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OUD
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One
Orchestra
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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David Rimelis: Phonefare: Orchestra: Score & Parts
Orchestra
[Score and Parts]
Lauren Keiser Music Publishing
Concert Opener and Friendly Cell Phone Reminder for Orchestra-Phonefare is a 37-...
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Concert Opener and Friendly Cell Phone Reminder for Orchestra-Phonefare is a 37-second overture designed to be played just after the oboe tuning. The instruments of the orchestra play cell phone rings and at the end of this short attention-getter a voice over the speaker reminds the audience to please turn off their cell phones.
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Jean Sibelius: En Saga Op.9 - Tone Poem For Orchestra: Orchestra: Study Score
Orchestra
Breitkopf & Härtel
En Saga Op.9 is a tone poem for orchestra and is one of the composer's earliest...
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En Saga Op.9 is a tone poem for orchestra and is one of the composer's earliest orchestral works filled with youthful dynamism and energy. It is also highly atmospheric clearly evocative of the composer's beloved Finland – its people proud history countryside and landscapes. The title translates as the Swedish (rather than Finnish) for A Fairy Tale suggesting a programmatic work but despite there seeming to be a 'story' present the composer never identified any specific extra-musical inspiration.The work was originally composed in 1892 but not to great success. However the composer later revised the work in 1902 shortly afterhaving composed the Symphony No.2 when it received the acclaim it deserved.Available here is a study score of Sibelius' tone poem En Saga Op.9 which is ideal for study and perusal usage.
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André Previn: Honey And Rue (Full Score): Orchestra: Score
Orchestra
[Score]
Chester
Conductor composer and pianist André Previn continues to redefine the possibi...
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Conductor composer and pianist André Previn continues to redefine the possibilities in his extraordinary career already one of the most distinguished musicians of our time.This work with original text by Toni Morrison wascommissioned for Kathleen Battle by the Carnegie Hall Corporation and first performed in 1992.
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Tidsrum / Spaces Of Time: Orchestra: Score
Orchestra
Wilhelm Hansen
Per Nørgård's Tidsrum / Spaces Of Time for Orchestra with obligate Piano dati...
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Per Nørgård's Tidsrum / Spaces Of Time for Orchestra with obligate Piano dating from 1991. Programme Note Spaces of time is a 20-minute long one-movement orchestral piece “with piano” signifying that the piano not only as in my other orchestra works is part of the ensemble but also in a major passage attracts almost all attention. This passage is only one of the ´spaces of time´- spaces which give the work its title and represent individual musical perspectives. Relations of tempo and scale characterize such a space (besides the mentioned“piano-concerto” or other intrumental features) and in this way associate with say a small room - with close-ups of the musical objects - or perhaps to an infinitely great space - a cosmic one where all is far away and vibrating. One motive marked mainly by ascending stepwise movement unifies the spaces but the very varied scales may let the outines of the motive change between say 1/4-tone steps 1/2-tone steps diatonic and other scale steps up to such ambient steps that each one comprises almost a third of the total orchestral range. Very often 2 scales are woven together in a way that lets the “hidden tone” inside a major step in one of the scaels become a part of the other scale. By dynamic means one scale may be highlighted as a “figure” the other one as a “ground” in one passage - and vice versa. In this way a 12-tone chromatic scale may as well contain a Japanese 5-tone scale as a European 7-tone scale. In the final “space” the tones literally take leave of the listeners - by streaming down - as water sucked down into the ground by gravity - into the bass octaves and - into silence. Spaces of time was comissioned by “Suntory Hall” in 1990-91 (artistic director Toro Takemitsu) in October 1991 with Aki Takahashi (piano)
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Olivier Messiaen: Et Exspecto Resurrectionem Mortuorum: Orchestra: Study Score
Français
Orchestra
[Study Score / Miniature]
Leduc, Alphonse
Composed in 1964 Et Exspecto Resurrectionem Mortuorum is a religious piece by O...
