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You've Selected:
Op. 61
Orchestra
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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Sérénade #1 En Ré Majeur Op. 11
Orchestra
[Score]
G. Henle
D'une durée de plus de quarante minutes et composée en 1858-59 pour une grande...
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D'une durée de plus de quarante minutes et composée en 1858-59 pour une grande formation comprenant cors, trompettes et timbales, la Sérénade en Ré majeur de Johannes Brahms caresse le genre de la symphonie. Pourtant l'opus 11 de ce compositeur alors en plein essor avait tout d'abord commencé par quatre mouvements pour 'petit orchestre', avant de prendre la forme de la 'Sinfonie-Serenade' que nous connaissons aujourd'hui. Notre Studien-Edition offre non seulement la partition critique de l'édition complète des oeuvres de Brahms, mais également une préface détaillée, dans laquelle l'éditeur Michael Musgrave commente la genèse compliquée de cette première grande oeuvre pour orchestre de Johannes Brahms. / Piano 4 Mains
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Eulenburg Audio+Scores - Boxed Set
Orchestra
[Study Score / Miniature + CD]
Eulenburg
The 'Eulenburg Audio Score' series contains the orchestral world's greatest musi...
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The 'Eulenburg Audio Score' series contains the orchestral world's greatest musical treasures from the baroque, classical and romantic repertoire. Each volume is clearly-presented with authoritative scores, informative prefaces detailing the biographical and creative background- - CDs of great performances of each work in full length, from orchestras including the London Philharmonic Orchestra, the Royal Philharmonic Orchestra, and the Philharmonia Orchestra.NEW: This box-set of 25 masterpieces in a handy slipcase containing volumes 51-75 in the series is amazing value: almost 50% cheaper than buying each volume separately!This is the perfect gift for any music-lover. 'Eulenburg Audio Score' is the new way to hear, read and understand music. Eulenburg is the 130 year-old world-famous publishing brand, renowned for its top-quality, reliable study scores at reasonable prices. Focusing on the fields of opera, orchestral music, chamber music and vocal music, it is the favoured by conductors, orchestral musicians, soloists, students, teachers and music-lovers generally. The more you read, the more you hear! / Tout Instrument
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Sinfonias / Individual Instrumental Pieces (GLUCK CHRISTOPH WILLIBALD)
Orchestra
[Sheet music]
Barenreiter
Gluck Complete Edition V/2. Par GLUCK CHRISTOPH WILLIBALD. While Christoph Willi...
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Gluck Complete Edition V/2. Par GLUCK CHRISTOPH WILLIBALD. While Christoph Willibald Gluck dedicated his artistic life almost entirely to the composition of works for the opera stage, he also produced a number of instrumental works which have been somewhat marginalized until recently. This volume of the 'Gluck Complete Edition” (GGA) is the first to present 17 symphonies attributed to Gluck in a historical-critical edition - furthermore, the volume includes a new version of one of the trio sonatas published in 1961 as part of the GGA. Current research indicates that no reliable information about the genesis of the respective works exists for any of the symphonies attributed to Gluck. This is due to a lack of both autograph sources and reliable data pertaining to the history and first performances of these works. It is assumed that some of the existing symphonies might in fact be the lost overtures of Gluck's earlier operas. Others were possibly written to be performed in private or public concerts. The greatest challenge for the editors of this volume was posed by the question of authenticity and authorship of the works presented here. As no autographs exist for any of the symphonies bearing Gluck's name, the only indicators of authorship are attributions in the copies of score and parts, either original or added at a later time. The reliability of these attributions for individual works largely depends on the respective state of source material, meaning available sources as well as the condition of the respective copy. A thorough authenticity analysis concluded Gluck's authorship as valid in the case of 13 symphonies, while in the case of four other symphonies, diverging attributions lead to the acceptance of open authorship. As a result, this volume includes all compositions for which, according to the most current research, Gluck's authorship has not been refuted. In the case of two symphonies, one concerto for flute, and six trio sonatas published in 1961 as part of the GGA, Gluck's authorship has been disproven - detailed explanations are included in the volume's Foreword (Ger). The Foreword also discusses the individual instrumental works attributed to Gluck by various encyclopedias. In addition to the detailed Foreword, the volume includes facsimiles of representative source excerpts. The Critical Commentary (Ger) analyzes the state of sources and includes extensive information on editorial principles and performance practice./ Répertoire / Orchestre
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Edward Elgar: Concert B Op.61: Orchestra: Miniature Score
Orchestra
Eulenburg
Concert B Op.61
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Robert Schumann: Symphonie 02 C Opus 61: Orchestra: Miniature Score
Orchestra
Eulenburg
Symphonie 02 C Opus 61
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Pyotr Ilyich Tchaikovsky: Serenade In C Op.48 / Suite No.4 'Mozartiana':
Orchestra
Dover Publications
Available here in one collection is the full score of Pyotr Ilyich Tchaikovsky's...
