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Romance
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Dmitri Shostakovich: Romance Op. 97. Sheet Music for Orchestra
Français
Orchestra
[Sheet music]
Chant du Monde
Dmitri Shostakovich's Romance Op. 97 for Orchestra.
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Richard Strauss: Romanze F-dur: Orchestra: Score
Orchestra
G. Henle
Romance in F major for Violoncello and Orchestra-Just a few months after complet...
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Romance in F major for Violoncello and Orchestra-Just a few months after completing his Cello Sonata op. 6 Strauss composed another work for this instrument: a Romance for cello and orchestra which remained unpublished during his lifetime. According to the autograph manuscript the composition was finished on June 27 1883 and Strauss also prepared the piano reduction himself. The Romance is regarded as one of Strauss??? most mature youthful works though it was long overshadowed by the cello sonata despite several quite successful performances given by the then-famous principal cellist of the Munich Court Orchestra Hanu? Wihan. Only since the posthumous first edition of 1986 has the music world been rediscoveringthis striking work which now also appears in a Henle Urtext edition.
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Gaetano Donizetti: La fille du régiment: Orchestra: Score
Orchestra
[Score]
Ricordi
Edizione critica a cura di Claudio Toscani (testi in italiano e inglese). La fil...
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Edizione critica a cura di Claudio Toscani (testi in italiano e inglese). La fille du régiment, always one of Donizetti?s most popular stage works, was first performed at the Théâtre de l?Opéra-Comique in Paris on 11 February 1840. It was composed by Donizetti, to a libretto by Saint-Georges and Bayard, in 1839, for the French debut of soprano Juliette Bourgeois. Later on, Donizetti prepared an Italian version as well, using a libretto adaptation by Calisto Bassi, and making several alterations to the French version of the score (the premiere of the new version, entitled La figlia del reggimento, took place at La Scala Theatre in Milano on 3 October 1840). The opera enjoyed tremendous success ? at the Opéra-Comique alone, more than one thousand performances were given between 1840 and 1917 ?, and was widely staged in the major European and American opera houses. Owing to the lack of available autograph music sources ? only a few score sketches and fragments survive, kept at the Bibliothèque Nationale de France ?, the principal source for this edition is the printed score prepared by the Parisian publisher Georges Schonenberger during the spring of 1840. Together with the full score, Schonenberger also engraved and printed the orchestral parts. Previously, the publishing house had printed the piano vocal score of several selected numbers from La fille du régiment, as well as the complete score reduction of the work. The Schonenberger edition constitutes, however, a problematical source. The engravers had to work under great pressure - the score was assembled in less than a month -, and the final product turned out to be of mediocre quality, abounding in imperfections, errors, and inconsistencies affecting both the literary and the musical texts. This critical edition has therefore been realized, first of all, through a careful reconstruction process: the text handed down by tradition was compared with a number of sources (including the manuscript scores of the Italian version) that have enabled the editor to address the multiple problems posed by the principal source. The spoken dialogues, missing in the printed music sources, are derived from the libretto used for the première. The critical edition of La fille du régiment reinstates Tonio?s romance «Pour me rapprocher de Marie» from Act Two, included in the original libretto and actually sung at the première, but expunged from the Schonenberger edition of the score. Donizetti himself cut the romance soon after the première, possibly because of the tenor?s poor performance - as a result, the omission became customary. The appendices to this critical edition present, additionally, two unpublished variants, handed down in form of complete and autograph score: these pieces, crossed out or modified through the compositional process, add fresh new possibilities to current performance practices. The first one is a duet for Marie and Tonio that Donizetti had originally devised for Act Two, but later deleted from the score. The second one is a preliminary draft of the Act Two Finale, later expunged and replaced, in both music and literary text, by the final version.
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John Adams: The Chairman Dances: Orchestra: Score
Orchestra
Associated
Score-John Adams emerged in the last decades of the twentieth century as one of ...
