants (SMez), Instr… (10)
Baritone Ukulele (10)
Violoncelle Solo (10)
Choeur SATB/SATB, (Orgue et 8 … (10)
Choeur Mixte (SATB) Avec Choeu… (10)
2 Mandolines Et Orchestre D'In… (10)
Choeur Mixte Instruments Ad Li… (10)
Petit Choeur ST, 5 Instruments… (10)
Saxophone Soprano, 2 Saxophone… (10)
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Choeur Mixte (SATB), Orchestre… (10)
11 Instruments (10)
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Solistes SB, Choeur SATB, 2 Ha… (10)
Batterie-Fanfare (10)
Choeur SATB/SATB (8 Instrument… (10)
Piano, Oboe and Bassoon (10)
Petit Choeur SSATTB et 6 Instr… (10)
2 Flûtes Traversières, Instr… (10)
Paroisse, Choeur SATB, 2 Tromp… (10)
Solistes STBarB, Choeur SATB, … (10)
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Choeur Mixte (SATB) Et 4 Instr… (10)
Narrateur, Solistes, 3 Parties… (10)
Ensemble De Cuivres Et Timbale… (10)
4 Instruments Cuivre (Trompett… (10)
Choeur SSATTB et 6 Instruments… (10)
Choeur De Femmes A 1 A 5 Voix,… (10)
4 Hautbois (10)
3 Bassons (10)
Instruments En Clé de Fa (10)
2 Guitares Et Orchestre D'Inst… (10)
Viola, Guitar (duet) (10)
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Children choir, Piano (10)
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Flûtes A Bec Choeur Et Petite… (9)
Basson ensemble (9)
Piano, Guitar, Bass (9)
Choeur D'Enfants (SMezA) Avec … (9)
Choeur SATB/SATB, (Instruments… (9)
Quintette avec Piano (9)
Solistes ATB, Choeur SATB, Hau… (9)
Solistes SATB, Choeur SATB, 3 … (9)
Gemischter Chor (SATB) und Orc… (9)
Choeur D'Enfants (SMezA) Avec … (9)
Organ and Brass Quartet (9)
Solistes ATB, Choeur SATB, Tro… (9)
2 Pianos, 8 hands (9)
SATB, 4 Parties Mixtes et Inst… (9)
Solo S, Trompette, Instruments… (9)
Cello Ensemble (9)
Flute Quartet: Flute, Violin, … (9)
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Clarinette, Violon, Violoncell… (9)
Choeur SATB, 2 Litui (2 Cors),… (9)
Bugle and Piano (9)
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Solistes SATB, Choeur SATB, 2 … (9)
Cordes, Basse Continue, Partie… (9)
4 Trombones Ou Instruments Cui… (9)
Baritone Saxophone (9)
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Mandoline et Instruments Diver… (9)
Drum set and Piano (9)
6 Trombones 2 Trombone Basses (9)
2 Violons, Instruments A Corde… (9)
4 Tubas (9)
Flûte à Bec et Instruments D… (9)
9 Instruments (9)
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10 Instruments (9)
ENS::Ensemble d'cole (9)
Horn Ensemble (9)
Violon, Continuo et Instrument… (8)
Voice, String Quartet (8)
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Hautbois et Quatuor à Cordes (8)
Clarinette en Sib (1 Partition… (8)
Saxophone and Orchestra (8)
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Flûte Traversière, Hautbois,… (8)
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Flûte Traversière, Hautbois,… (8)
Septuor De Cuivres (8)
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Batterie Solo (8)
2 Trompette en Dos 1 Cor en Fa… (8)
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Magnus Lindberg: Kinetics: Orchestra: Instrumental Work
Orchestra
Wilhelm Hansen
This work was written with a mix between computer technology and the more tradit...
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This work was written with a mix between computer technology and the more traditional orchestra the piece was composed in such a way that it would support it's own acoustics. Lindberg worked with amplification of instruments and electronically transformed sounds thus producing greater possibilities to abandon acoustic limits. In order for the piece to be supported by it's own acoustics the piece had to be written in terms of foreground and background harmony every foreground chord would always have it's background a shadow existing without it's main chord.Another theme to the piece is that of textural motion as rapid gestures and motions are a big part ofthe composer's interest. Static repitions seemed to limit the piece however so they were compensated for on another level so with a repetitive rhythmic pattern the harmonic material changes rapidly or when a chain of chords is static the rhythmic and timbral qualities vary frequently. Work for Orchestra commissioned by the Finnish Broadcasting Company.
