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Orchestra
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
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BASS
BASSOON
BOOKS
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BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
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PIANO
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SYNTHESIZER KEYBOARD
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UKULELE
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VIOLONCELLO - CELLO
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Albert Ketèlbey: Albert W. Ketèlbey: With Honour Crowned: Orchestra: Score and
Orchestra
Bosworth
Albert W. Ketèlbey's With Honour Crowned for Orchestra. Piano Conductor Scor...
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Albert W. Ketèlbey's With Honour Crowned for Orchestra. Piano Conductor Score/Parts.
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Hommage A Antonio Gaudi (NIKIPROWETZKY TOLIA)
Orchestra
[Sheet music]
Jobert
Par NIKIPROWETZKY TOLIA. / classique / Répertoire / Orchestre
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Georg Friedrich Händel: This Is The Day (Ed. Burrows) Parts: SATB: Parts
Orchestra
[Sheet music]
-
Intermediate/advanced
Novello & Co Ltd.
Parts for Handel's anthem for the wedding service of Princess Anne 1734 for SAT...
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Parts for Handel's anthem for the wedding service of Princess Anne 1734 for SATB soloists with SSAATTBB Chorus and orchestra edited by Donald Burrows.
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Georg Friedrich Händel: This Is The Day (Ed. Burrows) Extra Parts: SATB: Parts
Orchestra
[Sheet music]
-
Intermediate/advanced
Novello & Co Ltd.
Extra parts for Handel's anthem for the wedding service of Princess Anne 1734 f...
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Extra parts for Handel's anthem for the wedding service of Princess Anne 1734 for SATB soloists with SSAATTBB Chorus and orchestra edited by Donald Burrows.
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Symphony No. 10: Peking Fantasy (PENG-PENG GONG)
Orchestra
[Score]
Hal Leonard
for Orchestra Full Score. Par PENG-PENG GONG. “In celebration of the 40th anni...
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for Orchestra Full Score. Par PENG-PENG GONG. “In celebration of the 40th anniversary of China-U.S. diplomatic relations and in hope to support the promotion of Chinese culture abroad, Peng-Peng Gong's (b. 1992) Tenth Symphony, subtitled 'Peking Fantasy' (Op. 55) was co-commissioned by the Philadelphia Orchestra and the Shanghai Philharmonic Orchestra in 2017. The world premiere of the 2018 original version was presented by the SPO in April of the same year in Shanghai, while the world premiere of the 2019 revised version was presented by the Philadelphia Orchestra in January at its home venue with the combined forces of both orchestras side-by-side. Inspired by the artistic power of Peking Opera ?the crowning heritage of Chinese traditional performing arts, the symphony strives to translate the emotional and philosophical experience of the art form for international audiences and to explore the Western orchestra's expressive abilities in capturing the Eastern spirit. The 2018 original version ran as long as 76 minutes, before the composer extensively revised the score down to 40 and presented it in a single movement without pause. The work is scored for a huge orchestra of over 100 players. Main materials that inspired the music are from the traditional Peking Opera repertory: The Drunken Beauty, Farewell My Concubine, In Pursuit of the General, and The Chancellor and the Advisor (lit. Cao Cao and Yang Xiu). 'Peking Fantasy' is in a sweet, direct musical language ...It's a work of highly original sounds presented in a series of vivid episodes.” -Peter Dobrin, The Philadelphia Inquirer Please note: this item will be printed at the time of ordering and will ship as soon as possible, usually within 2-3 weeks. / Date parution : 2022-01-18/ Répertoire / Orchestre
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Georg Friedrich Händel: Te Deum In A Major (Edited by Donald Burrows):
Orchestra
[Sheet music]
Novello & Co Ltd.
Te Deum In A Major (Edited by Donald Burrows)
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Gustav Mahler: Symphony No.8 'Symphony Of A Thousand': Orchestra: Miniature
Orchestra
Dover Publications
Miniature Score-Widely regarded as the crowning achievement of his career Mahle...
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Miniature Score-Widely regarded as the crowning achievement of his career Mahler's Symphony No.8 received overwhelming recognition at its first performance in 1910. Scored for orchestra eight solo voices double chorus boys' choir and organ.
