| Sphères - 5
Pièces Orchestra Jobert
Les cinq pièces de Sphères sont une commande de Radio-France et ont été cré...(+)
Les cinq pièces de Sphères sont une commande de Radio-France et ont été créées sur les ondes de France-Musique chacun des cinq jours de la semaine. La thématique de l'oeuvre découle directement des conditions de sa naissance puisque Séléné (la lune) a vu le jour un lundi, Mars un mardi, etc. jusqu'à Vénus un vendredi.L'évocation de ces noms fait d'abord tinter nos souvenirs mythologiques et, en effet, une partie de l'inspiration de ces pièces est redevable à la personnalité des dieux de l'Olympe: Vénus toute de grâce sensuelle - Jupiter figé dans son écrasante domination universelle - Mercure volatile, insaisissable - Mars symbole de guerre mais aussi de printemps, de renouveau, et surtout force vitale irrépressible - la lune enfin qui, lorsqu'elle se montre ronde et blanche - la pleine lune est l'une des facettes de Diane - a pour nom Séléné. Nous en ressentons régulièrement la puissance attractive figurée ici musicalement par une série de vagues dont la dernière, véritable marée montante, est comme un pan d'océan soulevé par ce satellite prédateur.Car ce sont bien les corps célestes qui ont stimulé la plus grande part des idées musicales (l'indifférence de Jupiter n'est pas que le fait d'Epicure - elle s'explique aussi par sa constitution essentiellement gazeuse).La période, source à la fois de fréquence et de durée, est ici l'élément générateur - le développement, un déploiement de spirales harmoniques et rythmiques - ces douze minutes d'orchestre, un hommage aux innombrables sphères qui virevoltent à travers l'univers dans une danse fascinante, un contrepoint cosmique aux proportions étourdissantes.Patrick Burgan / Orchestre
34.70 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order |
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| John Adams: The Chairman
Dances: Orchestra: Score Orchestra Associated
Score-John Adams emerged in the last decades of the twentieth century as one of ...(+)
Score-John Adams emerged in the last decades of the twentieth century as one of the most influential and widely performed American composers since Copland. 'The Chairman Dances' is a 'foxtrot for orchestra' that emerged as an offshootof the composer's 1986 political opera 'Nixon in China'. It has become one of the composer's most popular works. In this piece from the third act of the Opera protocol and ceremony are forgotten as the audience is ledinto the apparent privacy of the characters' bedrooms to hear their intimate discussions. Each sings of his or her current personal concerns while at some level the couples (Dick and Pat Chairman and Madam Mao) connect with eachother on the emotional plane of nostalgia. The Nixons reminisce about their early pre-public married lives. The Maos look back to their youthful idealism and budding romance and foxtrot together to the wistful tune that formsthe basis of this composition. The chugging and coloristic flashes that begin the work give way to the dance theme proper in the strings. The work 'runs out' instead of ending in imitation of the hand-wound gramophone which hadaccompanied the dancing of the Maos in earlier happier times.First performed in January 1986 by the Milwaukee Smphony Orchestra the piece was commissioned by the National Endowment For The Arts.