57.50 GBP - Sold by Musicroom UK
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John Coath: Music For Instruments Set 1: Orchestra: Score and Parts
Orchestra
[Sheet music]
Chester
Music For Instruments Set 1
15.99 GBP - Sold by Musicroom UK
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John Coath: Music For Instruments Set 2: Orchestra: Score and Parts
Orchestra
[Sheet music]
Chester
Music For Instruments Set 2
27.99 GBP - Sold by Musicroom UK
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Antonín Dvo?ák: Sonata For Violin And Piano In F Op.57: Orchestra: Instrumental
Orchestra
Simrock
A Sonata for Violin and Piano by the great Czech composer. This is Dvorák's onl...
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A Sonata for Violin and Piano by the great Czech composer. This is Dvorák's only Violin Sonata and is a relaxed almost tranquil affair with the two instruments interlaced and complementing each other.
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Francis Poulenc: Aubade Concerto Pour Piano Et 18 Instruments: Piano
Orchestra
Salabert
Aubade Concerto Pour Piano Et 18 Instruments
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Capriccio 10 Instruments Partition In 16 Poche
Français
Orchestra
[Score]
Leduc, Alphonse
La partition Capriccio 10 Instruments Partition In 16 Poche de Ibert Jacques a ...
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La partition Capriccio 10 Instruments Partition In 16 Poche de Ibert Jacques a été composée pour Conducteur et Poche et plus particulièrement pour Conducteur Et Poche. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Leduc. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Conducteur Et Poche / Partition
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Suite Pour Les Instruments De L'Orchestre Partition
Français
Orchestra
[Sheet music]
Leduc, Alphonse
La partition Suite Pour Les Instruments De L'Orchestre Partition a été compos...
(+)
La partition Suite Pour Les Instruments De L'Orchestre Partition a été composée pour Orchestre. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Leduc. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Orchestre / Partition
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Rued Langgaard: Symphony No.10 'Hin Tordenbolig': Orchestra: Instrumental Work
Orchestra
[Partitions]
-
Intermediate/advanced
Rued Langgaard Edition
Symphony No.10 'Hin Tordenbolig'('Yon Hall of Thunder') BVN 298 by Rued Langga...
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Symphony No.10 'Hin Tordenbolig'('Yon Hall of Thunder') BVN 298 by Rued Langgaard. Composed 1944-45. Critical edition by Bendt Viinholt Nielsen - The Rued Langgaard Edition Instrumentation: 5.3.5.3/4.3.3.1/timp/2perc/pianino/str.
40.00 GBP - Sold by Musicroom UK
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John Rutter: Star Carol: Orchestra: Instrumental Work
Orchestra
Oxford University Press
Orchestral & Instrumental Carol & Hymn Accompaniments-John Rutter's Star Carol ...
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Orchestral & Instrumental Carol & Hymn Accompaniments-John Rutter's Star Carol for SATB and Piano accompaniment.
5.95 GBP - Sold by Musicroom UK
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Simon Holt: A Table Of Noises (Full Score): Orchestra: Score
Orchestra
[Sheet music]
Chester
Commissioned jointly for Colin Currie by the City of Birmingham Symphony Orchest...
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Commissioned jointly for Colin Currie by the City of Birmingham Symphony Orchestra and the Borletti-Buitoni Trust. First performance on 14th May 2008 at Symphony Hall Birmingham by Colin Currie (percussion) and the City ofBirmingham Symphony Orchestra conducted by Martyn Brabbins.NOTE FOR PERFORMANCEIn table top the unpitched solo percussion part in the 9th movement the scoring was initially left open. The present full score showsa suggested instrumentation which was devised by Colin Currie in conjunction with the composer. Soloists should attempt to match the timbres used but should not feel constrained by the exact choice ofinstruments.COMPOSER’S NOTEThe percussion instruments used in a table of noises in some ways represent the odd things that were on my great uncle Ash’s parlour table that fascinated me as a child. There is even abottle; there was always a milk bottle with the silver top pushed in surrounded by other essentials for his life. From birth he was quite severely handicapped in one of his legs and couldn’t walk too far without his trusty crutch.He kept everything he needed within arm’s length. In the list of instruments for the solo part there’s everything from deep log drum sounds to very high metallic chime sounds. Wood glass metal and a whistle. Mostlysmall-scale things with a large gong behind used sparingly. I think that we managed to keep below 30 instruments in all which I was keen to do. I didn’t want scores of things that are only played once they have to earn theirkeep. I didn’t want to use a marimba but thought that trying to make the xylophone sound in a more expressive way would be more of a challenge. The percussionist sits for much of the time on a Cajon a flamenco instrument which isessentially a wooden box. The player hits the front of the box in various ways rather as you play a conga. There are guitar strings inside and bells to add to the overall colour. I would like to thank Colin Currie for the
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Sinfonias / Individual Instrumental Pieces (GLUCK CHRISTOPH WILLIBALD)
Orchestra
[Sheet music]
Barenreiter
Gluck Complete Edition V/2. Par GLUCK CHRISTOPH WILLIBALD. While Christoph Willi...