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The Passion of His Love: Orchestra: Parts
Orchestra
Integrity Music
An Easter Praise and Worship Experience-This Easter praise and worship musical f...
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An Easter Praise and Worship Experience-This Easter praise and worship musical features over 20 titles blending great hymns of the season with some of the most powerful worship songs of our day like O the Passion Worthy Is the Lamb and Crown Him with ManyCrowns. Music narration lighting and production notes are included to assist in producing a worship experience that is perfect for intimate concerts or full productions. Orchestration includes score and parts for Flute 1 2 Oboe Clarinet 1 2 Bass Clarinet Bassoon Trumpet 1 2 3 Horn 1 2 (Alto Sax) Trombone 1 2 (Tenor Sax/Baritone TC) Trombone 3/Tuba Harp Violin 1 2 Viola (Clarinet 3) Cello String Bass Keyboard String Reduction Drums Percussion 1 2 and Rhythm. SATB Listening Cassette Listening CD CD Accompaniment Trax (Split) CD Rehearsal Trax Preview Pack (CD) Bulletin Pack (100) Poster Pack (10) and CD 10-Pack also available.
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Henryk Mikolaj Górecki: Symphony No.1 '1959': Orchestra: Study Score
Orchestra
[Study Score / Miniature]
Chester
Henryk Mikolaj Gorecki's career spans more than 40 years dating from the post-S...
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Henryk Mikolaj Gorecki's career spans more than 40 years dating from the post-Stalinist era of the mid 1950s and embracing a catalogue of more than 70 acknowledged works. It was not however until the phenomenal success of histhird symphony Symphony of Sorrowful Songs Op 36 which brought the composer world-wide renown through its numerous performances and recordings that his music reached an extended audience outside his native Poland. Since thenthe directness and emotional impact of his music have established him as one of the major figures of contemporary music.
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Christopher Brown: Playstrings Moderately Easy No. 10 Rustic Dances: Orchestra:
Orchestra
Chester
Rustic Dances (Brown)-Easy music for string groups. Playstrings provides an enjo...
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Rustic Dances (Brown)-Easy music for string groups. Playstrings provides an enjoyable and varied repertoire for young string orchestras carefully structured in two levels. The ???Easy??? level does not normally exceed Grade 2 in difficulty with most partsplayable in first position while the ???Moderately Easy??? level includes some parts of around Grade 3 standard. At easy level alternative parts are provided so that the absence of viola or a double bass does not prevent the piecefrom being performed. Available in score or sets of instrumental parts. There are over 30 titles covering a wide range of styles including classical pieces folk tunes and Christmas collections. Playstrings is an idealintroduction to orchestral playing for young string players. Set of 19 parts contains: 4 x Violin 1 4 x Violin 2 4 x Violin 3 2 x Viola 3 x Cello 2 x Double Bass/Cello 2.
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Per Nørgård: Wenn Die Rose Sich Selbst Schmückt: Orchestra: Score
Orchestra
Wilhelm Hansen
Wenn Die Rose Sich Selbst Schmückt Schmückt Sie Auch Den Garten (When The Ros...
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Wenn Die Rose Sich Selbst Schmückt Schmückt Sie Auch Den Garten (When The Rose Beautifies Itself It Beautifies The Garden ) was composed by Per Nørgård in 1971. Chamber Cantata for four performers Scored for Soprano Alto Flute Double Bass and Percussion (all playing also Crotales). Composed for and dedicated to Dorothy Dorrow. Parts available: KP01092 Preface / Programme Note The title of the work is borrowed from a fragment by the German poet Friedrich Rückert.This fragment this short sentence (which Rückert apparently neverelaborated upon) is the entire basis of the work. I was inspired by the meaning as well as the sound of these words.I perceive the meaning of the sentence as being a defence for the refinement of an individual’s personal gifts - far from the present hostility toward individuality and the senseless praise of impersonal success in society. Personal refinement can so the fragment in my interpretation at its best be accompanied by a deep sense of responsibility and become an active and positive influence in society.The sound the timbre of the individual words and characters is employed both instraightforward text-sequences as well as in the exploration of individual vowels and consonants as pure sounds. The soprano is often used purely instrumentally echoing and pre-echoing discreetly the notes of the flute and the harmonics of the double bass often imperceptably stealing their notes and altering them into human sounds which then yetagain are absorbed into the instrumental tapestry. Per Nørgård 1971
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Frédéric Chopin: Krakowiak Op.14: Piano: Score
Orchestra
[Sheet music]
PWM (Polskie Wydawnictwo Muzyczne)
To najdoskonalsze w ród chopinowskich rond przynosi prób my lenia nie samym t...