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Composed in 1964 Et Exspecto Resurrectionem Mortuorum is a religious piece by Olivier Messiaen which title means “And I wait for the resurrection of the dead”. Commissioned by André Malraux this orchestra lasts approximately 35 minutes and was written for the commemoration of the dead in the world wars. It features five movements: I. 'Des profondeurs de l'abîme je crie vers toi Seigneur: Seigneur écoute ma voix!' II. 'Le Christ ressuscité des morts ne meurt plus; la mort n'a plus sur lui d'empire.' III. 'L'heure vient où les morts entendront la voix du Fils deDieu...' IV. 'Ils ressusciteront glorieux avec un nom nouveau -- dans le concert joyeux des étoiles et les acclamations des fils du ciel.' V. 'Et j'entendis la voix d'une foule immense...' This is the conductor's score which includes all parts. Olivier Messiaen (1908-1992) was a French Organist and composer passionate about Ornithology and one of the most important composers of his century. Inspired by Japanese music he had a very special way of composing and his work can be identified by its complexity its diatonic aspect its harmony with limited transposition its colour and its additive rhythms. He composed many works related to ornithology and birdsongs including the Bird Catalogue in 7 volumes and the Treatise on rhythm colour and ornithology in 7 volumes.
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Pyotr Ilyich Tchaikovsky: Eugene Onegin: Orchestra: Score
Orchestra
Dover Publications
Full Score-Eugene Onegin the most popular of Tchaikovsky's operas is widely co...
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Full Score-Eugene Onegin the most popular of Tchaikovsky's operas is widely considered a theatrical masterpiece. Adapted from a novel in verse form by Aleksandr Pushkin it is the tale of a jaded Russian aristocrat who scorns the love of Tatyana an attractive young girl of the provincial petty nobility. After years of aimless wandering Onegin returns to St. Petersburg to find Tatyana much changed and married to a prince. Onegin falls in love but this time she rejects him in favour of marital fidelity. Full lyrics in Russian.
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Rued Langgaard: Tonebilleder / Tone Pictures: Voice: Score
Orchestra
[Partitions]
-
Intermediate/advanced
Rued Langgaard Edition
Rued Langgaard's Tonebilleder / Tone Pictures for Voice and Orchestra (1917) BV...
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Rued Langgaard's Tonebilleder / Tone Pictures for Voice and Orchestra (1917) BVN 133. Texts by Jenny Blicher-Clausen Ivan Turgenjev Thor Lange and Holger Drachmann. Critical edition by Bendt Viinholt Nielsen / The Rued Langgaard Edition.
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Antonio Vivaldi: Il Teuzzone RV 736: Orchestra: Score
Orchestra
[Score]
Ricordi
Edizione critica a cura di Alessandro Borin - Antonio Moccia (testi in italiano ...
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Edizione critica a cura di Alessandro Borin - Antonio Moccia (testi in italiano e inglese). With Il Teuzzone, RV 736, the collected edition of operas by Antonio Vivaldi gains a new volume that brings to completion the pair of operas written by the ?Red Priest? for Mantua. Premiered during the last days of 1718, the opera preceded by a few months the production of Tito Manlio, RV 738 (PR 1411). This edition of Teuzzone, the first in modern times, is based on the two complete sources to have survived: a copy originating from the composer?s own archive (Biblioteca Nazionale Universitaria di Torino, Raccolta Mauro Fo 33) and the one today housed in Berlin (Staatsbibliothek zu Berlin Preussischer Kulturbesitz, Musikabteilung, N. Mus, ms. 125), which was made for the Mantuan production. Additionally, numerous secondary sources have been collated. An appendix to the volume contains the musical materials discarded by Vivaldi during the period preceding the opera?s premiere. The supporting texts for the edition report on new findings that have emerged from archival and documentary research. It has been established, for instance, that the aria Tu, mio vezzoso (I.03) is a borrowing from Alessandro Severo by Antonio Lotti, while the aria Tornerò, pupille belle (II.02) is a reworking of Nelle mie selve natie, an aria in Scanderbeg, RV 732. These examples reveal the pasticcio-like nature of this Vivaldi opera. In the section concerned with the description of the sources, which includes a meticulous codicological examination of the source in Turin, a bold attempt has been made to reconstruct the phases that the composition of Vivaldi?s opera underwent, an operation that sheds light on the inner workings of Vivaldi?s atelier. In addition, the close relationship of this score to a work with the same title staged in Turin with music by G. Casanova and A. S. Fiorè is analysed.
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Per Nørgård: Symphony No. 2 In One Movement: Orchestra: Score
Orchestra
[Sheet music]
-
Intermediate/advanced
Wilhelm Hansen
Per Nørgård's Symphony No. 2 In One Movement - work for Orchestra dating from ...
