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You've Selected:
Orchestra
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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Accordéon Et Orchestre (76)
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Quatuor à vent (48)
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3 Bassons (48)
Musique de chambre (48)
Cor en Mib (48)
Flûte à Bec et Piano (48)
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Sextuor à Cordes (45)
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Witold Lutoslawski: Interlude For Orchestra: Orchestra: Score
Orchestra
[Sheet music]
Chester
Conceived as a connecting link for orchestra alone between Lutoslawski's Partita...
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Conceived as a connecting link for orchestra alone between Lutoslawski's Partita and Chain 2 both for orchestra and solo violin. It can however be played independently. First performed as part of a sequence ofmovements in Munich in January 1990 by Anne-Sophie Mutter with the Berlin Philharmonic Orchestra conducted by the composer. Commissioned by and dedicated to Paul Sacher.
15.99 GBP - Sold by Musicroom UK
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Eivind Buene: A Posthuman Guide To The Orchestra: Orchestra: Score
Orchestra
[Sheet music]
Wilhelm Hansen
A Posthuman Guide To The Orchestra - for Siri and Orchestra (2017). Commissioned...
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A Posthuman Guide To The Orchestra - for Siri and Orchestra (2017). Commissioned by the the Oslo Philharmonic Orchestra.First Performance: Oslo 03.05.2018 conducted by Eivind Aadland.
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Béla Bartók: Concerto For Orchestra: Orchestra: Score
Orchestra
Boosey and Hawkes
Bartók’s Concerto for Orchestra one of the most performed 20th century w...
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Bartók’s Concerto for Orchestra one of the most performed 20th century works regularly featuring in the concert programme series of many leading orchestra across the world.Bartok’s Concerto for Orchestra is in five movements arranged in what is termed an ‘arch’ form; the outer movements (first and fifth) are related as are the second and fourth and the third movement functions as the ‘keystone’ of the arch.Available here as part of the Boosey Masterworks series is the full score of Bartok’s popular orchestral work as edited by Malcolm MacDonald.
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Peter Maxwell Davies: Sinfonietta Accademica: Orchestra: Miniature Score
Orchestra
[Sheet music]
Chester
This work written by Maxwell Davies in 1983 for chamber orchestra was commissi...
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This work written by Maxwell Davies in 1983 for chamber orchestra was commissioned to celebrate the quartercentenary of Edinburgh University. The first performance was given by the Scottish Chamber Orchestra conducted by EdwardHarper in October 1983. Duration c. 29mins.This work was thought through in outline following a visit to the ruined pre-Reformation church of Hoy in Orkney on a fine Spring afternoon after Maxwell Davies had played theharmonium for the tiny congregation in its large bleak Victorian replacement. The old church was surrounded by the graves of centuries the more recent ones with familiar names largely of people who lived in houses now ruinous crofters fishermen clerics sea-captains. Next to it stood the chief farmhouse the Bu going back to Viking times. He thought of the lives and deaths encompassed there expressed through hundreds of years of music in thechurch and in the big barn of the farm.The plainsongs ‘Dies Irae’ and ‘Victimae Paschali Laudes’ are used throughout the work the first concerning the Day of Judgement from the Mass for the Dead the second particular toEaster Sunday and the Resurrection. These are subject to constant transformation the intervallic contour slowly changes from one into the other and their notes are made to dance through Renaissance astrological ‘magic square’patterns.The orchestra consists of double woodwind two horns two trumpets and strings.
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Peter Maxwell Davies: The Turn Of The Tide: Orchestra: Miniature Score
Orchestra
[Sheet music]
Chester
The task: to write a piece that could involve children as players singers and c...
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The task: to write a piece that could involve children as players singers and composers alongside a professional symphony or chamber orchestra. The solution: a peace-cry for the biosphere in which the collaborative nature of theenterprise is a metaphor for a wished-for human enlightenment to the ways of the natural world. Davies provides five musical elements and five ways of development and uses these to illustrate five branches of life on earth:water-plants trees fish birds and mammals (including man). There is a space for answers from children's instrumental groups and then a larger space in which the children can develop the given ideas perhaps with members of theorchestra. Davies returns as composer to depict through an excess of development creation turned sour. Finally everyone comes together with a unison hymn with orchestra and instrumental groups celebrating the turn of thetide.This work for young instrumentalists children's chorus and orchestra was commissioned by the Association of British Orchestras as the centrepiece of an education project which coincided with the implementation of theNational Curriculum for music in schools in England and Wales echoing similar developments in Scotland and Northern Ireland.Score. Duration c. 25mins.