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Score-John Adams emerged in the last decades of the twentieth century as one of the most influential and widely performed American composers since Copland. 'The Chairman Dances' is a 'foxtrot for orchestra' that emerged as an offshootof the composer's 1986 political opera 'Nixon in China'. It has become one of the composer's most popular works. In this piece from the third act of the Opera protocol and ceremony are forgotten as the audience is ledinto the apparent privacy of the characters' bedrooms to hear their intimate discussions. Each sings of his or her current personal concerns while at some level the couples (Dick and Pat Chairman and Madam Mao) connect with eachother on the emotional plane of nostalgia. The Nixons reminisce about their early pre-public married lives. The Maos look back to their youthful idealism and budding romance and foxtrot together to the wistful tune that formsthe basis of this composition. The chugging and coloristic flashes that begin the work give way to the dance theme proper in the strings. The work 'runs out' instead of ending in imitation of the hand-wound gramophone which hadaccompanied the dancing of the Maos in earlier happier times.First performed in January 1986 by the Milwaukee Smphony Orchestra the piece was commissioned by the National Endowment For The Arts.
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Ralph Vaughan Williams: Serenade In A Minor: Orchestra: Study Score
Orchestra
Oxford Univertsity Press
This is the first publication of Vaughan Williams's earliest substantial work fo...
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This is the first publication of Vaughan Williams's earliest substantial work for orchestra composed 1897-8 and premiered in April 1901. This attractive work already shows evidence of the composer's emerging musical style and sure grasp of orchestral techniques. Its five movements display much variety and sense of overall architecture with a sombre opening Prelude a fleet-footed Scherzo a graceful Intermezzo and Trio a delicate Romance and a boisterous Finale. This new edition has been carefully prepared from the original manuscript by Julian Rushton and comes with full textual commentary. Orchestral material is available on hire/rental.
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The Gadfly
Orchestra
DSCH
Accompanied by one of Shostakovich’s most popular and accessible film-scor...
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Accompanied by one of Shostakovich’s most popular and accessible film-scores The Gadfly was a highly successful film inside the Soviet Union in its day a sugary and entertaining costume drama based on a once very popular historical novel by the English writer Ethel Voynich like a cross between ‘The Three Musketeers’ and ‘The Scarlet Pimpernel’. The hero is a swashbuckling revolutionary in Risorgimento Italy and the 1830s/1840s Italian setting gives the composer a chance for delicious pastiches in the style of Bellini and Verdi as well as pseudo-Neapolitan songs and folk-tunes. Most famous are the catchy Galop and the syrupyRomance which have been recycled many times in TV shows and advertisements and will quickly appeal to those who prefer their music on the lighter side.
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Romance D-Dur
Orchestra
Doblinger
/ Orchestre
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Lieder Ohne Worte Op. 30/1 (Romance sans paroles)
Orchestra
Doblinger
/ Orchestre
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Lieder Ohne Worte Op. 30/1 (Romance sans paroles)
Orchestra
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/ Orchestre
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Romance D-Dur
Orchestra
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Romance D-Dur
Orchestra
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Lieder Ohne Worte Op. 30/1 (Romance sans paroles)
Orchestra
Doblinger
/ Orchestre
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Manuel De Falla : El Amor Brujo (score) 1915
Orchestra
[Partition]
Chester
This first version was compiled from sketches by musicologist Antonio Gallego in...
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This first version was compiled from sketches by musicologist Antonio Gallego in 1986. <br> <br>Originally written in 1914-15. / Classique / Partition /
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Lieder Ohne Worte Op. 30/1 (Romance sans paroles)
Orchestra
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/ Orchestre
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Romance D-Dur
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Lieder Ohne Worte Op. 30/1 (Romance sans paroles)
Orchestra
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/ Orchestre
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Lieder Ohne Worte Op. 30/1 (Romance sans paroles)
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Romance D-Dur
Orchestra
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Orchestra
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/ Orchestre
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Romance D-Dur
Orchestra
Doblinger
/ Orchestre
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Lieder Ohne Worte Op. 30/1 (Romance sans paroles)
Orchestra
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Romance From The Filmthe Gadflyfor Violin And Orc. Score. Op. 93
Orchestra
[Sheet music]
DSCH
/ Orchestre / 16 pages / Partition
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