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You've Selected:
Orchestra
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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Musique Légère (81)
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Xylophone, Piano (76)
Accordéon Et Orchestre (76)
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Quatuor à vent (48)
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3 Bassons (48)
Musique de chambre (48)
Cor en Mib (48)
Flûte à Bec et Piano (48)
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Sextuor à Cordes (45)
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Minute Plus Waltz Rag Full Score: Orchestra: Score
Orchestra
[Sheet music]
Schirmer
Score-Morton Gould's Minute Plus Waltz Rag for Orchestra.In honour of their 75th...
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Score-Morton Gould's Minute Plus Waltz Rag for Orchestra.In honour of their 75th anniversary the Baltimore Symphony Orchestra commissioned a number of composers who had written major works for themin the past to write short musical 'postcards'.'My postcard is called Minute Plus Waltz Rag; it's a slight take-off on The Minute Waltz but with the 'plus' that it's longer than a minute and combines awaltz with a rag pattern in 5/8 time. I wasn't conciously thinking of 1916 when I wrote it but it does actually reflect a flavour of the music of that period' - Morton GouldThe first performance ofthis work took place on October 25 1990 by The Baltimore Symphony with David Zinman as Conductor.
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Kaija Saariaho: Adriana Songs (Full Score): Orchestra: Score
Orchestra
[Sheet music]
Chester
For Mezzo Soprano and Orchestra. Libertto by Amin Maalouf. Adriana Songs was co...
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For Mezzo Soprano and Orchestra. Libertto by Amin Maalouf. Adriana Songs was commissioned by the Auftakt Festival Alte Oper Frankfurt the New York Philharmonic Lorin Maazel Musical Director and the Orchestra Sinfonica Nazionale della RAI.It was first performed on 17th September 2006 with the Junge Deutsche Philharmonie conducted by Marc Albrecht and Patricia Bardon mezzo soprano.
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Morton Gould: Minstrel Show: Orchestra: Study Score
Orchestra
[Sheet music]
Schirmer
Score-Morton Gould's Minstrel Show for Orchestra. Study score.Born in Richmond H...
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Score-Morton Gould's Minstrel Show for Orchestra. Study score.Born in Richmond Hill New York on 10 December 1913 Morton Gould was recognised early on as a child prodigy with the ability toimprovise and compose. At the age of six he had his first composition published. He studied at the Institute of Musical Art (now the Juilliard School) but his most important teachers were Abby Whiteside (Piano) and Vincent Jones(composition).Gould enjoyed an illustrious career. In addition to gaining a Pulitzer Prize for 'Stringmusic' he was Musical America's 1994 Composer-of-the-Year and recieved a Kennedy Center Honor in recognition oflifetime contributions to American culture.A long-time member of the American Society of Composers Authors and Publishers Gould was elected president of ASCAP in 1986 a post he held until 1994. In 1986 he waselected to the American Academy and Institute of Arts and Letters. He also served on the board of the American Symphony Orchestra League and on the National Endowment for the Arts music panel.
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Sadie Harrison: Sapida-Dam-Nau: Orchestra: Score
Orchestra
University Of York Music Press
New Dawn-Sadie Harrison's Sapida-Dam-Nau (New Dawn) for Orchestra. Composed and...
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New Dawn-Sadie Harrison's Sapida-Dam-Nau (New Dawn) for Orchestra. Composed and published 2016. Dedicated with admiration to the Afghanistan Women’s Orchestra ‘Zohra’. Sapida-Dam-Nau was written whilst Sadie Harrison was Composer-in-Association with the Afghanistan National Institute of Music and its composition was generously supported by a Finzi Trust Scholarship 2015-2016. It was premiered on 18th January 2017 at the World Economic Forum at Davos Switzerland conducted by Kevin Bishop.
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Poul Ruders: Final Nightshade - An Adagio Of The Night: Orchestra: Score
Orchestra
[Sheet music]
Wilhelm Hansen
Premiered by The New York Philharmonic conducted by Lorin Maazel at Avery Fish...