47.50 GBP - Sold by Musicroom UK |
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| Poul Ruders: Corona - The
Solar Triology No. 3:
Orchestra: Score Orchestra Wilhelm Hansen
Corona - The Solar Trilogy No. 3 for Orchestra was composed by Poul Ruders in 19...(+)
Corona - The Solar Trilogy No. 3 for Orchestra was composed by Poul Ruders in 1995.Programme note:CORONA makes the final part of the SOLAR-TRILOGY a huge symphonic triptych about the life and behavior of the Sun. The first'panel' GONG depicts the birth life and final collapse of our nearest star the second ZENITH describes in its ultra-slow tempo the patient rise of the Sun toward midday ferocity and its subsequent setting. CORONA then is a symphonic 'portrait' of the phenomenally hot whispy brim encircling and radiating from the Sun a sizzling halo of electrons and photons visible only during a total eclipse. Formally CORONAfollows the process of such totality in progress:the gradual eclipsing by the Moon - total darkness with thefierce sparkling outer corona - the gradual 'rebirth' of the light toward the full gl.ory and warmth of the Sun.Besides the obvious astronomical narrative of the SOLAR-TRILOGY there's a metaphysical angle too underlying each of the three compositions: GONG in spite of its apparent energy may be the most pessimistic of them all epitomizing the death and ultimate annihilation of the prime source of Life itself. ZENITH is a hommage to human aspiration and spiritual endurance and CORONA ends with Hope and Glory after a journey from depression throughtotal despair. Super-structurally the zenith of ZENITH makes the zenith of the entire trilogy i.e. when the E- flat of the unisone horns in ZENITH is heard we are exactly halfway through the collected work.Poul Ruders
84.99 GBP - Sold by Musicroom UK |
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| Carlos Surinach: Sinfonia
Chica (Small Symphony):
Orchestra: Score Orchestra [Sheet music] Associated
Score-Carlos Surinach's Sinfonia Chica for Orchestra. Full score.The title Sinfo...(+)
Score-Carlos Surinach's Sinfonia Chica for Orchestra. Full score.The title Sinfonia Chica is derived from the derogatory label 'genero chico' which was first given to Spanish folk musicby the Italian musicians and their Spanish adherents who dominated all art music in Spain during the first half of the 18th century.The work represents a fusion of the traditional rhythms and melodic patterns of the Spanishtonadillas (early zarzuelas) and the stylistic characteristics of 20th century harmony structure and instrumentation.Duration: 16 minutes
25.99 GBP - Sold by Musicroom UK |
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| Franz Joseph Haydn:
Symphony No.8 In G Major
Hob.I: Orchestra: Parts Orchestra Barenreiter
Haydn's Symphony No.8 is the final piece in his triptych on the times of the day...(+)
Haydn's Symphony No.8 is the final piece in his triptych on the times of the day consisting of the symphonies Le Matin Le Midi and Le Soir (Hoboken I:6-8). The cycle originated in 1761 on a commission from Haydn's patron Prince Anton Esterházy. Whether the Prince was hoping for a counterpart to Vivaldi's famous concertos on the four seasons or pursued a different idea can no longer be determined. It was doubtless the purpose of these concertante symphonies to present to a select audience the Prince's chamber ensemble which had been assembled or expanded that spring as well as its new conductor. The pieces are laid out on a large scale full of pomp andsplendour and the scoring at times divided into thirteen separate parts offers virtually every player an opportunity to display his prowess as a soloist.At that time the Esterházy ensemble was made up of six or seven players of the violin or viola (the seventh was actually retained as a flautist) one player each of the violoncello and violone two oboists doubling on flute two horn players and a bassoonist. This listing includes Haydn himself who conducted the ensemble from the first violinist's desk. Contrary to a widely held belief there was no harpsichord. Indeed the only genres that employed a keyboard instrument at that time in the Viennese area were vocal - namely operas cantatas and church music.Urtext from Joseph Haydn WerkeFull score & parts (BA4673) available for sale
20.50 GBP - Sold by Musicroom UK |
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| Franz Joseph Haydn:
Symphony No.8 In G Major
Hob.I: Orchestra: Part Orchestra Barenreiter
Concerto and ripieno part-Haydn's Symphony No.8 is the final piece in his tripty...(+)