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Gluck Complete Edition V/2. Par GLUCK CHRISTOPH WILLIBALD. While Christoph Willibald Gluck dedicated his artistic life almost entirely to the composition of works for the opera stage, he also produced a number of instrumental works which have been somewhat marginalized until recently. This volume of the 'Gluck Complete Edition” (GGA) is the first to present 17 symphonies attributed to Gluck in a historical-critical edition - furthermore, the volume includes a new version of one of the trio sonatas published in 1961 as part of the GGA. Current research indicates that no reliable information about the genesis of the respective works exists for any of the symphonies attributed to Gluck. This is due to a lack of both autograph sources and reliable data pertaining to the history and first performances of these works. It is assumed that some of the existing symphonies might in fact be the lost overtures of Gluck's earlier operas. Others were possibly written to be performed in private or public concerts. The greatest challenge for the editors of this volume was posed by the question of authenticity and authorship of the works presented here. As no autographs exist for any of the symphonies bearing Gluck's name, the only indicators of authorship are attributions in the copies of score and parts, either original or added at a later time. The reliability of these attributions for individual works largely depends on the respective state of source material, meaning available sources as well as the condition of the respective copy. A thorough authenticity analysis concluded Gluck's authorship as valid in the case of 13 symphonies, while in the case of four other symphonies, diverging attributions lead to the acceptance of open authorship. As a result, this volume includes all compositions for which, according to the most current research, Gluck's authorship has not been refuted. In the case of two symphonies, one concerto for flute, and six trio sonatas published in 1961 as part of the GGA, Gluck's authorship has been disproven - detailed explanations are included in the volume's Foreword (Ger). The Foreword also discusses the individual instrumental works attributed to Gluck by various encyclopedias. In addition to the detailed Foreword, the volume includes facsimiles of representative source excerpts. The Critical Commentary (Ger) analyzes the state of sources and includes extensive information on editorial principles and performance practice./ Répertoire / Orchestre
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Igor Stravinsky: Eight Instrumental Miniatures (Miniature Score): Ensemble:
Orchestra
[Sheet music]
Chester
Eight instrumental miniatures for fifteen players. Duration approx 6 minutes.
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Reza Vali: Segah: Double Concerto: Orchestra and Solo: Score
Orchestra
Lauren Keiser Music Publishing
Full Score-The Persian traditional music (called the Dastgah Segah) is based on ...
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Full Score-The Persian traditional music (called the Dastgah Segah) is based on intervals made of three quarter-tones and natural whole-tones. Segah has no interval in common with the European/ Western equal-temperament tuning. This lack of common intervalsbetween the Segah mode and the equal-temperament tuning will lead to a cognitive dissonance if this mode is set against the equal-temperament system. My goal has been to elaborate on the innate tensions that exists between the two interval systemsand use it as a symbol for the existing political and cultural tensions between the Persian and the Western cultures. The piece consists of two Persian traditional instruments the Ney (Persian vertical bamboo flute) and the Kamanche (Persian spikefiddle) as the musical representatives of the Persian culture set against the Western orchestra as the musical representative of the Western culture. A small ensemble of Western instruments consisting of a harp and string quintet accompanies thePersian instruments. The harp is tuned to the Segah intervals and the string quintet plays in the Segah mode. The orchestra is performing inthe Western equal- temperament tuning. From the very first bars of the main section of the piece confusionsand misunderstandings arise. The orchestra being unable to play in Segah or understand the mode becomes more and more agitated. Musical tensions between the soloists and the orchestra lead to musical confrontations and finally to musicalviolence. The orchestra becomes extremely violent and militaristic and tries to suppress the soloists efforts to express their musical thoughts. In the midst of all these confusions and cultural misunderstandings musical connections and attractionsstart to take place. The orchestra and the soloists find themselves musically attracted to each other and start imitating each others musical phrases. Cognitive dissonances start to be gradually transformed to musical dialogues symbolizing thegradual replacement of the clash of civilizations with the dialogue of civilizations. Segah was written for Khosrow and Kian Soltani and premiered at the Segah Festival on January 15 2016.
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Timbres Espaces Mouvements Ou 'La Nuit Etoilee' Partition Orchestre In 8 Ph307 (DUTILLEUX HENRI)
Orchestra
[Sheet music]
Heugel
Par DUTILLEUX HENRI. Composed in 1978 by Henri Dutilleux, Timbres, Espace, Mouve...
