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Wolfgang Amadeus Mozart: The Magic Flute In Full Score: Opera: Study Score
Orchestra
[Study Score / Miniature]
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Advanced
Dover Publications
The Magic Flute In Full Score was created at the peak of the Enlightenment Moza...
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The Magic Flute In Full Score was created at the peak of the Enlightenment Mozart's divine and enduring milestone of Opera is both a light-hearted fairy tale and an epic story of the strugglebetween good and evil.The Magic Flute met instant acclaim at its 1791 premiere and it remains among one of Mozart's most performed and admired works.
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William Alwyn: Magic Island: Orchestra: Score
Orchestra
Alfred Lengnick
Magic Island
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The Magic Of Harry Potter
Orchestra
Alfred Publishing
La magie de Harry Potter contient des thèmes des huit films de la série Harry ...
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La magie de Harry Potter contient des thèmes des huit films de la série Harry Potter. Les thèmes abordés sont 'Hedwig's Theme' et 'Nimbus 2000' de Harry Potter et l'école des sorciers, 'Fawkes the Phoenix' de Harry Potter et la Chambre des Secrets, 'Double Trouble' de Harry Potter et le Prisonnier d'Azkaban, 'Hogwarts' Hymn' de Harry Potter et la Coupe de Feu, 'Dumbledore's Army' de Harry Potter et l'Ordre du Phénix, 'Harry and Hermione' de Harry Potter et le Prince de Sang-Mêlé, 'Ministry of Magic' de Harry Potter et les reliques de la mort - partie 1, 'Showdown' de Harry Potter et les reliques de la mort - partie 2, et 'Leaving Hogwarts', qui est apparu à la fin des deux premiers films et le dernier. Cet arrangement est écrite pour grand orchestre, mais il est tout à fait jouable par cordes seules. / Orchestre
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Stephen Oliver: Oliver Mario And The Magician Libretto: Orchestra: Libretto
Orchestra
[Libretti]
Novello & Co Ltd.
Oliver Mario And The Magician Libretto
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Peter Maxwell Davies: Sinfonietta Accademica: Orchestra: Miniature Score
Orchestra
[Sheet music]
Chester
This work written by Maxwell Davies in 1983 for chamber orchestra was commissi...
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This work written by Maxwell Davies in 1983 for chamber orchestra was commissioned to celebrate the quartercentenary of Edinburgh University. The first performance was given by the Scottish Chamber Orchestra conducted by EdwardHarper in October 1983. Duration c. 29mins.This work was thought through in outline following a visit to the ruined pre-Reformation church of Hoy in Orkney on a fine Spring afternoon after Maxwell Davies had played theharmonium for the tiny congregation in its large bleak Victorian replacement. The old church was surrounded by the graves of centuries the more recent ones with familiar names largely of people who lived in houses now ruinous crofters fishermen clerics sea-captains. Next to it stood the chief farmhouse the Bu going back to Viking times. He thought of the lives and deaths encompassed there expressed through hundreds of years of music in thechurch and in the big barn of the farm.The plainsongs ‘Dies Irae’ and ‘Victimae Paschali Laudes’ are used throughout the work the first concerning the Day of Judgement from the Mass for the Dead the second particular toEaster Sunday and the Resurrection. These are subject to constant transformation the intervallic contour slowly changes from one into the other and their notes are made to dance through Renaissance astrological ‘magic square’patterns.The orchestra consists of double woodwind two horns two trumpets and strings.
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Peter Maxwell Davies: Strathclyde Concerto No. 9: String Orchestra: Score and
Orchestra
[Sheet music]
Chester
The solo group consists of a sextet of the woodwind instruments which are normal...
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The solo group consists of a sextet of the woodwind instruments which are normally doubled with more regular members of the orchestra: these six strangers now brought to the fore are piccolo alto flute cor anglais clarinet inEb bass clarinet in Bb and contrabassoon. They make a motley group diverse in colour as in register and one of the tasks of the piece sets itself is to have them blend and cohere both together as an ensemble and in partnershipwith the string orchestra (which itself is used with unusual variety and subtlety). Another evident task of the work is to provide fine solos for each member of the woodwind sextet: bright dances for the piccolo recitativesfor the alto flute a stoical song from the contrabassoon in the extreme bass. The work is cast as a single movement which begins in the composer's first-movement style of rapid regeneration. This is interrupted by slowinterventions including one for divided strings which gives rise to a sextuple cadenza for the soloists. Out of this comes a slow movement or sequence of short slow movements followed by a dancing finale with its own slowepisodes. Altogether this is music of songs and dances heavily tinged with Scottish rhythms and tonalities: one might think of a magic bagpipe having six chanters and a drone of variegated string texture.