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Available here in one collection is the full score of Pyotr Ilyich Tchaikovsky's Serenade In C Op.48 and Suite No.4 'Mozartiana' Op.61. Both the Serenade and the suite appear here faithfully reproduced from authoritative sources.
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Hugh Wood: Symphony Op.21: Orchestra: Score
Orchestra
[Study Score / Miniature]
Chester
Commissioned by the BBC. Premiere: 23 July 1982 Henry Wood Promenade Concert R...
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Commissioned by the BBC. Premiere: 23 July 1982 Henry Wood Promenade Concert Royal Albert Hall London.The work is cast in four distinct movements though as in Wood's violin concerto there is only one pause in the music between the second and third; even here the break is minimised in effect by a resumption of motivic arguments. In terms both of harmonic structure and of expressive development the four movements seem to have been conceived as asingle unified progression. While melodic and harmonic details are both derived from an intensive working of a handful of intervallic figures in a way that owes much to his earlier serialism Wood’s handling is here free enoughto encompass a large-scale sense of tonal structure as well. Ths same tritone that inflicted so much of the melodic writing in Wood's 'cello concerto also affects the symphony. The music struggles to escape from an uncertain E/Eflat area which dominates the first movement towards an eventual unequivocal A major in the work’s final pages. Emotionally however this trajectory more closely resembles that of the Third Quartet - except that where thequartet opens in frozen despair the symphony begins in tumultuous violence.
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Jean Sibelius: En Saga Op.9 - Tone Poem For Orchestra: Orchestra: Study Score
Orchestra
Breitkopf & Härtel
En Saga Op.9 is a tone poem for orchestra and is one of the composer's earliest...
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En Saga Op.9 is a tone poem for orchestra and is one of the composer's earliest orchestral works filled with youthful dynamism and energy. It is also highly atmospheric clearly evocative of the composer's beloved Finland – its people proud history countryside and landscapes. The title translates as the Swedish (rather than Finnish) for A Fairy Tale suggesting a programmatic work but despite there seeming to be a 'story' present the composer never identified any specific extra-musical inspiration.The work was originally composed in 1892 but not to great success. However the composer later revised the work in 1902 shortly afterhaving composed the Symphony No.2 when it received the acclaim it deserved.Available here is a study score of Sibelius' tone poem En Saga Op.9 which is ideal for study and perusal usage.
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Hector Berlioz: Te Deum Op.22: Vocal: Score
Orchestra
Barenreiter
Hymne-The Te Deum was composed in Paris in 1849 following Berlioz’s first...
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Hymne-The Te Deum was composed in Paris in 1849 following Berlioz’s first visit to England at a period when political unrest in France had made the future for artists and musicians seem very uncertain. He had no particular occasion in mind but hoped for some years that it would be available for some grand ceremonial occasion. Once Napoleon III had seized power such an occasion seemed more likely but in the end Berlioz had to wait until 1855 for an opportunity to perform the work. This took place for the opening of the Exposition Universelle on 30 April 1855 in the church of St.-Eustache Paris. It was the only time in his life that Berlioz performed it with theexception of certain extracts in later concerts. The score was published in 1855 with a dedication to Prince Albert consort of Queen Victoria. Urtext of the New Berlioz Edition Full score (BA5450) vocal score (BA5782-90) available for sale Performance material (BA5782-72) available for hire
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Karl Komzak: Karl Komzak: Storm Galopp And Munich-Vienna Polka: Orchestra: Score
Orchestra
Bosworth
Karl Komzak: Storm Galopp And Munich-Vienna Polka
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Leevi Madetoja: Oesterbottner Suite Op. 45: Orchestra: Score
Orchestra
[Sheet music]
Wilhelm Hansen
The suite from the Opera Pohjalaisia (Österbottner) Op.45 by Leevi Madetoja da...