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Premiered by The New York Philharmonic conducted by Lorin Maazel at Avery Fisher Hall Lincoln Center New York City 10th June 2004. Orchestration 3 Flutes 3rd dbl. Piccolo2 Oboes1 English Horn in F3 Clarinets in Bb 3rd dbl. Bas Clarinet in Bb2 Bassoons1 Contra Bassoon4 Horns in F3 Trumpets in Bb3 Trombones1 Tuba1 (set of) Timpani2 Percussion (two players)1: Bass Drum (large) Chinese Cymbal Mark Tree2: TamTam (large) Vibraphone Antique Cymbal1 Harp1 Piano dbl. CelestaStringsAll non-octave transposing instruments are notated in their relevanttranspositions.Horns notated in bass clef sound a fourth above the notated pitch.All accidentals apply to each single note only except tied notes. Naturals for 'safety'. Programme Note This piece marks the conclusion of what could now be called 'The Nightshade Trilogy' three pieces which explore the contrasting worlds of Light and Darkness. As opposed to the earlier chamber work Nightshade which dealt with extremes of high and low pitches and the chamber orchestra composition Second Nightshade a two-fold piece contrasting darkness/anxiety and light/calm Final Nightshade for full symphony orchestra takes us on a journey in which the forces of dark and light struggle - and co-exist - in a predominantly polyphonic web with brooding undertones. The melodic point-of-departure is not surprisingly to be found in either of the two preceding pieces of the Trilogy but in an older piece Corpus Cum Figuris from 1985. Over the ensuing years I've dreamt on and off of 'doing something' with the opening measures of this older work perhaps even building a new composition on that very simple inward-looking time was ripe and there's a nice nostalgia angle to the idea: Corpus Cum Figuris was the first piece of mine to be
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Kaija Saariaho: Du Cristal: Orchestra: Score
Orchestra
Wilhelm Hansen
Du Cristal is a work for large Orchestra and live Electronics which was commissi...
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Du Cristal is a work for large Orchestra and live Electronics which was commissioned in 1989 by the Helsinki Festival and the Los Angeles Philharmonic Orchestra.
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Carl Maria von Weber: Concert 01 F Op.73: Orchestra: Miniature Score
Orchestra
Eulenburg
German composer Carl Maria Von Weber was the quintessential romantic turning hi...
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German composer Carl Maria Von Weber was the quintessential romantic turning his hand to many art forms including poetry composing as well as virtuosic playing. This is typified by his 1811 Concerto No.1 for Clarinet and Orchestra in F Minor and demonstrates his understanding of the instruments of the orchestra particularly the Clarinet. It is more serious and less playful than his earlier concertino but dramatic and with expressive passages creating a superb showpiece. This Eulenberg Edition is a celebrated and highly authoritative miniature score serving as the definitive reference source for study performance preparation or simply for those with alove of the great orchestral works.
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Glyn Perrin: Tu même: Orchestra: Score
Orchestra
[Sheet music]
University Of York Music Press
Orchestra (triple winds).Published 1981-83.3(+picc).3(+ca).3(+SAB saxes).3(+cbn)...
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Orchestra (triple winds).Published 1981-83.3(+picc).3(+ca).3(+SAB saxes).3(+cbn) / 4.3.3.1 / 3perc.prpf.hp / stringsFirst performance: Royal Liverpool Philharmonic Orchestra Nicholas Cleobury conductor Philharmonic Hall Liverpool 1987.Score.
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Per Nørgård: Symphony No.3: Orchestra: Score
Orchestra
Wilhelm Hansen
Symphony No. 3 (1972-1975) by Per Nørgård. Per Nørgård's third symphony ...