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Robert Xavier RodrÝguez: A Colorful Symphony: Orchestra: Score
Orchestra
Schirmer
Score-'A Colorful Symphony' is based on a chapter from Norton Juster's popular b...
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Score-'A Colorful Symphony' is based on a chapter from Norton Juster's popular book for children 'The Phantom Tollbooth' in which a little boy enters a magic land where an orchestra and its conductor play the colours into the worldeach day. Rodriguez's setting for Narrator and Orchestra has become a musical classic in its own right and is regularly performed by major Orchestras.
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Fantastic Beasts: Dumbledore (HOWARD JAMES NEWTON)
Orchestra
Alfred Publishing
Par HOWARD JAMES NEWTON. Fantastic Beasts: The Secrets of Dumbledore is as music...
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Par HOWARD JAMES NEWTON. Fantastic Beasts: The Secrets of Dumbledore is as musically intriguing as the motion picture's storyline with its stunning music by James Newton Howard. The magic and mystery of this installment of J.K. Rowling's adventure will come to life with this exciting arrangement by Chris M. Bernotas. This arrangement can be performed as a string orchestra alone or with any combination of winds and percussion up to a full orchestra. Featuring these highlights from the score: 'The Secrets of Dumbledore,' 'Lally,' 'Countersight,' 'The Room We Require,' and 'Hedwig's Theme.' / Date parution : 2022-10-25/ Répertoire / Orchestre
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Pyotr Ilyich Tchaikovsky: The Nutcracker: Orchestra: Score
Orchestra
Dover Publications
Along with Swan Lake The Nutcracker represents one of Tchaikovsky's most popula...
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Along with Swan Lake The Nutcracker represents one of Tchaikovsky's most popular and most-performed works. Based on E.T.A. Hoffman's The Nutcracker And The Mouse King the piece was commissioned in 1891 and first performed in St Petersberg the following year. The story of enchanted toys and Christmas magic has become a firm favourite and the piece was the first historically to make orchestral use of the Celesta. As a work of previously unrivalled orchestration the piece has become vital reading for those studying the development of the orchestra or important Romantic works.
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Peter Maxwell Davies: Maxwell's Reel With Northern Lights: Orchestra: Miniature
Orchestra
[Sheet music]
Chester
Miniature Score.This work was commissioned by the Royal Philharmonic Orchestra. ...
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Miniature Score.This work was commissioned by the Royal Philharmonic Orchestra. It was first performed on 13th May 1998 London. This piece is based on a genuine old tune 'Maxwell's Strathspey' which the composer found inan 1824 collection of Scottish melodies and which unfolds at the start of the piece on solo cello. Variations and a bold up-tempo to the quick dance we know as a reel ultimately yield to the magic that has been promised right atthe start: the northern lights take over at the end of the piece. Its inspiration comes from a walk to a community event in Hoy Hall during which Davies saw the lights in the sky pulsing in and out of time with the sounds comingfrom the hall. Duration 12 minutes. Conductor's score and orchestral parts are available on hire.
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Joseph M. Martin: Foundations: Orchestra: Parts
Orchestra
Shawnee Press
Commissioned for the 150th anniversary of the First Baptist Church in Austin Te...
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Commissioned for the 150th anniversary of the First Baptist Church in Austin Texas this festive adaptation of two beloved hymns will encourage your congregation to celebrate their past and inspire them for the future.Foundations joins “How Firm a Foundation” and “Brethren We Have Met to Worship” in a splendid ballet of rhythm and harmony. Orchestrator Brant Adams works his magic and the result is a magnificentcelebratory piece that will be a favorite for singers and listeners alike. Will you hear an “amen” as the final note fades? Most definitely!
44.99 GBP - Sold by Musicroom UK
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Eddie Pola George Wyle: It's the Most Wonderful Time of the Year: Orchestra:
Orchestra
Shawnee Press
From the dynamic opening measures this holiday classic calls its listeners to j...
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From the dynamic opening measures this holiday classic calls its listeners to join in the magic of the yuletide. Mark Hayes has breathed new life into this old standard with an engaging jazz waltz feel lush choral harmonies creative countermelodies and a sparkling orchestration. Melodies are traded back and forth between men and women and there is a “vocal jazz” section that will make any ensemble show choir or chorus shine. Althoughthere are some divisi sections much of the arrangement features accessible unison and two-or three-part writing. The piano part is especially fun to play.
