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Op
Orchestra
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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Flûte Traversière Alto et Gu… (32)
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2 French horns, Piano (29)
High voice (29)
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Recorder, Bass Continuo (28)
String Trio: 2 violins, viola (28)
Voix et Instruments Divers (28)
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Fanfare Band (28)
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Flute, Violin and Violoncello (27)
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Flûte Traversière ou Flûte … (16)
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Piano et Quatuor à Cordes (16)
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Flûte Traversière et Trio à… (16)
Voix Seule (16)
Soprano et Cordes (16)
Soprano et Orgue (16)
Soprano Et Mezzo-Soprano (16)
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Choeur de Femmes (16)
Ukulele Ensemble (16)
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Mendelssohn, Félix : A Midsummer Night's Dream - Overture Op. 21
Orchestra
[Facsimile]
Barenreiter
Eine verzauberte Nacht, nahezu duftende Traumbilder, schwebende Elfen ? schier u...
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Eine verzauberte Nacht, nahezu duftende Traumbilder, schwebende Elfen ? schier unerschöpflich sind die sinnlichen Assoziationen, die die Musik von Mendelssohns Ouvertüre Ein Sommernachtstraum wachruft und plastisch gestaltet, ohne in einer allzu plakativen Illustration aufzugehen. Vom Komponisten 1826 in einem unbeschwerten Sommer zwischen Gartenhaus und Geschwistern geschrieben, handelt es sich zweifellos um die populärste der Konzertouvertüren Mendelssohns.
Der renommierte Musikwissenschaftler Friedhelm Krummacher zeigt in der Einleitung, wie fein Mendelssohn die Motive und Themen miteinander verwoben hat. Er geht außerdem der Entstehung des Werkes nach, insbesondere einem mutmaßlichen ersten Entwurf, der als Faksimile im Anhang wiedergegeben ist.
Zu Mendelssohns 200. Geburtstag (2009) legt der Bärenreiter-Verlag in Zusammenarbeit mit der Biblioteka Jagiello ska Kraków dieses hochwertige Faksimile in bibliophiler Ausstattung vor, das in anschaulicher Weise die feingliedrige Handschrift des Komponisten präsentiert.
?Das ist nicht nur ein Augenschmaus, sondern verrät darüber hinaus auch viel über die Entstehungsgeschichte des Weks , das uns auch heute noch ? und nicht nur in lauen Sommernächten ? so viel Freude bereitet.?
(Fono Forum 07(2009) / [Songe d'une Nuit d'Eté - Ouverture Opus 21] / Classique / Fac-similé /
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Pierrot Lunaire Opus 21 (SCHOENBERG ARNOLD)
Orchestra
[Score]
Universal Edition
For Speaker And 5 Instrumentalists. Par SCHOENBERG ARNOLD. Pierrot lunaire marks...
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For Speaker And 5 Instrumentalists. Par SCHOENBERG ARNOLD. Pierrot lunaire marks the high point of Schoenberg's expressionistic period, the essence of which he described as renouncing tonal centers and systematic relationships, replacing them with the twelve-tone method he was later to develop, with its dodecaphonic principles. Dethroning tonality and 'emancipating the dissonance' led to a radical change in his understanding of form and the intensity of musical expression beginning in 1907/1908: 'And I am unconditionally approaching a new kind of expression - I can sense it. The sounds now are virtually becoming a bestially direct expression of sensual and intellectual feelings - almost as if everything had been directly propagated.' (Diary entry, March 1912.)/ Répertoire / Récitant et 5 Instrumentistes
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Snehvides Spejl - Operatrailer: Orchestra: Score
Orchestra
[Sheet music]
Wilhelm Hansen
Composer's Program Note Repertoire operas occationally have orchestral suites: B...
