SKU: GH.CG-6748P
For wind instruments.
SKU: LO.30-3732L
UPC: 000308154603.
Set of Parts for 65/2106L Joel Raney calls on Celtic musical traditions and instrumentation to deliver a refreshing sound for Christmas! The orchestration by Ed Hogan incorporates Irish flutes, drums, acoustic guitar, and fiddle to paint vivid imagery of a beautifully lush and green Irish countryside. Familiar Christmas carols appear, as do some familiar Christmas texts set to beloved Irish and Welsh folk songs. An ethereal opening sets the stage before breaking into an exuberant rendition of I Saw Three Ships. Come, Thou Long-Expected Jesus; Away in a Manger; Gentle Mary Laid Her Child; and the beloved Angels We Have Heard on High all make appearances as the work progresses, culminating with a rhythmic re-imagining of O Come, All Ye Faithful set to the traditional Scottish melody Loch Lomond. One of the highlights of this musical is O Holy Night, written for soloist and choir and set to the timeless tune, LONDONDERRY AIR. Present the Christmas story in a uniquely captivating way with this imaginative work!
SKU: WD.080689551789
UPC: 080689551789.
About Coronation Series
Coronation Series Instrumentation:Woodwinds: 2 Flute, Oboe, 2 Clarinet, Bass Clarinet (doubles Tuba), Alto Sax (doubles French Horn), Tenor Sax/Baritone T.C. (doubles Trombone,) - All charts released since 3/1/02 include a Bari Sax part that doubles Tuba.Brass: 2 French Horn, 3 Trumpet, 3 Trombone, TubaPercussion:PercussionStrings: 2 Violin*, Viola* Cello/Bassoon, String Bass*simplified parts includedAdditional Parts: Harp, Rhythm, String Reduction
SKU: PR.41641205L
UPC: 680160535316. 11 x 14 inches.
During the 1993-96 seasons, Chen Yi had a three-year residency in San Francisco through Meet The Composer’s New Residencies program, simultaneously serving the Women’s Philharmonic, Chanticleer, and the Aptos Creative Arts Program. GE XU (ANTIPHONY) was commissioned by the Women’s Philharmonic as part of this residence, and the work is inspired by the vividly competitive antiphonal singing of the Zhuang minority and folk dancing tune of the Yi minority in Southern China. GE XU (ANTIPHONY) is included on the New Albion CD “The Music of Chen Yi.â€.
SKU: HL.35000906
UPC: 884088671808. 8.5x11 inches.
SKU: PR.41641252L
UPC: 680160496198.
SKU: LO.30-3731L
UPC: 000308154597.
Full Score for 65/2106L Joel Raney calls on Celtic musical traditions and instrumentation to deliver a refreshing sound for Christmas! The orchestration by Ed Hogan incorporates Irish flutes, drums, acoustic guitar, and fiddle to paint vivid imagery of a beautifully lush and green Irish countryside. Familiar Christmas carols appear, as do some familiar Christmas texts set to beloved Irish and Welsh folk songs. An ethereal opening sets the stage before breaking into an exuberant rendition of I Saw Three Ships. Come, Thou Long-Expected Jesus; Away in a Manger; Gentle Mary Laid Her Child; and the beloved Angels We Have Heard on High all make appearances as the work progresses, culminating with a rhythmic re-imagining of O Come, All Ye Faithful set to the traditional Scottish melody Loch Lomond. One of the highlights of this musical is O Holy Night, written for soloist and choir and set to the timeless tune, LONDONDERRY AIR. Present the Christmas story in a uniquely captivating way with this imaginative work!
SKU: BT.MUSM570202607
English.
For Orchestra. (triple winds) 3(+picc).3(3rd=ca).3(3rd=bcl).3 / 4.3.3.1 / 4perc / str / optional tape First performance: Norfolk Youth Orchestra, Edward Warren, conductor, King's Lynn, 1991. Published in 1991. Score.
SKU: GH.GE-11093
Text: Mats Paulson.
In arrangement for symphony orchestra by Anders Soldh.
SKU: HL.50512005
ISBN 9790080147214. 8.0x11.25x0.272 inches. Laszlo Dubrovay.
Laszlo Dubrovay wrote the following about Liszt and the piece now being published: +Liszt was for me the most important composer in my youth, and as a pianist I played a great number of his works. I admired him as an innovator, who enriched the technique of playing the instrument in a manner unparalleled in piano literature. Later his creative genius captivated me, as he opened up new paths for the future. His works paved the way for impressionism, expressionism, 20th-century folklorism and dodecaphonic thinking. His innovations were always material realisations of spiritual renewal. My Rapsodia ungherese follows the +Slow + Fast- single-movement formal concept of Liszt-s rhapsodies.+ Piano Score: 14633, score and orchestral material on hire.
SKU: HL.14022239
8.5x11.75x0.53 inches.
This was commissioned by the Norfolk and Norwich Triennial Music Festival in 1964. It was first performed by the Festival Choir and Orchestra, conducted by Charles Mackerras.
SKU: HL.48030840
UPC: 884088940010.
SKU: HL.48030202
UPC: 884088933630.
SKU: PO.PME04S
ISBN 9780958242851.
Rooted in the pastoral mode of Elgar and Vaughan Williams, Suite No.1 (1956) is an early manifestation of Ritchie's lifelong preoccupation with the ritornello as a basis for first-movement structure. The Air is a dreamy, slow-moving waltz with a folky feel, an intense middle section and a reprise that exploits a solo viola in its final bars. A prominent divisi viola sound features in the slow march that makes up the middle of the Intrada, while the Fugue's jaunty theme approaches jazz in spirit.
SKU: GH.GE-11094
SKU: HL.14042598
ISBN 9788759827482.
Programme Note Poul Ruders WIND-DRUMMING WIND-DRUMMING was written in 1979 on a commission from The Danish Percussion Ensemble. The piece is a clash of two kinds of sound-associations, the mystic, exotic impact of Latin-American drumming, and the more well dressed reputation of Western concert-instruments, in this case a wind-quintet (w. electric flute). The two instrumental camps either melt into one soft humming ritual or are split wide apart, the winds tearing their way through the undergrowth of rainforest-drumming. There is more than one way of getting on to WIND-DRUMMING: obviously it is about the confrontation of two incongruent ways of living, a lament on the damage done tothe tropical rainforests of the world by modern civilisation. One can hear it plainly as a direct rhythm-show, a downright number or a joyous homage to the most exiting kind of folkloristic music at all: the carnal spell of the Brazilian Samba. Poul Ruders.