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ELECTRONIC …
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EUPHONIUM
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FLUTE
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OUD
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You've Selected:
Sam
Orchestra
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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Piano solo (1560)
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Guitar notes and tablatures (386)
Guitar (347)
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Orchestra (241)
Divers (238)
Organ (236)
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Marching band (201)
Lyrics and Chords (188)
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Clarinet (179)
Chamber Orchestra (146)
Choral 3-part (145)
Soli, Mixted choir and accompa… (143)
Trumpet (138)
Flute and Piano (133)
Alto Saxophone (120)
C Instruments (117)
Saxophone (114)
Cello (112)
Choeur SAM (103)
String Orchestra (93)
1 Piano, 4 hands (92)
Bass guitar (91)
Keyboard (88)
Trombone (87)
Ukulele (81)
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Easy Piano (81)
Melody line, (Lyrics) and Chor… (80)
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Ensemble A Vent (75)
Musical course - Solfege (74)
Accordion (74)
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Orchestra, Violin (73)
Voice solo (71)
High voice, Piano (65)
Viola (64)
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All Instruments (57)
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Tenor Saxophone (56)
Mandolin (55)
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B Flat, E Flat, C and Bass cle… (53)
Cello, Piano (53)
Clarinet and Piano (45)
Music Theory (43)
Brass Quintet: 2 trumpets, hor… (43)
Piano Trio: piano, violin, cel… (43)
Tuba (41)
Low voice, Piano (40)
Woodwind Quintet: flute, oboe,… (39)
Trumpet, Piano (39)
Medium voice, Piano (38)
Opera (38)
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Ensemble (32)
Viola, Piano (31)
Soprano voice, Piano (31)
Tuba or Euphonium or Saxhorn (29)
2 Guitars (duet) (27)
Alto Saxophone and Piano (27)
Banjo (27)
2 Pianos, 4 hands (26)
Travaux Pour Choeurs (26)
2 Saxophones (duet) (26)
Choral SSAA (24)
Solistes SAB, Choeur SATB, 3 F… (23)
Children choir (23)
Descant (Soprano) Recorder (23)
Baritone voice, Piano (22)
Double Bass (21)
Mezzo-Soprano voice, Piano (21)
2 Violins (duet) (21)
Choral TTBB (21)
Flute and Guitar (20)
Oboe, Piano (duet) (20)
Piano Accompaniment (19)
2 Flutes (duet) (19)
2 Clarinets (duet) (19)
Quintette de Cuivres (18)
Band Scores (18)
ENS::Ensemble (18)
2 Violons, Violoncelle et Orgu… (16)
Choeur d'Enfants, Solistes, In… (16)
Voice, Guitar (16)
Trombone and Piano (16)
Chant (16)
Tenor voice, Piano (16)
CD (16)
String Trio: violin, viola, ce… (15)
Saxophone Quartet: 4 saxophone… (15)
Trumpet, Trombone (duet) (15)
Saxophone and Piano (15)
Choeur SSAT/SATB/TTBB, Grand C… (14)
String Trio: 2 violins, cello (14)
Big band (14)
2 Cellos (duet) (13)
Solistes, Choeur d'Enfants, 3 … (13)
Flute, Orchestra (13)
Treble (Alto) Recorder (13)
B Flat, E Flat and C Instrumen… (13)
Double bass, Piano (duet) (13)
Choeur SSAM, (4 Instruments Co… (12)
3 Instruments En Mib (12)
Choeur de Femmes (12)
Cello, Orchestra (12)
Solistes SATBB, Choeur SATB, 2… (12)
3 Instruments En Sib (12)
Piano Quintet: piano, 2 violin… (12)
Trio (12)
Choeur SATB/SATB, (Contrebasse… (12)
Flute, Clarinet (duet) (12)
Tuba and Piano (11)
Educatif (11)
Choeur SA (SAM) et Basse Conti… (11)
Soprano voice (11)
Solistes ATB, Choeur SATB, Tro… (11)
Trompette ou Bugle ou Cornet o… (11)
Saxophone (band part) (11)
Piano Quintet: piano, violin, … (11)
Flute Trio: 3 flutes (11)
Cor en Fa (11)
Chant et Guitare (11)
Bassoon (11)
Chant, Accords Et Piano (10)
Solistes SATB, Choeur SATB, 2 … (10)
Harmonica (10)
Dulcimer (10)
Solistes SATB, Choeur SATB, Or… (10)
Choeur SSAM (10)
3 Guitars (trio) (10)
Stationery (10)
2 Trumpets (duet) (10)
String quintet (9)
Piano, Voice, Guitar tablature… (9)
Baryton ou Tuba Basse Continue… (9)
Choeur SAM, 2 Flûtes Traversi… (9)
Choeur SSATB, (5 Instruments, … (9)
Parties (9)
:: (9)
3 Instruments En Do (9)
Solistes S (A) TB, Choeur SATB… (9)
Choeur SSAT/ATBB (9)
Choral SSATB (9)
Percussions (9)
Choral Unison (9)
3 Clarinets (trio) (9)
Conducteur (9)
Ensemble Mixte (9)
Piano Quartet: piano, violin, … (9)
Saxophone Baryton (9)
Trio avec Piano et Baryton ou … (9)
Batterie et Percussions (9)
Bass Clef Instruments (9)
2 Recorders (duet) (9)
French Horn and Piano (9)
Trumpet, Orchestra (8)
Flute, Clarinet, Horn and Bass… (8)
Saxophone Alto, 2 Trombones, T… (8)
Low voice (8)
Solistes SSAATB (SATB), Choeur… (8)
Violon, Alto, Violoncelle et C… (8)
Quintette avec Piano (8)
Voice and Orchestra (8)
Choeur Mixte (Voix SAM), Flût… (8)
Choeur SSAM, Flûte Traversiè… (8)
Guitare et Musique de Chambre (8)
Concert Band/Harmonie (8)