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Composer's Program Note Repertoire operas occationally have orchestral suites: Bits and pieces of overture interlude etc. tied upin a bouquet of 'schönste Tränen'. Contemporary opera usually wither after the first season so the focusis on getting people to come and have a sniff before it's too late. Consequently it seemed obvious to meto start making orchestral excerpts from my operas that are meant to be played before the premiere (andafter please); I call them 'opera trailers' when they're substantial enough to be considered independent works and 'opera demos' when they're relatively short and moreappetizer-ish. SNOW WHITE'S MIRROR is a full scale two act dramatic opera written for the Danish National Opera. The opera is a modern re-telling for grown-ups of the brothers Grimm's fairy tale: Snow White is a self-centered teenage narcissist and the villain of the opera; she ends up loosing everyone but herself either because she kills them or because they decide they can't stand being around her anymore. But apparently she's o.k. with that...The music is intended for a large audience: it's basically pop music done with all the craftmanship of aclassical composer who's equally at home with large scale symphonic form avantgarde technique opera singing - and modern pop. The Trailer is in three movements. It contains three sections of the opera; the prelude an interlude close to the beginning of the second act and the final scene but one. It's a gloomy sort of trailer starting out in grand title sequence style moving on to a decidedly odd piece where Snow White find her way to the dwarfs (who're creepy junkies doing pornography to get money to buy dope) and ending in kind of an eerie rejection mood: Everyone still alive walks out on Snow White singing 'skin as white as snow hands red with blood soul as black as ivory'.(NM 2010)
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Sinfonias / Individual Instrumental Pieces (GLUCK CHRISTOPH WILLIBALD)
Orchestra
[Sheet music]
Barenreiter
Gluck Complete Edition V/2. Par GLUCK CHRISTOPH WILLIBALD. While Christoph Willi...
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Gluck Complete Edition V/2. Par GLUCK CHRISTOPH WILLIBALD. While Christoph Willibald Gluck dedicated his artistic life almost entirely to the composition of works for the opera stage, he also produced a number of instrumental works which have been somewhat marginalized until recently. This volume of the 'Gluck Complete Edition” (GGA) is the first to present 17 symphonies attributed to Gluck in a historical-critical edition - furthermore, the volume includes a new version of one of the trio sonatas published in 1961 as part of the GGA. Current research indicates that no reliable information about the genesis of the respective works exists for any of the symphonies attributed to Gluck. This is due to a lack of both autograph sources and reliable data pertaining to the history and first performances of these works. It is assumed that some of the existing symphonies might in fact be the lost overtures of Gluck's earlier operas. Others were possibly written to be performed in private or public concerts. The greatest challenge for the editors of this volume was posed by the question of authenticity and authorship of the works presented here. As no autographs exist for any of the symphonies bearing Gluck's name, the only indicators of authorship are attributions in the copies of score and parts, either original or added at a later time. The reliability of these attributions for individual works largely depends on the respective state of source material, meaning available sources as well as the condition of the respective copy. A thorough authenticity analysis concluded Gluck's authorship as valid in the case of 13 symphonies, while in the case of four other symphonies, diverging attributions lead to the acceptance of open authorship. As a result, this volume includes all compositions for which, according to the most current research, Gluck's authorship has not been refuted. In the case of two symphonies, one concerto for flute, and six trio sonatas published in 1961 as part of the GGA, Gluck's authorship has been disproven - detailed explanations are included in the volume's Foreword (Ger). The Foreword also discusses the individual instrumental works attributed to Gluck by various encyclopedias. In addition to the detailed Foreword, the volume includes facsimiles of representative source excerpts. The Critical Commentary (Ger) analyzes the state of sources and includes extensive information on editorial principles and performance practice./ Répertoire / Orchestre
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Chopiniana
Orchestra
Belaieff
En 1883, Glazounov orchestrée par un certain nombre de oeuvres pour piano de Ch...
