SKU: HL.14025900
0.453 inches.
Herrmann wanted to write a musical portrait of his friend and colleague Alfred Hitchcok, so choose motifs from the movie The Trouble With Harry, one of Hitchcock's more personal and humorous films. This single-movement work for Orchestra employs some of the more familiar elements of Herrmann's compositional style: short musical phrases repeated and then repeated again in other positions, sharp use of dynamics among them. From the first note, the creepiness begins.Bernard Herrmann was among the very greatest of all composers of music for cinema and there are many who avow that he was the greatest of all. A very short list of the films for which this award-winning composercreated soundtracks includes Citizen Kane, The Man Who Knew Too Much, Vertigo, Jason and Argonauts, Fahrenheit 451, Obsession and Taxi Driver. He had a long and fertile association with Alfred Hitchcock during the most productive period of Hitchcock's career and with Orson Welles from the time of the Mercury Theatre on the Air. In addition to his conducting and composing work for the entertainment world, Herrmann wrote concert pieces, including a symphony, opera and cantata.
SKU: HL.4008328
ISBN 9781705198056. UPC: 196288148401.
Cape Horn is situated at the southern point of South America, on the Chilean island “Isla Hornosâ€. For centuries, sailing around thehorn was said to be one of he most dangerous passages for ships that wanted to sail from the Atlantic Ocean westwards to the PacificOcean. Tradition has it that Sir Francis Drake discovered Cape Horn in 1578 and the Dutch voyager Willem Cornelisz Schouten was the first to round it in 1616. It was the latter who named the promontory after his Dutch hometown Hoorn. It is estimated that over 800 ships and 10,000 men in total sank into the icy waters during attempts to circumnavigate the cape. The work Cape Horn – a solo for Horn and concert band – attempts to reflect the beauty, but also the peril of this region. It is a matter of great importance to thecomposer Otto M. Schwarz to write new repertoire in the wind band solo works genre. The tonal language of his main genre – film music – is as unmistakable as the experimental parts and catchy tunes.
