SKU: HL.50580701
8.0x11.75x0.222 inches. Italian.
SKU: PR.41641295L
UPC: 680160634217. 11 X 14 inches.
In 2004, the Maryland Classic Youth Philharmonic commissioned this overture from Chen Yi to premiere in celebration of the opening of the Music and Arts Education Center at Strathmore, in Rockville, MD. The 5-minute CELEBRATION is a bright and cheery, vividly energetic piece suitable for youth orchestra.
SKU: BR.MN-9605
ISBN 9790004790748. 8.5 x 11.5 inches.
The orchestra set consists of 15 parts: 1 x soprano and alto recorder 1 x transverse flute 1 and 2 3 x violin 1 3 x violin 2 2 x violin 3 2 x viola 2 x violoncello 1 x piano.
SKU: C4.9790-900969293
ISBN 9790900969293.
SKU: C4.9790-900969323
ISBN 9790900969323.
SKU: C4.9790-900969354
ISBN 9790900969354.
SKU: HL.14042094
ISBN 9788759879610.
Parts. Score also available (14042093). Instrumentation: Flute 1-2 / Oboe 1-2 / Clarinet 1-2 / Bassoon 1-2 / Horn 1-4 / Trumpet 1-2 / Trombone 1-2 / Timpani / Percussion / Piano / Violin 1 x 8 / Violin 2 x 7 / Viola x 6 / Cello x 5 / Double Bass x 4.
SKU: JK.20032
Luke 2.
Orchestration corresponding with The Gift of the Magi cantata (#01547). Instrumental sections include parts for flute, oboe, clarinet, horn, harp (or piano), and full strings.Arranger: Oliver X. White Lyricist: O Henry, adapted by Oliver X. White Difficulty: Medium Performance time: 23:00Reference: Luke 2.
SKU: BA.BA07887-82
ISBN 9790006558537. 32.5 x 25.5 cm inches.
The popularity of Faure's Pavane is mostly attributed to its many arrangements but the original version for orchestra is being published here for the first time. Shortly after completing the orchestral work, Faure began work on a version for choir, which was actually premiered before the orchestral version.This new Barenreiter edition offers conductors and orchestras a reliable Urtext edition of the Pavane's original orchestral version which will surely enhance symphonic concert programmes everywhere.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: BA.BA07887-79
ISBN 9790006558520. 32.5 x 25.5 cm inches.
SKU: BA.BA08841-79
ISBN 9790006541232. 32.5 x 25.5 cm inches.
Prelude a l'apres-midi d'un faune, often referred to as the first composition of the modern era, is one of Debussy's most popular and frequently performed orchestral works. The piece comes down to us in an array of sources, and several important ones are drawn upon for the first time in Baerenreiter's new scholarly-critical edition. Most of the currently available editions are based on the first edition from 1895 which, however, contains many engraver errors. When the corresponding orchestral parts are also taken into consideration, countless discrepancies are revealed.
SKU: B9.476-CS
11 x 17 inches.
A study score (8.5 x 14) is also available for purchase. Parts are available on rental from the publisher.
SKU: B9.610-CS
11 x 14 inches.
For orchestra. Conductor's score, 11 x 14. Duration ca. 15' Parts on rental from the publisher.
SKU: PR.41641614L
UPC: 680160642458. 11 x 17 inches.
Time is one of the main factors impacting the world and our lives. Einstein saw time as the relationship of the motion of one object relative to the position of another object, as measured through observation. But can we really measure time objectively? Music, the art which moves through time, can affect our perception of time, and can affect each person's perception of time differently. Depending on the emotion it stimulates, music can make time seem to pass quickly or slowly. A composer can use music to convey time to an audience and different musical ideas can create different sensations of time. Absence of Time is a concerto for woodwind quartet and orchestra. It has three main sections (fast, slow, fast), recalling traditional concerto form, but it does not use the solo instruments in the traditional way, i.e., as soloists in contest with the orchestra. Inspired by the idea of juxtaposing different experiences of time, I divided the instruments into two groups: the four soloists and the orchestra. The orchestra functions mostly as the keeper of time (real time) while the quartet of soloists fluctuates (in imaginary time or in the absence of time) around the orchestra's time. While the quartet's instruments do play solos, they also play in ensemble with the orchestra. You could say that they play in both imaginary time (as soloists) and in real time (with the orchestra). In addition to this, the woodwind section of the orchestra plays in conversation with the solo quartet, calling it back to real time. Fusion is achieved at the end of the piece through the use of strong, driving rhythm. Absence of Time was commissioned by the Pacific Symphony and was first performed by the Pacific Symphony and the Pacific Symphony Woodwind Quartet with Carl St. Clair as conductor on October 20, 2016.
SKU: HL.48185342
UPC: 888680837099. 10.5x13.5x0.51 inches.