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Per Nørgård: Symphony No. 2 In One Movement: Orchestra: Score
Orchestra
[Sheet music]
-
Intermediate/advanced
Wilhelm Hansen
Per Nørgård's Symphony No. 2 In One Movement - work for Orchestra dating from ...
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Per Nørgård's Symphony No. 2 In One Movement - work for Orchestra dating from 1970. Programme Note: After the first performance of my chamber orchestra work VOYAGE INTO THE GOLDEN SCREEN (1969) I was very preoccupied with ‘voyaging on’ in the infinity series I had brought to fruition in the second movement of the work: instead of about 1000 notes of the series I wanted to use about 4000 in order to create the potential for further exploration of the many layers and interval combinations of the infinity series. Instead of the pristine progression of the notes and its orchestration in‘Voyage’ I now wanted to intervene: to create melodies lead up to climaxes darken enlighten etc. but all with respect for the continuous flow and the preservation of the special timeless objectivity characteristic of the infinity series. One can perhaps experience the many recurrences of motifs in tempo layers from fast to very slow as a successor to the fractal computer graphics of the eighties. At any rate this ‘Symphony no. 2 in one movement’ (which was the result) became the precursor of the other works of the seventies including my 50-minute long chorally integrated Third Symphony (from 1973-75) which is also based on the infinity series but in addition has incorporated the upper and lower harmonic series and rhythms with ‘Golden’ duration proportions. The Second Symphony lasts about 25 minutes and was given its first performance on13th April 1970 by the Aarhus City Orchestra conducted by Per Dreier. Per Nørgård August 1992
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Ralph Vaughan Williams: Flos Campi: Orchestra: Study Score
Orchestra
Oxford Univertsity Press
Ralph Vaughan Williams' Flos Campi for SATB wordless chorus Viola solo and Orch...
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Ralph Vaughan Williams' Flos Campi for SATB wordless chorus Viola solo and Orchestra. Study score.This work is one of Vaughan Williams's most enigmatic pieces. Although the six movements all borrow their titles from the Old Testament's Song of Solomon the Chorus never articulates a single word. Instead it serves as a section of the Orchestra creating an elegant vocal texture and backdrop to the Viola's haunting solo lines.Flos Campi was premiered in October 1925 by the violist Lionel Tertis singers from the RCM and the Queen's Hall Orchestra directed by Sir Henry Wood.
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Weaving: Orchestra: Score
Orchestra
[Sheet music]
Wilhelm Hansen
Weaving for Chamber Orchestra by Asbjørn Schaathun (2009). To Ensemble BIT20&rs...
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Weaving for Chamber Orchestra by Asbjørn Schaathun (2009). To Ensemble BIT20’s 20th Anniversary This chamber orchestra version of Weaving is based on the eighth movement with the same title from my work for full orchestra entitled WIE DIE ZEIT DIE MATERIE VERÄNDERT III.
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Richard Strauss: Romanze F-dur: Orchestra: Score
Orchestra
G. Henle
Romance in F major for Violoncello and Orchestra-Just a few months after complet...
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Romance in F major for Violoncello and Orchestra-Just a few months after completing his Cello Sonata op. 6 Strauss composed another work for this instrument: a Romance for cello and orchestra which remained unpublished during his lifetime. According to the autograph manuscript the composition was finished on June 27 1883 and Strauss also prepared the piano reduction himself. The Romance is regarded as one of Strauss??? most mature youthful works though it was long overshadowed by the cello sonata despite several quite successful performances given by the then-famous principal cellist of the Munich Court Orchestra Hanu? Wihan. Only since the posthumous first edition of 1986 has the music world been rediscoveringthis striking work which now also appears in a Henle Urtext edition.
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Las Trompetas De Los Serafines Orch Score: Orchestra: Score
Orchestra
[Sheet music]
Associated
Carlos Surinach's Las Trompetas De Los Serafines for Orchestra.The world premier...