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Symphony No. 3 (1972-1975) by Per Nørgård. Per Nørgård's third symphony commissioned by The Danish Radio Symphony Orchestra (conductor Herbert Blomstedt) was premiered in Copenhagen in 1976 and received wide attention. The work gives comprehensive expression to a new realm of musical experience which the composer began to explore toward the end of the 1960s. While the first period in Nørgårds production in the 1050s represents his personal interpretation of the Nordic music tradition – evidenced for example in his “Piano Sonata No. 2” (1957) and“Constellations” for chamber orchestra (1958) – and the second period in the 1960s saw him working with serial techniques musical collage and a new sound-palette - especially in the orchestral works “Iris” (196-67) and “Luna” (1967) – with “Voyage into the Golden Screen” (1968) Nørgård arrived at a new compositional technique based on the use of a special form of a so-called “infinity series” a principle of musical motion to be applied to all kinds of scales (chromatic diatonic et cetera). It is characteristic that that Nørgård in the 1970s chose to cultivate diatonic infinity series already evident in the mythological opera “Gilgamesh” (1971-72). Thus the Symphony No. 3 begun directly after the opera combines the infinity series major and minor scales the partial series of natural harmonics and “sub-harmonics” (Nørgårds terminology) with rhythmic patterns based on the Golden Section (the Golden Mean) in a nexus of synchronous yet disparate elements which serve the composers vision of musical coherence.. The works which followed the symphony – the operas “Siddharta” (1975-79) and “The Divine Circus” (1981-82) and Symphony No. 4 (1981) – usher a new
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Jacob Gade: Tango Jalousie: Orchestra: Instrumental Work
Orchestra
Wilhelm Hansen
Set of Orchestra parts and conductor's Piano score for chamber orchestra.Parts ...
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Set of Orchestra parts and conductor's Piano score for chamber orchestra.Parts included:Piano/conductorFluteClarinet in ATrumpets 1 & 2 in ATromboneTamboursViolin obligato x 1Violin 1 x 3Violin 2 x 3Viola x 3Cello x 3Double Bass x 2
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Jo Kondo: In the Woods: Orchestra: Score
Orchestra
[Sheet music]
University Of York Music Press
For Orchestra (Quadruple Winds).Published 1989Commissioned by Minshu Ongaku Kyok...
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For Orchestra (Quadruple Winds).Published 1989Commissioned by Minshu Ongaku Kyokai.First performance: Osaka (Min-On Festival) 1990 Tadaaki Otaka (cond) Osaka Philharmonic Symphony Orchestra.
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Morton Gould: Home for Christmas: Orchestra: Score and Parts
Orchestra
[Sheet music]
Schirmer
Set of Parts-Morton Gould's Home For Christmas from 'Holiday Music' for Orchestr...
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Set of Parts-Morton Gould's Home For Christmas from 'Holiday Music' for Orchestra. Score and parts.Born in Richmond Hill New York on 10 December 1913 Morton Gould was recognised early on as achild prodigy with the ability to improvise and compose. At the age of six he had his first composition published. He studied at the Institute of Musical Art (now the Juilliard School) but his most important teachers were AbbyWhiteside (Piano) and Vincent Jones (composition).Gould enjoyed an illustrious career. In addition to gaining a Pulitzer Prize for 'Stringmusic' he was Musical America's 1994 Composer-of-the-Year and recieved aKennedy Center Honor in recognition of lifetime contributions to American culture.A long-time member of the American Society of Composers Authors and Publishers Gould was elected president of ASCAP in 1986 apost he held until 1994. In 1986 he was elected to the American Academy and Institute of Arts and Letters. He also served on the board of the American Symphony Orchestra League and on the National Endowment for the Arts musicpanel.
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Evis Sammoutis: Iri Da Iri: Orchestra: Score
Orchestra
University Of York Music Press
Iri Da Iri by Evis Sammoutis was commissioned by Venice Biennale 48th Internatio...
