Orchestra - Grade 1

SKU: AP.49907

Composed by Cooper Ford. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Belwin Beginning String Orchestra. Light Concert. Score and Part(s). Duration 2:00. Belwin Music #00-49907. Published by Belwin Music (AP.49907).

ISBN 9781470657925. UPC: 038081575780. English.

Playgrounds are full of children having fun together. No matter their background, the laughter and shrieks of joy are the same as they run and play. Playground Games by Cooper Ford is a playful musical portrait of this experience. In the first section, the children gather for their game as the melody is supported by building rhythmic energy. The second section depicts another game in a round. Finally, it's time to go home, but only after one quick moment to finish! This piece uses only the notes of a D major scale and simple rhythms. Parts are doubled in second violin/viola and cello/bass. (2:00).

Arranged by Ralph Ford. For Full Orchestra. Full Orchestra. Pop Concert Full Orchestra. Video Game. Level: 5 (grade 5). Conductor Score and Parts. 256 pages. Published by Alfred Publishing.

(Suite from Volume Alpha). Composed by Daniel Rosefeld. Arranged by Ralph Ford. Concert Band. Concert Band; Score. Pop Young Band. Form: Suite. Video Game. Grade 2.5. 24 pages. Published by Alfred Music

Orchestra - Grade 1

SKU: AP.48080S

Composed by Doug Spata. MakeMusic Cloud; Performance Music Ensemble; String Orchestra. Highland/Etling String Orchestra. Classical; Masterwork Arrangement. Score. 8 pages. Duration 1:52. Highland/Etling #00-48080S. Published by Highland/Etling (AP.48080S).

UPC: 038081583894. English.

Inspired by the sound of elementary Orff ensembles, Gamelan Groove, by Doug Spata, consists of easy two-measure phrases with layered pizzicato throughout creating fun and funky textures. Using only the notes of the D and A strings (basses go up to open G), this piece will give beginners a great introduction to ensemble playing and note reading. (1:52) This title available in MakeMusic Cloud.

(From the Hit Video Game (featuring: Wrath of the Lich King / Lament of the Highborne / Lion's Pride)). By Russell Brower, Derek Duke, and Jason Hayes. Arranged by Jerry Brubaker. Orchestra. For full (Vibraphone, tambourine, timp, anvil/bass drum/triangle/sus cymbal/finger cymbal, tam tam/crash cymbals/med low tom toms, pno/synth harp). Full Orchestra; Part(s); Score. Pop Concert Full Orchestra. Form: Medley. Novelty; Pop; Rock; Video Game. Grade 4. 228 pages. Published by Alfred Music Publishing

Orchestra - Grade 1

SKU: AP.49057S

Composed by Doug Spata. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Light Concert. Score. 12 pages. Duration 2:10. Highland/Etling #00-49057S. Published by Highland/Etling (AP.49057S).

ISBN 9781470645731. UPC: 038081564210. English.

Playing together as a team is the name of the game in Esprit de Corps by Doug Spata! This cheery all-pizzicato march uses only the 1st-pattern notes of the D major scale. Part independence is minimal, and, in fact, many sections are homorhythmic, which will help beginners learn to listen to each other as they play. Teachers will love the counting and note-reading experience this piece provides, while students will adore the animated tunes and bouncy, melodic accompaniments. (2:10).

Orchestra (Full Score)

SKU: HL.40821

Composed by Claude Baker. LKM Music. Classical. 76 pages. Lauren Keiser Music Publishing #X077014. Published by Lauren Keiser Music Publishing (HL.40821).

UPC: 884088294205. 11.0x14.0x0.416 inches.

Composed by David Lovrien. For Full Orchestra. Grade 5. Score and parts. Published by Lovebird Music

Orchestra (3(3picc.A-fl.B-fl).4.3.0 - 4.3.3.2 - perc(5) - 2pno - str: 8.8.8.8.8.8)

SKU: BR.PB-5435

Composed by Helmut Lachenmann. Orchestra; Softcover. Partitur-Bibliothek (Score Library). Music post-1945; New music (post-2000). Full score. Composed 2003/04. 108 pages. Duration 25'. Breitkopf and Haertel #PB 5435. Published by Breitkopf and Haertel (BR.PB-5435).

ISBN 9790004212820. 11.5 x 16.5 inches.

