SKU: BR.OB-5642-60
First edition based on the copy of the score revised by Mahler Hamburg 1893
ISBN 9790004343722. 10.5 x 14 inches.
The Blumine movement included in the original five-movement version of Mahler's Symphony No. 1 was long considered lost. Composed as early as 1884 for a theater piece, Mahler inserted it into the symphony as its second movement in 1888. After three performances, he turned his back on this Love Episode, calling the sentimental, gushing movement a youthful folly, and removed it. Mahler's Hamburg autograph score was only rediscovered in 1966. Benjamin Britten gave the Blumine movement a new hearing at the 1967 Aldeburgh Festival. The critical new edition is based for the first time on the autograph score, together with the meanwhile rediscovered score copy with Mahler's last revisions.The cloth-bound volume PB 5661 contains next to the final version of the four-movement Symphony, the Blumine movement.First edition based on the copy of the score revised by Mahler Hamburg 1893.
SKU: BR.PB-5642
ISBN 9790004215395. 10.5 x 14 inches.
SKU: HL.48187676
5.75x8.5x0.108 inches.
J.S. Bach: Concerto Pour Piano FA Mineur.
SKU: BT.ALHE31472
French.
SKU: HL.14011052
ISBN 9780853602644. 8.25x11.75x0.215 inches.
Henry Purcell (1659-1695) held numerous appointments at the Royal court and Westminster Abbey, and is considered by many to be the greatest ever English-born composer. His prolific work covered all fields: orchestral, ecclesiastical, operatic, theatrical, incidental, and chamber music were all enriched by his output.
Fantazias And In Nomines is a collection of his 15 Fantasies and 2 In Nomines, Z. 731-747. Purcell is credited with popularising the hitherto arcane form of the Fantasy, perhaps most famously in his Fanstasia Upon One Note, where a middle C is sustained throughout - in live performances this issometimes played by a volunteer from the audience!
This full score edition has been edited by the renowned musicologist Robert Thurston Dart.
SKU: AP.45867S
UPC: 038081525594. English.
Everyone loves to sing around a campfire, and here's a collection of favorite Campfire Songs set in the range of a one-octave D Major scale with many parts doubled! This medley of easy, familiar tunes---including This Old Man, In a Cabin in a Wood, Bingo, Kumbaya, Wheels on the Bus, and This Little Light of Mine---gives everyone a chance to play a melody or two, and to join in with an upbeat accompaniment. An optional sing-along part invites audience participation and makes this arrangement by Andrew H. Dabczynski the perfect piece for a first-year concert, school assembly, or summer program. (2:40) This title is available in MakeMusic Cloud.
SKU: AP.45867
UPC: 038081525587. English.
Everyone loves to sing around a campfire, and here's a collection of favorite Campfire Songs set in the range of a one-octave D major scale with many parts doubled! This medley of easy, familiar tunes---including This Old Man, In a Cabin in a Wood, Bingo, Kumbaya, Wheels on the Bus, and This Little Light of Mine---gives everyone a chance to play a melody or two, and to join in with an upbeat accompaniment. An optional sing-along part invites audience participation and makes this arrangement by Andrew H. Dabczynski the perfect piece for a first-year concert, school assembly, or summer program. (2:40) This title is available in MakeMusic Cloud.
SKU: HL.14021435
ISBN 9788759878606. English.
Palle Mikkelborg GOING TO PIECES WITHOUT FALLING APART 2002 for violin, harpe og strygereTilegnet Elise Batnes og Helen DaviesForord l Programnote En solful d morgentur i Melbourne bragte mig forbi en boghandel der specialiserede sig i spiritualbooks, og i vinduet faldt mine ojne pa et citat som ojeblikkeligt ramte mig folelsesmaessigtstaerkt- og jeg folte at jeg havde fundet titlen pa den komposition jeg pa tankeplan allerede vari gang med. Citatet lod:going to pieces ... without falling apartTre temaer og relaterede skalaer, baseret pa henholdsvis Elise Batnes', Helen Davies' og BergenKammerensembles navne, har vaeret afgorende for dele af tonesproget, og forekommer badeielose-up og mere douche i kompositionens syv hovedafsnit. Det barnlige, det enkle, det her-og-nu naive, det umiddelbare, kom til at spille en vigtig rolleunder arbejdet. Ikke fordi selve mit tonesprog er saerligt meget anderledes end ellers (hvordanskulle det ogsa kunne blive det?), men formuleringen: at go to pieces fik mig til at taenke pa atblive som barn pa ny, atter at vaere u-bange, at turde tro pa det enkle.Udover denne- i bedste betydning- enkle inspiration er onsket at kompositionens kurve kanopleves som en mulig meditiations-rejse: i starten en tro pa egen ro, langsomt breder uroensig, og i lystfulde glimt ser man sig selv danse en rituel dans, med andehuller her og der: ogfristelsen til at rive forhaenget vaek og go to pieces, og angsten for maske at miste sig selv undervejs,breder sig. Dog, til sidst erkender man at det var rejsen vaerd, og at man heller ikke denne gangfaldt apart, men kan se frem mod atter at vise livet sin respekt ved spirituelt fuldstaendigt at givesig hen, dog vel vidende at livet merciless & merciful, med kaerlig hand villade diggo to pieces ... without falling apartMen selvklart er mit egentlige onske: at man blot lader musikken leve sit eget ordlose liv - atlytteren har sin egen rejse. Palle Mikkelborg.
SKU: HL.14011053
UPC: 884088433604. 7.75x11.0x0.43 inches.
Purcell Society Volume 31. Full Score.