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Carlos Surinach's Las Trompetas De Los Serafines for Orchestra.The world premiere of Las Trompetas de los Serafines was given by the Muncie Symphony Orchestra on December 5 1973 with Robert Hargreaves conducting.Dedicated to Robert Hargreaves and the Muncie Symphony Orchestra in recognition of their 25th Anniversary Season.Duration: approx. 8'30'
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Sunleif Rasmussen: Veitsla: Orchestra: Score
Orchestra
[Sheet music]
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Advanced
Wilhelm Hansen
Party 'Happy Birthday'-Veitsla (Party 'Happy Birthday') was composed by Sunlei...
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Party 'Happy Birthday'-Veitsla (Party 'Happy Birthday') was composed by Sunleif Rasmussen in 2013. The piece is a 30 years birthday gift to the Faroese Symphony Orchestra. It is dedicated to the conductor of the orchestra for many years Bernharður Wilkinson and the founders of the Orchestra Kanny Sambleben and Magne Synnevåg.
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Henry Mancini: The Pink Panther: Orchestra: Score and Parts
Orchestra
Alfred Publishing
By Henry Mancini. Arranged by Bob Cerulli. By Henry Mancini / arr. Bob Cerulli. ...
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By Henry Mancini. Arranged by Bob Cerulli. By Henry Mancini / arr. Bob Cerulli. For Full Orchestra. Full Orchestra. Intermediate Full Orchestra. Movie; TV. Level: 2.5 (grade 2.5). Conductor Score
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Morton Gould: Venice: Orchestra: Score
Orchestra
[Sheet music]
Schirmer
Score-Morton Gould's Venice for Double Orchestra and Brass Choir. Full score.Com...
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Score-Morton Gould's Venice for Double Orchestra and Brass Choir. Full score.Commissioned by Milton Katims for the Seattle Symphony Orchestra pursuant to a grant from the U.S. Office of Education Department of Health Education and Welfare under Title III of the Elementary and Secondary Education Act of 1965.First performance May 2 1967 by the Seattle and Spokane Symphony Orchestra under the direction of MiltonKatims in Kennedy Pavilion Gonzaga University Spokane Wash. assisted by the Gonzaga U. Brass Choir and Spokane Junior Symphony.
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Traditional: Savior of the Nations Come: Orchestra: Parts
Orchestra
Walton Music
Long an advent season favorite hymn this majestic new arrangement can be perfor...
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Long an advent season favorite hymn this majestic new arrangement can be performed with piano alone or with either full or chamber orchestra. Two options for narration are provided or alternate season-appropriate readings could be substituted at the discretion of the conductor. Perfect for mixed choirs at various levels for concert or worship! Available: SATB divisi and Orchestra (score and parts for full or chamber orchestra).
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Luís Tinoco: Before Spring: Orchestra: Study Score
Orchestra
[Partitions]
University Of York Music Press
Study score for Lu s Tinoco's Before Spring for Symphony Orchestra.Originally co...
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Study score for Lu s Tinoco's Before Spring for Symphony Orchestra.Originally composed in 2010 this new Orchestral version was premièred by the Portuguese Symphony Orchestra under the baton of Joana Carneiro at the S. Carlos Theatre in Lisbon on the 18th of January 2014.'Before Spring' was originally scored for 16 players following a commission from the OrchestrUtopica to be performed as a tribute piece to Stravinky?s 'The Rite of Spring'. It was premièred on the 29th of May 2010 by the OrchestrUtopica conducted by Cesário Costa at the CCB Centro Cultural de Belém in Lisbon. Following a commission from OPART / Teatro Nacionalde São Carlos 'Before Spring' was later revised and scored for Symphony Orchestra. - Lu s Tinoco.
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Ralph Vaughan Williams: Flos Campi: Orchestra: Part
Orchestra
Oxford Univertsity Press
Ralph Vaughan Williams' Flos Campi for SATB wordless chorus Viola solo and Orch...
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Ralph Vaughan Williams' Flos Campi for SATB wordless chorus Viola solo and Orchestra. Part for Viola.This work is one of Vaughan Williams's most enigmatic pieces. Although the six movements all borrow their titles from the Old Testament's Song of Solomon the Chorus never articulates a single word. Instead it serves as a section of the Orchestra creating an elegant vocal texture and backdrop to the Viola's haunting solo lines.Flos Campi was premiered in October 1925 by the violist Lionel Tertis singers from the RCM and the Queen's Hall Orchestra directed by Sir Henry Wood.