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Par DUTILLEUX HENRI. Composed in 1978 by Henri Dutilleux, Timbres, Espace, Mouvement Ou La Nuit Etoileé is a work for Orchestra, also named “The Starry Night” after the painting by Van Gogh. It was commissioned by Mstislav Rostropovich for the National Symphony Orchestraof Washington and is dedicated to Charles Münch. This work for Orchestra lasts approximately 20 minutes and depicts the content of the painting. It is scored for a full Orchestra without Violins or Violas. The Cellos serve to represent space, with swirling solos alongside calmer sections, while thelack of Violins and Violas epitomises for the quiet and motionless sections of the painting. The solo of the Wind instruments and Drums characterizes the clouds and the light of the moon and stars. It is divided into two parts: 1. Nébuleuse (Nebula) and 2. Constellations, which are divided by a Cello interlude. Composed in 1978 by Henri Dutilleux, Timbres, Espace, Mouvement Ou La Nuit Etoilee is a work for Orchestra, also named ; The Starry Night after the painting by Van Gogh. It was commissioned by Mstislav Rostropovich for the National Symphony Orchestra of Washington and is dedicated to Charles Munch. This work for Orchestra lasts approximately 20 minutes and depicts the content of the painting. It is scored for a full Orchestra without Violins or Violas. The Cellos serve to represent space, with swirling solos alongside calmer sections, while the lack of Violins and Violas epitomises for the quiet andmotionless sections of the painting. The solo of the Wind instruments and Drums characterizes the clouds and the light of the moon and stars. It is divided into two parts: 1. Nebuleuse (Nebula) and 2. Constellations, which are divided by a Cello interlude. Henri Dutilleux was internationally acclaimed for his work, winning prizes such as the Gold Medal of the Royal Philharmonic Society and the UNESCO's International Rostrum of Composers, among many others. His work also includes a Piano sonata, two symphonies, the Violin concerto 'L'Arbre Des Songes' (The Tree Of Dreams) and the Cello concerto 'Tout Un Monde Lointain' (A Whole Distant Word)./ Répertoire / Orchestre
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Orchanics 2: Orchestra: Score and Parts
Orchestra
Goodmusic Publishing
Eight Varied Pieces For Orchestra-Three new collections of varied pieces for orc...
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Eight Varied Pieces For Orchestra-Three new collections of varied pieces for orchestra for players from beginner to grade 3 standard.This collection of three books each containing eight varied pieces has been compiled to capture the imagination of young players and to introduce them to a wide range of musical styles.Special effects appropriate to each instrument provide additional learning points and great entertainment both in rehearsal and performance. There are glissandos for strings and trombone flutter tonguing for flute and trumpets (for those able to) and a range of vocal sounds for all!The scoring allows these pieces to be played by variouscombinations of instruments. Ideally your orchestra should have some instruments from each section but if not (for example no brass) then the supplementary piano part (available separately) can be used to fill the gaps. It can also be used to provide extra support in rehearsals.As well as the normal percussion parts some of the pieces make use of a drum kit. For orchestras without a drum kit player a drum kit and bass backing track is available to download free of charge either as MP3 or WAV files.OrchestrationDescant recorder Treble recorder Flute 1 Flute 2 or Oboe Clarinet 1 Clarinet 2 Alto Sax Bassoon Horn in F Horn in Eb Trumpet 1 Trumpet 2 Trombone (Bass clef) Trombone (Treble clef) Timpani Drum Kit Percussion 1 Percuission 2 Percussion 3.Strings (Violin 1 Violin 2 Violin 3 Viola Cello Bass)Orchanics 2 contains:-Marching through Mud (Richard Ling); When I was a lad (from HMS Pinafore); Ghost Ride (Richard Ling); Largo (Dvorak); Battle Zone (Richard Ling); Persian March (J Strauss II); Lazy Horse (Richard Ling); Good King Wenceslas.
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Orchanics 3: Orchestra: Score and Parts
Orchestra
Goodmusic Publishing
Eight Varied Pieces For Orchestra-Three new collections of varied pieces for orc...