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En 1883, Glazounov orchestrée par un certain nombre de oeuvres pour piano de Chopin et appelé la suite Chopiniana (Les Sylphides). La musique inspirée les jeunes chorégraphier Mikhail Fokin, qui par la suite atteint une renommée internationale, pour concevoir le ballet Chopiniana, dans lequel il a inventé un complot pour chacune des cinq pièces que Glazounov avait orchestré. Le ballet fut créé en 1907 à Saint-Pétersbourg. Mikhail Fokin a dit un jour: ' Chopiniana était un de mes plus grands succès '. / Orchestre
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Antonin Dvorak: Symphony No. 8 In G Major Op. 88: Orchestra: Study Score
Orchestra
[Study Score / Miniature]
Barenreiter
Symphony No. 8 In G Major Op. 88. With its Bohemian echoes and thematic diversit...
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Symphony No. 8 In G Major Op. 88. With its Bohemian echoes and thematic diversity, Symphony No. 8 enjoys a special status among lovers of Antonín Dvorák's music. For a long time, the performance material for this work has been notorious for its myriad mistakes. For his edition of Dvorák's 8th Symphony, editor Jonathan Del Mar was therefore faced with the task of making comprehensive corrections. He has taken into account the engraver?s copy, which was actually discovered in a trash bin at Novello?s in 1964. Its title page bears the words ?Copied from my original manuscript? in Dvorák?s hand. This source proves that many of the readings contained in the first edition and faithfully adopted in all subsequent editions, were simply slips of the copyist?s pen. This study score edition is complemented by the full score and orchestral parts (BA10418).
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Adagio (Autoporträt) Op. 75
Orchestra
Schott
L'Adagio se réfère directement à Mozart Adagio h-Moll KV für Klavier 540. Go...
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L'Adagio se réfère directement à Mozart Adagio h-Moll KV für Klavier 540. Goehr l'Adagio d'abord suit les événements et motivique harmoniques de l'original, tandis que les répétitions des deux parties permettent de latitude pour des variations et des développements propres. Les augmentations de tempo, de texture et le son sont de plus dense. Dans le contexte de l'oeuvre originale de Mozart, Goehr dessine un autoportrait musical dans une instrumentation subtilement différenciée, basée sur sa propre compréhension. / Orchestre
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Sérénade #1 En Ré Majeur Op. 11
Orchestra
[Score]
G. Henle
D'une durée de plus de quarante minutes et composée en 1858-59 pour une grande...
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D'une durée de plus de quarante minutes et composée en 1858-59 pour une grande formation comprenant cors, trompettes et timbales, la Sérénade en Ré majeur de Johannes Brahms caresse le genre de la symphonie. Pourtant l'opus 11 de ce compositeur alors en plein essor avait tout d'abord commencé par quatre mouvements pour 'petit orchestre', avant de prendre la forme de la 'Sinfonie-Serenade' que nous connaissons aujourd'hui. Notre Studien-Edition offre non seulement la partition critique de l'édition complète des oeuvres de Brahms, mais également une préface détaillée, dans laquelle l'éditeur Michael Musgrave commente la genèse compliquée de cette première grande oeuvre pour orchestre de Johannes Brahms. / Piano 4 Mains
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Antonín Dvo?ák: Symphony No.8 In G Op.88 (Cello): Orchestra: Part
Orchestra
Barenreiter
In G Major-The performance material available up till now for Dvorák?s sun-fill...
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In G Major-The performance material available up till now for Dvorák?s sun-filled cheerful Symphony No.8 has been notorious for its myriad mistakes. The challenge of correcting it has now been taken over by the editor Jonathan Del Mar. He has taken into account the engraver?s copy which was actually discovered in a rubbish bin at Novello?s in 1964. Its title page bears the words ?Copied from my original manuscript? in Dvorák?s hand. This source proves that many of the readings contained in the first edition and faithfully adopted in all subsequent editions were simply slips of the copyist?s pen.This new edition with score and orchestral parts in an enlarged format is accompanied bya detailed Critical Commentary on the sources and alternative readings. It also contains important facsimile pages to clarify problematical readings.Score and orchestral parts in an enlarged formatInformative Foreword (Eng/Cz/Ger) and Critical Commentary (Eng) on sources and alternative readingsWith facsimile pages
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Antonín Dvo?ák: Symphony No.8 In G Op.88 (Full Score): Orchestra: Score
Orchestra
[Score]
Barenreiter
In G Major-The performance material available up till now for Dvorák?s sun-fill...