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The suite from the Opera Pohjalaisia (Österbottner) Op.45 by Leevi Madetoja dating from 1924.
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Gabriel Fauré: Pelléas et Mélisande op. 80: Orchestra: Part
Orchestra
Suite for Orchestra-Incidental music with the famous 'Sicilienne'Fauré wrote ?P...
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Suite for Orchestra-Incidental music with the famous 'Sicilienne'Fauré wrote ?Pelléas et Mélisande? in 1898 originally as incidental music to Maurice Maeterlinck?s like-named play. After the premiere and subsequent performances he set about reworking the musical material into an orchestral suite. The premiere of the originally three-movement suite took place in February 1901 under the baton of Camille Chevillard.In December 1912 the four-movement version of ?Pelléas et Mélisande? was finally premiered. The additional movement the Sicilienne was taken from the third interlude of the incidental music. This delightful piece would later become one of Fauré?s mostpopular compositions and now exists in countless arrangements.Bärenreiter?s new scholarly-critical edition of the four-movement orchestral suite ?Pelléas et Mélisande? Op.80 is based on ?Gabriel Fauré The Complete Works? Volume IV/2 which appeared in 2016.First Urtext edition Based on ?Gabriel Fauré The Complete Works?Score and orchestral parts available for sale (BA7895)
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Ludwig van Beethoven: Triple Concerto Op.56 and: Orchestra: Score
Orchestra
Dover Publications
Fantasia In C Minor Op.80 (Choral Fantasy)-This volume contains two of Beethoven...
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Fantasia In C Minor Op.80 (Choral Fantasy)-This volume contains two of Beethoven's most unusual highly innovative and original works: the Concerto in C Major Op. 56 for piano violin cello and orchestra; and the Fantasia in C Minor Op. 80 for piano chorus and orchestra.To this day the 'Triple Concerto' remains part of a rare breed in the literature--a fascinating symphonic framework of interaction between the classical orchestra and a trio of intimately interdependent soloists. The work remains a favorite vehicle of the great Beethoven specialists with numerous recordings by legendary performers.The 'Choral Fantasy' is a rarity in the Beethoven canon of ensemble music uniting thevirtuoso display of a semi-improvisational solo piano with the vocal and instrumental richness of chorus and orchestra. Said to have been composed under great time pressure the Fantasy concludes with an extensive choral setting of a text by an unknown poet: 'Schmeichelnd hold und lieblich klingen' ('Flatteringly lovely and fair are the sounds of our life?s harmonies...Accept gladly the gifts of beautiful art...').Reprinted from the authoritative Breitkopf & Härtel editions this volume offers musicians and music lovers an inexpensive high-quality full score of two exceptional works.
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Rettungs Jubel Marsch Op.126 - Piano Score/Parts: Orchestra: Score and Parts
Orchestra
Bosworth
Violin 1 - 5 copiesViolin 2 - 4 copiesViola - 3 copiesCello - 3 copiesDouble bas...
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Violin 1 - 5 copiesViolin 2 - 4 copiesViola - 3 copiesCello - 3 copiesDouble bass - 2 copiesFlute 1Flute 2OboeClarinet 1Clarinet 2BassoonHorn 1Horn 2Horn 3Horn 4Trumpet 1Trumpet 2Trombone 1Trombone 2Bass trombonePercussion - 2 copiesPiano Score
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Ludwig van Beethoven: Symphony No. 5 In C Minor Op.67: Orchestra: Study Score
Orchestra
G. Henle
Opus 67-Beethoven is presumed to have completed his 5th Symphony in early 1808; ...
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Opus 67-Beethoven is presumed to have completed his 5th Symphony in early 1808; today it is one of the most famous works of classical music of all. Its nickname ?Fate Symphony? was given to it posthumously byBeethoven?s biographer Anton Schindler; a title which no longer plays a role in modern-day Beethoven scholarship.Based on the recently published musical text of the Beethoven Complete Edition andsupplied with a new preface by editor Jens Dufner one of the most vibrant and stimulating orchestral works of the standard repertoire is now available in a practical format for travel study or the concert hall.