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Eight Varied Pieces For Orchestra-Three new collections of varied pieces for orchestra for players from beginner to grade 3 standard.This collection of three books each containing eight varied pieces has been compiled to capture the imagination of young players and to introduce them to a wide range of musical styles.Special effects appropriate to each instrument provide additional learning points and great entertainment both in rehearsal and performance. There are glissandos for strings and trombone flutter tonguing for flute and trumpets (for those able to) and a range of vocal sounds for all!The scoring allows these pieces to be played by variouscombinations of instruments. Ideally your orchestra should have some instruments from each section but if not (for example no brass) then the supplementary piano part (available separately) can be used to fill the gaps. It can also be used to provide extra support in rehearsals.As well as the normal percussion parts some of the pieces make use of a drum kit. For orchestras without a drum kit player a drum kit and bass backing track is available to download free of charge either as MP3 or WAV files.OrchestrationDescant recorder Treble recorder Flute 1 Flute 2 or Oboe Clarinet 1 Clarinet 2 Alto Sax Bassoon Horn in F Horn in Eb Trumpet 1 Trumpet 2 Trombone (Bass clef) Trombone (Treble clef) Timpani Drum Kit Percussion 1 Percuission 2 Percussion 3.Strings (Violin 1 Violin 2 Violin 3 Viola Cello Bass)Orchanics 3 contains:-Hallelujah + Ode to joy (Handel/Beethoven); Mairi's Wedding (Roberton); Ragtime Roundup (Richard Ling); Samborina (Richard Ling); Spring from Four Seasons (Vivaldi); Danserie (Susato); Yellow Bird (arr Ling); Silent Night.
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Silvestre Revueltas: Sensemay? (1938): Orchestra: Score
Orchestra
Schirmer
Score-Silvestre Revueltas' ‘Sensemaya’ was written in 1937 for cham...
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Score-Silvestre Revueltas' ‘Sensemaya’ was written in 1937 for chamber orchestra; one year later the composer transcribed it for a huge orchestra of twenty-seven wind instruments fourteen percussion instruments and strings. The rhythms are laid out precisely and have considerable visceral impact very much in a manner that recalls Igor Stravinsky's The Rite of Spring. However Revueltas' masterful orchestration and ability to evoke the ancient Maya civilization with decidedly modern music are uniquely his own. It is a unique orchestral spectacle something only Revueltas could have written and in its way it is one of the most brutal works of its time. The workbegins with a low note in the bassoon as the percussion plays the sinuous syncopated rhythm that drives the work. Soon a solo horn enters playing the first of this work's two major themes a muscular ominous motif. Other horns join the first one to play the theme growing louder and more emphatic but rigorously yoked to the underlying rhythm. Eventually the horns blast as loudly as they can with obsessive trills on the bassoon far underneath and the violins enter with the slashing second theme. The horns take up this new theme and bring it to a climax after which the music returns to its opening texture. This recapitulation brings with it a mood of foreboding. The rhythm becomes even more obsessive and finally the music reaches a massive climax during which both themes are played overlapping sometimes in part and sometimes in whole by woodwinds brass and violins in what sounds like a musical riot. The coda feels like the final dropping of a knife.
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Orchanics 1: Orchestra: Score and Parts
Orchestra
Goodmusic Publishing
Three new collections of varied pieces for orchestra for players from beginner t...
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Three new collections of varied pieces for orchestra for players from beginner to grade 3 standard.This collection of three books each containing eight varied pieces has been compiled to capture the imagination of young players and to introduce them to a wide range of musical styles.Special effects appropriate to each instrument provide additional learning points and great entertainment both in rehearsal and performance. There are glissandos for strings and trombone flutter tonguing for flute and trumpets (for those able to) and a range of vocal sounds for all!The scoring allows these pieces to be played by variouscombinations of instruments. Ideally your orchestra should have some instruments from each section but if not (for example no brass) then the supplementary piano part (available separately) can be used to fill the gaps. It can also be used to provide extra support in rehearsals.As well as the normal percussion parts some of the pieces make use of a drum kit. For orchestras without a drum kit player a drum kit and bass backing track is available to download free of charge either as MP3 or WAV files.OrchestrationDescant recorder Treble recorder Flute 1 Flute 2 or Oboe Clarinet 1 Clarinet 2 Alto Sax Bassoon Horn in F Horn in Eb Trumpet 1 Trumpet 2 Trombone (Bass clef) Trombone (Treble clef) Timpani Drum Kit Percussion 1 Percuission 2 Percussion 3.Strings (Violin 1 Violin 2 Violin 3 Viola Cello Bass)Orchanics 1 contains:-Playing Tag (Richard Ling); Eastern March (Richard Ling); Autumn from Four Seasons (Vivaldi); Entertainer (Joplin); St.Anthony Chorale (Brahms/Haydn); Jazz Train (Richard Ling); Caribbean Carnival (Richard Ling); Hark the herald angels sing.
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Per Nørgård: Symphony No. 6 'At The End Of Day': Orchestra: Score
Orchestra
Wilhelm Hansen
Symphony No. 6 'At The End Of Day' (1997-99) for Orchestra by Per Nørgård. Pro...