SKU: BR.PB-5234
This Urtext edition is based on the surviving primary sources: the autograph score, a copy of the score examined by Beethoven, two copies of the part material which he personally used, and the first edition of the parts and score.
ISBN 9790004210154. 10 x 12.5 inches.
The Urtext edition of Ludwig van Beethovens Fourth Symphony presented here is based on the surviving primary sources: the autograph score, a copy of the score examined by Beethoven, two copies of the part material which he personally used, and the first edition of the parts and score. The score contains the complete Critical Report. Observations deemed particularly important, as well as divergences from established editions, are clearly marked within it.Words are not enough to praise this exemplary edition, resulting from many years of systematic editorial work on the sources. Breitkopf's source-critical, practice-oriented edition by Clive Brown and Peter Hauschild will provide valuable new impulses in the interpretation of Beethoven's music.(Kurt Masur)This Urtext edition is based on the surviving primary sources: the autograph score, a copy of the score examined by Beethoven, two copies of the part material which he personally used, and the first edition of the parts and score.
SKU: BT.YKM570369270
A Hymn to the Thames was commissioned by James Turnbull and the Music Director of the St Paul’s Sinfonia, Andrew Morley. It was begun in 2019 and completed early in 2020. There are four movements played without a break, which follow the Thames from its Cotswold source to the North Sea. As the first performance took place in St ALfege’s Church, Greenwich, this seemed appropriate. The solo oboe represents both a wanderer along the river path and the spirit of the river. The pitch centres of the movements spell out the musical letters of the river (tHAmES—B natural, A, E and E flat) so that the river’s name is projected across the whole work. In addition, the musical letters found in James Turnbull, Andrew Morley and my wife, Teresa Cahill ( who was born in Maidenhead and brought up by the river in Rotherhithe) are entwined in various guises. The first movement grows from the depths, the soloist entering with fanfare-like gestures, followed by lyrical music and breaks into a dance as the river gathers momentum. The third movement is slow and sustained and geographically the Thames flows through Oxford. The music is based on the well-known In Nomine ‘head motif’ from the Gloria tibi Trinitas Mass by the early Tudor composer, John Taverner, who was the first Director of Music at Christ Church, Oxford. The orchestra provides a screen or veil above which the solo oboe dreams and ruminates. This leads directly into the fourth and final movement which begins in the depths once more, interrupting the oboe’s held note from the end of the third movement. The waters’ increasing intensity and power are represented throughout by a moto perpetuo of quick, steady semiquavers. Near the close, the woodwind play O Nata Lux by Thomas Tallis, the great Tudor composer who, with his wife Joan, is buried in St Alfege’s. Beneath this, the lower strings continue the fast semiquaver movement of the river and, above, the violins are heard as a halo of harmonics. At the close, the oboe rises, opening out to the future, and celebrating its voyage, while the orchestra fades as the river meets the sea. A Hymn to the Thames lasts approximately 17 minutes.
SKU: FG.55011-132-5
ISBN 979-0-55011-132-5.
Nieminen's first work for orchestra, Vicoli in ombra, looks ahead to the world of his flute concerto Palomar. The orchestral writing is again limpid and airy and the music exudes a sense of serenity, calm and enjoyment of the mood of the moment.
SKU: TM.06337SET
Org in set. Vocal Score I in Latin and includes Domine Salvam. Vocal Score II in Latin and English, but does not contain Domine Salvam. Clothbound score.
SKU: TM.06337SC
SKU: BR.PB-5631
final version 1910
ISBN 9790004215289. 10.5 x 14 inches.
The Symphony No. 1 (originally in five movements) was first performed in Budapest in 1889, but the premiere as well as two further performances in Hamburg and Weimar turned out to be a fiasco. After 1894 Mahler removed the Blumine-movement. Until the last performance under his direction in New York in 1909, Mahler made revisions again and again. This edition strives to present a, for the performance practice, reliable music text of the final extant version that in 1910 Mahler corrected and deemed accurate for the new print. The Editorial Report gives detailed information on the provenance and evaluation of the sources as well as authentic annotations on performance practice. Individual comments document editorial interventions and deviations from current editions.The cloth-bound volume PB 5661 contains next to the final version of the four-movement Symphony, the Blumine movement.Le format permet une lisibilite parfaite; le materiel a ete realise en tenant compte des conseils des bibliothecaires de grands orchestres. Particulierement precieux pour les non-germanistes, on trouve en fin de volume un glossaire traduisant les indications de Mahler de l'allemand vers l'anglais (ou l'italien). (Alain Paris, La Lettre du Musicien).
SKU: BR.OB-5631-60
ISBN 9790004343661. 10.5 x 14 inches.
SKU: BR.PB-5661
ISBN 9790004215982. 10.5 x 14 inches.
SKU: HL.50490111
SKU: KN.KEN10001
UPC: 822795100013.
This arrangement of one of the more joyous choral movements from Vivaldi's immortal Gloria will excite all sections of the orchestra. Everybody gets to play their fair share of the jaunty melody and interesting counterpoints, plus the chance to show off their hooked bowing skills. Duration 2:30. Available in SmartMusic.
SKU: BT.ALHE31473
Johann Sebastian Bach: Concerto No.1, BWV1041 in A minor (PH73) (Violin & Orchestra).
SKU: BT.ALHE31405
Johannes Brahms: Symphony No.4, Op.98 (PH5) (Orchestra).
SKU: HL.48187680
Johann Sebastian Bach: Suite No.2 (PH76) (Orchestra).
SKU: BT.ALHE31474
Bach Js Concerto 2 Violins D Minor In 16 Poche Ph74 Orchestra Score.
SKU: BT.ALHE31442
For violin and orchestra.
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