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Gwyneth Walker: For Peace and Hope: A Benediction for Orchestra: Orchestra:
Orchestra
Lauren Keiser Music Publishing
For Peace and Hope: A Benediction for Orchestra
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Eyvind Alnaes: 3 Sange Op. 26 Nr. 2: Orchestra: Score
Orchestra
[Sheet music]
-
Intermediate
Wilhelm Hansen
3 Sange Op.26 Nr.2 was composed by Eyvind Alnae for full Orchestra.3 Sange Op.2...
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3 Sange Op.26 Nr.2 was composed by Eyvind Alnae for full Orchestra.3 Sange Op.26 Nr.2 has been expertly written in 3 movements Nu brister i alle de kløfte Ved syrintid and Digter.
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Dimitri Shostakovich: Symphony No. 3 Op.20: Orchestra: Score
Orchestra
[Sheet music]
DSCH
Dmitri Shostakovich's Symphony No. 3 Op.20 for Orchestra.
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Jean Sibelius: The Tempest Suite No.1 Op.109 No.2: Orchestra: Score
Orchestra
[Sheet music]
Wilhelm Hansen
Stormen / The Tempest Suite No.1 Op.109 No.2 for Orchestra. From the music to Wi...
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Stormen / The Tempest Suite No.1 Op.109 No.2 for Orchestra. From the music to William Shakespeare's 'The Tempest'. Partitur / Score Parts are available on hire: hire@ewh.dk
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Sergei Rachmaninov: Rhapsodie Sur Un Theme De Paganini Opus 43: Orchestra: Study
Orchestra
Alfred Publishing
Sergei Rachmaninov: Rhapsodie Sur Un Theme De Paganini Opus 43 Pour Piano and Or...
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Sergei Rachmaninov: Rhapsodie Sur Un Theme De Paganini Opus 43 Pour Piano and Orchestra. Miniature Score.
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Hector Berlioz: Symphonie Fantastique Op. 14: Facsimile
Orchestra
[Facsimile]
-
Advanced
Barenreiter
Faksimile Der Autographen Partitur In Der Bibliotheque Nationale De France-Facsi...
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Faksimile Der Autographen Partitur In Der Bibliotheque Nationale De France-Facsimile of the autograph score held in the Bibliothèque nationale de FranceDocumenta musicologica II/532920 pp. of facsimile and 12 pp. of Commentary (Eng/Ger/French)Half-leather binding Love and insanity tenderness and vulgarity bordering on the grotesque: Hector Berlioz never avoided extremes neither in his life nor in his oeuvre. His entire Symphonie fantastique is pervaded by a musical ?idée fixe? representing a woman he adored. The symphony brought about his breakthrough and has remained popular ever since. The impact of his masterly approach to composition especially in the treatment of theorchestration could still be felt in the 20th century. Berlioz revised the work for years before it finally reached its definitive version. He entered many of these changes in the autograph score which was also used for performances by pasting strips of paper over the bars or parts in question. This facsimile edition in high-quality four-colour reproduction presents the manuscript as it is today ? with strips of paper that can be folded out making both versions visible. Hugh Macdonald General Editor of the New Berlioz Edition explains the work?s genesis and presents particular passages from each movement.
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Aulis Sallinen: Symphony No.4 Op.49: Orchestra: Study Score
Orchestra
[Study Score / Miniature]
Novello & Co Ltd.
Symphony No.4 Op.49
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Dimitri Shostakovich: Symphony No.8 Op.65: Orchestra: Study Score
Orchestra
Sikorski
Sikorski edition Study Score of Shostakovich's Symphony No.8 Op.65
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Claude Ballif: Lovecraft Op. 13: Orchestra
Orchestra
[Sheet music]
Editions Musicales Transatlantiques
Lovecraft Op. 13
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Jean Sibelius: Tapiola Op. 112: Orchestra: Study Score
Orchestra
Breitkopf & Härtel
Tapiola Op.112
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Johann Strauss Jr.: Carnevals Botschafter Op.270: Orchestra: Score and Parts
Orchestra
Bosworth
Carnevals Botschafter Op.270
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Juan Orrego-Salas: Symphony No. 3 Op. 50: Orchestra: Score
Orchestra
Lauren Keiser Music Publishing
Symphony No. 3 Op. 5
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Ludwig van Beethoven: Symphony No.8 In F Major Op.93: Orchestra: Part
Orchestra
Barenreiter
Symphony No.8 In F Major Op.93
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Giles Swayne: Fiddlesticks Op. 65: Orchestra: Score
Orchestra
[Sheet music]
Novello & Co Ltd.
Fiddlesticks Op. 65
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