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In G Major-The performance material available up till now for Dvorák?s sun-filled cheerful Symphony No.8 has been notorious for its myriad mistakes. The challenge of correcting it has now been taken over by the editor Jonathan Del Mar. He has taken into account the engraver?s copy which was actually discovered in a rubbish bin at Novello?s in 1964. Its title page bears the words ?Copied from my original manuscript? in Dvorák?s hand. This source proves that many of the readings contained in the first edition and faithfully adopted in all subsequent editions were simply slips of the copyist?s pen.This new edition with score and orchestral parts in an enlarged format is accompanied bya detailed Critical Commentary on the sources and alternative readings. It also contains important facsimile pages to clarify problematical readings.Score and orchestral parts in an enlarged formatInformative Foreword (Eng/Cz/Ger) and Critical Commentary (Eng) on sources and alternative readingsWith facsimile pages
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Symphony #4 Op. 120
Orchestra
Schott
The New Robert Schumann Edition (RSA) is intended as a historico-critical editio...
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The New Robert Schumann Edition (RSA) is intended as a historico-critical edition of the collected works. They will be carefully studied and prepared according to present-day musicological and editorial techniques and presented in their entirety. Drafts, sketches and fragments, in short, everything that has come down to us as being authentically by Schumann and which, in most cases, has been deliberately preserved by him, will be brought together, evaluated as to its importance and documented in some form or other in the edition of the complete works.It is the aim of the edition to reproduce authentic texts which - having corrected scribal, copying and printing errors and eradicated later additions and other textual corruptions - will approach as closely as is possible the intention of the originals.The critical edition will form the basis of accurate performance material for Robert Schumann's work. / Orchestre
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Eulenburg Audio+Scores - Boxed Set
Orchestra
[Study Score / Miniature + CD]
Eulenburg
The 'Eulenburg Audio Score' series contains the orchestral world's greatest musi...
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The 'Eulenburg Audio Score' series contains the orchestral world's greatest musical treasures from the baroque, classical and romantic repertoire. Each volume is clearly-presented with authoritative scores, informative prefaces detailing the biographical and creative background- - CDs of great performances of each work in full length, from orchestras including the London Philharmonic Orchestra, the Royal Philharmonic Orchestra, and the Philharmonia Orchestra.NEW: This box-set of 25 masterpieces in a handy slipcase containing volumes 51-75 in the series is amazing value: almost 50% cheaper than buying each volume separately!This is the perfect gift for any music-lover. 'Eulenburg Audio Score' is the new way to hear, read and understand music. Eulenburg is the 130 year-old world-famous publishing brand, renowned for its top-quality, reliable study scores at reasonable prices. Focusing on the fields of opera, orchestral music, chamber music and vocal music, it is the favoured by conductors, orchestral musicians, soloists, students, teachers and music-lovers generally. The more you read, the more you hear! / Tout Instrument
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Johann Strauss Jr.: Fest Marsch Op.452: Orchestra: Score and Parts
Orchestra
Bosworth
Fest Marsch Op.452 was composed by Johann Strauss II for full Orchestra.Johann ...
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Fest Marsch Op.452 was composed by Johann Strauss II for full Orchestra.Johann Strauss II also known as the 'Waltz King' was an Austrian composer of light music particularly dance music and operettas. Johann Strauss II composed over 400 waltzes polkas quadrilles and other types of dance music as well as several operettas and a ballet with in his relatively long career.
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Joseph M. Martin: Rejoice Ye People of the Faith: Orchestra: Parts
Orchestra
Shawnee Press
Uses: General Call To WorshipScripture: Philippians 4:4This anthem scored for S...
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Uses: General Call To WorshipScripture: Philippians 4:4This anthem scored for SAB voices sounds extremely rich and full. The optional cued notes open the piece up to larger ensembles while the use ofthe well-known hymn Rejoice Ye Pure in Heart gives directors an option to incorporate congregational participation. Ideal as a worship opener this anthem could also be easily used for mass choirs and festival use.