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To najdoskonalsze w ród chopinowskich rond przynosi prób my lenia nie samym tylko brzmieniem fortepianu. Orkiestra sta a si tu dla solisty partnerem wyrazistym i istotnym którego pomini cie nie by oby mo liwe bez utraty pi knej i oryginalnej faktury d wi kowej utworu. Wydanie ród owo-krytyczne zredagowane przez Jana Ekiera i Paw a Kami skiego na podstawie r kopisów kopii zatwierdzonych przez samego Chopina i pierwszych wyda . Jego celem jest przedstawienie twórczo ci Chopina w autentycznym kszta cie. Krakowiak w uk adzie na jeden fortepian znajduje si w tomie 15 A XIVa a wersja z wyci giem fortepianowym wtomie ''Utwory koncertowe'' 32 B VII G osy orkiestrowe s dost pne do wypo yczenia w Bibliotece Materia ów Orkiestrowych PWM w Warszawie.
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Reza Vali: Segah: Double Concerto: Orchestra and Solo: Score
Orchestra
Lauren Keiser Music Publishing
Full Score-The Persian traditional music (called the Dastgah Segah) is based on ...
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Full Score-The Persian traditional music (called the Dastgah Segah) is based on intervals made of three quarter-tones and natural whole-tones. Segah has no interval in common with the European/ Western equal-temperament tuning. This lack of common intervalsbetween the Segah mode and the equal-temperament tuning will lead to a cognitive dissonance if this mode is set against the equal-temperament system. My goal has been to elaborate on the innate tensions that exists between the two interval systemsand use it as a symbol for the existing political and cultural tensions between the Persian and the Western cultures. The piece consists of two Persian traditional instruments the Ney (Persian vertical bamboo flute) and the Kamanche (Persian spikefiddle) as the musical representatives of the Persian culture set against the Western orchestra as the musical representative of the Western culture. A small ensemble of Western instruments consisting of a harp and string quintet accompanies thePersian instruments. The harp is tuned to the Segah intervals and the string quintet plays in the Segah mode. The orchestra is performing inthe Western equal- temperament tuning. From the very first bars of the main section of the piece confusionsand misunderstandings arise. The orchestra being unable to play in Segah or understand the mode becomes more and more agitated. Musical tensions between the soloists and the orchestra lead to musical confrontations and finally to musicalviolence. The orchestra becomes extremely violent and militaristic and tries to suppress the soloists efforts to express their musical thoughts. In the midst of all these confusions and cultural misunderstandings musical connections and attractionsstart to take place. The orchestra and the soloists find themselves musically attracted to each other and start imitating each others musical phrases. Cognitive dissonances start to be gradually transformed to musical dialogues symbolizing thegradual replacement of the clash of civilizations with the dialogue of civilizations. Segah was written for Khosrow and Kian Soltani and premiered at the Segah Festival on January 15 2016.
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Ralph Vaughan Williams: Flos Campi: Orchestra: Study Score
Orchestra
Oxford Univertsity Press
Ralph Vaughan Williams' Flos Campi for SATB wordless chorus Viola solo and Orch...
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Ralph Vaughan Williams' Flos Campi for SATB wordless chorus Viola solo and Orchestra. Study score.This work is one of Vaughan Williams's most enigmatic pieces. Although the six movements all borrow their titles from the Old Testament's Song of Solomon the Chorus never articulates a single word. Instead it serves as a section of the Orchestra creating an elegant vocal texture and backdrop to the Viola's haunting solo lines.Flos Campi was premiered in October 1925 by the violist Lionel Tertis singers from the RCM and the Queen's Hall Orchestra directed by Sir Henry Wood.
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Ralph Vaughan Williams: Flos Campi: Orchestra: Part
Orchestra
Oxford Univertsity Press
Ralph Vaughan Williams' Flos Campi for SATB wordless chorus Viola solo and Orch...