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Per Nørgård's Symphony No. 2 In One Movement - work for Orchestra dating from 1970. Programme Note: After the first performance of my chamber orchestra work VOYAGE INTO THE GOLDEN SCREEN (1969) I was very preoccupied with ‘voyaging on’ in the infinity series I had brought to fruition in the second movement of the work: instead of about 1000 notes of the series I wanted to use about 4000 in order to create the potential for further exploration of the many layers and interval combinations of the infinity series. Instead of the pristine progression of the notes and its orchestration in‘Voyage’ I now wanted to intervene: to create melodies lead up to climaxes darken enlighten etc. but all with respect for the continuous flow and the preservation of the special timeless objectivity characteristic of the infinity series. One can perhaps experience the many recurrences of motifs in tempo layers from fast to very slow as a successor to the fractal computer graphics of the eighties. At any rate this ‘Symphony no. 2 in one movement’ (which was the result) became the precursor of the other works of the seventies including my 50-minute long chorally integrated Third Symphony (from 1973-75) which is also based on the infinity series but in addition has incorporated the upper and lower harmonic series and rhythms with ‘Golden’ duration proportions. The Second Symphony lasts about 25 minutes and was given its first performance on13th April 1970 by the Aarhus City Orchestra conducted by Per Dreier. Per Nørgård August 1992
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Gregory T. S. Walker: micro*phone for Amplified Orchestra: Orchestra: Score
Orchestra
Lauren Keiser Music Publishing
micro*phone for Amplified Orchestra
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The Many Joys of Christmas (Set One): Orchestra: Score & Parts
Orchestra
[Score and Parts]
Hal Leonard
You'll thrill in the joyful sounds of Christmas with this colorful 6-minute suit...
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You'll thrill in the joyful sounds of Christmas with this colorful 6-minute suite of the beloved Alfred Burt Carols. Whether performed with piano alone or with the sparkling orchestration you'll create a holiday celebration towarm the heart and delight the senses! Songs include: We'll Dress the House The Star Carol This Is Christmas (Bright Bright the Holly Berries).
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Charitie Lees Bancroft Vikki Cook: Before the Throne of God Above: Orchestra:
Orchestra
Integrity Music
Before the Throne of God Above
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Britta Byström: Many Yet One: Orchestra: Score
Orchestra
Wilhelm Hansen
Many Yet One for Orchestra by Britta Byström (2016). Commissioned by the Detro...
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Many Yet One for Orchestra by Britta Byström (2016). Commissioned by the Detroit Symphony Orchestra in honor of Elaine Lebenbom.
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Carl Nielsen: Maskarade / Masquerade - Canzone Parodica: Orchestra: Score
Orchestra
Carl Nielsen Edition
'Canzone Parodica' from Act 3 of Maskarade / Masquerade by Carl Nielsen - 'Min s...
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'Canzone Parodica' from Act 3 of Maskarade / Masquerade by Carl Nielsen - 'Min søde Balsambøsse!' / 'You pretty little mistress' (Henrik & Pernille). Full score corresponding to The Carl Nielsen Edition (CN00004)
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Kaija Saariaho: La Passion De Simone (Full Score): Orchestra: Score
Orchestra
[Sheet music]
-
Intermediate/advanced
Chester
An opera written in 2006.Kaija Saariaho’s La Passion de Simone was commis...
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An opera written in 2006.Kaija Saariaho’s La Passion de Simone was commissioned jointly by the Vienna Festival Los Angeles Philharmonic the Barbican London and Lincoln Center New York. It was first performed on 26th November2006 in Vienna as part of the New Crowned Hope Festival.
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Dimitri Shostakovich: Odna Alone/ Seule Op.26: Orchestra: Score
Orchestra
DSCH
Dmitri Shostakovich's Odna Alone/ Seule Op.26 for Orchestra.
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Gustav Mahler: Mahler One Inspiration by the Ton! [Strings]: Flexible Band:
Orchestra
[Sheet music]
-
Intermediate
Spartan Press
The Austrian late-Romantic composer Gustav Mahler (1860-1911) is nowadays recogn...
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The Austrian late-Romantic composer Gustav Mahler (1860-1911) is nowadays recognised as one of the greatest composers of his time. A successful conductor during his lifetime it was only after Mahler's death that his own compositions began to enjoy widespread popularity. Composed between 1887-1888 Mahler's celebrated First Symphony received high critical acclaim as a groundbreaking work which took the imagination and narrative of a symphonic poem and gave this the cohesion of earlier structures from the genre. Mark Goddard's innovative Mahler One Inspiration By The Ton! takes the First Symphony and condensesand abbreviates the movements into four delightful miniatures for flexible String Ensemble. Suitable for String groups at an intermediate level this enjoyable arrangement is highly playable and enormous fun. Mahler One Inspiration By The Ton! is also available for Flexible Wind Ensemble and Flexible Brass Ensemble . These three instrumental packs can all be used together.