Concerto and ripieno part-Haydn's Symphony No.8 is the final piece in his triptych on the times of the day consisting of the symphonies Le Matin Le Midi and Le Soir (Hoboken I:6-8). The cycle originated in 1761 on a commission from Haydn's patron Prince Anton Esterházy. Whether the Prince was hoping for a counterpart to Vivaldi's famous concertos on the four seasons or pursued a different idea can no longer be determined. It was doubtless the purpose of these concertante symphonies to present to a select audience the Prince's chamber ensemble which had been assembled or expanded that spring as well as its new conductor. The pieces are laid out on a large scale full of pomp andsplendour and the scoring at times divided into thirteen separate parts offers virtually every player an opportunity to display his prowess as a soloist.At that time the Esterházy ensemble was made up of six or seven players of the violin or viola (the seventh was actually retained as a flautist) one player each of the violoncello and violone two oboists doubling on flute two horn players and a bassoonist. This listing includes Haydn himself who conducted the ensemble from the first violinist's desk. Contrary to a widely held belief there was no harpsichord. Indeed the only genres that employed a keyboard instrument at that time in the Viennese area were vocal - namely operas cantatas and church music.Urtext from Joseph Haydn WerkeFull score & parts (BA4673) available for sale
6.50 GBP - Sold by Musicroom UK |
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| Franz Joseph Haydn:
Symphony No.8 In G Major
Hob.I: Orchestra: Score Orchestra [Sheet music] Barenreiter
With 2 violino concertato-Haydn's Symphony No.8 is the final piece in his tripty...(+)
With 2 violino concertato-Haydn's Symphony No.8 is the final piece in his triptych on the times of the day consisting of the symphonies Le Matin Le Midi and Le Soir (Hoboken I:6-8). The cycle originated in 1761 on a commission from Haydn's patron Prince Anton Esterházy. Whether the Prince was hoping for a counterpart to Vivaldi's famous concertos on the four seasons or pursued a different idea can no longer be determined. It was doubtless the purpose of these concertante symphonies to present to a select audience the Prince's chamber ensemble which had been assembled or expanded that spring as well as its new conductor. The pieces are laid out on a large scale full of pomp andsplendour and the scoring at times divided into thirteen separate parts offers virtually every player an opportunity to display his prowess as a soloist.At that time the Esterházy ensemble was made up of six or seven players of the violin or viola (the seventh was actually retained as a flautist) one player each of the violoncello and violone two oboists doubling on flute two horn players and a bassoonist. This listing includes Haydn himself who conducted the ensemble from the first violinist's desk. Contrary to a widely held belief there was no harpsichord. Indeed the only genres that employed a keyboard instrument at that time in the Viennese area were vocal - namely operas cantatas and church music.Urtext from Joseph Haydn WerkeFull score & parts (BA4673) available for sale
27.00 GBP - Sold by Musicroom UK |
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| Franz Joseph Haydn:
Symphony No.8 In G Major
Hob.I: Orchestra: Part Orchestra Barenreiter
Haydn's Symphony No.8 is the final piece in his triptych on the times of the day...(+)
Haydn's Symphony No.8 is the final piece in his triptych on the times of the day consisting of the symphonies Le Matin Le Midi and Le Soir (Hoboken I:6-8). The cycle originated in 1761 on a commission from Haydn's patron Prince Anton Esterházy. Whether the Prince was hoping for a counterpart to Vivaldi's famous concertos on the four seasons or pursued a different idea can no longer be determined. It was doubtless the purpose of these concertante symphonies to present to a select audience the Prince's chamber ensemble which had been assembled or expanded that spring as well as its new conductor. The pieces are laid out on a large scale full of pomp andsplendour and the scoring at times divided into thirteen separate parts offers virtually every player an opportunity to display his prowess as a soloist.At that time the Esterházy ensemble was made up of six or seven players of the violin or viola (the seventh was actually retained as a flautist) one player each of the violoncello and violone two oboists doubling on flute two horn players and a bassoonist. This listing includes Haydn himself who conducted the ensemble from the first violinist's desk. Contrary to a widely held belief there was no harpsichord. Indeed the only genres that employed a keyboard instrument at that time in the Viennese area were vocal - namely operas cantatas and church music.Urtext from Joseph Haydn WerkeFull score & parts (BA4673) available for sale
5.50 GBP - Sold by Musicroom UK |
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| Franz Joseph Haydn:
Symphony No.8 In G Major
Hob.I: Orchestra: Part Orchestra Barenreiter
Concerto and ripieno part-Haydn's Symphony No.8 is the final piece in his tripty...(+)