Illuminations on the Afterlife - Part 2, VII to XI is the second part of this religious orchestral piece by Olivier Messiaen composed between 1987 and 1991. This conductor edition features the movements VII to XI of the orchestra. VII. Et Dieu essuiera toute larme de leurs yeux? (And God will dry the tears from their eyes) VIII. Les etoiles et la Gloire (Stars and Glory) IX. Plusieurs oiseaux des arbres de vie (Birds from trees of life) X. Le chemin de l?Invisible (Path to the Invisible) XI. Le Christ, lumiere du Paradis (Christ, light of the Paradise) The full orchestra lasts approximately one hour and was commissioned by the New York Symphonic Orchestra. It incorporates some birdsong from Oceania and some modes of limited transposition. Olivier Messiaen (1908-1992) was a French organist and composer passionate about Ornithology and one of the most important composers of his century. Inspired by Japanese music, he had a very special way of composing and his work can be identified by its complexity, its diatonic aspect, its harmony with limited transposition, its colour and its additive rhythms. He composed many works related to ornithology and birdsong, including the 'Bird Catalogue' in 7 volumes and the 'Treatise on rhythm, colour and ornithology' in 7 volumes..
SKU: HL.49006512
ISBN 9790001070683.
SKU: ST.MB92
ISBN 9790220223259.
In his brief career George Butterworth (1885-1916) composed only a small quantity of orchestral works, but what he wrote has never subsequently been absent from the repertoire. The two English Idylls, the Rhapsody 'A Shropshire Lad' and the idyll The Banks of Green Willow are, with the music of his friend Ralph Vaughan Williams and of Gustav Holst, among the most exquisite statements of the English folk-song idiom. This complete and authoritative collection includes an earlier version of The Banks of Green Willow, and a fragment of an Orchestral Fantasia. Work in progress in 1914 when Butterworth enlisted to serve in the Great War, it suggests the composer setting out in a bolder direction, perhaps inspired by the example of Vaughan Williams's A London Symphony. Orchestral parts are available for rental.
SKU: PE.EP68662
ISBN 9790300761794. 297 x 420 mm inches.
This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.
SKU: BR.PB-5226
ISBN 9790004209561. 9 x 12 inches.
Klaus Winkler has selected seven favorite pieces from the Little Music Book and carefully expanded the two-part piano writing to a four-part texture. This appealing suite can be easily mastered by every amateur orchestra. The instrumentation is conceived so as to allow the greates amount of performance possibilities - flute(s), oboe(s), bassoon(s), and 1-3 trumpets can be added ad libitum; Violin II used instead of Viola, and much more.
SKU: PE.EP7759
ISBN 9790577020914. 297 x 420 mm inches.
Study scoreThis product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.
SKU: PE.EP67835
ISBN 9790300746739. 297 x 420mm inches.
SKU: PE.EP73403
ISBN 9790577018331. 297 x 420 mm inches. English.
Rihards Dubra (born Latvia, 1964) wrote his piano concerto – Liepaja Concerto No. 3 – in 2012. A 33-minute work for solo piano and symphony orchestra comprising triple wind and brass, percussion, harp and strings, the concerto starts with a mournful piano melody. It has an elemental beauty – we hear water in the sonorities of harps and chime-bells, earth in the rhythmic formulae, and fire in his colourful harmonic sequences – ending with a majestic and vibrant conclusion.
This full score (EP 73403) is now available as part of the Peters Baltic Library.
SKU: BR.PB-15154-07
ISBN 9790004215593. 6.5 x 9 inches.
Composed by Manuel de Falla during his lengthy residence in Paris, these three symphonic impressions for piano and orchestra are an expressive work bringing the southern Spanish gardens, which are laid out in the European and Arabic-Moorish tradition, to life. The influence of contemporary French music is noticeable in this composition. Despite many modifications, involving among other things, the scoring, number of movements, as well as layout and content, the basic idea of a nocturnal impression is retained from the outset. The work was finished - and likewise the orchestral material - only shortly before its premiere on 9 April 1916, which was a great success. World War I prevented its publication, though further performances followed, played then from manuscript material. The Urtext edition presented by Ullrich Scheideler takes as the main source the first edition of the score. The Critical Report gives detailed information about the source situation.
SKU: HF.FH-8033
ISBN 9790203480334. 8.3 x 11.7 inches.
1. Zefiro; 2. Intermezzo: Consolazione; 3. Notte di tempesta.
SKU: BP.BP2323C
UPC: 748769723234. 8.5 x 11 inches.
Orchestra parts and score for Forevermore accompaniment.
SKU: CF.CY1871F
ISBN 9780825895289. UPC: 798408095284. 11 x 14 inches.
With degrees from Sarah Lawrence College and Columbia University, Wallach went on to receive the first ever doctorate in composition from the Manhattan School of Music. She has won first prize in the Inter-American Music Awards, has had her String Quartet nominated for a Pulitzer Prize, and was commissioned for a 200-voice oratorio by the New York Choral Society for its 35th Anniversary season. Wallach also serves as pre-concert lecturer for the New York Philharmonic. Her works have been published by E.C. Schirmer, C.F. Peters, and others. The aptly named Glimpses (1981), a series of brief vignettes for orchestra, shows her developing style and command of orchestral forces. Performance materials available on rental.
SKU: BR.PB-5654
ISBN 9790004215517. 10 x 12.5 inches.
Farewell Tod und Verklarung marks a turning point in Richard Strauss's corpus of tone poems: Even before the November 1889 premiere of his previous work Don Juan, Strauss had finished his third work in this genre. He leads the listener with great clarity through the dying hour of a person who had pursued the highest ideals. The present Urtext edition evaluates for the first time all the corrections that Strauss made in the galley proofs of the work's full score and parts, correlating these to the music text. The preface provides insight into the genesis and reception history, while the detailed Critical Report systematically documents all of the editorial decisions.
