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Joseph Haydn: Symphony D major Hob. I:96: Orchestra: Study Score
Orchestra
[Score]
G. Henle
The twelve ?London Symphonies? comprise the sublime final statement of Haydn?s s...
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The twelve ?London Symphonies? comprise the sublime final statement of Haydn?s symphonic ?uvre. They were written for the London impresario Johann Peter Salomon and Haydn himself conducted their premieres during his lengthy stays in the English metropolis in 1791/92 and 1794/95. Hailing from 1791 the Symphony in D major no. 96 numbers among the first symphonies written in and for London. The epithet given to it by posterity ?The Miracle? was bestowed erroneously for the miracle ? that no one was injured when a chandelier fell during a concert ? took place during a performance of a different Haydn symphony. And yet it is a miracle of musical esprit nonetheless from the subtlerelations between the motives consisting of broken triads that open all four movements to the virtuosic shifts in mood owing to surprising harmonies Haydn here submits a prime example of how he develops musical ideas. This study edition adopts the musical text of the Haydn Complete Edition thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans. The twelve ?London Symphonies? comprise the sublime final statement of Haydn?s symphonic ?uvre. They were written for the London impresario Johann Peter Salomon and Haydn himself conducted their premieres during his lengthy stays in the English metropolis in 1791/92 and 1794/95. Hailing from 1791 the Symphony in D major no. 96 numbers among the first symphonies written in and for London. The epithet given to it by posterity ?The Miracle? was bestowed erroneously for the miracle ? that no one was injured when a chandelier fell during a concert ? took place during a performance of a different Haydn symphony. And yet it is a miracle of musical esprit nonetheless from the subtlerelations between the motives consisting of broken triads that open all four movements to the virtuosic shifts in mood owing to surprising harmonies Haydn here submits a prime example of how he develops musical ideas. This study edition adopts the musical text of the Haydn Complete Edition thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans.
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Christopher D. Wiggins: Suite No.2 For Orchestra Op.78: Orchestra: Score and
Orchestra
Kjos Music Company
Full Orchestra Consisting Of Four Distinct Movements This Suite Offers Variety ...
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Full Orchestra Consisting Of Four Distinct Movements This Suite Offers Variety And Flair Which Allows Many Sections of the Orchestra to Shine. Each Movement Focuses On A Different Style or Mood and All Remain Tonal.
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Silvestre Revueltas: Sensemay? (1938): Orchestra: Score
Orchestra
Schirmer
Score-Silvestre Revueltas' ‘Sensemaya’ was written in 1937 for cham...
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Score-Silvestre Revueltas' ‘Sensemaya’ was written in 1937 for chamber orchestra; one year later the composer transcribed it for a huge orchestra of twenty-seven wind instruments fourteen percussion instruments and strings. The rhythms are laid out precisely and have considerable visceral impact very much in a manner that recalls Igor Stravinsky's The Rite of Spring. However Revueltas' masterful orchestration and ability to evoke the ancient Maya civilization with decidedly modern music are uniquely his own. It is a unique orchestral spectacle something only Revueltas could have written and in its way it is one of the most brutal works of its time. The workbegins with a low note in the bassoon as the percussion plays the sinuous syncopated rhythm that drives the work. Soon a solo horn enters playing the first of this work's two major themes a muscular ominous motif. Other horns join the first one to play the theme growing louder and more emphatic but rigorously yoked to the underlying rhythm. Eventually the horns blast as loudly as they can with obsessive trills on the bassoon far underneath and the violins enter with the slashing second theme. The horns take up this new theme and bring it to a climax after which the music returns to its opening texture. This recapitulation brings with it a mood of foreboding. The rhythm becomes even more obsessive and finally the music reaches a massive climax during which both themes are played overlapping sometimes in part and sometimes in whole by woodwinds brass and violins in what sounds like a musical riot. The coda feels like the final dropping of a knife.
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Camille Saint-Saëns: Danse Macabre And Havanaise: Orchestra: Score
Orchestra
Dover Publications
Two of Saint-Saens most popular works appear together in this affordable volume....