Clarinet, Violin, Cello, Piano… (8)
Solistes SB, Choeur SSB (SAM),… (8)
Piano, Bass, Drums (trio) (8)
Quintette à vent (8)
Organ, Trumpet (duet) (8)
Trio à Cordes (8)
Choeur à 1 Partie, Choeur SAM… (8)
Choeur SAM et Orgue (8)
Choeur SSA, 2 Flûtes Traversi… (8)
Recorder Quartet (8)
Petit Orchestre: Récitant, So… (8)
Euphonium (8)
Choeur SAM, Flûte à Bec F1, … (7)
Trombone and Orchestra (7)
Soli (ATB), Choeur Mixte (SATB… (7)
Flûte / Hautbois / Flûte à … (7)
Choeur d'Enfants SA, Timbales,… (7)
Voix et Instruments Divers (7)
String Trio: 3 violins (7)
Flute ensemble (7)
Solo M, Choeur SAM, Hautbois, … (7)
Flûte Traversière Violon et … (7)
SAM et Piano (7)
Orchestre, Orchestre A Cordes … (7)
Violon 1, Violon 2, Alto, Viol… (7)
Brass Quartet: 4 trombones (7)
Clarinette Basse ou Clarinette… (7)
Quintette (7)
Choral SSAATTBB (7)
Saxhorn or Euphonium (7)
3 Saxophones (trio) (7)
Biography (7)
Treble (Alto) Recorder, Piano (7)
Harpsichord (6)
Flute, Viola and harp (6)
4 Parties Mixtes Et Orchestre (6)
Choeur SAM, (Choeur Soli) et O… (6)
Mezzo-Soprano voice (6)
Solo S, Choeur SAM, Flûte à … (6)
Euphonium or Saxhorn and Piano… (6)
Solo T et Orchestre (6)
Solistes (SATB), Choeur Mixte … (6)
Choeur SAM, 2 Violons, Alto (F… (6)
Baryton / Tuba / Clarinette Ba… (6)
Violine und Orchester (6)
Organ, Piano (duet) (6)
Solistes SS, Choeur SATB, 2 Vi… (6)
Saxhorn en Sib (6)
Baritone Saxophone (6)
Choeur SAM, 3 Violons et Basse… (6)
Concert Band ou Harmonie et Tr… (6)
Trombone (band part) (6)
Choeur SAM, 2 Trompettes ou 2 … (6)
Xylophone or Marimba or Vibrap… (6)
Saxhorn en Sib en Clé de Sol … (6)
Dobro (6)
Trombone or Euphonium (6)
Marimba (6)
Chanson (6)
Cajon (6)
Piano Trio: Violin, Viola, Pia… (5)
Clarinette, Alto et Piano (5)
2 Choeurs Mixtes à 4 Voix (5)
Solistes, Div. Instruments à … (5)
Accordion ensemble (5)
Solistes SSB (Solo B, Choeur S… (5)
Solo à et Orchestre (5)
Timpani (5)
Choeur d'Enfants à 1 Partie, … (5)
Cordes Et Basse Continue (5)
Solistes, Div. Instruments à … (5)
Solo S, Choeur SAM (SATB), Fl… (5)
High voice (5)
Trio avec Piano (5)
Clavecin (5)
Choeur SAM, 2 Violons (2 Hautb… (5)
Choeur SSAT/ATBB (SSAT/AT, 2 V… (5)
Percussions Diverses (5)
Choeur d'Enfants à 1 Partie, … (5)
Choeur SAM, Flûte Traversièr… (5)
SAM a Cappella (5)
Cornet en Mib (5)
2 Violons, Alto, Violoncelle e… (5)
Solistes SBar, Choeur SAM, 2 V… (5)
Solistes SB, Choeur SAM, 2 Vio… (5)
Guitar Ensemble (5)
Bassoon, Piano (duet) (5)
Piano, Guitar (Chords) (5)
Djembe (5)
Partition de Poche (5)
4 Guitars (Quartet) (5)
Parties Supplémentaires (5)
Partie Séparée (5)
Basson ou Trombone ou Baryton (5)
Guitare, Flûte Ad Libitum et … (4)
Chant et Ensemble de chambre (4)
Violon, Violoncelle et Electro… (4)
String Quintet: 2 violins, vio… (4)
Accordion, Flute (4)
Flûte Traversière (Ney), Sop… (4)
Solo S, Choeur SAM, 2 Violons … (4)
Marches militaires (4)
2 Flûtes à Bec Soprano et Gu… (4)
Flûte Traversière Harpe et A… (4)
Musical (4)
Voice Soprano, Cello (4)
Solistes, Choeur d'Enfants à … (4)
2 Flûtes à Bec Soprano Percu… (4)
Horn and String Quartet (Quint… (4)
Clarinet (band part) (4)
Violoncelle, Contrebasse, Bass… (4)
Clarinette, Flûte Traversièr… (4)
Piano Quartet: piano, 2 violin… (4)
2 Choeurs Mixtes à 4 Voix (SS… (4)
Quatuor à Cordes et Percussio… (4)
Woodwind Quintet (4)
Clarinet Quintet: Clarinet, St… (4)
Violin, Cello (duet) (4)
Flûte Traversière Clarinette… (4)
Accordion - Piano, Voice, Guit… (4)
Clarinet Quartet: 4 clarinets (4)
Livret (4)
Snare drums (4)
Flute, Violoncello (4)
3 Violons, Bas Viol et Basse C… (4)
Trumpet (band part) (4)
2 Flûtes Traversières ou Vio… (4)
Alto (Violon, Violoncelle) Et … (4)
Flûte à Bec, Flûte Traversi… (4)
Soli (SATB), Choeur Mixte (SAT… (4)
Quintette à Cordes (4)
Violon, Violoncelle, Alto et C… (4)
2 Violas (duet) (4)
Exemplaire Complet (4)
Rock, latino, jazz (4)
Clarinette et Quatuor à Corde… (4)
Education musicale (4)
Choeur SAM, 2 Instruments de M… (4)
2 Violins, Guitar (trio) (4)
Soli (T (Evangelist), B (Jesus… (4)
Descent (Soprano) Recorder, Pi… (4)
ENS::Ensemble d'cole (4)
Voix, Instruments (4)
Nursery rhyme (4)
Vibraphone (4)
Clarinette, Saxophone, Trompet… (4)
Choeur SAM et Basse Continue (4)
Clarinette Alto (4)
Flexible Instrumentation (4)
Saxophone Quintet: 5 Saxophone… (4)
Musical Awakening (4)
Flûte à Bec et Orchestre à … (4)
Tenor Banjo (4)
Vocal duet (4)
String Quintet: 2 violins, 2 v… (3)
Choeur Mixte Et Cordes (3)
Fac-similé (3)
Baritone voice (3)
Alto voice, Piano (3)
Tuba ou Basson (3)
1 Ou 2 Flûte(s) Traversière(… (3)
Concert Band ou Harmonie et Cl… (3)
Trombone et Brass Band (3)
Flute, Violin, Piano (3)
Flute Quartet: 4 flutes (3)
Ensemble de Flûtes à Bec (5)… (3)
Saxophone Ténor et Piano (3)
Cello Ensemble (3)
Double bass, Orchestra (3)
Brass Quartet: 2 trumpets, hor… (3)
Voix et Piano Réduction (3)
Solo S (T), Violon Solo et Org… (3)
3 Recorders, Piano (3)
Oboe, Clarinet, Bassoon (trio)… (3)
Piano, Oboe and Bassoon (3)
Orchestre A Cordes (Alto Aussi… (3)