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Symphony No. 6 'At The End Of Day' (1997-99) for Orchestra by Per Nørgård. Programme note: ”… with the Lord a day is like a thousand years and a thousand years is like a day” (New Testament 2 Peter 3:8) My SYMPHONY NO. 6 was commissioned by the Danish National Radio Symphony Orchestra the Göteborg Symphony Orchestra and the Oslo Philharmonic Orchestra to be premiered at the millenium 2000. The subtitle AT THE END OF THE DAY can be understood literally or it can mean “when all is added up”. However in my opinion nothing ever quite adds up there is always “something” missing any ending will be provisional ... This symphony appears to end only a few minutes into the first movement the first passage as the music fades away to almost-silence after a start of flying colours. But then there is still “something” a small motive (first heard in the initial sound-waves) which reappears hesitant but persistent and this embryo is what leads on the musical progression. An agitated section of many instrumental voices comes next until all the voices become obsessed with the same phrase a see-saw motive based on thirds. This section evolves into almost martial ferocity when broken off by a tutti descent into an extreme bass-world (a bass-world which actually permeates the whole symphony emplyoing instruments that I have never used before: double-bass tuba double-bass trombone double-bass clarinet and bass flute). The second movement the second passage apparently takes off where the first passage ended but now the events are more ambiguous and the same music may be perceived as fast-moving one moment and slow-moving the next. This section is a kind of passacaglia the characteristic baroque bass-variation. Without a break follows the third and last passage in a
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Edward Elgar: Pomp And Circumstance March No.1 - Score/Parts: Orchestra: Score
Orchestra
[Sheet music]
Goodmusic Publishing
Of Elgar's five Pomp and Circumstance Marches the first in D is the best known ...
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Of Elgar's five Pomp and Circumstance Marches the first in D is the best known as it includes Land of Hope and Glory. The origin of the title of these marches is a speech in Shakespeare's 'Othello':O now for ever/ Farewell the tranquil mind! farewell content!/ Farewell the plumed troops and the big wars/ That makes ambition virtue!/ O farewell!/ Farewell the neighing steed and the shrill trump / The spirit-stirring drum th' ear-piercing fife / The royal banner and all quality / Pride pomp and circumstance of glorious war!This arrangement has been made to make it more accessible to the average orchestra; the instruments marked with an asterisk in the orchestrationlist above may be omitted if necessary.Duration: 6 minutes OrchestrationPiccolo 2 Flutes 2 Oboes 2 Clarinets in A or Bb Bass clarinet* 2 Bassoons 2 Horns in F 2 Trumpets in Bb 3 Trombones Tuba Timpani Percussion (Snare drum Triangle Bass drum Cymbals) Strings (Violin 1 Violin 2 Viola Cello Bass) (* = instruments optional)
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My Way: Orchestra: Score
Orchestra
[Sheet music]
-
Intermediate
Peer Musik Verlag
Sous Les Ponts De Paris-My Way by Jaques Revaux/Claude Francois and Sous Les Pon...
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Sous Les Ponts De Paris-My Way by Jaques Revaux/Claude Francois and Sous Les Ponts De Paris by Vincent Scotto. Arranged for Salon Orchestra by Werner Lang. Parts are included for the following instruments:Cast - Standard: C instruments (chord symbols and text); Guitar/melody (chord symbols and text); Drums/melody (with text); 1-2. Violin; 1./3. Alto Saxophone; 2. Tenor Saxophone; 1-2. Trumpet; 1st Trombone; Bass; Piano (chord symbols and text).
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Buenas Noches Mi Amor/Es War In Portugal Im Mai (Salon Orchestra) - Sheet Music
Orchestra
[Sheet music]
-
Intermediate
Peer Musik Verlag
Es War In Portugal Im Mai-Buenas Noches Mi Amor by Hubert Giraud and Es War In P...
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Es War In Portugal Im Mai-Buenas Noches Mi Amor by Hubert Giraud and Es War In Portugal Im Mai by P. de Angelis and R. Marucci arranged by Ulrich Sommerlatte for Salon Orchestra. Parts are included for the following instruments:C instruments (chord symbols and text); Guitar/melody (chord symbols and text); Drums/melody (with text); 1-2. Violin; 1./3. Alto Saxophone; 2. Tenor Saxophone; 1-2. Trumpet; 1st Trombone; Bass; Piano (chord symbols and text)Supplements: 3rd Violin; 4. Tenor Saxophone; 3. Trumpet; 2. Trombone; Baritone Sax; Cello.
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Brazil: Orchestra: Score and Parts
Orchestra
Peer Musik Verlag
Granada-Ary Barroso's Brazil and Augustin Lara's Granada arranged by Werner Lan...
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Granada-Ary Barroso's Brazil and Augustin Lara's Granada arranged by Werner Lang for Salon Orchestra. Parts for the following instruments are included:C instruments (chord symbols and text); Guitar/melody (chord symbols and text); Drums/melody (with text); 1-2. Violin; 1./3. Alto Saxophone; 2. Tenor Saxophone; 1-2. Trumpet; 1st Trombone; Bass; Piano (chord symbols and text).