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Iri Da Iri by Evis Sammoutis was commissioned by Venice Biennale 48th International Festival of Contemporary Music first performance: 22 October 2004 by Orchestra Sinfonica de Friuli Venezia conducted by Giulia & Christoph Poppen.15'; for orchestra: 2(1st=picc).1(=ca).2(2=bcl).1(=cbn) / 2hn.2tpt.1tenor tromb) / 1pf.1hp.timps.2perc / 10.8.6.5.3
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Ottorino Respighi: The Pines of Rome (Finale): Orchestra: Score & Parts
Orchestra
[Score and Parts]
Hal Leonard
Full Orchestra-Long considered to be one of the most dramatic symphonic movement...
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Full Orchestra-Long considered to be one of the most dramatic symphonic movements of all time Respighi's finale is arranged to make it accessible and effective for intermediate-level groups. The tension-building final section of this monumentalwork has been carefully scored by Stephen Bulla to give your orchestra the opportunity to perform the triumphant ?ending of all endings.? (English Horn cross-cued)
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Tidsrum / Spaces Of Time: Orchestra: Score
Orchestra
Wilhelm Hansen
Per Nørgård's Tidsrum / Spaces Of Time for Orchestra with obligate Piano dati...
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Per Nørgård's Tidsrum / Spaces Of Time for Orchestra with obligate Piano dating from 1991. Programme Note Spaces of time is a 20-minute long one-movement orchestral piece “with piano” signifying that the piano not only as in my other orchestra works is part of the ensemble but also in a major passage attracts almost all attention. This passage is only one of the ´spaces of time´- spaces which give the work its title and represent individual musical perspectives. Relations of tempo and scale characterize such a space (besides the mentioned“piano-concerto” or other intrumental features) and in this way associate with say a small room - with close-ups of the musical objects - or perhaps to an infinitely great space - a cosmic one where all is far away and vibrating. One motive marked mainly by ascending stepwise movement unifies the spaces but the very varied scales may let the outines of the motive change between say 1/4-tone steps 1/2-tone steps diatonic and other scale steps up to such ambient steps that each one comprises almost a third of the total orchestral range. Very often 2 scales are woven together in a way that lets the “hidden tone” inside a major step in one of the scaels become a part of the other scale. By dynamic means one scale may be highlighted as a “figure” the other one as a “ground” in one passage - and vice versa. In this way a 12-tone chromatic scale may as well contain a Japanese 5-tone scale as a European 7-tone scale. In the final “space” the tones literally take leave of the listeners - by streaming down - as water sucked down into the ground by gravity - into the bass octaves and - into silence. Spaces of time was comissioned by “Suntory Hall” in 1990-91 (artistic director Toro Takemitsu) in October 1991 with Aki Takahashi (piano)
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Michael Nyman: Draughtsman's Contract Suite: Orchestra: Score
Orchestra
[Score]
Chester
Full Score-The first feature film collaboration between Peter Greenaway and Mich...
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Full Score-The first feature film collaboration between Peter Greenaway and Michael Nyman made in 1983 following a major series of short/independent films they made together - including The Falls and A Walk throughH. A draughtsman is commissioned by a landowner in the late 17th century to make 12 drawings of his property. Every note of the score was derived from the music of Purcell and was written for the Michael NymanBand. This concert suite which was made in 2001 and first performed in Hanover was specially revised for an all-Nyman concert given by the composer and the BBC Concert Orchestra at the Royal Festival Hall Londonin June 2003. Written for Orchestra and Harpsichord the suite lasts approximately 16 minutes.
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Peter Maxwell Davies: Strathclyde Concerto No. 9: String Orchestra: Score and
Orchestra
[Sheet music]
Chester
The solo group consists of a sextet of the woodwind instruments which are normal...