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Georg Friedrich Händel: Orlando HWV 31: Orchestra: Score
Orchestra
Barenreiter
Opera In Three Acts-Premiered in London in 1733 Handel’s “magic ope...
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Opera In Three Acts-Premiered in London in 1733 Handel’s “magic opera” Orlando is based on a libretto by Carlo Sigismondo Capeci that derives indirectly from Ludovico Ariosto’s epic poem Orlando furioso. This subject was very popular at the time and was frequently set to music e.g. by Jean-Baptiste Lully Agostino Steffani and Joseph Haydn. The title role of Orlando is the last one that Handel wrote for the celebrated castrato Senesino. Several stunning stage effects intended to illustrate Zoroastro’s sorcery call for sophisticated baroque stage machinery.The vocal score has been adapted andcarefully amended in keeping with the revision of the complete edition volume. The engraving and presentation of the former vocal score (BA 4027-90) have also been meticulously revised in many details. However the pagination stays the same so that both vocal scores are compatible with each other. A new Foreword in two languages (Eng/Ger) is also included in the edition.- Urtext edition based on the Halle Handel Edition- Full score (BA4087-01) & vocal score (BA4087-90) available for sale and performance material (BA4027-72) available for hire
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Jacques Offenbach: Les Contes D'Hoffmann In Full Score: Orchestra: Score
Orchestra
Dover Publications
This is the last of nearly 100 operettas created by French composer Jacques Offe...
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This is the last of nearly 100 operettas created by French composer Jacques Offenbach a native of Germany whose works were most prominent in the latter half of the nineteenth century. His three-act drama Les Contes d'Hoffmann (The Tales of Hoffmann) which includes a prologue and epilogue recounts dramatic stories of passion murder and revenge. Left incomplete at the composer's death the operetta debuted in 1881 and remains popular to this day for its many memorable melodies.A masterpiece of French Romanticism Les Contes d'Hoffmann embodies Offenbach's wish to transcend the limitations of his popularoperettas and achieve success among the lofty heights of grand Opera. This imaginative score presents an artful blend of fantasy emotion and the supernatural as well as elements of satire and the grotesque. Hoffmann the narrator and protagonist relates three stories to his drinking companions. The tales concern Olympia who is revealed as a mechanical doll; Antonia a gifted vocalist in danger of singing herself to death; and Giulietta a Venetian courtesan who uses a magic mirror to purloin others' reflections. Reproduced from an authoritative score this edition offers musicians and music lovers a modestly priced edition of Offenbach's enduring work.
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Mozart W.a. - La Flute Enchantee Kv 520 - Fac-simile
Orchestra
[Score]
Barenreiter
Mozart, Wolfgang Amadeus The Magic Flute K. 620 Facsimile of Mozart's autograp...
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Mozart, Wolfgang Amadeus The Magic Flute K. 620 Facsimile of Mozart's autograph score The Seven Great Operas in Facsimile Editions of Mozart?s Autograph Scores ?Idomeneo?, ?Die Entführung aus dem Serail?, ?Le nozze di Figaro?, ?Don Giovanni?, ? Così fan tutte ?, ?Die Zauberflöte ?, ?La clemenza di Tito? ? Mozart?s seven great operas, his brilliant contribution to music theatre and world culture, are unequalled in their depth of human characterisation and musical expression. Through happy coincidence, all seven opera scores have survived almost complete in Mozart?s manuscript. The Packard Humanities Institute (PHI, Los Altos , California ) has now embarked on producing a facsimile edition of the seven autograph scores. Mozart scholars, libraries and of course all lovers of Mozart?s stage works now have the opportunity of acquiring these priceless manuscripts in flawless reproductions. At the same time, all risks about preserving Mozart?s legacy for the world of music are taken care of. The Packard Humanities Institute (PHI) charitable foundation, known for its philanthropic programmes in the arts and sciences, has forged an ideal cooperation for the Mozart project. Under the scholarly direction of an editorial board (Ulrich Konrad , David Packard, Wolfgang Rehm , Christoph Wolff; General editor Dietrich Berke) the International Mozarteum Foundation Salzburg and the libraries where Mozart?s manuscripts are held are working together with the Packard Humanities Institute. The production of the volumes is exquisite, for the digitalization of the manuscripts has been undertaken using the latest technology, which allows for an astounding level of authenticity and precision in detail. The printing follows the uncompromisingly high standards demanded by the edition. All seven