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Hans Abrahamsen: Four Pieces For Orchestra: Orchestra: Score
Orchestra
Wilhelm Hansen
Four Pieces For Orchestra was composed by Hans Abrahamsen in 2000-2003. Programm...
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Four Pieces For Orchestra was composed by Hans Abrahamsen in 2000-2003. Programme note: In 1983 Hans Abrahamsen wrote the first seven of his Ten Studies for Piano. In the early eighties most composers who wrote for the piano were still making strenuous efforts to distance themselves from the instrument?s romantic past for example treating it as a percussion instrument rather than exploiting its expressive ?singing? potential. The piano?s modern identity as a mechanical rational emotionally cool instrument is reflected in Abrahamsen?s studies 5 7; but in the first four studies Abrahamsen allows the piano to?recollect? its past: especially what the composer calls ?the golden German romantic time full of expression night timelessness dream and the irrational?. Accordingly these first four studies were given German one might specifically say Schumanesque - titles: Traumlied (?Dreamsong?) Sturm (?Storm?) Arabeske (?Arabesque?) and Ende (?End?). While Abrahamsen was in no way dissatisfied with the first four Studies as piano music he soon felt the urge to expand them in both time and space. In their new identity as Four Pieces for Orchestra created between 2000-2003 the original studies nearly doubled in length while the forces required expanded from one soloist to an orchestra of Mahlerian/Straussian dimensions including instruments beloved by the late-romantics: Wagner tubas bass trumpet guitar mandolin and the hammer used so memorably in Mahler?s Sixth Symphony and Alban Berg?s Three Pieces for Orchestra. The results are not so much ?arrangements? of the four piano studies more recompositions. A helpful comparison might be made with certain painters: Cézanne portraying the same mountain from different angles; or Monet obsessively returning to Rouen Cathedral in different lights and weather conditions. Abrahamsen himself remembers an important visit to the Munch Museum in Oslo where he saw how Munch painted the same subject
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Henri Dutilleux: Timbres Espaces Mouvements Ou: Orchestra: Score
Orchestra
[Score]
Heugel
Composed in 1978 by Henri Dutilleux Timbres Espace Mouvement Ou La Nuit Etoil...
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Composed in 1978 by Henri Dutilleux Timbres Espace Mouvement Ou La Nuit Etoileé is a work for Orchestra also named ?The Starry Night? after the painting by Van Gogh. It was commissioned by Mstislav Rostropovich for the National Symphony Orchestra of Washington and is dedicated to Charles Münch. This work for Orchestra lasts approximately 20 minutes and depicts the content of the painting. It is scored for a full Orchestra without Violins or Violas. The Cellos serve to represent space with swirling solos alongside calmer sections while the lack of Violins and Violas epitomises for the quiet andmotionless sections of the painting. The solo of the Wind instruments and Drums characterizes the clouds and the light of the moon and stars. It is divided into two parts: 1. Nébuleuse (Nebula) and 2.Constellations which are divided by a Cello interlude. Henri Dutilleux was internationally acclaimed for his work winning prizes such as the Gold Medal of the Royal Philharmonic Society and the UNESCO's International Rostrum of Composers among many others. His work also includes a Piano sonata two symphonies the Violin concerto 'L'Arbre Des Songes' (The Tree Of Dreams) and the Cello concerto 'Tout Un Monde Lointain' (A Whole Distant Word).
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Kaija Saariaho: Trois Rivieres: Orchestra: Score
Orchestra
[Score and Parts]
Chester
Commissioned by the French Government and Musica Strasbourg.As the title suggest...
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Commissioned by the French Government and Musica Strasbourg.As the title suggests Trois rivières is divided into three separate sections. The first part introduces all the instrumental colours used in the piece. The rhythmicaspect is here nearly eliminated giving room for the timbral scales colours resonances attacks and textures to come to the fore. The instruments come from all members of the percussion family but unpitched instruments aregiven a primary role.The second part adds a rhythmic aspect to the nuances of colour and texture as an ostinato is developed in markedly varying directions.The last part is an epilogue recalling components of the twopreceding parts. Here earlier aspects of the material are reorganised and placed in different relationships to each other.The voices of the percussionists act together as an extension of the instruments being used to createeither rhythmically free textures or strictly notated rhythms. They are treated instrumentally combining to create rhythms and timbres. The poem 'La nuit de lune sur le fleuve' (Moonlit night on the river) by the Chinese poet LiPo (701-762) constitutes the material for the voices which are amplified and further enhanced throughout.