33 Chanteurs (9 Voix, darunter… (3)
Symphonic Band (3)
School Ensemble (3)
Concert Band ou Harmonie et 3 … (3)
Voix, Ensemble et Electronique… (3)
Solistes ATB, Choeur SATB, Cor… (3)
Clarinet, Cello, Piano (trio) (3)
Choral CD (3)
Double Choeur A 8 Voix (SSAT E… (3)
Saxophone Alto et Saxophone T… (3)
Descant (Soprano) Recorder, Ba… (3)
Brass ensemble, Organ (3)
Guitare Tablatures Classique e… (3)
Concert Band ou Harmonie et Tr… (3)
Piano, Guitar, Bass (3)
Cor en Mib (3)
String trio (3)
3 instruments in Ut (3)
Choeur d'Enfants et Piano (3)
Didgeridoo (3)
Orgue et Orchestre (3)
Drums/Percussion (3)
Basson, Trombone ou Baryton (3)
Bass Trombone (3)
Saxophone en Mib et Piano (3)
Saxhorn Basse en Sib, Euphoniu… (3)
Orchestre, Orchestre à Cordes… (3)
Choeur SSATB et Basse Continue… (3)
Piccolo (3)
2 French horns (duet) (3)
Flute, Cello, Guitar (3)
Instruments en Clé de Fa (3)
Clavecin Et Instruments A Cord… (3)
2 Trombones (duet) (3)
2 Trumpets, Keyboard (piano or… (3)
Matériel D'Orchestre (3)
Batterie Brésilienne (3)
Bass Clarinet (3)
Conga (3)
3 Recorders (trio) (3)
Trombone en Sib ou Baryton ou … (3)
DVD concert (3)
Voix et Orchestre (3)
Clarinet, Guitar (duet) (2)
Lyrics only (2)
Oboe and Orchestra (2)
Trompette en Sib (2)
Cello, Organ (2)
Choeur SAM, 2 Trompettes, Trom… (2)
Flute (band part) (2)
Choeur SATB et Basse Continue (2)
Clarinette Ou Trompette Et Pia… (2)
Darbouka (2)
6 Voix et 2 Trombones (2)
2 Basses de Viole et Basse con… (2)
SATB a Cappella (2)
Saxophone ensemble (2)
Choeur SSA Et Percussions (2)
Children choir, Instruments (2)
Section Rythmique (Piano, Guit… (2)
Guitare, Saxophone, Clarinette… (2)
Choeur SAM, (Instruments) (2)
3 Chanteurs Et Petit Ensemble … (2)
Soprano et Ensemble (2)
Percussion (band part) (2)
Guitare (Fingerpick) (2)
Choeur Unison (2)
Chamber Music (2)
2 Recorders, Piano (2)
Solistes SA (SAM) et Orgue (2 … (2)
Choeur SAM et Maître de Chape… (2)
CLT/ORCH::Clarinette, Orchestr… (2)
Choeur SAM, Paroisse, 2 Violon… (2)
Piano (band part) (2)
Soprano (2)
3 Flûtes à Bec Alto (2)
Flûte Traversière ou Hautboi… (2)
Solistes, Choeur, Quatuor A Co… (2)
Flûte à Bec et Percussions (2)
Clarinet, Orchestra (2)
Choeur et Ensemble Mixte (2)
Snare drums, Piano (2)
Voix Mixtes (2)
Piccolo, Piano (2)
Paroisse, Choeur SAM et Vents … (2)
2 Saxophones Soprano (2)
Harpsichord and Strings (2)
Electric Bass (band part) (2)
Choeur SAM, Paroisse, 2 Trompe… (2)
Solo M et Choeur SAM (2)
E Flat Instruments (2)
Concert Band / Harmonie (2)
Mallet Percussions (2)
Chant et Basse Continue (2)
Livres (2)
Piano (Accompagnement) (2)
Viola and orchestra (2)
3 Flûtes à Bec et Percussion… (2)
SSMezTB et Clarinette Basse (2)
2 Flutes, Piano (2)
2 Percussions (2)
Voice, melodic lines, and Guit… (2)
Instruments Cuivre (2)
Trombone et Basse Continue (2)
Choeur SSAM, 3 Trompettes et 2… (2)
Flûte de Pan et Brass Band (2)
CLT/VLN/VLC/PERC/ELEC::Clarine… (2)
Bongos (2)
Bouzouki (2)
Choeur SAM, Flûte à Bec C2, … (2)
Chorale (2)
7 Percussions (2)
Orgue Et Musique De Chambre (2)
SingSt, Klavier (2)
Piano et Clavier (2)
Soprano Saxophone (2)
Voice Mezzo-Soprano, Orchestra… (2)
7 Instrumentistes, Partition D… (2)
Singstimme (2)
1 ou 2 Violoncelles et Piano (2)
Marimba (2)
Trompette ou Tuba et Concert B… (2)
Piano et Orchestre à Cordes (2)
Double Choeur à 8 Voix (SSAA … (2)
2 Xylophones and 2 Marimbas (2)
2 Saxophones, Piano (2)
Violon II (2)
3 Trompettes Et 3 Trombones (2)
Recorder Ensemble (2)
Ensemble Flexible (2)
SOP/CLT/STR QUARTET::Soprano, … (2)
4 Percussions (2)
Choeur (Unisson Ou Voix Aigues… (2)
Violin, Guitar (duet) (2)
Orateur et 31 Instrument, Part… (2)
Soli and Orchestra (2)
Set de Cordes (2)
Choeur SAM (SATB), Paroisse, 3… (2)
Viola Seule, Gr. Flûte, Hautb… (2)
Tiefe Singstimme und Klavier (2)
Choeur SAM, Gem, Vents ou Orgu… (2)
Recorder, Piano (2)
2 Cellos, Piano (2)
Percussions et Concert Band ou… (2)
Tenor voice (2)
Drum (band part) (2)
2 ou 3 Flûtes à Bec Alto (2)
Clarinet, Bassoon (duet) (2)
Baryton (2)
Choeur SAM, 2 Flûtes à Bec (… (2)
Violin, Organ (2)
Lute (2)
3 Trompettes et Concert Band o… (2)
Cornet et Brass Band (2)
Guitar and String Quintet (2)
Guitar (band part) (2)
Saxophone Alto, Saxophone Sopr… (2)
Choeur SAM, 3 Trompettes et 2 … (2)
Tuba (band part) (2)
Chœur Mixte [SATB] a Capella (2)
Saxophone et Concert Band ou H… (2)
Viola, Organ (2)
Piano, Guitar (duet) (2)
Flûte à Bec Ténor (2)
Choeur SAM - SATB (2)
Voix Haute (2)
SOP/CLT/VLA/VLC/DB::Soprano, C… (2)
Chœur d'Hommes [TTBB/TTBB] et… (2)
Melody line, Piano (2)
Saxophone Alto ou Ténor (2)
VLN/SSAX/PFC::Violin/Soprano S… (2)
Violin, Viola (duet) (2)
Choeur SAM, 1 ou 2 Melinstr et… (2)
Choeur SAM à SATB (2)
3 Accordéons (2)
Ténor, Alto ou Baryton et Orc… (2)
Guitare Electrique (2)
2 Parties Voix Aigues (SS) Et … (2)
Tenor, Choeur Mixte Et Orchest… (2)
Choeurs et Orchestre D'Harmoni… (2)
French horn (band part) (2)
4 Parties Mixtes (2)
Medium Voice (2)
2-3 Blockflöten (Sopran, Alt… (2)
Horn Ensemble (2)