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Joseph M. Martin Mary Martin: We Are One: Orchestra: Parts
Orchestra
Shawnee Press
We Are One
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Michael Giacchino: Rogue One: A Star Wars Story: Orchestra: Score & Parts
Orchestra
[Score and Parts]
Hal Leonard
Rogue One: A Star Wars Story
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Harry Potter Suite - Deluxe Score
Orchestra
[Score]
Hal Leonard
Une partition complète orchestrale d'une Suite de merveilleuse de la musique du...
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Une partition complète orchestrale d'une Suite de merveilleuse de la musique du film Harry Potter. Entièrement autorisé par le compositeur John Williams, la musique ici est la véritable score et fonctionnalités dans le cadre de la série Signature de la magnifiquement gravés John Williams. Définissez en quatre mouvements : Hedwig du thème, Nimbus 2000, sorciers Stone et de Harry monde merveilleux. Un ensemble de score et id de pièces disponible séparément en utilisant le numéro de commande HL04490213. / Conducteur
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E.J. Moeran: Lonely Waters Orch: Orchestra: Score
Orchestra
[Sheet music]
Novello & Co Ltd.
Moeran based Lonely Waters on the fragment of a song from the Broads of East Nor...
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Moeran based Lonely Waters on the fragment of a song from the Broads of East Norfolk. This flowing atmospheric work is dedicated to Ralph Vaughn Williams and recalls Moeran’s Norfolk boyhood and the folksongs he collected from East Anglia.E J Moeran was a 20th century British composer of Anglo-Irish background who spent his early years in Norfolk. Influences of folksong and programmatic elements can be easily heard in this composer’s main body of work. Moeran tended toward the smaller ensembles in his composition which gave an appropriate frame for his great lyric gifts.
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A Room of One's Own (OUTI TARKIAINEN) (OUTI TARKIAINEN)
Orchestra
[Score]
Wilhelm Hansen
Par OUTI TARKIAINEN. A Room of One's Own is based on Virginia Woolf's classic es...
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Par OUTI TARKIAINEN. A Room of One's Own is based on Virginia Woolf's classic essay of the same name of 1928. The libretto is by the German opera director, dramaturg and librettist Francis Hüsers and the opera seeks to answer the question of why, from one century to another, women merely flit as shadows across the stage in the arts and history. The opera is set in 1920s England and has three main characters. Each called Mary, they are all intelligent, educated women whose seemingly light conversation leads them into ever deeper waters and who ultimately spread before the viewer's eyes the whole gamut of human life, in all its grittiness, passions and realities. / Date parution : 2023-03-11/ Répertoire / Orchestre
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Edward D'arba: Two Tone-pictures (Deux Images Sonores): Orchestra: Score and
Orchestra
[Sheet music]
Chester
Two Tone-pictures (Deux Images Sonores)
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Beth Redman Matt Redman: In Christ Alone (with The Solid Rock): Orchestra: Parts
Orchestra
Integrity Music
This arrangement comes from the Alive Forever collection arranged by Travis Cott...
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This arrangement comes from the Alive Forever collection arranged by Travis Cottrell. He has arranged the new modern hymn by Keith Getty and Stuart Toenend with a more traditional statement of The Solid Rock to makea great declaration that in Christ alone we have the assurance and strength that we need for each day. Choirs and congregations both will enjoy this music. CD Accompaniment Trax available. Orchestration is flexible and includesscore and parts for Rhythm Acoustic Guitar Trumpet 1 & 2 Alto Sax Trumpet 3 Trombone 1 & 2 Tenor Sax 1 & 2 Trombone 3/Tuba Bari Sax Percussion Horn 1 & 2 Flute (Oboe) 1 2 & 3 Clarinet and Strings (Synth). Duration:ca. 5:25
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Claude Debussy: Première Rhapsodie: Orchestra: Part
Orchestra
For Orchestra With Solo Clarinet In B-Flat-Debussy’s Première Rhapsodi...