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Ralph Vaughan Williams' Flos Campi for SATB wordless chorus Viola solo and Orchestra. Part for Viola.This work is one of Vaughan Williams's most enigmatic pieces. Although the six movements all borrow their titles from the Old Testament's Song of Solomon the Chorus never articulates a single word. Instead it serves as a section of the Orchestra creating an elegant vocal texture and backdrop to the Viola's haunting solo lines.Flos Campi was premiered in October 1925 by the violist Lionel Tertis singers from the RCM and the Queen's Hall Orchestra directed by Sir Henry Wood.
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Per Nørgård: Symphony No. 5: Orchestra: Score
Orchestra
Wilhelm Hansen
Full Score-Full orchestra score for Per Nørgård's Symphony No. 5 (1987-90 rev...
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Full Score-Full orchestra score for Per Nørgård's Symphony No. 5 (1987-90 rev.1991). Manuscript copy. Programme note: My 5th Symphony was commissioned by the Danish Radio Symphony Orchestra and premiered on December 6th 1990 by and dedicated to the Danish Radio Symphony Orchestra and conductor Esa-Pekka Salonen. After the premiere in 1990 I decided to revise the beginning (and only the beginning) of the work. The first pages of the score were discarded and about 20 seconds of new music was written in the summer of 1991. The new and final versionwas premiered on 1st of May 1992. The symphony progresses without pauses between movements often in several layers of tempo with mutual ´golden section´proportions. The listener´s experience of form in the work will therefore depend on the directions of his own attention. But so far as overall divisions are concerned four sections (perhaps five) - running into each other - can be traced: an expansive cascading introduction a kind of scherzo an chaconne-like adagio and a kind of finale again with the phenomenon of ´cascades´ as a main idea. However as the course is from time to time thrown into chaos by convulsive twitching and crises other experiences of form are opened out within a spectrum from wild to cautious from dramatic to contemplative in a universe of tempi which can suggest the title of a book of poems by the Danish Michael Strunge (1958-1986): ´Velocity of life.´ A listener described the symphony as “a walk with a fire-breathing dragon” and a reviewer described it with words like “a pacifist in times of war”. Anyway words and programme note are – as Carl Nielsen said about titles – only “road signs” for personal experiences in the area of music itself. Per Nørgård
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Texan Tenebrae HPS 1694 (TURNAGE MARK-ANTHONY)
Orchestra
Boosey and Hawkes
Par TURNAGE MARK-ANTHONY. This work was commissioned by the Canary Islands Festi...
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Par TURNAGE MARK-ANTHONY. This work was commissioned by the Canary Islands Festival, the Royal Concertgebouw Orchestra and the Chicago Symphony Orchestra. It was composed in 2009 and first performed on 21 January 2010 at Auditorio de Tenerife, Santa Cruz de Tenerife, Spain, by the London Philharmonic Orchestra, conducted by Vladimir Jurowski. This 8 minute atmospheric piece is moody and full of suspense, structured in a single slow movement. Suitable for advanced standard performers. / Date parution : 2022-10-12/ Répertoire / Orchestre
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Britta Byström: Screen Memories - Trumpet Concerto No.2: Orchestra: Score
Orchestra
[Sheet music]
Wilhelm Hansen
Britta Byström's Trumpet Concerto No.2 Screen Memories for Trumpet solo and Orc...
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Britta Byström's Trumpet Concerto No.2 Screen Memories for Trumpet solo and Orchestra (2012). Trumpet solo part: WH31514B Dedicated to Tine Thing Helseth. Premiered February 28 2013 by the Nordic Chamber Orchestra and Tine Thing Helseth conducted by Johannes Gustavsson at Stadshuset in Sundsvall Sweden. Programme note Screen Memories is the English translation of a Freudian term (Deckerinnerung is the original German term). In Swedish it is called 'täckminnen'. The term means strong but seemingly meaningless childhoodmemories as 'cover' for substantial memory. The title is something of a pun as the work is based on the composition Voyage Into the Golden Screen (1968-69) by Danish composer Per Nørgård – a modern classic in which Nørgård presents his compositional technique known as the infinity series. The technique which I freely apply in the “Trumpet Concerto” enables the development of an endless melody! In that sense “Screen Memories” adapts a second understanding: memories of the composition of Nørgård. Nørgård in turn adopted the title from a song by British songwriter Donovan – the first phrase of this song is in my trumpet concerto. And then there's a third musical reference: the second movement of Beethoven's Piano Sonata No. 8 'Pathetique'. I once heard it in concert while a massive rainstorm appeared and nearly drowned the music. A musical memory incorporated in the composition (the percussionist uses a “rain stick”). Screen Memories thus becomes a concert full of musical memories dressed in new clothes. It is written for and dedicated to the soloist Tine Thing Helseth whose soft and virtuoso
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Fantastic Beasts: Dumbledore (HOWARD JAMES NEWTON)
Orchestra
Alfred Publishing
Par HOWARD JAMES NEWTON. Fantastic Beasts: The Secrets of Dumbledore is as music...