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Concert Suite From Sophie's Choice (MAW NICHOLAS)
Orchestra
[Sheet music]
Faber Music Limited
Par MAW NICHOLAS. The first performance of the opera Sophie's Choice was given a...
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Par MAW NICHOLAS. The first performance of the opera Sophie's Choice was given at the Royal Opera House, Covent Garden on 7 December 2002, conducted by Sir Simon Rattle, directed by Trevor Nunn. The Concert Suite from Sophie's Choice was written for the Peabody Institute. The first performance was given by the Peabody Symphony Orchestra with mezzo-soprano Elizabeth Healy, conducted by Hajime Teri Murai, at the Peabody Institute, Baltimore on 24 April 2004. The suite is a direct transcription by the composer from the orchestral music of the opera. The mezzo-soprano aria may be omitted. / Répertoire / Orchestre
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Ludwig van Beethoven: Symphony No. 9 in D minor Op. 125 Facsimile Score:
Orchestra
[Facsimile]
Barenreiter
Symphony No. 9 in D minor Op. 125 Facsimile Score. With his ninth symphony, Beet...
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Symphony No. 9 in D minor Op. 125 Facsimile Score. With his ninth symphony, Beethoven ventured into new musical dimensions. In the final movement, soloists and choir join forces with the orchestra and Schiller?s ?Ode to Joy? becomes a global aspiration, a declaration: ?Alle Menschen werden Brüder ! / All mankind becomes brothers.? In his commentary the great Beethoven scholar Lewis Lockwood describes the plea which Beethoven wanted to deliver at that time with this work and how views of this have changed over the centuries. Jonathan Del Mar, a renowned editor of Beethoven?s works, comments on noteworthy passages in the autograph manuscript and allows the reader to share in the composer?s working process.,br>Already the large-format paper which Beethoven used for some passages makes the large forces clear. Cuts, sometimes reversed later, show how he wrestled with the final version of the musical text and refined it right down to the last detail. The history of the autograph manuscript reflects an episode in German history: after storage in various places because of the war, the major parts were returned to Berlin but were initially divided by the Berlin Wall and only reunited in 1990. Martina Rebmann who is the Director of the Music Department at the Staatsbibliothek zu Berlin traces this story. In 1972 the main theme of the last movement was chosen by the Council of Europe as the European anthem and in 1985 it was adopted by the European Community as its official anthem. In 2001 the manuscript was listed in UNESCO?s Memory of the World Register. For the first time the facsimile presents all the parts of the manuscript including pages preserved in Bonn and Paris as well as the trombone and contrabassoon parts. The first edition (2010) was awarded with the German Music Edition Prize ?Best Edition? 2011.
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Brahms, Johannes : Symphony no. 4 e minor op. 98
Orchestra
[Study Score / Miniature]
G. Henle
L?histoire de la genèse de la 4e Symphonie remonte probablement aux années 187...
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L?histoire de la genèse de la 4e Symphonie remonte probablement aux années 1870, alors que Brahms travaillait sur la cantate de Bach «Nach dir, Herr, verlanget mich», dont le thème de la chaconne préfigure la cellule du final.
Autour du 29 août 1885, Brahms écrivit à Hans von Bülow depuis Mürzzuschlag dans le Steiermark: «J?ai là quelques entr?actes ? ce que l?on a coutume de réunir sous le nom de symphonie. [?] Je crains [?] qu?elle a le goût du climat local ? ici les cerises ne mûrissent pas.» Aucune trace de cerises «amères» dans cette symphonie. L?oeuvre est aujourd?hui un des sommets de la symphonie classique-romantique.
Notre Studien-Edition tout à fait maniable et à un prix abordable se base sur le texte de l?édition complète des oeuvres de Johannes Brahms (HN 6015). / [Symphonie n° 4 en mi mineur op. 98] / Classique / Partition de poche / Cartonné / Plats de carton /
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Symphonie No1 Op. 55 Complete (Rigide)
Orchestra
Novello & Co Ltd.