Meine eigene neue Orchesterkomposition hat den Titel ,,SCHREIBEN. Die praktische Aktion des Schreibens, als mechanisches Einwirken per Hand, Stift, Pinsel, auf eine Flache (Papier, Pergament, Stein etc.), ausgelost und gesteuert von einem kommunikativen Bedurfnis und, bei aller Spontaneitat, beherrscht durch die Regeln von Schrift und Sprache, ist fur mich einer der geheimnisvollsten Vorgange im zwischenmenschlichen Alltag, bei dem menschlicher Geist und tote Materie einander begegnen: Gedanken bzw. Gedachtes werden auf einer Flache - Papier, Pergament, Stein - festgehalten, ihr sozusagen anvertraut. Und auf diesem Umweg uber Sprache, Schrift und Gravur begegnen sie dem Geist des lesenden oder entziffernden Mitmenschen. Als Komponist aber frage ich: gibt es auch einen anderen Kausalitatszusammenhang, gibt es z. B. ein ,,autonomes Schreiben, eine sinn-freie Zeichengebung, durch entfesselte, losgelassene Fortbewegung der schreibenden Hand, wo der Schreibende seinem eigenen Schreiben nur noch staunend zusieht? Werden nicht in Japan Bilder, auch ,,abstrakte, geschrieben??? (In einem Underground-Film der 70er-Jahre uber den jungen Mozart sieht sich der Zuschauer versetzt in ein Zimmer eines italienischen Gasthauses, in dem der junge durchreisende Mozart am Tisch eilig die Rezitative einer seiner italienischen Opern zu Papier bringt. Mehr als eine Viertelstunde lang sind wir dabei, horen nicht die entstehende Musik, sondern das nervose Kratzen der Feder auf dem groben Notenpapier in nachmittaglicher Stille - nur der gleichmassige Pendelschlag der Wanduhr ist noch zu horen -, und wir erleben diese sekundare Klangwelt kaum weniger intensiv als nachher andere Horer die dabei stumm entstehende Musik.) Das Orchester in meinem Stuck ,,schreibt. Es fugt Strich zu Strich, versteht sich selbst als eine Art vielfaltiges ,,Schreib-Gerat. Wir als Horer lesen nicht das ,,Geschriebene, aber wir horen den Vorgang des Schreibens, den Bogenstrich, die Bewegung des scharrenden Holzstabs auf Fell oder Tamtam, und wir beobachten dessen Imitation bzw. Transformation durch - zeitweise auch tonlos - sich zu linearen Gestalten verbindende Blasinstrumente als eine Art klingender Schreib-Zeremonie. Es ergibt sich eine Musik, die gelegentlich ihren gedanklichen Ausgangspunkt vergisst und sich als autonome Klang-Situation fortentwickelt und verwandelt, und die schliesslich im hochsten Register eine Art ,,Kantilene be-schreibt. Wer das deutsche Wort ,,Schreiben (engl. ,,to write) schreibt, der schreibt dabei auch unweigerlich das Wort ,,Schrei (engl. ,,shout), und er schreibt auch das Wort ,,reiben (engl. ,,to rub). So emotional der erste Begriff gedacht werden kann, so nuchtern-praktisch ist der zweite. Von beiden Aspekten, samt ihrer Gegensatzlichkeit, ist mein Stuck gepragt. (Helmut Lachenmann, 2003)

World premiere: Tokyo/Japan, December 4, 2003.

Orchestra

SKU: CF.C1232F

Arranged by Sean O'Loughlin. Full score. 12 pages. Carl Fischer Music #C1232F. Published by Carl Fischer Music (CF.C1232F).

ISBN 9781491161371. UPC: 680160919963. Transcribed by John Stafford Smith.

The celebratory and dramatic rendition of The Star-Spangled Banner first arranged for brass and percussion by Sean O'Loughlin is now beautifully scored for full orchestra. O'Loughlin's popular arrangement has become a favorite of both the Oregon Symphony and Baltimore Symphony brass players, being played at sporting events including Portland Trailblazers NBA basketball games, Baltimore Orioles baseball games, and Baltimore Ravens football games.With fanfare flourishes and colorful touches, this grand arrangement gives each section an opportunity to play the melody, making for a truly dynamic experience.

Full orchestra (Full Orchestra)

SKU: EC.RBM-253

Composed by Randol Alan Bass. Orchestra: Pops, Orchestra: Short Work. 21st Century. Full score. Randol Bass Music #RBM-253. Published by Randol Bass Music (EC.RBM-253).

Casey at the Bat was commissioned in 2001 by the Dallas Symphony Orchestra as a part of their Americana concert series from that season. The work is a colorful and highly descriptive narrative setting of the famous poem, “Casey at the Bat” by Ernest Lawrence Thayer, first published in an 1885 edition of The San Francisco Chronicle.(The poetry has been slightly paraphrased from the original to replace some arcane terminology.)This composition was conceived in a distinctly cartoonish style – reminiscent of the orchestral music so masterfully created by Carl Stalling and other great film score writers during the Golden Age of the animated short. In addition to brief quotes from Till Eulenspiegel of Richard Strauss, the melody from Take Me Out to the Ballgame (Tilzer-Norworth) is interpolated throughout the fabric of the piece (although the lyrics are never sung).The first performance of this work took place during the Spring of 2001, under the baton of Richard Kaufman and featuring Pat Sajak as narrator of the well-known poem.Audio excerpts from a matchless narrative performance of this piece by Shakespearean actor Sir Derek Jacobi (with the National Symphony of London and the composer conducting) are included below for perusal purposes. The full performance may be purchased as an audio file from Kodanja Records of Dallas, TX. ( dur: 8’ )

By Gerald Anderson. Edited by Robert Frost. (Afs Strg Mthd). orchestra method. Level: Elementary. Music book. Published by Neil A. Kjos Music Company