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Par HOWARD JAMES NEWTON. Fantastic Beasts: The Secrets of Dumbledore is as musically intriguing as the motion picture's storyline with its stunning music by James Newton Howard. The magic and mystery of this installment of J.K. Rowling's adventure will come to life with this exciting arrangement by Chris M. Bernotas. This arrangement can be performed as a string orchestra alone or with any combination of winds and percussion up to a full orchestra. Featuring these highlights from the score: 'The Secrets of Dumbledore,' 'Lally,' 'Countersight,' 'The Room We Require,' and 'Hedwig's Theme.' / Date parution : 2022-10-25/ Répertoire / Orchestre
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Witold Lutoslawski: Concerto For Orchestra: Orchestra: Study Score
Orchestra
[Sheet music]
Chester
First performed in November 1954 by the Warsaw Philharmonic Orchestra conducted ...
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First performed in November 1954 by the Warsaw Philharmonic Orchestra conducted by Witold Rowicki. Duration c.29mins. Orchestral material available for hire from Chester Music.
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Stomp (With Fate And Elvira)
Orchestra
Boosey and Hawkes
Concert overture for orchestra, first performed in 2007 by the London Symphony O...
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Concert overture for orchestra, first performed in 2007 by the London Symphony Orchestra, conducted by Sir Colin Davis. The Times described the five-minute piece as 'an irreverent deconstruction of the two big works heard earlier - the Tchaikovsky 4th Symphony and Mozart's Elvira Madigan Piano Concerto, K467[...]? Stomp ?went through all sorts of wacky distortions before being whisked, ceilidh-style, into a punch-drunk jig of delight.? In response, the Financial Times commented, 'Imagine Mozart and Tchaikovsky in kilts, thrown into the middle of a highland fling.? / Orchestre
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John Luther Adams: Become Ocean: Orchestra: Score
Orchestra
Chester
Full Score-John Luther Adams' Become Ocean for Orchestra (Full score) 'Become O...
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Full Score-John Luther Adams' Become Ocean for Orchestra (Full score) 'Become OceanOver the years my orchestral music has become simpler and more expansive. Clouds of Forgetting Clouds of Unknowing (1991-95) contains four different musical textures. In the WhiteSilence (1998) has three. For Lou Harrison (2002) reduces this to just two. In Dark Waves (2007) I finally got to one. When Ifirst heard that piece I began to wonder if I could sustain asimilar sound for a longer span of time. The result is Become Ocean a meditation on the vast deep and mysterious tides of existence.Thetitle is borrowed from a mesostic verse that John Cage wrote in honor of Lou Harrison's birthday. Likening Harrison's music to a river in delta Cage writes: LiStening to it we becOme oceaN. Lifeon this earth first emerged from the sea. And as the polar ice melts and sea level rises we humans find ourselves facing the prospect that once again we may quite literally become ocean.' – John Luther Adams
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Gerald Finzi: The Fall of the Leaf Op. 20: Orchestra
Orchestra
[Score]
Boosey and Hawkes
Elegy-New edition to mark the 50th anniversary of the composer's death. Original...
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Elegy-New edition to mark the 50th anniversary of the composer's death. Originally intended as the final movement of a projected chamber symphony Finzi worked on this Elegy for Orchestra from 1929 until 1942. The title is borrowed from a dance in the Fitzwilliam Virginal Book. The orchestration was completed by Howard Ferguson soon after Finzi's untimely death.This new edition was prepared under the editorial oversight of Jeremy Dale Roberts.