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Per Nørgård: Terrains Vagues: Orchestra: Score
Orchestra
Wilhelm Hansen
Terrains Vagues was commissioned by the BBC Symphony Orchestra. It was premiered...
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Terrains Vagues was commissioned by the BBC Symphony Orchestra. It was premiered on 1 April 2001 by the BBC Symphony Orchestra conducted by Sir Andrew Davis at the Barbican Hall London.The first Danish performance took place on 27 September 2001 Thomas Dausgaard conducting the Danish National Radio Symphony Orchestra at the Danish Radio Concert Hall in Copenhagen.The work is dedicated to Thomas Dausgaard.
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Perte De Memoire: Orchestra: Score
Orchestra
Wilhelm Hansen
Perte De Memoire (2008) for Bandoneon/Voice and Orchestra. Composed for Per Arne...
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Perte De Memoire (2008) for Bandoneon/Voice and Orchestra. Composed for Per Arne Glorviken. Commissioned by the Oslo Philharmonic Orchestra. Premiered by Per Arne Glorvigen (Bandoneon) and the Oslo Philharmonic Orchestra conducted by Christian Eggen at the Oslo Konserthus as part of the Ultima Festival October 3rd 2008.
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James MacMillan: Sinfonietta: Orchestra: Study Score
Orchestra
[Sheet music]
Boosey and Hawkes
Hawkes Pocket Scores HPS 1512-Composed in 1991 this London Sinfonietta commissio...
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Hawkes Pocket Scores HPS 1512-Composed in 1991 this London Sinfonietta commission was first performed by them in May 1992 at the Queen Elizabeth Hall London. Scored for Orchestra or chamber Orchestra the instrumentation comprises alto Flute/Piccolo cor anglais E flat Clarinet/bass Clarinet soprano Saxophone Contrabassoon Horn Piccolo Trumpet Trombone Tuba Percussion Harp Piano and Strings. Recorded on BIS CD 1119 by the Scottish Chamber Orchestra conducted by the composer.
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Ed Hughes: Crimson Flames: Orchestra: Score
Orchestra
[Sheet music]
University Of York Music Press
For Orchestra (Triple Winds)For Saxophone SAT Percussion Piano Harp and Stri...
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For Orchestra (Triple Winds)For Saxophone SAT Percussion Piano Harp and Strings. First performance: Cambridge University Musical Society Second Orchestra conducted by Neil Chippington 8th December 1989.Recordedand broadcast by BBC Symphony Orchestra conducted by Robert Ziegler 6th February 1992.
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Per Nørgård: Symphony No. 5: Orchestra: Score
Orchestra
Wilhelm Hansen
Full Score-Full orchestra score for Per Nørgård's Symphony No. 5 (1987-90 rev...
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Full Score-Full orchestra score for Per Nørgård's Symphony No. 5 (1987-90 rev.1991). Manuscript copy. Programme note: My 5th Symphony was commissioned by the Danish Radio Symphony Orchestra and premiered on December 6th 1990 by and dedicated to the Danish Radio Symphony Orchestra and conductor Esa-Pekka Salonen. After the premiere in 1990 I decided to revise the beginning (and only the beginning) of the work. The first pages of the score were discarded and about 20 seconds of new music was written in the summer of 1991. The new and final versionwas premiered on 1st of May 1992. The symphony progresses without pauses between movements often in several layers of tempo with mutual ´golden section´proportions. The listener´s experience of form in the work will therefore depend on the directions of his own attention. But so far as overall divisions are concerned four sections (perhaps five) - running into each other - can be traced: an expansive cascading introduction a kind of scherzo an chaconne-like adagio and a kind of finale again with the phenomenon of ´cascades´ as a main idea. However as the course is from time to time thrown into chaos by convulsive twitching and crises other experiences of form are opened out within a spectrum from wild to cautious from dramatic to contemplative in a universe of tempi which can suggest the title of a book of poems by the Danish Michael Strunge (1958-1986): ´Velocity of life.´ A listener described the symphony as “a walk with a fire-breathing dragon” and a reviewer described it with words like “a pacifist in times of war”. Anyway words and programme note are – as Carl Nielsen said about titles – only “road signs” for personal experiences in the area of music itself. Per Nørgård
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Rolf Wallin: Act: Orchestra: Score
Orchestra
[Sheet music]
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Intermediate/advanced
Chester
ACT has been described as both a musical onslaught and also a playful tour de fo...