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The solo group consists of a sextet of the woodwind instruments which are normally doubled with more regular members of the orchestra: these six strangers now brought to the fore are piccolo alto flute cor anglais clarinet inEb bass clarinet in Bb and contrabassoon. They make a motley group diverse in colour as in register and one of the tasks of the piece sets itself is to have them blend and cohere both together as an ensemble and in partnershipwith the string orchestra (which itself is used with unusual variety and subtlety). Another evident task of the work is to provide fine solos for each member of the woodwind sextet: bright dances for the piccolo recitativesfor the alto flute a stoical song from the contrabassoon in the extreme bass. The work is cast as a single movement which begins in the composer's first-movement style of rapid regeneration. This is interrupted by slowinterventions including one for divided strings which gives rise to a sextuple cadenza for the soloists. Out of this comes a slow movement or sequence of short slow movements followed by a dancing finale with its own slowepisodes. Altogether this is music of songs and dances heavily tinged with Scottish rhythms and tonalities: one might think of a magic bagpipe having six chanters and a drone of variegated string texture.
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Simon Holt: St. Vitus In The Kettle: Orchestra: Score
Orchestra
Chester
Commissioned by the BBC National Orchestra of Wales for the opening of Hoddinott...
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Commissioned by the BBC National Orchestra of Wales for the opening of Hoddinott Hall. First performance on 22nd January 2009 at Hoddinott Hall Cardiff by the BBC National Orchestra of Wales conducted by Thierry Fischer.
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Aulis Sallinen: Symphony No.6 'From A New Zealand Diary': Orchestra: Study Score
Orchestra
[Sheet music]
Novello & Co Ltd.
Aulis Sallinen was born in 1935 in Salmi on the northern shore of Lake Ladoga (w...
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Aulis Sallinen was born in 1935 in Salmi on the northern shore of Lake Ladoga (which the Soviet Union claimed in 1944). His early musical experience was playing the violin. Improvising (including jazz) on the piano led him to write his first compositions as a teenager. After studying with Aarre Merikanto and Joonas Kokkonen at the Sibelius Academy he joined the staff there. He was Administrator of the Finnish Radio Symphony Orchestra (1960-69); Secretary and member of the Board (1958-73) then Chairman (1971-73) of the Finnish Composers' Society; member of the board of TEOSTO (Finnish copyright society) from 1970-84 then Chairman from 1988-90; he also served for severalyears on the Board of the Finnish National Opera.Here is the Facsimile of the Sixth Symphony that was composed over 1989-1990 and commissioned and first performed by the New Zealand Symphony Orchestra.
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Peter Warlock: Capriol Suite: Orchestra: Parts
Orchestra
Goodmusic Publishing
Listing for Trombone Parts 1 and 2 only.Orchestration: 2 Flutes 2 Oboes 2 Clar...
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Listing for Trombone Parts 1 and 2 only.Orchestration: 2 Flutes 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 Horns in F 2 Trumpets in Bb 3 Trombones Tuba Snare drum Strings (Violin 1 Violin 2 Viola Cello Bass)Peter Warlock wrote the Capriol Suite for Piano duet. He also produced a version for string orchestra and both were published in 1926. Two years later in 1928 he made this arrangement for full orchestra. This new edition corrects a few minor errors that were present in the 1928 edition published by Curwen and also shows the trumpets in Bb; they were shown in C originally. The six movements which are based on sixteenth century dance tunesare:- Basse-Danse Pavane Tordion Bransles Pieds-en-l´air Mattachins.
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John Corigliano: John Corigliano - The Mannheim Rocket: Orchestra: Score
Orchestra
[Sheet music]
Schirmer
John Corigliano (b. 1938) is an American composer. One of his most enjoyable com...
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John Corigliano (b. 1938) is an American composer. One of his most enjoyable compositions is The Mannheim Rocket commissioned by the Mannheim orchestra in the year 2000. It takes inspiration from theRocket of the title – a famous compositional device invented by the orchestra in the 1700s. From there it swiftly traverses 200 years of German music cleverly hiding quotes from some of the most famous orchestralworks of the era rising to its zenith before falling back to earth – exactly as a real rocket would. Described by the composer as a “marvellous journey” this orchestral piece is one of the mostentertaining in the repertoire – both to play and to listen to.