Choeur SAM ou STT (1)
Saxophone Soprano ou Ténor, O… (1)
2 Clarinettes Ou 2 Trompettes … (1)
Blechbläser (1)
Violoncelle (Partie Séparée)… (1)
Melody instruments (1)
Soprano Dramatique (1)
Voix Moyenne (1)
Trompette (Et Piano Ad Libitur… (1)
1-2 Saxophones (1)
5 Solistes, 2 Choeurs Et 2 Orc… (1)
Trombone ou Baryton ou Tuba ou… (1)
2 à 4 Guitares (1)
M/SATB/STR QUARTET::Mezzo-Sopr… (1)
Choeur Mixte (ATB) Ou Choeur D… (1)
A Cappella (1)
Octuor De Cuivres Et Timbales (1)
Orchestre A Cordes, Flûtes Tr… (1)
Brass Quartet: 4 trumpets (1)
Choeur SAM, Instruments Mélod… (1)
Guitar and Bass Tablatures, Ch… (1)
2 Parties Mixtes Et Piano (1)
Solistes SATB, Choeur SATB, Ha… (1)
Choeur SA (SAM) et Orgue (1)
Choeur SAM et Paroisse (1)
Soprano, Alto, Chœur Mixte SA… (1)
Choeur Mixte, Orgue et Instrum… (1)
2 Organs (duet) (1)
Trompette (Cornet) Et Piano (1)
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Samuel Barber: First Essay For Orchestra Op.12: Orchestra: Study Score
Orchestra
Schirmer
The study score of Samuel Barber's First Essay For Orchestra Op.12 as first per...
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The study score of Samuel Barber's First Essay For Orchestra Op.12 as first performanced by the NBC Symphony Orchestra with conductor Arturo Toscanini New York on 5 November 1938.
16.99 GBP - Sold by Musicroom UK
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Rituale (ODEH-TAMIMI SAMIR)
Orchestra
[Score]
Ricordi
für Orchester. Par ODEH-TAMIMI SAMIR. / Date parution : 2023-06-01/ Répertoir...
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für Orchester. Par ODEH-TAMIMI SAMIR. / Date parution : 2023-06-01/ Répertoire / Orchestre
103.52 EUR - Sold by LMI-partitions
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CAPRICORNUS (ODEH-TAMIMI SAMIR)
Orchestra
[Score]
Ricordi
Par ODEH-TAMIMI SAMIR. / Date parution : 2023-06-01/ Répertoire / Ensemble
64.08 EUR - Sold by LMI-partitions
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Samuel Barber: Third Essay for Orchestra: Orchestra: Score
Orchestra
Schirmer
Score-This third essay for Orchestra was written by Samuel Barber in 1978.
29.99 GBP - Sold by Musicroom UK
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Samba Spirits for Orchestra - Full Score: Orchestra: Score
Orchestra
Lauren Keiser Music Publishing
Samba Spirits For Orchestra
39.99 GBP - Sold by Musicroom UK
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Samuel Barber: Second Symphony Op. 19: Orchestra: Score
Orchestra
Schirmer
Score-Samuel Barber's Symphony No.2 Op.19 is a work for Orchestra. Duration 27 m...
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Score-Samuel Barber's Symphony No.2 Op.19 is a work for Orchestra. Duration 27 minutes.
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Barry E. Kopetz: Fantasy on a Theme by Samuel Barber: Concert Band: Score and
Orchestra
[Sheet music]
Schirmer
Standard US Set (without european suppl. parts)-Barry E. Kopetz' Fantasy On A Th...
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Standard US Set (without european suppl. parts)-Barry E. Kopetz' Fantasy On A Theme By Samuel Barber. Score and parts for Orchestra. The basis for this composition is the beautiful legato theme from Barber's 'Overture to the School for Scandal.'
49.99 GBP - Sold by Musicroom UK
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Barry E. Kopetz: Fantasy on a Theme by Samuel Barber: Concert Band: Score
Orchestra
[Sheet music]
Schirmer
Score-Barry E. Kopetz' Fantasy On A Theme By Samuel Barber. Full score for Orche...
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Score-Barry E. Kopetz' Fantasy On A Theme By Samuel Barber. Full score for Orchestra. The basis for this composition is the beautiful legato theme from Barber's 'Overture to the School for Scandal.'
7.50 GBP - Sold by Musicroom UK
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Evis Sammoutis: Iri Da Iri: Orchestra: Score
Orchestra
University Of York Music Press
Iri Da Iri by Evis Sammoutis was commissioned by Venice Biennale 48th Internatio...
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Iri Da Iri by Evis Sammoutis was commissioned by Venice Biennale 48th International Festival of Contemporary Music first performance: 22 October 2004 by Orchestra Sinfonica de Friuli Venezia conducted by Giulia & Christoph Poppen.15'; for orchestra: 2(1st=picc).1(=ca).2(2=bcl).1(=cbn) / 2hn.2tpt.1tenor tromb) / 1pf.1hp.timps.2perc / 10.8.6.5.3
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Camille Saint-Saëns: Samson et Dalila Opera en 3 Actes: Opera
Français
Orchestra
[Study Score / Miniature]
Durand
Samson Et Dalila Poche
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Brazil By Night/Samba-Medley/Vive la France/Walzer-Medley (Salonorchester). Sheet Music for Orchestra
Orchestra
[Sheet music]
Peer Musik Verlag
Von Peermusic gibt es Arrangements berühmter Klassiker diverser Genres für Sal...