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Two of Saint-Saens most popular works appear together in this affordable volume. First composed in a song form Danse Macabre was later rewritten as a symphonic poem. It is important to remember that risque music was considered more daring and controversial than today and audiences at its 1875 debut were resistant to its unconventional charms but it eventually became a crowd pleaser. Havanaise is among the most challenging of violin and orchestra pieces but a standard showpiece in the repertoire of every serious violinist. Based on the Cuban dance Habanera the 1887 work features a languid mood highlighted by bursts of virtuoso activity. This volumecontains the full score for violin and orchestra of both these magnificent pieces.
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Poul Ruders: Light Overture: Orchestra: Score
Orchestra
[Sheet music]
-
Intermediate/advanced
Wilhelm Hansen
Light Overture - A Symphonic Entertainment was composed by Poul Ruders in 2006. ...
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Light Overture - A Symphonic Entertainment was composed by Poul Ruders in 2006. Commissioned by the Alabama Symphony Orchestra and Music Director and Principal Conductor Justin Brown for Alabama Power Company’s 100 Year Anniversary Concert. Light Overture subtitled A Symphonic Entertainment is a short piece for symphony orchestra lasting approximately eight minutes. Light Overture is focusing on two interpretations of the word light: ”light” as in the absence of darkness and “light” as in easily comprehensible; in other words a piece with few or no metaphysicalconnotations. It is just a piece setting a festive mood as is often the case with this sort of short “concert opener”. However the journey through Light Overture is not entirely happy-go-lucky. Once in a while slightly darker colours are introduced for the sake of variety and contrast. And formally the composition is quite strict: an outright Prelude and Fugue the former sliding seamlessly into the latter. The Fugue juggles not only its own tune but also picks up stuff from the Prelude. Poul Ruders May 2006
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Alexander Scriabin: Poem Of Ecstasy And Prometheus: Orchestra: Score
Orchestra
Dover Publications
In the early years of our century when vital new forces were revolutionising th...
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In the early years of our century when vital new forces were revolutionising the arts Russian-born Alexander Scriabin (1872-1915) was one of the visionary pioneers who sought a new musical language. At least a full decade before the advances of Stravinsky and Schoenberg Scriabin had begun the process of a complete break with all musical conventions. By 1905 he was immersed in a search for a way to express in sound the mystical and theosophical ideas obsessed him. Scriabin’s last two orchestral works were the products of a virtual delirium of composing. Simultaneously refining his poem called Poem of Ecstasy andcompleting the symphony that grew out of it (and shared its name) Scriabin never forgot the rapture of composing this work about creation and self-fulfilment: “I gasp for breath but oh what bliss! The very meter kindles the meaning…” Prometheus: Poem of Fire – Scriabin’s last and most revolutionary symphony – portrays Man’s epic journey from the mists of beginning time to a wonderous self-realisation given the gift of fire and light to make creative vision possible. Massively scored Prometheus incorporates a “colour Organ” to bathe the performance space in a vast interplay of coloured lights. For the music professional and every student of composition orchestration and conducting both scores are strikingly original and instructive. Equally fascinating are Scriabin’s approach to composition the extraordinary sonorities of his orchestra and his fanciful often supercharged performance instructions that replace conventional words for tempo mood and expression.
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Wallingford Riegger: Dance Rhythms for Band Op. 58: Orchestra: Score & Parts
Orchestra
[Score and Parts]
Associated
Acclaimed American composer Wallingford Riegger wrote Dance Rhythms in 1954 ori...
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Acclaimed American composer Wallingford Riegger wrote Dance Rhythms in 1954 originally for orchestra but then adapted it himself for band. Noted for its light-hearted mood and energy it is an impressive study in rhythm andorchestration. This important work for band is available now again.
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John Adams: City Noir: Orchestra: Score
Orchestra
[Sheet music]
Boosey and Hawkes
The composer states:?City Noir is a symphony inspired by the peculiar ambience a...
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The composer states:?City Noir is a symphony inspired by the peculiar ambience and mood of Los Angeles 'noir' films especially those produced in the late forties and early fifties. My music is an homage not necessarily to the film music of that period but rather to the overall aesthetic of the era. This symphony becomes the third in a triptych of orchestral works that have as their theme the California experience its landscape and its culture. The two previous are The Dharma at Big Sur and El Dorado.City Noir was commissioned by the Los Angeles Philharmonic in association with the London Symphony Orchestra Cité de la Musique and ZaterdagMatinee.?