volumes include essays on the history of literature and ideas by Hendrik Birus , Hans Joachim Kreutzer and Robert Miller as well as musicological introductions by leading Mozart scholars in German and English. The facsimile edition will be distributed by Bärenreiter- Verlag . - consolidation of Mozart manuscripts held in different places - highest level of precision in reproduction and authenticity of colour through use of the latest technology - unique offer thanks to project sponsorship by the Packard Humanities Institute (Los Altos, California) Precision in reproduction thanks to cutting edge technology In preparing the manuscripts for reproduction, equipment was used in line with the highest technical standards currently available. Mozart?s original manuscripts of the seven operas are held by several libraries. For five of the operas, the different acts have even ended up in different libraries following World War II. Thus, the autograph of Act I of ? Così fan tutte ? is in the Jagiellonian Library in Kraków and the second act in the Staatsbibliothek zu Berlin ? Preußischer Kulturbesitz . In order to achieve a uniformly high level of precision in reproduction and authenticity of colour both within a work and for all seven editions, the use of the same technical equipment in all the different places was a prerequisite. Specialist from the Salzburg firm ? Kirchberger Photography? were employed, were provided with the latest equipment by the Packard Humanities Institute and also given special additional training in the modern technology by specialists in the USA. Proofs of each edition were compared with the original in each location and improved until the likeness could not be bettered in all details. Mozart?s music and text notation is reproduced extremely clearly, and even those places where Mozart corrected or had rubbed out marks he had already made, appear in these editions in a previously unmatched transparency.
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Sinfonia N. 8 (HENZE HANS WERNER)
Orchestra
[Study Score / Miniature]
Schott
Music Of Our Time. Par HENZE HANS WERNER. ‘My Sinfonia No. 8 is not at all tra...
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Music Of Our Time. Par HENZE HANS WERNER. ‘My Sinfonia No. 8 is not at all tragic or moody like the Seventh. It is a summer piece and is based on three moments from Shakespeare’s A Midsummer Night’s Dream‘, writes Hans Werner Henze. This, however, is all we get to know from the composer regarding the work’s reference to Shakespeare’s comedy. On closer examination of the three-movement symphony it turns out that the first movement is a fantasia on Oberon’s order to Puck to search for the magic flower. In the second movement, Henze apparently set the love scenes between Titania and Bottom to music. Ultimately, the final movement shines gracefully and peacefully as if everything that had happened before had only been a dream. - Hans Werner Henze/ Répertoire / Orchestre
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Hector Berlioz: La damnation de Faust op. 24 Hol. 111: Mixed Choir: Score
Orchestra
[Sheet music]
Barenreiter
Légende dramatique en quatre parties-In 1828 Berlioz wrote the 'Huit scènes de...
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Légende dramatique en quatre parties-In 1828 Berlioz wrote the 'Huit scènes de Faust'. The work was soon withdrawn but almost twenty years later each of the eight scenes found a place in the Légende dramatique 'La damnation de Faust' dedicated to Franz Liszt. The first part of the 'Damnation' exposes the figure of Faust and has an introductory nature. From the second part onwards the course of action is largely based on Goethe?s drama.Contrasting characters and dramatic effect are of central importance in understanding Berlioz?s musical thought and his compositional process. Magic and fairy tale incantations and ghosts have been the ever-recurring themes ofopera since the Baroque. It is precisely this fantasy in Berlioz's Faust the ?Opéra de Concert en Quatre acts? which comes very close to the spirit of Goethe's presentation.Reliable Piano reduction based on the Urtext of the New Berlioz EditionStraight-forward Piano reduction in the Vocal scoreClear user-friendly layoutFrench original text with German translationFull score (BA5448) and Vocal score (BA5448-90) available for sale performance material (BA5448-72) available for hire
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Rosamunde Op. 26 D 644 (SCHUBERT FRANZ)
Orchestra
Eulenburg
Par SCHUBERT FRANZ. Overture To The Melodrama 'The Magic Harp'/ Répertoire / Or...
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Par SCHUBERT FRANZ. Overture To The Melodrama 'The Magic Harp'/ Répertoire / Orchestre
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Wolfgang Amadeus Mozart: Requiem K.626: Ensemble: Study Score
Orchestra
[Study Score / Miniature]
Barenreiter
Requiem K.626 The Requiem completed by Franz Xaver Süssmayr in its traditiona...
