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Nico Muhly: Wish You Were Here: Orchestra: Score
Orchestra
St Rose Music Publishing
Wish You Were Here written for the Boston Pops pays homage to Colin McPhee on...
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Wish You Were Here written for the Boston Pops pays homage to Colin McPhee one of the first western musicologists to study Balinese gamelan as well as to the great illustrators Carl Barks and Herge (responsible for Donald Duck & Tintin respectively). Muhly has written a completely romantic and fanciful gamelan-influenced piece. On top of this twittery and excited music a long lonesome melody unfolds. After a desolate interlude with severe ship’s-horn brass the energetic patterns start again and the long line returns this time with a triumphant revelatory ending. Arranged for orchestra this piece has a duration ofapproximately 8 minutes.
22.99 GBP - Sold by Musicroom UK
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Schumann R. - Great Works For Piano And Orchestra
Orchestra
[Sheet music]
Dover Publications
Clara Wieck’s sincerest wish was that her future husband, Robert Schumann, tur...
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Clara Wieck’s sincerest wish was that her future husband, Robert Schumann, turn his extraordinary genius toward the larger and more challenging task of composing orchestral music. Confiding in her diary in 1839, just one year before her marriage, she explained that “it would be best if he composed for Orchestra: his imagination cannot find sufficient scope in the Piano…” In the years that followed their marriage Robert Schumann continued to devote much of his attention to Piano music, but he also found the time to comply with his beloved Clara’s wish by creating a number of musical pieces composed specifically for Piano and Orchestra. Although Schumann’s genius is most in evidence in his masterful solo Piano compositions and superb lieder, his lively and provocative imagination manifests itself with equal aplomb in the works composed for Piano and Orchestra. The same compelling romantic and lyrical qualities that captivate lovers of Schumann’s Piano music are evident in these compositions. Three of his finest are presented here in full score, including the A Minor Piano Concerto, one of the most popular and frequently performed concertos ever written. All demonstrate his remarkably innovative approach to music, diverting substantially from the classic models of the day, and display his immense creativity as well as his warmth and sensitivity. Included in this collection of Schumann’s compositions for Piano and Orchestra are: Piano Concerto In A minor, Op. 54 (published 1846) Concertstück, Op.92 (Introduction and Allegro appassionato; published 1852) Introduction and Allegro, Op. 134 (published 1855) These three works by one of the greatest masters of romanticism will delight musicians, music lovers and students, as well as devotees of Schumann. Pianists will be especially pleased to have these appealing Schumann works in one convenient edition available at an affordable price.
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Jacques Offenbach: Les Contes D'Hoffmann In Full Score: Orchestra: Score
Orchestra
Dover Publications
This is the last of nearly 100 operettas created by French composer Jacques Offe...
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This is the last of nearly 100 operettas created by French composer Jacques Offenbach a native of Germany whose works were most prominent in the latter half of the nineteenth century. His three-act drama Les Contes d'Hoffmann (The Tales of Hoffmann) which includes a prologue and epilogue recounts dramatic stories of passion murder and revenge. Left incomplete at the composer's death the operetta debuted in 1881 and remains popular to this day for its many memorable melodies.A masterpiece of French Romanticism Les Contes d'Hoffmann embodies Offenbach's wish to transcend the limitations of his popularoperettas and achieve success among the lofty heights of grand Opera. This imaginative score presents an artful blend of fantasy emotion and the supernatural as well as elements of satire and the grotesque. Hoffmann the narrator and protagonist relates three stories to his drinking companions. The tales concern Olympia who is revealed as a mechanical doll; Antonia a gifted vocalist in danger of singing herself to death; and Giulietta a Venetian courtesan who uses a magic mirror to purloin others' reflections. Reproduced from an authoritative score this edition offers musicians and music lovers a modestly priced edition of Offenbach's enduring work.
33.50 GBP - Sold by Musicroom UK
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European Vocabulary Of Music
Orchestra
Schott
This four-language dictionary of music contains more than 4000 terms and is inte...