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Morton Gould: Fall River Legend: Orchestra: Study Score
Orchestra
[Sheet music]
Schirmer
Score-Morton Gould's Fall River Legend ballet suite for Orchestra. Study score.F...
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Score-Morton Gould's Fall River Legend ballet suite for Orchestra. Study score.Fall River Legend was commissioned by Ballet Theatre with choreography by Agnes de Mille music byMorton Gould and sets by Oliver Smith and recieved its world premiere performance at the Metropolitan Opera House New York on April 22 1948.Having selected for her subject the historical Lizzie Borden murder case deMille used both pantomime and ballet techniques to convey the story. Morton Gould created the musical score in a similar way alternating programmatic sections with more formal dance patterns. The set dance movements formthe basis of this orchestral suite omitting most of the purely dramatic sequences.A feeling of austerity and doom opens the Prologue followed by a group of Waltzes depicting Lizzie's childhood. The sadness of Lizzie'sgirlhood is reflected in the nostalgic Elegy. Church social is a setting for a parish dance and Hymnal Variations suggest the old New England hymn tunes. The festive Cotillion is an exhuberant sequence of dancing patterns.Epilogue returns to the foreboding mood of the prologue.
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Ralph Vaughan Williams: Symphony No. 8: Orchestra: Score
Orchestra
Oxford Univertsity Press
Hardback-Ralph Vaughan Williams' Symphony No. 8 for Orchestra. Full score. Orche...
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Hardback-Ralph Vaughan Williams' Symphony No. 8 for Orchestra. Full score. Orchestration: 2 fl 2 ob 2 cl 2 bn(opt 3rd) 2 hn 2 tpt 3 tbn timp 4 perc [opt 5th] 2 hp cel str. Vaughan Williams wrote Symphony No. 8 between 1953 and 1955 while in his eighties. It is his shortest symphony and considered by many to be his least serious. Aside from a few sombre moments the symphony is optimistic in mood and displays Vaughan Williams' love for exotic and colourful combinations of instruments with a percussion section that he said employs 'all the 'phones and 'spiels known to the composer'. Forthis newly engraved edition editor David Lloyd-Jones has consulted all extant sources and materials to create a score matching the composer's intentions. The full score is completed with Textual Notes and Preface and accompanying orchestral parts are available on hire.
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Hans Werner Henze: Scorribanda Sinfonica: Orchestra: Score
Orchestra
[Sheet music]
-
Intermediate/advanced
Chester
Composer's Notes:This piece written during the winter months of 2000-2001 cons...
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Composer's Notes:This piece written during the winter months of 2000-2001 consists of one movement Allegro con fuoco in which an old score is revisited raided and ravished by its composer. The earlier music hadbeen written in the mid-fifties for a stage work Maratona di Danza and for its maker the director Luchino Visconti.Elements from the older piece reappear on and off like shadows under the surface of new ones like more orless vague memories images of young people suffering pain and despair in their struggle for survival in a barbaric pitiless modern world.My new composition is a kind of concerto for very large symphony orchestra an étude onconstant and often rapid musical changes of mood and colours built on a variety of rhythmic figures incessantly and brutally pushing the music ahead. Sometimes it is as though voices are weeping sometimes crying out loud withpain with anxiety under the cold hearted pressure of an overwhelming violence. Hans Werner Henze Commissioned on the occasion of the 50th anniversary of das neue werk Hamburg. Premiered on 29th June 2001. Duration 15minutes.
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Peter Lieuwen: Concerto Alfresco: Orchestra: Score
Orchestra
Lauren Keiser Music Publishing
for Trumpet and Chamber Orchestra-Infused with latin rhythms and improvisatory j...
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for Trumpet and Chamber Orchestra-Infused with latin rhythms and improvisatory jazzlike passages for the trumpet soloist the mood of this single-movement concerto is light and effervescent. This work was awarded First Prize in the Doc Severinsen InternationalComposition Contest and premiered by the University of Tennessee Symphony Allen Vizzutti trumpet soloist. Length ca. 9'.