Concerto and ripieno part-Haydn's Symphony No.8 is the final piece in his triptych on the times of the day consisting of the symphonies Le Matin Le Midi and Le Soir (Hoboken I:6-8). The cycle originated in 1761 on a commission from Haydn's patron Prince Anton Esterházy. Whether the Prince was hoping for a counterpart to Vivaldi's famous concertos on the four seasons or pursued a different idea can no longer be determined. It was doubtless the purpose of these concertante symphonies to present to a select audience the Prince's chamber ensemble which had been assembled or expanded that spring as well as its new conductor. The pieces are laid out on a large scale full of pomp andsplendour and the scoring at times divided into thirteen separate parts offers virtually every player an opportunity to display his prowess as a soloist.At that time the Esterházy ensemble was made up of six or seven players of the violin or viola (the seventh was actually retained as a flautist) one player each of the violoncello and violone two oboists doubling on flute two horn players and a bassoonist. This listing includes Haydn himself who conducted the ensemble from the first violinist's desk. Contrary to a widely held belief there was no harpsichord. Indeed the only genres that employed a keyboard instrument at that time in the Viennese area were vocal - namely operas cantatas and church music.Urtext from Joseph Haydn WerkeFull score & parts (BA4673) available for sale
6.50 GBP - Sold by Musicroom UK |
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| Magnus Lindberg: Corrente
No.2: Orchestra: Score Orchestra [Score] Chester
Orchestral work commissioned by the BBC and premiered by the BBC Symphony Orche...(+)
Orchestral work commissioned by the BBC and premiered by the BBC Symphony Orchestra under the direction of Andrew Davis The Barbican Hall November 1992.Quoting Lindberg: 'After having written a Piano Concerto in 1991preceded by three works for different orchestral effectives (Kinetics Marea and Joy) I felt that I had come to an end with a certain musical expression and also compositional technique. All these works were based upon anextended chaconne principle with chord chains cycling around undergoing constant transformation and being articulated in a very gestural way. The musical paradox and evidently also the challenge was the discrepancy between abrick-like method expressed in a world of gestures (with all difficulties involved in conceiving music out of phrases) aiming at a continuity in terms of progression and development.After the Piano Concerto in the autumn of1991 I strongly felt that I couldn't continue in that direction anymore. I started to work on a project called Corrente for 16 players as a study for the full orchestra version entitled Corrente II.In order to bring theharmonic and rhythmic world closer to each other I abandoned the chaconne principle and based the harmony on different scale aggregates. By combining these scales and by filtering or by enhancing them with additional pitchesbased on more acoustically oriented views of the scales by considering them as partials of virtual fundamentals I was able to work in a rich harmonic world without actually having to do harmonic transformations and progressions.The rhythmic material was based on pattern figures with a rather kaleidoscopic approach of repetition and variation.By combining these pattern figures and scales aggregates I wanted to give the musical expression a 'narrative'sense of streams and directions moving around in different orchestral constellations.Corrente II for symphony orchestra is based on the same material as the piece for chamber orchestra. As the timbral palette and the mass
29.99 GBP - Sold by Musicroom UK |
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| Franz Joseph Haydn:
Symphony No.89 In F Hob.
I: Orchestra: Score Orchestra Barenreiter
Haydn's Symphony Hob. I:89 belongs to a group of symphonies composed between the...(+)
Haydn's Symphony Hob. I:89 belongs to a group of symphonies composed between the ?Paris? symphonies (Hob. I:82-87) and their ?London? counterparts (Hob. I: 93-104) the last ones he wrote before his trips to England in 1791-92 and 1794-95.The Symphony in F major is dated 1787 in the autograph score. In this work Haydn borrowed two movements from an earlier piece possibly owing to deadline pressure. The second and fourth movements are arrangements of movements 2 and 3 from his Concerto in F major Hob. VIIh:5 for two ?lire organizzate? and orchestra. The fact that he also arranged movements from his other lire concertos suggests that heregarded them as a sort of musical quarry. This at least allowed him to recycle parts of these works after his patron had probably prohibited him from offering them commercially.This edition continues the collaboration with the Henle publishing company regarding Haydn's large-scale choral works operas and symphonies. It is based on the Henle Complete Edition of the Works of Joseph Haydn. The complete performance material for several Sturm und Drang symphonies and all of the London and Paris symphonies is now available from Bärenreiter.