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Von Peermusic gibt es Arrangements berühmter Klassiker diverser Genres für Salonorchester in Doppelnummern (Bänden mit 2 Musiktiteln) - ähnlich wie die Doppelnummern für Combo. Die Besetzung - Standard: C-Stimme (Akkordbezifferung und Text); Gitarre/Melodie (Akkordbezifferung und Text); Drums/Melodie (mit Text); 1./2. Violine; 1./3. Stimme Altsax; 2. Stimme Tenorsax; 1./2. Stimme Trompete; 1. Stimme Posaune; Bass; Klavier (Akkordbezifferung und Text) Hier der Doppelband mit Brazil By Night/Samba-Medley und Vive la France/Walzer-Medley (beide: Lakits).
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Michael Schelle: Samurai: Orchestra: Full Score
Orchestra
Lauren Keiser Music Publishing
Written in memory of Akira Kurosawa director of the film The Seven Samurai.
59.99 GBP - Sold by Musicroom UK
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Hans Abrahamsen: Four Pieces For Orchestra: Orchestra: Score
Orchestra
Wilhelm Hansen
Four Pieces For Orchestra was composed by Hans Abrahamsen in 2000-2003. Programm...
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Four Pieces For Orchestra was composed by Hans Abrahamsen in 2000-2003. Programme note: In 1983 Hans Abrahamsen wrote the first seven of his Ten Studies for Piano. In the early eighties most composers who wrote for the piano were still making strenuous efforts to distance themselves from the instrument?s romantic past for example treating it as a percussion instrument rather than exploiting its expressive ?singing? potential. The piano?s modern identity as a mechanical rational emotionally cool instrument is reflected in Abrahamsen?s studies 5 7; but in the first four studies Abrahamsen allows the piano to?recollect? its past: especially what the composer calls ?the golden German romantic time full of expression night timelessness dream and the irrational?. Accordingly these first four studies were given German one might specifically say Schumanesque - titles: Traumlied (?Dreamsong?) Sturm (?Storm?) Arabeske (?Arabesque?) and Ende (?End?). While Abrahamsen was in no way dissatisfied with the first four Studies as piano music he soon felt the urge to expand them in both time and space. In their new identity as Four Pieces for Orchestra created between 2000-2003 the original studies nearly doubled in length while the forces required expanded from one soloist to an orchestra of Mahlerian/Straussian dimensions including instruments beloved by the late-romantics: Wagner tubas bass trumpet guitar mandolin and the hammer used so memorably in Mahler?s Sixth Symphony and Alban Berg?s Three Pieces for Orchestra. The results are not so much ?arrangements? of the four piano studies more recompositions. A helpful comparison might be made with certain painters: Cézanne portraying the same mountain from different angles; or Monet obsessively returning to Rouen Cathedral in different lights and weather conditions. Abrahamsen himself remembers an important visit to the Munch Museum in Oslo where he saw how Munch painted the same subject
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Per Nørgård: Symphony No. 6 'At The End Of Day': Orchestra: Score
Orchestra
Wilhelm Hansen
Symphony No. 6 'At The End Of Day' (1997-99) for Orchestra by Per Nørgård. Pro...
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Symphony No. 6 'At The End Of Day' (1997-99) for Orchestra by Per Nørgård. Programme note: ”… with the Lord a day is like a thousand years and a thousand years is like a day” (New Testament 2 Peter 3:8) My SYMPHONY NO. 6 was commissioned by the Danish National Radio Symphony Orchestra the Göteborg Symphony Orchestra and the Oslo Philharmonic Orchestra to be premiered at the millenium 2000. The subtitle AT THE END OF THE DAY can be understood literally or it can mean “when all is added up”. However in my opinion nothing ever quite adds up there is always “something” missing any ending will be provisional ... This symphony appears to end only a few minutes into the first movement the first passage as the music fades away to almost-silence after a start of flying colours. But then there is still “something” a small motive (first heard in the initial sound-waves) which reappears hesitant but persistent and this embryo is what leads on the musical progression. An agitated section of many instrumental voices comes next until all the voices become obsessed with the same phrase a see-saw motive based on thirds. This section evolves into almost martial ferocity when broken off by a tutti descent into an extreme bass-world (a bass-world which actually permeates the whole symphony emplyoing instruments that I have never used before: double-bass tuba double-bass trombone double-bass clarinet and bass flute). The second movement the second passage apparently takes off where the first passage ended but now the events are more ambiguous and the same music may be perceived as fast-moving one moment and slow-moving the next. This section is a kind of passacaglia the characteristic baroque bass-variation. Without a break follows the third and last passage in a
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Richard Strauss: Der Zweikampf [The Duel] (1884): Orchestra: Score and Parts
Orchestra
Spartan Press
o.Op. 82 TrV 133- We are grateful to the University of Edinburgh Library Centr...
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o.Op. 82 TrV 133- We are grateful to the University of Edinburgh Library Centre for Research Collections for providing us with access to a manuscript of this work. At shelf-mark Mus.M.645 is a set of parts in the hand of an unknown copyist annotated by John Parr (the bassoonist of Sheffield) who also wrote a full score and second copies of the bassoon and bass parts. The score is dated 1930 and the bassoon part 1934. It is here entitled merely 'duet for flute and bassoon with orchestra' and ascribed to R. Strauss. We are also grateful for advice from Dr Christian Wolf of the Richard-Strauss-Institut in Munich whohave access to a copy of 'der Zweikampf' made by Cl. Schubert but the Richard-Strauss-Archiv in Garmisch-Partenkirchen will not permit them to make a complete copy for us but has permitted sample pages to be copied confirming the identity of the music. They also affirm the considerable doubt as to Richard Strauss being the composer however no other composer has been suggested in his stead. In the Strauss bibliography a date of composition of 1884 is given when he was twenty years old. We would also like to acknowledge with thanks the help of Drs Jenny Nex and Lance Whitehead of Edinburgh in deciphering the manuscript and advising on the piano reduction. In editing the work we have corrected a few evident errors and made the dynamics consistent. There was no given tempo indication in some of the parts but Parr added 'allegro moderato' which is also the tempo indication in the Munich manuscript. He also suggested the bass pizzicato in most of the polacca but perhaps this was intended only for the double bass should one be present. There are some discrepancies between the Edinburgh score and parts which we have resolved somewhat arbitrarily on musical grounds. The differences between the Munich and Edinburgh versions are mostly small as far as we can discern; the
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Søren Nils Eichberg: Symphony No. 1: Orchestra: Score
Orchestra
[Partitions]
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Advanced
Wilhelm Hansen
2005-Søren Nils Eichberg's Symphony No. 1 'Stürzten wir uns ins Feuer' for Or...