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This four-language dictionary of music contains more than 4000 terms and is intended for musicians, teachers, students and amateurs who wish to understand and use specialist foreign terms. The book is not academic in scope- it is based on practical experience, derived from the examination of directions given on a large number of orchestral scores, piano pieces and transcriptions, and instrumental parts. In order to complement and clarify this vocabulary, specialist dictionaries and reference books have been consulted. Contemporary musical terms taken, for example, from the fields of jazz, pop and electronic music, have also been included. / Livre
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Helen Grime: Everyone Sang: Orchestra: Score
Orchestra
[Partitions]
Chester
Everyone Sang was composed by Scottish composer Helen Grime in 2010. It was comm...
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Everyone Sang was composed by Scottish composer Helen Grime in 2010. It was commissioned by BBC Radio 3 for the 75th anniversary of the BBC Scottish Symphony Orchestra. It was first performed at CityHall Candleriggs Glasgow in December 2010 and is arranged for Orchestra. When composing this piece Grime states that she imagined the Orchestra as many individual voices that were capableof producing a unified melody but also breaking off into separate strands of song. Since it was composed as a commemoration for the BBC Scottish Symphony Orchestra Grime wished to emphasise the Orchestra as a grand unified whole as well as their individual sections and sounds. The piece unifies the orchestra with a sense of celebration and elation as well as a sense of melancholy making it apt that the pieceis named after a poem by Siegfried Sassoon.
22.99 GBP - Sold by Musicroom UK
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Peter Maxwell Davies: The Turn Of The Tide: Orchestra: Miniature Score
Orchestra
[Sheet music]
Chester
The task: to write a piece that could involve children as players singers and c...
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The task: to write a piece that could involve children as players singers and composers alongside a professional symphony or chamber orchestra. The solution: a peace-cry for the biosphere in which the collaborative nature of theenterprise is a metaphor for a wished-for human enlightenment to the ways of the natural world. Davies provides five musical elements and five ways of development and uses these to illustrate five branches of life on earth:water-plants trees fish birds and mammals (including man). There is a space for answers from children's instrumental groups and then a larger space in which the children can develop the given ideas perhaps with members of theorchestra. Davies returns as composer to depict through an excess of development creation turned sour. Finally everyone comes together with a unison hymn with orchestra and instrumental groups celebrating the turn of thetide.This work for young instrumentalists children's chorus and orchestra was commissioned by the Association of British Orchestras as the centrepiece of an education project which coincided with the implementation of theNational Curriculum for music in schools in England and Wales echoing similar developments in Scotland and Northern Ireland.Score. Duration c. 25mins.
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Ernest Bloch: Sinfonia Breve: Orchestra: Score
Orchestra
Schirmer
Score-Of almost any of the works of Bloch's maturity the 'Sinfonia Breve' has t...
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Score-Of almost any of the works of Bloch's maturity the 'Sinfonia Breve' has the least amount of Jewish ‘flavour’. In 1952 when this piece was written Bloch was exploring some other vocabularies rather than the one that is most often identified with him. His flirtation with (twelve-tone techniques still sounds like Bloch. The title of the work indicates a more formal structure than many of his more poetic creations. It does follow the classical four movement pattern and Bloch links them by utilizing appropriately transformed thematic material. The first movement commences with an important thrusting theme. The second movement is meditative and quite beautiful. Thestring section dominates and Bloch exhibits the same mastery of counterpoint that one finds in his string quartets. The Scherzo begins with an off-beat major 7th figure. The first trio is a slower lyrical contrast. The second trio has the most exotic writing of the whole Sinfonia. The finale recalls much of the important material from the previous movements. This grand summation ends calmly.
29.99 GBP - Sold by Musicroom UK
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Symphonie Nr. 10 Op. Posth.
Orchestra
[Study Score / Miniature]
Schott
Gustav Mahler's Symphony Nr. 10 is the last and only unfinished symphony in his ...