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Britta Byström: Farewell Variations: Orchestra: Score
Orchestra
[Sheet music]
Wilhelm Hansen
for Orchestra-Avskedsvariationer/Farewell Variations for Orchestra by Britta Bys...
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for Orchestra-Avskedsvariationer/Farewell Variations for Orchestra by Britta Byström (2005). Programme Note Farewell Variations sees the careful approach towards Haydn by Britta Byström. Although you have the title reference to the ”Farewell” Symphony Haydn’s Symphony No. 45 Byström’s approximations are being made in a subtle way similar to her free interpretation of literary works. You will not find any direct thematic connections between Byström and Haydn. Byström’s Haydn inspiration comes in form of the various titles which have been given to a lotof Haydn symphonies in the post-Haydn era. Byström wanted to go in sort of an opposite direction: To compose music based on ”Haydnish” symphonic titles. A kind of symphonic Haydn catalogue appears in the movements. Farewell Variations consist of fourteen variations of Byström’s own thematics. The work begins in sighing and broken phrases – like the shadow of a dance. The titles of the variations lead to the description of daily events starting with morning. A day of Haydn! The last variation farewell ends with the musicians playing on by on. As such there is no story but the titles are the main focus here. Byström says that she musically ”tried to capture some of Haydn’s ease and insights”. Tony Lundman
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Malcolm Arnold: Symphony No.2: Orchestra: Study Score
Orchestra
[Study Score / Miniature]
Novello & Co Ltd.
Sir Malcolm Arnold’s Second Symphony was commissioned by the Winter Garde...
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Sir Malcolm Arnold’s Second Symphony was commissioned by the Winter Garden’s Society Bournemouth and is dedicated to Charles Groves and the Bournemouth Municipal Orchestra in celebration of the Diamond Jubilee of the orchestra; they gave the first performance on 25th May 1953.
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Asbjørn Schaathun: Solomon'S House: Orchestra: Score
Orchestra
Wilhelm Hansen
Solomon's House for Orchestra (2013) by Norwegian composer Asbjørn Schaathun. C...
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Solomon's House for Orchestra (2013) by Norwegian composer Asbjørn Schaathun. Commissioned and premiered by Bergen Philharmonic Orchestra. Parts are available on hire: hire@ewh.dk
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Karen Tanaka: Prismes: Orchestra: Score
Orchestra
[Sheet music]
Chester
Work for Orchestra premiered by the Tokyo Philharmonic Orchestra in 1984.
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Clare Grundman: American Folk Rhapsody Vol. 2: Orchestra
Orchestra
Boosey and Hawkes
Orchestra Arrangement 1992 Boosey & Hawkes Inc.-Orchestra (score & parts). Grund...
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Orchestra Arrangement 1992 Boosey & Hawkes Inc.-Orchestra (score & parts). Grundman C
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Britta Byström: Screen Memories - Trumpet Concerto No.2: Orchestra: Score
Orchestra
[Sheet music]
Wilhelm Hansen
Britta Byström's Trumpet Concerto No.2 Screen Memories for Trumpet solo and Orc...