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Robert Schumann: Concerto In A Minor Op.54: Orchestra: Miniature Score
Orchestra
Eulenburg
Schumann’s Concerto for Piano and Orchestra in A Minor Op. 54 is fine ex...
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Schumann’s Concerto for Piano and Orchestra in A Minor Op. 54 is fine example of Romanticism and has a dynamic mood like much of his work. There is a sober atmosphere though dignified melody runs throughout but overall a unified and structured piece that broke away from the trend for virtuosic displays. Completed in 1845 when he appended two movements to the revised Fantasie; it is one of a handful of larger works by Schumann. The finished concerto premiered on New Year's Day of 1846 by the composer's wife and pianist Clara Wieck Schumann. Eulenberg's celebrated and highly authoritative miniature score is the definitive reference source for study performancepreparation or simply for those with a love of the great orchestral works.
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Symphony No 36, The Linz (F/O)
Orchestra
Alfred Publishing
The 'Linz Symphony 'is included among Mozart's best. The first movement is cheer...
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The 'Linz Symphony 'is included among Mozart's best. The first movement is cheerful and buoyant in mood, yet retains an air of dignity and poise reflective of a true master of the genre. Richard Meyer's full orchestra arrangement of this classic is a terrific addition for any concert or contest. (5:20) / Orchestre
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Edvard Grieg: Peer Gynt Suites No.1 Op.46 and No.2 Op.55: Orchestra: Score
Orchestra
Dover Publications
Two orchestral suites that are staples of the repertoire including such familia...
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Two orchestral suites that are staples of the repertoire including such familiar favourites as Morning Mood Anitra's Dance and In the Hall of the Mountain King. Musicians and music lovers will appreciate having these favourite scores in one handy volume. Reproduced from an authoritative edition.
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Gustav Mahler: Symphony No.7 'Song Of The Night': Orchestra: Study Score
Orchestra
Dover Publications
Gustav Mahler's seventh symphony ranks among the composer's most popular and acc...
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Gustav Mahler's seventh symphony ranks among the composer's most popular and accessible works. Possessing neither a 'program' nor a folk-song theme it is a purely instrumental composition both hopeful and romantic in mood with a harmonic and stylistic structure that evokes the daily journey from dusk till dawn.This miniature score is reproduced from an authoritative edition complete with numbered movements for easy reference. Affordable and compact it is ideal for use in the classroom at home or in the concert hall.Reprint of Siebente Sinfonie von Gustav Mahler: Orchester-Partitur Ed. Bote & G. Bock Berlin 1909.
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Charles Gounod: Faust: Orchestra: Score
Orchestra
Dover Publications
Charles Gounod's interpretation is the best-known and most frequently performed ...
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Charles Gounod's interpretation is the best-known and most frequently performed of any stage or Orchestral treatment of the Faust legend. Faust was a major success upon its first fully realised performance at Milan's La Scala in 1862.The Opera's lyricism tremendous variety of mood and Orchestral colour and subtle delineation of character continue to delight generation upon generation of audiences.Now Opera lovers can study and enjoy the complete masterpiece in this attractive volume which has been reprinted from an authoritative edition. Despite the frequency of its performances Gounod'swork is hard to find in print so this rare edition of the full score constitutes a treasure for conductors performers and music majors alike.
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Edward Elgar: Symphony No. 2 In E Flat (Miniature Score): Orchestra: Miniature
Orchestra
[Sheet music]
Novello & Co Ltd.
Composed in 1911 this work is dedicated to the memory of Edward VII who died in...
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Composed in 1911 this work is dedicated to the memory of Edward VII who died in 1910. The symphony reflects the abrupt change of mood that took place throughout the country upon Edward's death.
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Malcolm Arnold: Four Scottish Dances: Orchestra: Score
Orchestra
[Sheet music]
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Intermediate
Paterson's Publications
A full orchestral arrangement in miniature pocket score format of Four Scottis...
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A full orchestral arrangement in miniature pocket score format of Four Scottish Dances Op.57 by Sir Malcolm Arnold CBE. A superb quartet of Scottish dances by the prolific English composer that was originally commissioned for the BBC Light Music Festival and premiered at the Royal Festival Hall on 8th June 1957. With varying mood and styles from jigs and reels to a more brooding ballad the work reflects the tranquillity and beauty of Scotland as well the vibrancy and liveliness of its population.