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2005-Søren Nils Eichberg's Symphony No. 1 'Stürzten wir uns ins Feuer' for Orchestra (2005). DK Programnote Eichbergs 1. Symfoni er skrevet i 2005 og blev uropført året efter af Odense Symfoniorkester. Symfonien er i ét sammenhængende forløb og varer en halv time. Den har en undertitel: 'Stürzten wir uns ins Feuer' ('Styrtede vi os i flammerne'). Ordene er taget fra bogen 'Jesusevangeliet' skrevet i 1991 af den portugiske Nobelprismodtager José Saramago. Det fulde citat er en dommedagsvision der lyder sådan her: '… og var viligeså dumdristige eller vovemodige som sommerfuglene og natsværmerne og styrtede vi os i flammerne én og alle hele menneskeslægten - måske så en så kraftig brand en så skærende lue ville gennemtrænge Vorherres lukkede øjenlåg og vække ham fra hans træge blunden - for sent ganske vist til at nå at opfatte os men dog tidsnok til at mærke begyndelsen af det store intet nu da vi ikke længere var…' Visionen fascinerede Eichberg med det samme han læste bogen. 'Der er for mennesket noget direkte magisk tiltrækkende ved den kollektive selvdestruktion og katastrofen som sådan også selvom det egentlig synes ulogisk og gang på gang styrter vi os hovedkulds ind i ilden. Jeg vidste med det samme at jeg ville bruge citatet i musik på et tidspunkt.' Men når citatet står over Søren Nils Eichbergs Symfoni nr. 1 er det konkret også fordi han fandt at det udtrykte noget om situationen i begyndelsen af 2000-tallet. 'Europa førte igen angrebskrig ' forklarer han 'og de politiske strømninger der 60 år forinden lagde Europa i ruiner var på fremmarch igen. I Danmark lod man dem ligefrem få parlamentarisk indflydelse.
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Charles Tomlinson Griffes: The Pleasure Dome of Kubla Khan: Orchestra: Score
Orchestra
Schirmer
Score-Originally scored for Piano solo (GS48199) Griffes' 'Pleasure Dome of Kubl...
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Score-Originally scored for Piano solo (GS48199) Griffes' 'Pleasure Dome of Kubla Khan' was later expanded into a tone poem for orchestra by the American impressionistic composer. It is based on the poetry of Samuel Taylor Coleridge andis scored for Piano Voice Chamber Ensemble and orchestra. This original version is combined with Frederic Stocks' 1920 revisions.
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Symphony No. 10: Peking Fantasy (PENG-PENG GONG)
Orchestra
[Score]
Hal Leonard
for Orchestra Full Score. Par PENG-PENG GONG. “In celebration of the 40th anni...
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for Orchestra Full Score. Par PENG-PENG GONG. “In celebration of the 40th anniversary of China-U.S. diplomatic relations and in hope to support the promotion of Chinese culture abroad, Peng-Peng Gong's (b. 1992) Tenth Symphony, subtitled 'Peking Fantasy' (Op. 55) was co-commissioned by the Philadelphia Orchestra and the Shanghai Philharmonic Orchestra in 2017. The world premiere of the 2018 original version was presented by the SPO in April of the same year in Shanghai, while the world premiere of the 2019 revised version was presented by the Philadelphia Orchestra in January at its home venue with the combined forces of both orchestras side-by-side. Inspired by the artistic power of Peking Opera ?the crowning heritage of Chinese traditional performing arts, the symphony strives to translate the emotional and philosophical experience of the art form for international audiences and to explore the Western orchestra's expressive abilities in capturing the Eastern spirit. The 2018 original version ran as long as 76 minutes, before the composer extensively revised the score down to 40 and presented it in a single movement without pause. The work is scored for a huge orchestra of over 100 players. Main materials that inspired the music are from the traditional Peking Opera repertory: The Drunken Beauty, Farewell My Concubine, In Pursuit of the General, and The Chancellor and the Advisor (lit. Cao Cao and Yang Xiu). 'Peking Fantasy' is in a sweet, direct musical language ...It's a work of highly original sounds presented in a series of vivid episodes.” -Peter Dobrin, The Philadelphia Inquirer Please note: this item will be printed at the time of ordering and will ship as soon as possible, usually within 2-3 weeks. / Date parution : 2022-01-18/ Répertoire / Orchestre
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Thomas Borchersen: Jorden Rundt i 80 Dage: Orchestra: Vocal Work
Orchestra
Wilhelm Hansen
Jorden Rundt i 80 Dage er en spændende og farverig musical med skuespillere sa...
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Jorden Rundt i 80 Dage er en spændende og farverig musical med skuespillere sangere og stort orkester. Historien er Jules Vernes frit bearbejdet af komponist og sangskriver Thomas Bo Borchersen i samarbejde med sanger forfatter og instruktør Tine Olsen. I hæsblæsende fart må Phileas Fogg nå Jorden rundt for at vinde et væddemål men der bliver alligevel tid til at dvæle ved de mange oplevelser og personer som støder til selskabet på vejen. Historien er fortalt i 15 sange og kædet sammen af dialog så hele ensemblet kan folde sig ud i denne udødeligeklassiker. Fra forordet: Hovedformålet med musicalen er at vise bredden i musikskolen og forsøge at skabe nogle nye unikke muligheder for samarbejde mellem lærer og elevgrupper i det nye musikskolemiljø der er opstået efter musikskolesammenlægningerne. Vi mener at der er et stort og stadigt voksende behov for at samle musikskolen i store fælles projekter dels for at forbedre infrastrukturen i musikskolen men også for at få den helt nødvendige kommunikation til samfundet omkring musikskolen. Vi mener der et et stort behov for at få synliggjort arbejdet med talentmassen på musikskolerne og at store kompetent udførte projekter ofte er en mangelvare på mindre og halvstore musikskoler. - Musicalerne egner sig selvfølgelig til at blive opført på alle musikskoler - store som små men er især tænkt som en særlig oplagt mulighed for at få samarbejde imellem musikskolerne igang på tværs af kommunegrænserne. Arrangementenes sværhedsgrad er forsøgt tilpasset det gennemsnitlige elevpræstationsniveau for aldersgruppen 12 til 18 år på musikskolen. Det har været en af topprioriteterne at lave arrangementerne
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Annen Polka Op.117: Orchestra: Score and Parts
Orchestra
Bosworth
Johann Strauss the Younger (1825 - 1899) was a Viennese composer best known for...
