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Shenandoah - Piano
Orchestra
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American Folk Rhapsody #2
Orchestra
Boosey and Hawkes
Nous sommes heureux de réintroduire cet ouvrage Americana-style classique de Cl...
(+)
Nous sommes heureux de réintroduire cet ouvrage Americana-style classique de Clare Grundman, sans doute l'un des arrangeurs plus joué de la musique éducatifs. Avec simplicité exquise, ce medley est fidèle à la forme Grundman avec des chansons de folk américains soigneusement élaborées dans un cadre symphonique. Inclut Billy Boy, passer à mon Lou et Shenandoah. / Orchestre
120.40 EUR - Sold by LMI-partitions
(Seller in french langage)
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American Folk Rhapsody #2
Orchestra
Boosey and Hawkes
Nous sommes heureux de réintroduire cet ouvrage Americana-style classique de Cl...
(+)
Nous sommes heureux de réintroduire cet ouvrage Americana-style classique de Clare Grundman, sans doute l'un des arrangeurs plus joué de la musique éducatifs. Avec simplicité exquise, ce medley est fidèle à la forme Grundman avec des chansons de folk américains soigneusement élaborées dans un cadre symphonique. Inclut Billy Boy, passer à mon Lou et Shenandoah. / Orchestre
12.10 EUR - Sold by LMI-partitions
(Seller in french langage)
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Kalanus Op. 48 (GADE NIELS WILHELM)
Orchestra
[Sheet music]
Barenreiter
Dramatic Poem. Par GADE NIELS WILHELM. 'Kalanus”, a 'dramatic poem for soloist...
(+)
Dramatic Poem. Par GADE NIELS WILHELM. 'Kalanus”, a 'dramatic poem for soloists, choir and orchestra” op. 48 was composed between June 1867 and March 1869 and is based on a text by Carl Andersen. A historical event during Alexander the Great's Indian campaign (326 AD) serves as the origin of the material: Alexander met Indian philosopher Kaljana, referred to as Kalanos in ancient sources. Gade had originally intended to unite the composition with 'Korsfarerne” (The Crusaders) (1866), and another work with Jewish-historical content in 'a type of trilogy”, however, he later abandoned his plan and 'Kalanus” remained in its singular form. The reception of the work was predominantly positive in regard to the music, while form and subject received a somewhat reserved response./ Répertoire / Orchestre
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Sinfonias / Individual Instrumental Pieces (GLUCK CHRISTOPH WILLIBALD)
Orchestra
[Sheet music]
Barenreiter
Gluck Complete Edition V/2. Par GLUCK CHRISTOPH WILLIBALD. While Christoph Willi...
(+)
Gluck Complete Edition V/2. Par GLUCK CHRISTOPH WILLIBALD. While Christoph Willibald Gluck dedicated his artistic life almost entirely to the composition of works for the opera stage, he also produced a number of instrumental works which have been somewhat marginalized until recently. This volume of the 'Gluck Complete Edition” (GGA) is the first to present 17 symphonies attributed to Gluck in a historical-critical edition - furthermore, the volume includes a new version of one of the trio sonatas published in 1961 as part of the GGA. Current research indicates that no reliable information about the genesis of the respective works exists for any of the symphonies attributed to Gluck. This is due to a lack of both autograph sources and reliable data pertaining to the history and first performances of these works. It is assumed that some of the existing symphonies might in fact be the lost overtures of Gluck's earlier operas. Others were possibly written to be performed in private or public concerts. The greatest challenge for the editors of this volume was posed by the question of authenticity and authorship of the works presented here. As no autographs exist for any of the symphonies bearing Gluck's name, the only indicators of authorship are attributions in the copies of score and parts, either original or added at a later time. The reliability of these attributions for individual works largely depends on the respective state of source material, meaning available sources as well as the condition of the respective copy. A thorough authenticity analysis concluded Gluck's authorship as valid in the case of 13 symphonies, while in the case of four other symphonies, diverging attributions lead to the acceptance of open authorship. As a result, this volume includes all compositions for which, according to the most current research, Gluck's authorship has not been refuted. In the case of two symphonies, one concerto for flute, and six trio sonatas published in 1961 as part of the GGA, Gluck's authorship has been disproven - detailed explanations are included in the volume's Foreword (Ger). The Foreword also discusses the individual instrumental works attributed to Gluck by various encyclopedias. In addition to the detailed Foreword, the volume includes facsimiles of representative source excerpts. The Critical Commentary (Ger) analyzes the state of sources and includes extensive information on editorial principles and performance practice./ Répertoire / Orchestre
443.60 EUR - Sold by LMI-partitions
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