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Requiem K.626 The Requiem completed by Franz Xaver Süssmayr in its traditional form.Mozart’s final work the Requiem K.626 was left incomplete and it is fraught with questions and emotions: the expressive depth of its music sorrow at the great composer’s early death truth and legend fragments and attempts to complete the work.The completion of the fragmentary score by his assistant Franz Xaver Süssmayr who helped him with The Magic Flute has the character of a historical source with utmost closeness to Mozart’s thoughts.- Urtext of the New MozartEdition- Full score (BA4538-01) performance material (BA4538) vocal score (BA4538-90) and study score format 22.5 x 16.5cm (TP152) available for sale- Facsimile edition BVK2346
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Charles E. Ives: Postlude In F Orchestra Sc&Ptcritical Edition: Orchestra: Score
Orchestra
[Sheet music]
Schirmer
Score and Parts-Charles Ives' Postlude In F for Orchestra. Score and parts.The P...
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Score and Parts-Charles Ives' Postlude In F for Orchestra. Score and parts.The Postlude in F composed in 1895 is Charles Ives' earliest known work for large Orchestra. It is based on anearlier Organ piece which Ives performed at the Baptist Church in Danbury Conneticut on May 11 1890 (at the age of fifteen; on the cover page of the full score Ives mistakenly gave 1892 for the year of the Organcomposition). The version for Orchestra was probably produced as an orchestration assignment for a class of Horatio Parker Ives' teacher at Yale College. Ives recalled that the 'New Haven Orchestra' - that is the New Haven Symphony Orchestra organised by Parker in 1895- read through the work in 1896. The Postlude in F which was also preperation for work on the First Symphony (its first movement also completed in1895) contains some suprisingly mature and beautiful writing especially in the magical closing pages. - Kenneth D. Singleton.
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Around the World in 80 Days: Orchestra: Score
Orchestra
Southern Music Ltd
Jules Vern's popular 1873 adventure novel Around the World in Eighty Days has ...
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Jules Vern's popular 1873 adventure novel Around the World in Eighty Days has inspired countless readers as well as two motion pictures. The first of these produced by Michael Todd and released in 1956 featured a score by Victor Young that would earn him his sole Oscar Award (awarded posthumously in 1957) for best motion picture score. This arrangement for concert band by Alfred Reed captures the magical essense of Young's original score. Reed's singular talent for band writing would lead to engagements as staff composer for NBC and ABC television from 1948-1953.
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Turandot - Movement 1: Orchestra: Score
Orchestra
Southern Music Ltd
From the Suite To Gozzi's Fairy Tale Drama-The Gozzi's Turandot - in one form or...
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From the Suite To Gozzi's Fairy Tale Drama-The Gozzi's Turandot - in one form or another - occupied Busoni at various times in the years 1904-1917. He was very fond of fantastical and magical tales: his immediately preceding work was the Piano Concerto Op. 39 BV247 which included music from an unfinished adaptatioon of Adam Oehlenschläger's Aladdin. In 1904 Busoni began sketching incidental music for Gozzi's Chinese fable. He also arranged a concert suite which was first performed in 1905 and published in 1906. A production of Gozzi's play with Busoni's music was mounted by Max Reinhardt in Berlin in 1911 and for the second and last time in London in 1913. This transcription of the first movement of Busoni's Turandotsuite was created for George A. Treviño and his superb Lopez High School Band of Brownsville Texas. The piece was premiered in February 2017 at the Texas Music Educators Association convention on the occasion of the Lopez band's 6A Honor Band performance.
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Victor Young: Around the World in 80 Days: Orchestra: Score & Parts
Orchestra
[Score and Parts]
Southern Music Ltd
Jules Vern's popular 1873 adventure novel Around the World in Eighty Days has ...
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Jules Vern's popular 1873 adventure novel Around the World in Eighty Days has inspired countless readers as well as two motion pictures. The first of these produced by Michael Todd and released in 1956 featured a score by Victor Young that would earn him his sole Oscar Award (awarded posthumously in 1957) for best motion picture score. This arrangement for concert band by Alfred Reed captures the magical essense of Young's original score. Reed's singular talent for band writing would lead to engagements as staff composer for NBC and ABC television from 1948-1953.
79.99 GBP - Sold by Musicroom UK
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Paul Dukas: The Sorcerer's Apprentice: Orchestra: Miniature Score
Orchestra
Eulenburg
Scherzo d'après une ballade de Goethe-The setting of Goethe's 'Zauberlehrling...