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Malcolm Arnold: Symphony No.6: Orchestra: Study Score
Orchestra
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Intermediate/advanced
Faber Music Limited
Ivan March of Gramophone says '. . .a bleak unease in the unrelenting energy of ...
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Ivan March of Gramophone says '. . .a bleak unease in the unrelenting energy of the first movement which becomes even more discomforting in the desolate start to the Lento. This leads to a forlorn suggestion of a funeral march which then ironically quickens in pace but is suddenly cut down; the drum strokes become menacingly powerful and the despairing mood of the movement's opening returns. . . and grips the listener in the music's pessimism. . .'This is a Study Score of Arnold’s Symphony No.6 Op.95.
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Johnson Oatman Jr. Michael Hurley: Higher Ground: Orchestra: Parts
Orchestra
Shawnee Press
Many of the old hymns have great sometimes stunning messages. Michael Hurley fe...
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Many of the old hymns have great sometimes stunning messages. Michael Hurley feels that sometimes the “antiquated” melody and/or harmony can get in the way of these important words. He has embarked upon an ongoingproject to create fresh new music for these grand expressions of faith. He has definitely accomplished that with this arrangement! Higher Ground is lively and upbeat with exciting harmonies and catchy syncopation.“Pressing on the upward way” is no problem with this uplifting choral. The melody soars as the mood of the text climbs higher adding a great high soprano descant on the final verse “I want to scale the utmostheight and catch a gleam of glory bright!” A wonderful orchestration or accompaniment CD is available taking this spirited octavo to new heights...to Higher Ground!
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Gustav Mahler: Symphony No. 7: Orchestra: Score
Orchestra
Dover Publications
Among the most popular of Mahler's symphonic works the 7th symphony has neither...
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Among the most popular of Mahler's symphonic works the 7th symphony has neither a program nor a folk-song theme. It is a purely instrumental composition both hopeful and romantic in feeling. The restrained mood and thematic economy of the symphony make it one of the least extravagant of the composer's works; it is also one of the most approachable. Now music lovers can study this edition of the complete score reprinted from the authoritative German edition of 1909.
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Snehvides Spejl - Operatrailer: Orchestra: Score
Orchestra
[Sheet music]
Wilhelm Hansen
Composer's Program Note Repertoire operas occationally have orchestral suites: B...
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Composer's Program Note Repertoire operas occationally have orchestral suites: Bits and pieces of overture interlude etc. tied upin a bouquet of 'schönste Tränen'. Contemporary opera usually wither after the first season so the focusis on getting people to come and have a sniff before it's too late. Consequently it seemed obvious to meto start making orchestral excerpts from my operas that are meant to be played before the premiere (andafter please); I call them 'opera trailers' when they're substantial enough to be considered independent works and 'opera demos' when they're relatively short and moreappetizer-ish. SNOW WHITE'S MIRROR is a full scale two act dramatic opera written for the Danish National Opera. The opera is a modern re-telling for grown-ups of the brothers Grimm's fairy tale: Snow White is a self-centered teenage narcissist and the villain of the opera; she ends up loosing everyone but herself either because she kills them or because they decide they can't stand being around her anymore. But apparently she's o.k. with that...The music is intended for a large audience: it's basically pop music done with all the craftmanship of aclassical composer who's equally at home with large scale symphonic form avantgarde technique opera singing - and modern pop. The Trailer is in three movements. It contains three sections of the opera; the prelude an interlude close to the beginning of the second act and the final scene but one. It's a gloomy sort of trailer starting out in grand title sequence style moving on to a decidedly odd piece where Snow White find her way to the dwarfs (who're creepy junkies doing pornography to get money to buy dope) and ending in kind of an eerie rejection mood: Everyone still alive walks out on Snow White singing 'skin as white as snow hands red with blood soul as black as ivory'.(NM 2010)
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Britta Byström: Symphony In Yellow: Orchestra: Score and Parts
Orchestra
Wilhelm Hansen
Symphony In Yellow for Violin Cello and Piano by Britta Byström (2002). Progra...