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For Orchestra With Solo Clarinet In B-Flat-Debussy’s Première Rhapsodie is one of two concertante works completed premiered and published during his lifetime. He was commissioned to write it in 1909 for the final examination at the Paris Conservatoire in 1910. Debussy orchestrated it in the summer of 1911. While transferring the clarinet part from the already published version for clarinet and piano he made a few subtle changes particularly in m. 201 which has been a bone of contention among clarinettists for over a century.The present scholarly-critical publication is the first Urtext edition of the orchestral version. It draws on every known source and takes into account a previously ignored source that shedsnew light on the piece.First Urtext edition of the orchestral versionFirst scholarly-critical edition of a pioneering work for clarinetTrilingual Foreword (Eng/Fr/Ger) with Critical Commentary (Eng)
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Claude Debussy: Première Rhapsodie: Orchestra: Part
Orchestra
For Orchestra With Solo Clarinet In B-Flat-Debussy’s Première Rhapsodi...
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For Orchestra With Solo Clarinet In B-Flat-Debussy’s Première Rhapsodie is one of two concertante works completed premiered and published during his lifetime. He was commissioned to write it in 1909 for the final examination at the Paris Conservatoire in 1910. Debussy orchestrated it in the summer of 1911. While transferring the clarinet part from the already published version for clarinet and piano he made a few subtle changes particularly in m. 201 which has been a bone of contention among clarinettists for over a century.The present scholarly-critical publication is the first Urtext edition of the orchestral version. It draws on every known source and takes into account a previously ignored source that shedsnew light on the piece.First Urtext edition of the orchestral versionFirst scholarly-critical edition of a pioneering work for clarinetTrilingual Foreword (Eng/Fr/Ger) with Critical Commentary (Eng)
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Claude Debussy: Première Rhapsodie: Orchestra: Part
Orchestra
For Orchestra With Solo Clarinet In B-Flat-Debussy’s Première Rhapsodi...
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For Orchestra With Solo Clarinet In B-Flat-Debussy’s Première Rhapsodie is one of two concertante works completed premiered and published during his lifetime. He was commissioned to write it in 1909 for the final examination at the Paris Conservatoire in 1910. Debussy orchestrated it in the summer of 1911. While transferring the clarinet part from the already published version for clarinet and piano he made a few subtle changes particularly in m. 201 which has been a bone of contention among clarinettists for over a century.The present scholarly-critical publication is the first Urtext edition of the orchestral version. It draws on every known source and takes into account a previously ignored source that shedsnew light on the piece.First Urtext edition of the orchestral versionFirst scholarly-critical edition of a pioneering work for clarinetTrilingual Foreword (Eng/Fr/Ger) with Critical Commentary (Eng)
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Edward Huws Jones: Playstrings No. 15 Bats Cats And Broomsticks: Orchestra:
Orchestra
Chester
Bats Cats And Broomsticks (Huws Jones)-Easy music for string groups. Playstring...
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Bats Cats And Broomsticks (Huws Jones)-Easy music for string groups. Playstrings provides an enjoyable and varied repertoire for young string orchestras carefully structured in two levels. The ‘Easy’ level does not normally exceed Grade 2 in difficulty with most partsplayable in first position while the ‘Moderately Easy’ level includes some parts of around Grade 3 standard. At easy level alternative parts are provided so that the absence of viola or a double bass does not prevent the piecefrom being performed. Available in score or sets of instrumental parts. There are over 30 titles covering a wide range of styles including classical pieces folk tunes and Christmas collections. Playstrings is an idealintroduction to orchestral playing for young string players. Set of 21 parts contains: 4 x Violin 1 4 x Violin 2 4 x Violin 3 2 x Viola 1 2 x Viola 2 2 x Cello 1 2 x Cello 2 1 x Double Bass.
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Georg Friedrich Händel: Hercules (Ed. Peter Jones) (Parts): Orchestra: Parts
Orchestra
[Sheet music]
Novello & Co Ltd.
Handel's Hercules edited by Peter Jones is available here as a full set of Ins...
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Handel's Hercules edited by Peter Jones is available here as a full set of Instrumental Parts. With a libretto by Thomas Broughton this version was composed in 1744 with its first performance the following year at the King's Theatre Haymarket London.
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Henri Lazarof: Mutazione (1967): Orchestra: Study Score
Orchestra
[Sheet music]
Associated
Score-Henri Lazarof's Mutazione (1967) for Orchestra. Study score.This work was ...
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Score-Henri Lazarof's Mutazione (1967) for Orchestra. Study score.This work was commissioned by and is dedicated to Maurice Abravanel and the Utah Symphony Orchestra.
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