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Scherzo d'après une ballade de Goethe-The setting of Goethe's 'Zauberlehrling' is among the most famous works by the Parisian composer Paul Dukas. This orchestral work tells the story of the sorcerer's apprentice who overestimates his magical powers and causes complete chaos.
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Williams John - Star Wars Main Theme - Full Orchestra
Orchestra
Alfred Publishing
Darth Vader lives! The amazing world of space adventure known as Star Wars ret...
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Darth Vader lives! The amazing world of space adventure known as Star Wars returns again, and it is bigger than ever. With enhanced visuals and a new series of films to follow, it's the most important entertainment story of the decade. The marvelously exciting music of John Williams has created a magical aura, and Charles Sayre has masterfully created a fresh new version of this gigantic anthem. Need more be said? (1:49)
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Ferruccio Busoni: Turandot: Orchestra: Score & Parts
Orchestra
[Score and Parts]
Southern Music Ltd
From the Suite To Gozzi's Fairy Tale Drama-The Gozzi's Turandot - in one form or...
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From the Suite To Gozzi's Fairy Tale Drama-The Gozzi's Turandot - in one form or another - occupied Busoni at various times in the years 1904-1917. He was very fond of fantastical and magical tales: his immediately preceding work was the Piano Concerto Op. 39 BV247 which included music from an unfinished adaptatioon of Adam Oehlenschläger's Aladdin. In 1904 Busoni began sketching incidental music for Gozzi's Chinese fable. He also arranged a concert suite which was first performed in 1905 and published in 1906. A production of Gozzi's play with Busoni's music was mounted by Max Reinhardt in Berlin in 1911 and for the second and last time in London in 1913. This transcription of the first movement of Busoni's Turandotsuite was created for George A. Treviño and his superb Lopez High School Band of Brownsville Texas. The piece was premiered in February 2017 at the Texas Music Educators Association convention on the occasion of the Lopez band's 6A Honor Band performance.
189.99 GBP - Sold by Musicroom UK
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Bent Sørensen: Symphony: Orchestra: Score
Orchestra
Wilhelm Hansen
The composer writes:'My Symphony is in two movements which however are played ...
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The composer writes:'My Symphony is in two movements which however are played without a break. Taken together they progress from the extremely high almost unison screams and glissandi of the opening via blurred melodic and swarming rhythmic formations towards the slow ending with its simple and more clearly out-lined melodic fragments. The designation 'symphony' is in this case much more a title than a genre indication. During my work on the piece I never considered having any other title than this magical and associative word: 'Symphony'.'
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Zoroastre - RCT 62 A-B Symphonies (RAMEAU JEAN-PHILIPPE)
Orchestra
[Score]
Barenreiter
Par RAMEAU JEAN-PHILIPPE. Richer than ever – Rameau’s “Zoroastre” in the...
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Par RAMEAU JEAN-PHILIPPE. Richer than ever – Rameau’s “Zoroastre” in the version of 1756. Opera in five acts. Rameau’s revised version of his opera “Zoroastre”, which could be heard and seen between 20 January 1756 and 26 March 1757 at the Académie royale de musique, was favourably received. Also from today’s point of view the work profits dramaturgically from many of the changes and seems altogether richer and more tightly woven than the original of 1749. The subject matter of the libretto, derived from Ancient Persian sources, is timeless: the struggle between good and bad. The good is embodied by the religious reformer Zoroastre, a representative of the supreme light being Orosmade. He is opposed by the ambitious magician Abramane who serves Ariman, the spirit of the dark. The opera includes some of Rameau’s most ecstatic and spiritual musical numbers, such as the episode of sun worship in Act 3 with the sublime „Hymne à la Lumière“, which, for unknown reasons, was not integrated in the revision of 1756. It is therefore included in Appendix 3 of this Bärenreiter edition. Incidentally, with “Zoroastre” the prologue, wh ich had been customary since the beginnings of French opera in the 1670s, was abandoned. Instead Rameau was the first to introduce an overture which set the scene for the entire drama and thereby anticipated Gluck’s opera reform by many years. Here we present the instrumental numbers for concert performance. - Based on the first scholarly-critical edition, published as part of “Opera Omnia Rameau” - Instrumental numbers in order of performance, but also grouped by key in the list of contents, enabling them to be combined freely into orchestral suites - Published with performance material on hire / Date parution : 2022-11-08/ Répertoire / Orchestre
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Carlos Surinach: Feria Magica (Magic Fair Overture): Orchestra: Score
Orchestra
Associated
Score
29.99 GBP - Sold by Musicroom UK
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