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Symphony In Yellow for Violin Cello and Piano by Britta Byström (2002). Programme Note Leggiero Dolce Energico Symphony in Yellow for Piano Trio is structured as a “miniature symphony” in three movements. The slow middle movement is surrounded by two faster ones. The title is taken from a poem by Oscar Wilde in which various images that are all characterized by something yellow float by: a yellow bus yellow hay yellow leaves… During the composition of the work I searched for a certain mood or color of sound something “yellow” that shouldremain unchanged while different musical events in the work’s structure took place. I perceived my challenge to be akin to an artist painting different subjects using only one color. Britta Byström Oscar Wilde: Symphony in Yellow An omnibus across the bridge Crawls like a yellow butterfly And here and there a passer-by Shows like a little restless midge. Bib barges full of yellow hay Are moored against the shadowy wharf And like yellow silken scarf The thick fog hangs along the quay. The yellow leaves begin to fade And flutter from the Temple elms And at my feet the pale green Thames Lies like a rod of rippled jade.  Â
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Leonard Bernstein: Danzon: Concert Band: Score and Parts
Orchestra
[Score and Parts]
Boosey and Hawkes
Influenced by the traditional Cuban dance style Danzon is a brilliant piece com...
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Influenced by the traditional Cuban dance style Danzon is a brilliant piece composed by Leonard Bernstein in collaboration with famed choreographer Jerome Robbins for the 1944 ballet Fancy Free.Jay Bocook's skilled adaptation for band captures the sensual mood of the original and offers a unique programming choice.
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Gounod Ch. - Faust - Conducteur
Orchestra
Dover Publications
Charles Gounod's interpretation is the best-known and most frequently performed ...
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Charles Gounod's interpretation is the best-known and most frequently performed of any stage or Orchestral treatment of the Faust legend. Faust was a major success upon its first fully realised performance at Milan's La Scala in 1862. The Opera's lyricism, tremendous variety of mood and Orchestral colour, and subtle delineation of character continue to delight generation upon generation of audiences. Now Opera lovers can study and enjoy the complete masterpiece in this attractive volume, which has been reprinted from an authoritative edition. Despite the frequency of its performances, Gounod's work is hard to find in print, so this rare edition of the full score constitutes a treasure for conductors, performers, and music majors alike.
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Peer Gynt Suite Selections (F/O)
Orchestra
Alfred Publishing
Featuring 'Morning Mood' and 'In the Hall of the Mountain King,' this authentic-...
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Featuring 'Morning Mood' and 'In the Hall of the Mountain King,' this authentic-sounding arrangement includes 6/8 time, legato, staccato and marcato styles, frequent doublings, a wide variety of dynamic markings, and one the most famous accelerandos ever written! (5:00) / Orchestre
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Texan Tenebrae HPS 1694 (TURNAGE MARK-ANTHONY)
Orchestra
Boosey and Hawkes
Par TURNAGE MARK-ANTHONY. This work was commissioned by the Canary Islands Festi...
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Par TURNAGE MARK-ANTHONY. This work was commissioned by the Canary Islands Festival, the Royal Concertgebouw Orchestra and the Chicago Symphony Orchestra. It was composed in 2009 and first performed on 21 January 2010 at Auditorio de Tenerife, Santa Cruz de Tenerife, Spain, by the London Philharmonic Orchestra, conducted by Vladimir Jurowski. This 8 minute atmospheric piece is moody and full of suspense, structured in a single slow movement. Suitable for advanced standard performers. / Date parution : 2022-10-12/ Répertoire / Orchestre
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Kaija Saariaho: Verblendungen: Orchestra: Score
Orchestra
Wilhelm Hansen
The Full Score of Saariaho's Verblendungen for Orchestra and Tape. The piece is ...
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The Full Score of Saariaho's Verblendungen for Orchestra and Tape. The piece is dedicated to Esa-Pekka Salonen who conducted the premiere performance in Helsinki Finland with the Finnish Radio Symphony Orchestra in April 1984. With both orchestra and tape working in opposite directions of the tonal spectrum this is a fantastic and expressive work that balances the contrast the two elements. Despite these tonal differences the tape and orchestra join together in an inseparable sound world and form a breath-taking orchestral piece that moves through jagged grainy sounds to smoother more reflective moods.
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