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Canons (SCHNEBEL DIETER)
Orchestra
[Study Score / Miniature]
Schott
Music Of Our Time. Par SCHNEBEL DIETER. In this work Schnebel attempts to apply ...
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Music Of Our Time. Par SCHNEBEL DIETER. In this work Schnebel attempts to apply the idea of the Baroque canon - as exemplified in Bach’s ‘Art of Fugue’ - to modern concepts of tonal colouring. The ‘Motu proprio’ of the 7 mixed groups of orchestral instruments intensifies within 28 short emotional sections to the Baroque ‘Motu contrario’. In ‘Diapason’, literally translated ‘in the octave’ but in the ancient Greek music tradition taken to mean ‘through or across everything’ among other things, the orchestra is arranged into 13 groups according to families of instruments and tonal colour. Schnebel alternately uses the term ‘fugue’ in the strict sense of the Baroque period and in its more general, purely architectonic meaning./ Répertoire / Orchestre
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Pyotr Ilyich Tchaikovsky: 1812 Overture: Orchestra: Score and Parts
Orchestra
Bosworth
From the Bosworth Amateur School Orchestra Series. For the complete work see ASO...
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From the Bosworth Amateur School Orchestra Series. For the complete work see ASO001065.This score starts at letter U where Tchaikovsky's 'banda ad lib' parts usually a military band would normally reinforce the full orchestra. In this version these parts are written for junior orchestra recorders percussion band military and/or brass band instruments. All of these parts are 'ad lib.'
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Joseph M. Martin: The Celtic Choir: Orchestra: CD
Orchestra
Shawnee Press
Consort Orchestra (CD-ROM)-Consort Orchestra (CD-ROM/includes score and parts fo...
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Consort Orchestra (CD-ROM)-Consort Orchestra (CD-ROM/includes score and parts for flute (penny whistle) violin cello guitar piano and percussion): The soaring beauty of traditional folk music and Gaelic-inspired original songs permeates this collection with fresh sounds and expressive words. From lilting dance-like songs of praise to noble hymn tunes that encourage and motivate this gathering of sacred songs provides a great variety of styles tempos and usages. Decorated with optional acoustic instruments and driven by well-crafted piano parts these anthems are designed to work for choirs of any size. Catch the wave of enthusiasm for this ancient musical culture and bring a refreshing spirit ofworship into your ministry! Songs include: Celtic Praise Song - In the Valley Flows a River - The Master Has Come - A Celtic Hosanna - Come to the Upper Room - Here is Love - Celtic Alleluia - Not I But Christ - A Celtic Blessing. Score and parts for flute (penny whistle) violin cello guitar piano and percussion.
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Poul Ruders: Final Nightshade - An Adagio Of The Night: Orchestra: Score
Orchestra
[Sheet music]
Wilhelm Hansen
Premiered by The New York Philharmonic conducted by Lorin Maazel at Avery Fish...
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Premiered by The New York Philharmonic conducted by Lorin Maazel at Avery Fisher Hall Lincoln Center New York City 10th June 2004. Orchestration 3 Flutes 3rd dbl. Piccolo2 Oboes1 English Horn in F3 Clarinets in Bb 3rd dbl. Bas Clarinet in Bb2 Bassoons1 Contra Bassoon4 Horns in F3 Trumpets in Bb3 Trombones1 Tuba1 (set of) Timpani2 Percussion (two players)1: Bass Drum (large) Chinese Cymbal Mark Tree2: TamTam (large) Vibraphone Antique Cymbal1 Harp1 Piano dbl. CelestaStringsAll non-octave transposing instruments are notated in their relevanttranspositions.Horns notated in bass clef sound a fourth above the notated pitch.All accidentals apply to each single note only except tied notes. Naturals for 'safety'. Programme Note This piece marks the conclusion of what could now be called 'The Nightshade Trilogy' three pieces which explore the contrasting worlds of Light and Darkness. As opposed to the earlier chamber work Nightshade which dealt with extremes of high and low pitches and the chamber orchestra composition Second Nightshade a two-fold piece contrasting darkness/anxiety and light/calm Final Nightshade for full symphony orchestra takes us on a journey in which the forces of dark and light struggle - and co-exist - in a predominantly polyphonic web with brooding undertones. The melodic point-of-departure is not surprisingly to be found in either of the two preceding pieces of the Trilogy but in an older piece Corpus Cum Figuris from 1985. Over the ensuing years I've dreamt on and off of 'doing something' with the opening measures of this older work perhaps even building a new composition on that very simple inward-looking time was ripe and there's a nice nostalgia angle to the idea: Corpus Cum Figuris was the first piece of mine to be
60.99 GBP - Sold by Musicroom UK
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