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Johann Strauss the Younger (1825 - 1899) was a Viennese composer best known for his operettas and dance music especially his waltzes polkas and quadrilles. By the time his father died in 1849 he was already well-established as a renowned composer in his own right. The Annen Polka (Op. 117) was written for St Anne’s Festival in 1852 - an important public holiday in Vienna. Somewhat confusingly Struass Snr had also written a Polka for the same festival ten years earlier which is known by the same title. Struass Jnr’s Annen Polka has been arranged for Piano andschool/amateur Orchestra by Frank Naylor.
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Britta Byström: Invisible Cities: Orchestra: Score
Orchestra
-
Intermediate/advanced
Wilhelm Hansen
Invisible Cities for Orchestra by Swedish composer Britta Byström (2013). Prog...
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Invisible Cities for Orchestra by Swedish composer Britta Byström (2013). Programme note: Invisible Cities is an orchestral piece inspired by the Italian writer Italo Calvino's novel 'Le città invisible' (1972). The novel consists of many short poetical descriptions of wondrous cities. This is what the explorer Marco Polo reports to Kublai Khan of what he has seen during his travels. Gradually though Kublai Khan begins to suspect that Marco Polo all the time describes one and the same city but in many different ways: Marco Polo's own hometownVenice. This was also my musical idea: to present the same motif in many different ways. The piece has eleven movements just as the novel consists of eleven different kinds of cities. Before every new musical 'city' there is a 'walk' – a little piano line which takes the listener from one city to another. This piano line is a quotation from Witold Lutoslawski'sVenetian Games. There are also other music connected to Venice hidden in my piece: the well-known Barcarolle by Offenbach and some fragments from Carnival in Venice. These references are the 'invisible cities' of my piece the material hidden under the music's surface. Marco Polo explains to Kublai Khan: 'To distinguish the other cities' qualities I must speak of a first city that remains implicit. For me it is Venice.' (c) Britta Byström Britta Byström’s careful ear for musical qualities such as timbre and resonance has resulted in an idiom that could almost be labeled impressionistic. She began composing already as a teenager and later studied composition at Musikhögskolan in Stockholm with Pär Lindgren and Bent Sørensen.
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Manhã De Carnaval: Orchestra: Parts
Orchestra
[Part]
Peer Musik Verlag
Samba De Orfeu-Von Peermusic gibt es Arrangements berühmter Klassiker diverser ...
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Samba De Orfeu-Von Peermusic gibt es Arrangements berühmter Klassiker diverser Genres für Salonorchester in Doppelnummern (Bänden mit 2 Musiktiteln) - ähnlich wie die Doppelnummern für Combo. Unterschieden wird dabei in Besetzungen bis 3 Saxophone/Blechbläser (Standard) bis 5 Sax./6 Blechbläser (Standard + Ergänzer) und den Ergänzer-Stimmensatz. Hier die Ergänzerstimmen. Die Besetzung - Ergänzer: 3. Stimme Violine; 4. Stimme Tenorsax; 3. Stimme Trompete; 2. Stimme Posaune; Bariton-Saxophon; Cello.Hier der Doppelband mit Manhã de Carnaval und Samba de Orfeu (beide:Bonfa).
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Concerto Giocondo E Severo Op. 132: Orchestra: Score
Orchestra
Wilhelm Hansen
Concerto giocondo e severo (Cheerful and Serious Concerto) Op. 132 for Orchestra...
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Concerto giocondo e severo (Cheerful and Serious Concerto) Op. 132 for Orchestra by Vagn Holmobe (1977). Programme note Concerto giocondo e severo was composed in 1977 and first performed in the following year on 18th April by the Aarhus Symphony Orchestra during a vist to Gothenburg with Jorma Panula conducting. This work is scored for a much larger orchestra than the other conertos (including a large percussion section) but the orchestration is relatively transparent. It is only occasionally that everybody is on the pitch at the same time. The concerto is in onemovement but is divided into a succession of different tempi and sections that contrast with each other in character. A fortissimo chord from the whole orchestra starts the the slow somewhat tentative introduction. But another fortissimo outbreak is required before strings and the woodwinds together prononunce the beginning of the first rapid section. Knud Ketting
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Schumann R. - Great Works For Piano And Orchestra
Orchestra
[Sheet music]
Dover Publications
Clara Wieck’s sincerest wish was that her future husband, Robert Schumann, tur...
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Clara Wieck’s sincerest wish was that her future husband, Robert Schumann, turn his extraordinary genius toward the larger and more challenging task of composing orchestral music. Confiding in her diary in 1839, just one year before her marriage, she explained that “it would be best if he composed for Orchestra: his imagination cannot find sufficient scope in the Piano…” In the years that followed their marriage Robert Schumann continued to devote much of his attention to Piano music, but he also found the time to comply with his beloved Clara’s wish by creating a number of musical pieces composed specifically for Piano and Orchestra. Although Schumann’s genius is most in evidence in his masterful solo Piano compositions and superb lieder, his lively and provocative imagination manifests itself with equal aplomb in the works composed for Piano and Orchestra. The same compelling romantic and lyrical qualities that captivate lovers of Schumann’s Piano music are evident in these compositions. Three of his finest are presented here in full score, including the A Minor Piano Concerto, one of the most popular and frequently performed concertos ever written. All demonstrate his remarkably innovative approach to music, diverting substantially from the classic models of the day, and display his immense creativity as well as his warmth and sensitivity. Included in this collection of Schumann’s compositions for Piano and Orchestra are: Piano Concerto In A minor, Op. 54 (published 1846) Concertstück, Op.92 (Introduction and Allegro appassionato; published 1852) Introduction and Allegro, Op. 134 (published 1855) These three works by one of the greatest masters of romanticism will delight musicians, music lovers and students, as well as devotees of Schumann. Pianists will be especially pleased to have these appealing Schumann works in one convenient edition available at an affordable price.
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Magnus Lindberg: Corrente No.2: Orchestra: Score
Orchestra
[Score]
Chester
Orchestral work commissioned by the BBC and premiered by the BBC Symphony Orche...