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ACT has been described as both a musical onslaught and also a playful tour de force an impressive and skilful work for full Orchestra. When Wallin’s Clarinet Concerto was performed by the ClevelandOrchestra in 2002 the composer was so buoyed by the warm reaction of audience and musicians that he was inspired to create this work for Orchestra to summon all its forces as one entity in forward motion together. Of the genesisof this piece Wallin wrote that ‘The foundation of mankind’s success is our ability to cooperate. For me one of the most amazing examples of human collaboration is the symphony Orchestra'. RolfWallin is a renowned Nordic composer whose work encompasses elements of classical training jazz early music and avant garde rock while incorporating a wide range of techniques and expressions.
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Orchanics 2: Orchestra: Score and Parts
Orchestra
Goodmusic Publishing
Eight Varied Pieces For Orchestra-Three new collections of varied pieces for orc...
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Eight Varied Pieces For Orchestra-Three new collections of varied pieces for orchestra for players from beginner to grade 3 standard.This collection of three books each containing eight varied pieces has been compiled to capture the imagination of young players and to introduce them to a wide range of musical styles.Special effects appropriate to each instrument provide additional learning points and great entertainment both in rehearsal and performance. There are glissandos for strings and trombone flutter tonguing for flute and trumpets (for those able to) and a range of vocal sounds for all!The scoring allows these pieces to be played by variouscombinations of instruments. Ideally your orchestra should have some instruments from each section but if not (for example no brass) then the supplementary piano part (available separately) can be used to fill the gaps. It can also be used to provide extra support in rehearsals.As well as the normal percussion parts some of the pieces make use of a drum kit. For orchestras without a drum kit player a drum kit and bass backing track is available to download free of charge either as MP3 or WAV files.OrchestrationDescant recorder Treble recorder Flute 1 Flute 2 or Oboe Clarinet 1 Clarinet 2 Alto Sax Bassoon Horn in F Horn in Eb Trumpet 1 Trumpet 2 Trombone (Bass clef) Trombone (Treble clef) Timpani Drum Kit Percussion 1 Percuission 2 Percussion 3.Strings (Violin 1 Violin 2 Violin 3 Viola Cello Bass)Orchanics 2 contains:-Marching through Mud (Richard Ling); When I was a lad (from HMS Pinafore); Ghost Ride (Richard Ling); Largo (Dvorak); Battle Zone (Richard Ling); Persian March (J Strauss II); Lazy Horse (Richard Ling); Good King Wenceslas.
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Hans Abrahamsen: Ten Sinfonias: Orchestra: Score
Orchestra
[Sheet music]
Wilhelm Hansen
Ten Sinfonias for Orchestra was composed by Hans Abrahamsen in 2010.Co-commissio...
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Ten Sinfonias for Orchestra was composed by Hans Abrahamsen in 2010.Co-commissioned by Iceland Symphony Orchestra and Danish National Chamber Orchestra. Parts are available on hire: hire@ewh.dk
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Carl Vine: XX: Orchestra: Part
Orchestra
Faber Music Limited
Carl Vine’s XX (2009) was commissioned by the Australian Chamber Orchestr...
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Carl Vine’s XX (2009) was commissioned by the Australian Chamber Orchestra to honour the twenty years that Richard Tognetti had been its Director. A playful 4-minute exploration of the relationship between a chamber orchestra and its leader this delightful work for solo violin and string orchestra makes the perfect concert opener. This product contains the solo violin part only.
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Jo Kondo: To the Headland: Orchestra: Score
Orchestra
[Sheet music]
University Of York Music Press
Orchestra (double winds).Published 1995Commissioned by Hiroyuki Iwaki and Orches...
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Orchestra (double winds).Published 1995Commissioned by Hiroyuki Iwaki and Orchestra Ensemble Kanazawa.First performance: Kanazawa Japan 1995 Hiroyuki Iwaki (cond) Orchestra Ensemble Kanazawa.
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Pelle Gudmundsen-Holmgreen: Incontri: Orchestra: Score
Orchestra
[Sheet music]
Wilhelm Hansen
Incontri for Orchestra (2010) by Pelle Gudmundsen-Holmgreen. Commissioned by The...
