SKU: PO.PME01S
ISBN 9780958242806.
Perfect for orchestras wanting a delicate work that highlights the flute, Ritchie's The Snow Goose (1982) is now available. The composer writes: This is a gentle tribute to the goose which, together with Philip Rhayader and Frith, is a central figure in Paul Gallico's classic story of the Second World War, The Snow Goose. This feathered wanderer from Canada, rescued from the marshes of Essex by Frith, tamed and befriended by Rhayader, follows his boat as far as the beaches of Dunkirk..
SKU: BT.YKM570369270
A Hymn to the Thames was commissioned by James Turnbull and the Music Director of the St Paul’s Sinfonia, Andrew Morley. It was begun in 2019 and completed early in 2020. There are four movements played without a break, which follow the Thames from its Cotswold source to the North Sea. As the first performance took place in St ALfege’s Church, Greenwich, this seemed appropriate. The solo oboe represents both a wanderer along the river path and the spirit of the river. The pitch centres of the movements spell out the musical letters of the river (tHAmES—B natural, A, E and E flat) so that the river’s name is projected across the whole work. In addition, the musical letters found in James Turnbull, Andrew Morley and my wife, Teresa Cahill ( who was born in Maidenhead and brought up by the river in Rotherhithe) are entwined in various guises. The first movement grows from the depths, the soloist entering with fanfare-like gestures, followed by lyrical music and breaks into a dance as the river gathers momentum. The third movement is slow and sustained and geographically the Thames flows through Oxford. The music is based on the well-known In Nomine ‘head motif’ from the Gloria tibi Trinitas Mass by the early Tudor composer, John Taverner, who was the first Director of Music at Christ Church, Oxford. The orchestra provides a screen or veil above which the solo oboe dreams and ruminates. This leads directly into the fourth and final movement which begins in the depths once more, interrupting the oboe’s held note from the end of the third movement. The waters’ increasing intensity and power are represented throughout by a moto perpetuo of quick, steady semiquavers. Near the close, the woodwind play O Nata Lux by Thomas Tallis, the great Tudor composer who, with his wife Joan, is buried in St Alfege’s. Beneath this, the lower strings continue the fast semiquaver movement of the river and, above, the violins are heard as a halo of harmonics. At the close, the oboe rises, opening out to the future, and celebrating its voyage, while the orchestra fades as the river meets the sea. A Hymn to the Thames lasts approximately 17 minutes.
SKU: AY.OR3659PM
ISBN 9790543576940.
Nave was commissioned by the Arturo Márquez Extraordinary Fellowship in Composition of the National Autonomous University of Mexico (UNAM). It is inspired by the Stultifera Navis (or The Ship of Fools) and by the book Madness and Civilization by Michel Foucault, in which the author explains that during the Middle Ages until the Renaissance, in some European cities, the madmen and the sick were placed on ships and thrown out of society. Exiled, with no place or course, they wandered through the seas and rivers, embarked on a symbolic quest for reason.
SKU: HL.49046001
0.262 inches.
Orquoy is inspired by the music of ancient Andean civilisations. The work evokes the atmosphere of fiestas and collective rites: bright colours, the movements of bodies, the ritual consumption of alcohol, a sense of vertigo, the shrill flutes and the power of percussion instruments - this all contributes to a permanent saturation of the senses. For the Quechuas, whose music is characterised by pre-Hispanic elements, the composer is a shaman, wandering between the sphere of the supernatural and the human world. He coaxes melodies out of the Gods - this is the meaning of the word 'orquoy'. Thierry Pecou.
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