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Orchestral work commissioned by the BBC and premiered by the BBC Symphony Orchestra under the direction of Andrew Davis The Barbican Hall November 1992.Quoting Lindberg: 'After having written a Piano Concerto in 1991preceded by three works for different orchestral effectives (Kinetics Marea and Joy) I felt that I had come to an end with a certain musical expression and also compositional technique. All these works were based upon anextended chaconne principle with chord chains cycling around undergoing constant transformation and being articulated in a very gestural way. The musical paradox and evidently also the challenge was the discrepancy between abrick-like method expressed in a world of gestures (with all difficulties involved in conceiving music out of phrases) aiming at a continuity in terms of progression and development.After the Piano Concerto in the autumn of1991 I strongly felt that I couldn't continue in that direction anymore. I started to work on a project called Corrente for 16 players as a study for the full orchestra version entitled Corrente II.In order to bring theharmonic and rhythmic world closer to each other I abandoned the chaconne principle and based the harmony on different scale aggregates. By combining these scales and by filtering or by enhancing them with additional pitchesbased on more acoustically oriented views of the scales by considering them as partials of virtual fundamentals I was able to work in a rich harmonic world without actually having to do harmonic transformations and progressions.The rhythmic material was based on pattern figures with a rather kaleidoscopic approach of repetition and variation.By combining these pattern figures and scales aggregates I wanted to give the musical expression a 'narrative'sense of streams and directions moving around in different orchestral constellations.Corrente II for symphony orchestra is based on the same material as the piece for chamber orchestra. As the timbral palette and the mass
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Weaving: Orchestra: Score
Orchestra
[Sheet music]
Wilhelm Hansen
Weaving for Chamber Orchestra by Asbjørn Schaathun (2009). To Ensemble BIT20&rs...
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Weaving for Chamber Orchestra by Asbjørn Schaathun (2009). To Ensemble BIT20’s 20th Anniversary This chamber orchestra version of Weaving is based on the eighth movement with the same title from my work for full orchestra entitled WIE DIE ZEIT DIE MATERIE VERÄNDERT III.
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Pelle Gudmundsen-Holmgreen: Incontri: Orchestra: Score
Orchestra
[Sheet music]
Wilhelm Hansen
Incontri for Orchestra (2010) by Pelle Gudmundsen-Holmgreen. Commissioned by The...
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Incontri for Orchestra (2010) by Pelle Gudmundsen-Holmgreen. Commissioned by The Danish National Symhony Orchestra / DR. Parts are for hire: hire@ewh.dk Preface / Programme Note INCONTRI is a kind of orchestral prelude presenting some of the orchestra’s timbral possibilities. The timbres of the instrument groups emerge either clear on their ownor in various blends. There are no doublings between the three main groups – winds strings and percussion – each group maintains its own individual character evenduring the encounters; as in a forest where different kinds of birds continuetheirterritorial song without yielding or altering their signals.The joint musical project is not unlike a Baroque concerto grosso not only in theway the form plays the groups off against each other but also in the musical language itself. I have previously written a concerto grosso which I called ”Jungle Baroque” becauseof its savage and wild sounds. The same thing can be said about INCONTRI – bydegrees. Pelle Gudmundsen-Holmgreen
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Poul Ruders: Handel Variations: Orchestra: Score
Orchestra
[Sheet music]
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Intermediate/advanced
Wilhelm Hansen
Poul Ruders' Handel Variations for Orchestra (2009) -Ninety Symphonic Reflection...
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Poul Ruders' Handel Variations for Orchestra (2009) -Ninety Symphonic Reflections on Eight Bars by Georg Friedrich Handel.Commissioned by and dedicated to the Aarhus Symphony Orchestra in celebration of their 75th anniversary 2010. Premiered by The Aarhus Symphony Orchestra conducted by Giancarlo Andretta at the Aarhus Concert Hall 14 January 2010. Programme noteThe short feisty Bourrée from Handel´s famous Water Music (First Suite in F major) has for some years been hovering at the back of my mind as possessing the perfectpotential for a series of variations. Not unlike the short 'morsel' by Henry Purcell (the witches Ho-ho-ho-chorus from the opera Dido and Aeneas) which kicks off the ten variations of my orchestral work Concerto in Pieces the music per se is not particularly interesting but it nevertheless grows on you and is difficult to get rid of. It is merely a handful of sequences (a technique much used in the Baroque era - a method in which the same motif is being shifted up and down in a specified order). Actually it is only the first eight bars of the Bourrée which I haul through the wringer.It would be obvious to assume that Handel Variations make up a sequel to Concerto in Pieces but in spite of the similarity in character between the two chosen themes the Handel Variations are far more symphonically coherent. There are no less than ninety (!) variations and each variation (they are relatively short ranging from four up to forty-something bars) runs seamlessly into the next creating a huge symphonic body of constantly changing colours. I set out with the original theme without interfering but the 'erosion' begins to gnaw away at the theme already from the first variation. Imagine a vast gallery of Handel portraits in which Georg Friedrich appears at first fully recognizable but then the 'disfiguration' sets in and
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Sunleif Rasmussen: Veitsla: Orchestra: Score
Orchestra
[Sheet music]
-
Advanced
Wilhelm Hansen
Party 'Happy Birthday'-Veitsla (Party 'Happy Birthday') was composed by Sunlei...
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Party 'Happy Birthday'-Veitsla (Party 'Happy Birthday') was composed by Sunleif Rasmussen in 2013. The piece is a 30 years birthday gift to the Faroese Symphony Orchestra. It is dedicated to the conductor of the orchestra for many years Bernharður Wilkinson and the founders of the Orchestra Kanny Sambleben and Magne Synnevåg.
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Orchanics 3: Orchestra: Score and Parts
Orchestra
Goodmusic Publishing
Eight Varied Pieces For Orchestra-Three new collections of varied pieces for orc...
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Eight Varied Pieces For Orchestra-Three new collections of varied pieces for orchestra for players from beginner to grade 3 standard.This collection of three books each containing eight varied pieces has been compiled to capture the imagination of young players and to introduce them to a wide range of musical styles.Special effects appropriate to each instrument provide additional learning points and great entertainment both in rehearsal and performance. There are glissandos for strings and trombone flutter tonguing for flute and trumpets (for those able to) and a range of vocal sounds for all!The scoring allows these pieces to be played by variouscombinations of instruments. Ideally your orchestra should have some instruments from each section but if not (for example no brass) then the supplementary piano part (available separately) can be used to fill the gaps. It can also be used to provide extra support in rehearsals.As well as the normal percussion parts some of the pieces make use of a drum kit. For orchestras without a drum kit player a drum kit and bass backing track is available to download free of charge either as MP3 or WAV files.OrchestrationDescant recorder Treble recorder Flute 1 Flute 2 or Oboe Clarinet 1 Clarinet 2 Alto Sax Bassoon Horn in F Horn in Eb Trumpet 1 Trumpet 2 Trombone (Bass clef) Trombone (Treble clef) Timpani Drum Kit Percussion 1 Percuission 2 Percussion 3.Strings (Violin 1 Violin 2 Violin 3 Viola Cello Bass)Orchanics 3 contains:-Hallelujah + Ode to joy (Handel/Beethoven); Mairi's Wedding (Roberton); Ragtime Roundup (Richard Ling); Samborina (Richard Ling); Spring from Four Seasons (Vivaldi); Danserie (Susato); Yellow Bird (arr Ling); Silent Night.
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