40.00 GBP - Sold by Musicroom UK |
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| Magnus Lindberg:
Kinetics: Orchestra:
Instrumental Work Orchestra Wilhelm Hansen
This work was written with a mix between computer technology and the more tradit...(+)
This work was written with a mix between computer technology and the more traditional orchestra the piece was composed in such a way that it would support it's own acoustics. Lindberg worked with amplification of instruments and electronically transformed sounds thus producing greater possibilities to abandon acoustic limits. In order for the piece to be supported by it's own acoustics the piece had to be written in terms of foreground and background harmony every foreground chord would always have it's background a shadow existing without it's main chord.Another theme to the piece is that of textural motion as rapid gestures and motions are a big part ofthe composer's interest. Static repitions seemed to limit the piece however so they were compensated for on another level so with a repetitive rhythmic pattern the harmonic material changes rapidly or when a chain of chords is static the rhythmic and timbral qualities vary frequently. Work for Orchestra commissioned by the Finnish Broadcasting Company.
57.50 GBP - Sold by Musicroom UK |
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| Gabriel Fauré: Cantique
De Jean Racine: Mixed
Choir: Score Orchestra [Sheet music] Carus Verlag
Carus 70.301/10 which is part of the material associated with this piece can b...(+)
Carus 70.301/10 which is part of the material associated with this piece can be used as the choral score. Gabriel Fauré composed the Cantique de Jean Racine in 1865 the prizewinning work for the completion of his musical training. The composer expanded the original scoring for choir and organ by adding a string accompaniment; the version with orchestra was first performed in 1906. As a text Fauré chose a French adaptation by Jean Racine of the Latin hymn ?Consors paterni luminis.? The Cantique already displays the characteristics of an expressive choral setting typical for Fauré as well as the finely worked out orchestral accompaniment and together with the Requiem composed considerably later it is among the most popular works of the composer.
17.20 GBP - Sold by Musicroom UK |
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| Franz Schubert: Octet In
F major D 803 - Ensemble
Parts: Chamber Ensemble:
Parts Orchestra G. Henle
Octet in F major D 803-Franz Schubert's Octet In F major D 803 for Clarinet (B f...(+)
Octet in F major D 803-Franz Schubert's Octet In F major D 803 for Clarinet (B flat/C) Bassoon Horn (F/C) 2 Violins Viola Violoncello and Double Bass.This composition was modelled on Beethoven?s Septet op. 20 whose Divertimento character and six-part layout were adopted by Schubert although he merely expanded the instrumentation by adding a second Violin.In a letter he numbered his octet amongst the chamber music workswith which he desired to blaze a ?path to the great symphony?. It can no longer be ascertained whether the composition was commissioned by Count Ferdinand Troyer who had a musical salon in Vienna and played the Clarinet. We onlyknow that Schubert composed the work at the beginning of 1824 taking only a few weeks to do so and that it was performed at Troyer?s shortly afterwards. Today it is one of the most popular larger chamber music works.
38.75 GBP - Sold by Musicroom UK |
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| Joaquín Rodrigo:
Soleriana: Orchestra:
Score
Español Orchestra [Score] Unión Musical Ediciones
Soleriana is one of the longest orchestral works of the Spanish composer Joaquin...(+)
Soleriana is one of the longest orchestral works of the Spanish composer Joaquin Rodrigo. Each of its eight movements are based on a different Harpsichord sonata by his compatriot Antonio Solar (1729-1783) hence the title. Scored for a chamber orchestra of Flute Piccolo Oboe Clarinet Bassoon Horn Trumpet and Strings it was first performed by the Berlin Philharmonic in 1953. The delightful orchestration mimics the sound of the original Harpsichord. Joaquin Rodrigo (1901-1999) was born in Valencia and lost his sight to diphtheria at the age of three. He began to study music five years later and became one of Spain’smost distinguished composers musicologists and pedagogues.