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Incontri for Orchestra (2010) by Pelle Gudmundsen-Holmgreen. Commissioned by The Danish National Symhony Orchestra / DR. Parts are for hire: hire@ewh.dk Preface / Programme Note INCONTRI is a kind of orchestral prelude presenting some of the orchestra’s timbral possibilities. The timbres of the instrument groups emerge either clear on their ownor in various blends. There are no doublings between the three main groups – winds strings and percussion – each group maintains its own individual character evenduring the encounters; as in a forest where different kinds of birds continuetheirterritorial song without yielding or altering their signals.The joint musical project is not unlike a Baroque concerto grosso not only in theway the form plays the groups off against each other but also in the musical language itself. I have previously written a concerto grosso which I called ”Jungle Baroque” becauseof its savage and wild sounds. The same thing can be said about INCONTRI – bydegrees. Pelle Gudmundsen-Holmgreen
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Henri Tomasi: Concerto: Orchestra: Score
Français
Orchestra
[Study Score / Miniature]
Leduc, Alphonse
Finished in 1948 the Concerto for Trumpet and Orchestra was composed by Henri T...
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Finished in 1948 the Concerto for Trumpet and Orchestra was composed by Henri Tomasi (1901-1971) and lasts approximately 15 minutes. Dedicated to the Trumpeter Ludovic Vaillant soloist at the National Orchestra the Concerto for Trumpet and Orchestra was premiered in Paris in 1949. The first part which lasts 7 minutes Allegro and Cadenza begins with a Trumpet cadenza and a quiet Snare Drum background. The Nocturne follows as the second part of this Concerto by Tomasi and the Finale the shortest part of the concerto ends up with a cheerful cartoon-music theme. This book is thepocket version. Henri Tomasi was a French composer conductor and winner of the Grand Prix de Rome in 1927. He also composed a variety of concerti for Alto Saxophone and for Trombone as well as some ballades.
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William Walton: Orchestral Works - Volume 2: Orchestra: Score
Orchestra
[Score]
Oxford University Press
Hardback-This volume contains newly edited versions of four important later orch...
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Hardback-This volume contains newly edited versions of four important later orchestral works by William Walton: Capriccio Burlesco Improvisations on an Impromptu of Benjamin Britten Prologo e Fantasia and Varii Capricci. The first three works were written for American orchestras: Capriccio Burlesco was commissioned by the New York Philharmonic Orchestra for its 125th anniversary year in 1968; the Improvisations based on a theme from Britten's Piano Concerto No. 1 was written in 1969 and dedicated to the San Francisco Symphony Orchestra; Prologo e Fantasia was written in 1981-2 for the National SymphonyOrchestra of Washington DC. The last work Varii Capricci was a free transcription for orchestra by Walton of his Five Bagatelles for Guitar and written for the opening of the Royal Festival Hall in 1976.
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Witold Lutoslawski: Trois Poemes D'henri Michaux: Orchestra: Instrumental Work
Orchestra
[Sheet music]
Chester
Trois po?mes d?Henri Michaux was written for the Zagreb Biennale and first perfo...
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Trois po?mes d?Henri Michaux was written for the Zagreb Biennale and first performed there by the orchestra and choir of Radio Zagreb conducted by the composer and Slavko Zlatic on 9 May 1963. It is composed for 20-part choirand an orchestra similar to that of the Symphony of Psalms though without the lower strings of the latter.Lutoslaswski has said that the general outline of the work came to him first and only then did he choose the threepoems. These reflect his Francophile taste: Henri Michaux was born in Belgium in 1899 and later became a painter: the trenchant Le Grand Combat with its onomatopoeic invented words dates form the 1920s; the other two texts which are more philosophic than pictorial form the 1930s. Choir and orchestra need separate conductors even though throughout they alternate more often than they combine.A description of the course of the music itself will bemore useful than any discussion of its technical processes or of its notation. A quiet section of orchestral polyphony which brass sforzandi punctuate with increasing frequency frames the beginning and end of Pens?es. Afterthe choir?s first unaccompanied passage the woodwind have a staccato section over which the female voices singing downward glissandi are superimposed (?Ombre de mondes infimes??). Then the woodwind and both pianos join in alapping ostinato which illustrates the text of the next forte choir entry ?Pens?es la nage merveilleuse?? The climax of the movement comes as these characteristic woodwind figures alternate with the tintinnabulation of agamelan-like ensemble of vibraphone c?leste harp and pianos.
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