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Gustav Mahler's Symphony Nr. 10 is the last and only unfinished symphony in his complete oeuvre. On 5 September 1910 Mahler wrote his last notes: exactly 100 years later, the 23-year-old conductor and composer Yoel Gamzou presented with great success his new reconstruction of this extraordinary work. The World Première with the International Mahler Orchestra took place at the Ryckestrasse synagogue in Berlin as part of the Jewish Cultural Days 2010. / Partition D'Etude
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Diverse: Celtic: Flexible Band: Score
Orchestra
[Sheet music + CD]
Universal Edition
Leichte Ensembleliteratur Für Den Unterricht-Martin Tourish is an accordionist ...
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Leichte Ensembleliteratur Für Den Unterricht-Martin Tourish is an accordionist composer and musicologist from Co. Donegal now based in Dublin. Celtic music is in his blood for his ancestors were noted collectors of dance music manuscripts dating back to the 19th century. With many recordings to his credit he now offers his expertise to performers wishing to explore the rich culture of Irish and other Celtic music on a variety of instruments.?World Music Celtic? presents material from the Irish Scottish Welsh Cornish and Breton traditions. It makes no great technical demands on the players but Tourish points out that notation of this music is often ?skeletal? hence it is important to gain a knowledge ofthe individual traditions in question and naturally he offers plenty of information on performance practice.The collection spans three centuries from the blind bardic harpists of the 18th century to the international performers of the present day. Tourish accepts that this volume can only scratch the surface of a multi-faceted genre but hopes you will see it as a stepping stone to delve deeper into recordings festivals and the very communities whence this music comes. ?World Music Celtic? is available in four formats each with complete recordings and backing tracks on CD: as solo versions for violin flute or saxophone (with piano) and in an ensemble version for two melodic instruments (C Bb or Eb) piano guitar bass and bodhrán.
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Georg Friedrich Händel: Rodelinda Regina de' Longobardi HWV 19: Mixed Choir:
Deutsch
Orchestra
[Sheet music]
Barenreiter
Dramma per musica in thre acts-Rodelinda Regina de' Longobardi HWV 19; Opera in...
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Dramma per musica in thre acts-Rodelinda Regina de' Longobardi HWV 19; Opera in three acts. After Giulio Cesare and Tamerlano Rodelinda is the third masterly opera that Handel composed between December 1723 and January 1725. The words were written by Nicola Haym the author of many other Handel librettos. The first performance took place at the King’s Theatre in the Haymarket London on 13 February 1725. Rodelinda thrives entirely on the ethical supremacy of conjugal love and thus prefigures the great operas by Gluck and Beethoven on the same subject. The plot is taken from the history of the Lombard royalty. Oskar Hagen’s revival of Rodelinda in 1920 ushered in the modern Handel operamovement. The work forms the climax to a series of dramatic masterpieces that includes Handel’s most significant operas. Handel returned to Rodelinda on two occasions in December 1725 and in May 1731. Many far-reaching changes were necessary owing to the different skills of the new singers. For example Handel wrote three new arias and a duet for the first revival. Yet the changes he made for this performance doubtless to accommodate the needs and wishes of the singers also improve the work’s dramatic substance. Our vocal score is based on the Urtext of the full score published in the Halle Handel Edition (II/16) and reproduces the various alternative readings and versions in an appendix. Urtext of the Halle Handel Edition.U47 Full score (BA4064) & vocal score (BA4064-90) available for sale. Performance material (BA4064-72) available for hire
330.00 GBP - Sold by Musicroom UK
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Story Michael - Slingshot - Conducteur and Parties
Orchestra
[Score and Parts]
Alfred Publishing
Slingshot By Michael Story Full Orchestra Conductor Score
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Christmas - Das Weihnachtsalbum (PUBLIG MICHAEL)
Orchestra
[Sheet music]
-
Easy
Doblinger
Die Schönsten Weihnachtslieder In Gut Singbaren Tonarten, Leicht Gesetzt Für K...
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Die Schönsten Weihnachtslieder In Gut Singbaren Tonarten, Leicht Gesetzt Für Klavier/Keyboards. Par PUBLIG MICHAEL. 44 Weihnachtslieder aus dem deutschsprachigen Raum, Internationale Traditionals, Pop- und Jazz-Weihnachtslieder in gut singbaren Tonarten, leicht gesetzt für Klavier/Keyboard / Niveau : Facile / Répertoire / Orchestre
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