24.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| Frank Naylor: Latin
Americana Naylor:
Orchestra: Score and
Parts Orchestra Bosworth
Latin-Americana is a collection of 5 famous melodies and rhythms by various comp...(+)
Latin-Americana is a collection of 5 famous melodies and rhythms by various composers arranged for orchestra by Frank Naylor. Each work has been inspired by Latin America in some way with the classic tunes Jarabe Tapatio La Cucaracha La Paloma Clelito Lindo and Ay Ay Ay all included.Frank Naylor has become known for creating high-quality arrangements of classical music ideal for school and college level orchestras. This selection of exotic pieces is no exception - it is perfect for any young ensemble looking to expand their repertoire and impress their audiences.
42.50 GBP - Sold by Musicroom UK |
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| Gesu Bambino (The Infant
Jesus): Orchestra: Score Orchestra Southern Music Ltd
Pastorale for Christmas-Though lesser known than some Christmas melodies this s...(+)
Pastorale for Christmas-Though lesser known than some Christmas melodies this stately pastoral work incorporates the chorus of O Come All Ye Faithful (or Adeste Fideles) into the writing. The original melody by Yon is rather remarkable in its elegant beauty and sounds timeless and enchantingly ancient though it was written rather recently in 1917. Pietro Yon was an organist who spent most of his career at the St. Patrick Cathedral in New York. Yon was well regarded in his lifetime by fellow musicians notably among his pupils was the celebrated American songwriter Cole Porter and upon his passing in 1943 Arturo Toscanini himself was among those who attended his large funeral. This arrangementbegins solftly with a simple statement of the melody in the trumpets. The theme expands as it is passed around the various instrumental choirs with increasing use of counterpoint. Culminating in a joyous exhaultation the music winds to a gentle and serene conclusion. The score is well-cued in key sections where the melody is prominent.
15.99 GBP - Sold by Musicroom UK |
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| Pietro Yon: Gesu Bambino
(The Infant Jesus):
Orchestra: Score & Parts Orchestra [Score and Parts] Southern Music Ltd
Pastorale for Christmas-This stately pastoral work incorporates the chorus of O...(+)
Pastorale for Christmas-This stately pastoral work incorporates the chorus of O Come All Ye Faithful (or Adeste Fideles) into the writing. The original melody by Yon is rather remarkable in its elegant beauty and sounds timeless and enchantingly ancient though it was written rather recently in 1917. Pietro Yon was an organist who spent most of his career at the St. Patrick Cathedral in New York. Yon was well regarded in his lifetime by fellow musicians notably among his pupils was the celebrated American songwriter Cole Porter and upon his passing in 1943 Arturo Toscanini himself was among those who attended his large funeral. This arrangement begins solftly with a simple statement of the melodyin the trumpets. The theme expands as it is passed around the various instrumental choirs with increasing use of counterpoint. Culminating in a joyous exhaultation the music winds to a gentle and serene conclusion. The score is well-cued in key sections where the melody is prominent.
74.99 GBP - Sold by Musicroom UK |
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| Liszt F. - Les Preludes
And Other Symphonic Poems
- Conducteur Orchestra [Study Score / Miniature] Dover Publications
This authoritative edition presents full-score reproductions of three of Liszt...(+)
This authoritative edition presents full-score reproductions of three of Liszt’s best-known symphonic poems. Les Preludes (Symphonic Poem No.3) grew out of the composer’s unpublished choral setting of Joseph Autran’s poem “The Four Elements”, blending stirring martial music and lovely pastoral themes to make this work the most popular of the symphonic poems. Mazeppa (Symphonic Poem No.6) evokes Victor Hugo’s portrayal of the Cossack leader and the symbolic triumph that comes only after defeat: “He runs, he flies, he falls, and he stands up king!” Heroide Funebre (Symphonic Poem No.8) is the last vestige of the monumental Revolutionary Symphony, planned but never completed, suggesting universal brotherhood: a fine, heroic, dignified funeral march. In these richly sonorous works, Liszt explored the concept of the one-movement “transformation of themes,” an approach to composition that Wagner would carry forward in his development of the leitmotif. Liszt’s expanding chromaticism would be no less influential, anticipating the twentieth century’s embrace of atonality. Frequently performed favourites of audiences around the world, these three works are reprinted from the original Breitkopf & Härtel edition.