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Hans Zimmer: Music from Gladiator: Orchestra: Score & Parts
Orchestra
[Sheet music]
Cherry Lane
With music by Hans Zimmer this striking soundtrack conveys a variety of dramati...
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With music by Hans Zimmer this striking soundtrack conveys a variety of dramatic moods and settings for this Academy Award-winning movie starring Russell Crowe. Powerfully scored for orchestra by John Wasson.
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Franz Joseph Haydn: Symphony No.89 In F Hob. I: Orchestra: Score
Orchestra
Barenreiter
Haydn's Symphony Hob. I:89 belongs to a group of symphonies composed between the...
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Haydn's Symphony Hob. I:89 belongs to a group of symphonies composed between the ?Paris? symphonies (Hob. I:82-87) and their ?London? counterparts (Hob. I: 93-104) the last ones he wrote before his trips to England in 1791-92 and 1794-95.The Symphony in F major is dated 1787 in the autograph score. In this work Haydn borrowed two movements from an earlier piece possibly owing to deadline pressure. The second and fourth movements are arrangements of movements 2 and 3 from his Concerto in F major Hob. VIIh:5 for two ?lire organizzate? and orchestra. The fact that he also arranged movements from his other lire concertos suggests that heregarded them as a sort of musical quarry. This at least allowed him to recycle parts of these works after his patron had probably prohibited him from offering them commercially.This edition continues the collaboration with the Henle publishing company regarding Haydn's large-scale choral works operas and symphonies. It is based on the Henle Complete Edition of the Works of Joseph Haydn. The complete performance material for several Sturm und Drang symphonies and all of the London and Paris symphonies is now available from Bärenreiter.
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Jean Sibelius: Symphony No. 6 Op. 104: Orchestra: Study Score
Orchestra
[Sheet music]
-
Intermediate/advanced
Wilhelm Hansen
Jean Sibelius completed this work in February 1923 and conducted the premiere in...
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Jean Sibelius completed this work in February 1923 and conducted the premiere in Helsinki on February 19 of that same year. His first reference to the work in 1918 described it as 'wild and passionate in character. Dark with pastoral contrasts. Probably in 4 movements...intensifying in a dark orchestral swell [until] the main theme is drowned.' At the same time he cautioned that his plan could change — and how it did! — 'depending on the way my musical thinking develops. I am always a slave to my themes and obey their demands.'
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Camille Saint-Saëns: Danse Macabre Op. 40: Orchestra: Study Score
Orchestra
[Study Score / Miniature]
Eulenburg
Poème Symphonique-Re-edited ? with a detailed preface by Wolfgang Birtel. The...
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Poème Symphonique-Re-edited ? with a detailed preface by Wolfgang Birtel. The famous Symphonic Poem from 1984: Death plays a dance tune the skeletons rise from their graves and dance an eerie dance to the music until the crowing of the cock puts an end to the macabre.
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Per Nørgård: Prelude To Breaking - Vers. 2010: Orchestra: Score
Orchestra
[Sheet music]
Wilhelm Hansen
Vers. 2010-This 2010 version (with Harp instead of Piano and without Percussion)...
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Vers. 2010-This 2010 version (with Harp instead of Piano and without Percussion) was edited by harpist Tine Rehling in 2010 in collaboration with Ivan Hansen and the composer. Instr.: fl(afl).cl(bcl).hp.2vn.va.vc A Mezzo Soprano may (ad lib.) sing the following fragment of a text 'Drunknande i dimman gryningens svindelfåglar: den glasklare drömmens punkter av glömska.' 'Drowning in the mist the birds of dizziness in the dawn: moments of forgetfullness in the crystal clear dream.' by Gunnar Ekelöf in the Coda (bars 85 to 91). Orig. 1986 version: KP00108
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Edward Elgar: Symphony No.2 In E Flat Op.63: Orchestra: Miniature Score
Orchestra
Eulenburg
Having achieved unprecedented success with his Symphony No.1 Elgar was now full...
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Having achieved unprecedented success with his Symphony No.1 Elgar was now fully confident of his symphonic prowess and threw himself into work on its successor.Available here is an Eulenburg miniature score of Elgar’s second symphony which is ideal for study and perusal use.
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