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Britta Byström's Trumpet Concerto No.2 Screen Memories for Trumpet solo and Orchestra (2012). Trumpet solo part: WH31514B Dedicated to Tine Thing Helseth. Premiered February 28 2013 by the Nordic Chamber Orchestra and Tine Thing Helseth conducted by Johannes Gustavsson at Stadshuset in Sundsvall Sweden. Programme note Screen Memories is the English translation of a Freudian term (Deckerinnerung is the original German term). In Swedish it is called 'täckminnen'. The term means strong but seemingly meaningless childhoodmemories as 'cover' for substantial memory. The title is something of a pun as the work is based on the composition Voyage Into the Golden Screen (1968-69) by Danish composer Per Nørgård – a modern classic in which Nørgård presents his compositional technique known as the infinity series. The technique which I freely apply in the “Trumpet Concerto” enables the development of an endless melody! In that sense “Screen Memories” adapts a second understanding: memories of the composition of Nørgård. Nørgård in turn adopted the title from a song by British songwriter Donovan – the first phrase of this song is in my trumpet concerto. And then there's a third musical reference: the second movement of Beethoven's Piano Sonata No. 8 'Pathetique'. I once heard it in concert while a massive rainstorm appeared and nearly drowned the music. A musical memory incorporated in the composition (the percussionist uses a “rain stick”). Screen Memories thus becomes a concert full of musical memories dressed in new clothes. It is written for and dedicated to the soloist Tine Thing Helseth whose soft and virtuoso
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Orchanics 1: Orchestra: Score and Parts
Orchestra
Goodmusic Publishing
Three new collections of varied pieces for orchestra for players from beginner t...
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Three new collections of varied pieces for orchestra for players from beginner to grade 3 standard.This collection of three books each containing eight varied pieces has been compiled to capture the imagination of young players and to introduce them to a wide range of musical styles.Special effects appropriate to each instrument provide additional learning points and great entertainment both in rehearsal and performance. There are glissandos for strings and trombone flutter tonguing for flute and trumpets (for those able to) and a range of vocal sounds for all!The scoring allows these pieces to be played by variouscombinations of instruments. Ideally your orchestra should have some instruments from each section but if not (for example no brass) then the supplementary piano part (available separately) can be used to fill the gaps. It can also be used to provide extra support in rehearsals.As well as the normal percussion parts some of the pieces make use of a drum kit. For orchestras without a drum kit player a drum kit and bass backing track is available to download free of charge either as MP3 or WAV files.OrchestrationDescant recorder Treble recorder Flute 1 Flute 2 or Oboe Clarinet 1 Clarinet 2 Alto Sax Bassoon Horn in F Horn in Eb Trumpet 1 Trumpet 2 Trombone (Bass clef) Trombone (Treble clef) Timpani Drum Kit Percussion 1 Percuission 2 Percussion 3.Strings (Violin 1 Violin 2 Violin 3 Viola Cello Bass)Orchanics 1 contains:-Playing Tag (Richard Ling); Eastern March (Richard Ling); Autumn from Four Seasons (Vivaldi); Entertainer (Joplin); St.Anthony Chorale (Brahms/Haydn); Jazz Train (Richard Ling); Caribbean Carnival (Richard Ling); Hark the herald angels sing.
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Gunther Schuller: Of Reminiscences and Reflections: Orchestra: Score
Orchestra
[Sheet music]
Associated
Score-Written for orchestra. Full score. Awarded the 1994 Pulitzer Prize in Musi...
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Score-Written for orchestra. Full score. Awarded the 1994 Pulitzer Prize in Music. Commissioned in 1993 by the Louisville Orchestra. Parts available on rental. Duration: ca. 15 minutes.
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Concerto for Orchestra (BENJAMIN GEORGE)
Orchestra
Faber Music Limited
Par BENJAMIN GEORGE. Dedicated to the memory of Oliver Knussen, George Benjamin?...
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Par BENJAMIN GEORGE. Dedicated to the memory of Oliver Knussen, George Benjamin?s 2021 Concerto for Orchestra premiered at the BBC proms by the Mahler Chamber Orchestra. Benjamin said that the piece attempts ?to conjure a trace of the energy, humour, and spirit? of Knussen. It is varied and dynamic across its unbroken 18-minute span ? skittish lines play against still, suspended ones ? and full of star turns for its various instrumental protagonists. Available here as a full score. Parts available to hire from September 2022. ?A terrific 18-minute tour de force, clearly inspired by the virtuosity of the Mahler CO players, but far from being merely a glittering showcase.? The Times (Richard Morrison), August 2021 / Date parution : 2022-05-31/ Répertoire / Orchestre
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