16.00 EUR - Sold by Woodbrass Pre-shipment lead time: On order |
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| Voyage Par-Delà
Les Fleuves Et Les Monts
(DUFOURT HUGUES)
Français Orchestra [Sheet music] Lemoine, Henry
Par DUFOURT HUGUES. Il s'agit d'une oeuvre particulièrement représentative du ...(+)
Par DUFOURT HUGUES. Il s'agit d'une oeuvre particulièrement représentative du genre de peinture qui a pris son essor pendant le Xe et XIe siècles sous le règne de la dynastie des Song du Nord (960-1127) et qui place la peinture chinoise sous le signe de l'unité retrouvée. Le style 'nordiste', inauguré par Ching Hao et Kuan T'ung se trouve porté à son point de tension extrême par Fan K'uan (fl. 990-1020) dont le Voyage par-delà les fleuves et les monts figure et résume la peinture des grands maîtres classiques de cette époque. L'art du trait calligraphique s'applique au traitement des parois et des surfaces, tout comme les rides en goutte d'eau servent à renforcer les effets de hauteur. Il existe, dans cette toile, une certaine contradiction entre l'éloignement des choses et le caractère abrupt d'un mur primordial qui s'impose avec une évidence absolue. On voit une imposante falaise rocheuse s'arracher d'un abîme et s'élancer jusqu'au ciel, comme un surgissement de l'inaccessible, surplombant un paysage escarpé que vient encore aiguiser le relief âpre et tourmenté de la végétation du premier plan. A la verticale, une broussaille de forêts lointaines semble agrippée aux sommets. Sur la droite, la chute vertigineuse d'une cascade tombant des hauteurs se déroule comme un ruban de soie. En avant-plan, un groupe de rochers laisse entr'apercevoir, plus bas, une caravane de mules dont le trait presqu'imperceptible laisse pressentir l'insignifiance de l'être humain face à l'immensité de la nature. On notera aussi le style sévère et dépouillé de ce paysage majestueux, son allure austère et solennelle qui souligne le caractère sacré des montagnes - la demeure des dieux - dans la peinture monumentale de paysage des Song du Nord. L'altitude est le véritable personnage de cette oeuvre célèbre, une peinture sur soie, d'encre et de couleurs légères, qui est conservée au Musée national du Palais de Taipei, à Taïwan.
J'ai cherché à rendre ce sentiment plénier de la nature au grand orchestre, en sorte que l'articulation du souffle ne soit jamais interrompue par des notations accidentelles ou des velléités de développement. La pièce se déroule d'un seul tenant, comme une trame élémentaire, à l'image d'une continuité où toute interruption est arbitraire. Elle est parcourue d'un seul rythme enveloppant des tensions opposées - ascension et suspens, émergence et pesanteur. Une association instrumentale y domine, celle du pupitre des clarinettes allié à celui des trombones, avec des modes de jeu qui projettent les trombones dans l'extrême grave et diffractent le son de la clarinette en un tremblement de multiphoniques. Deux compositeurs, Ivàn Solano, clarinettiste, et Dominique Delahoche, tromboniste, ont bien voulu me guider dans cet inventaire des nouvelles ressources instrumentales. Il est difficile de parler de la forme de l'oeuvre, puisqu'il s'agit d'une transformation incessante, constitutive, à l'instar d'une forme-flux sans cesse renaissante et tendue vers un perpétuel effort d'intégration et de condensation. La forme n'est plus qu'une puissance obscure et négative qui se confond avec le rythme de la couleur ou de la masse.
Une toile de fond 'd'harmonie-timbre', constamment dressée, suggère l'étendue et la profondeur, et figure, si l'on veut, une sorte de fond spatial qui serait l'espace même du paysage. Les seuls événements qui scandent le processus sont des 'coulées de forces' qui excèdent toute limite définie et suggèrent des régimes dynamiques variés.
Ce Voyage par-delà les fleuves et les monts, d'après Fan K'uan, est l'objet d'une commande conjointe de l'Orchestre Philarmonique de Nice et du CIRM.
Hugues Dufourt / contemporain / Répertoire / Orchestre
43.90 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order |
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