A beautifully-presented cloth-bound volume of Elgar's First Symphony Op.55. / Or...
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A beautifully-presented cloth-bound volume of Elgar's First Symphony Op.55. / Orchestre
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Felix Mendelssohn Bartholdy: Overture in C major Op.101 Trumpet Overture:
Orchestra
[Sheet music]
Barenreiter
Trompeten-Ouvertüre-The Overture in C major the so-called “Trumpet Overt...
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Trompeten-Ouvertüre-The Overture in C major the so-called “Trumpet Overture” with its brass fanfare was composed in 1826 and a second version with considerable revisions was made in 1833 for performances in D?sseldorf and London.The Overture in C major was first published posthumously in 1867.Christopher Hogwood’s Urtext edition takes into account both Mendelssohn’s autograph now held in the Biblioth?que nationale in Paris which has two endings as well as the London manuscript copy made for the performance there in 1834; this manuscript contains three separate trombone parts in Mendelssohn’s hand. ?The newB?renreiter edition presents the work as found in Mendelssohn’s autograph for the first time. ?Christopher Hogwood also documents the development of the overture with facsimiles from the 1826 version. Full score & parts (BA9052) available for sale
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Felix Mendelssohn Bartholdy: Overture in C major Op.101 Trumpet Overture:
Orchestra
Barenreiter
Trompeten-Ouvertüre-The Overture in C major the so-called “Trumpet Overt...
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Trompeten-Ouvertüre-The Overture in C major the so-called “Trumpet Overture” with its brass fanfare was composed in 1826 and a second version with considerable revisions was made in 1833 for performances in D?sseldorf and London.The Overture in C major was first published posthumously in 1867.Christopher Hogwood’s Urtext edition takes into account both Mendelssohn’s autograph now held in the Biblioth?que nationale in Paris which has two endings as well as the London manuscript copy made for the performance there in 1834; this manuscript contains three separate trombone parts in Mendelssohn’s hand. ?The newB?renreiter edition presents the work as found in Mendelssohn’s autograph for the first time. ?Christopher Hogwood also documents the development of the overture with facsimiles from the 1826 version. Full score & parts (BA9052) available for sale
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Annen Polka Op.117: Orchestra: Score and Parts
Orchestra
Bosworth
Johann Strauss the Younger (1825 - 1899) was a Viennese composer best known for...
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Johann Strauss the Younger (1825 - 1899) was a Viennese composer best known for his operettas and dance music especially his waltzes polkas and quadrilles. By the time his father died in 1849 he was already well-established as a renowned composer in his own right. The Annen Polka (Op. 117) was written for St Anne’s Festival in 1852 - an important public holiday in Vienna. Somewhat confusingly Struass Snr had also written a Polka for the same festival ten years earlier which is known by the same title. Struass Jnr’s Annen Polka has been arranged for Piano andschool/amateur Orchestra by Frank Naylor.
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Felix Mendelssohn Bartholdy: A Midsummer Night's Dream Op.21: Orchestra: Score
Orchestra
Barenreiter
Ouvertüre. Autograph: Biblioteka Jagiellonska Kraków-An enchanted night virtu...
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Ouvertüre. Autograph: Biblioteka Jagiellonska Kraków-An enchanted night virtually fragrant dreams floating fairies – the sensory associations evoked and fashioned by the music of Mendelssohn’s overture “A Midsummer Night’s Dream” are almost inexhaustible.Written by the composer in 1826 in a carefree summer spent between the summerhouse and his siblings this is without doubt Mendelssohn’s most popular concert overture.The renowned musicologist Friedhelm Krummacher shows in the introduction how finely Mendelssohn interwove motifs and themes. He also looks into the origins of the work especially a conjectural firstsketch which is reproduced in facsimile in the appendix.To mark the 200th anniversary of Mendelssohn’s birth B?renreiter in cooperation with the Biblioteka Jagiellonska Krak?w published a high-quality facsimile designed for the bibliophile vividly bringing the composer’s delicate handwriting to life.
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Viktor Ullmann: The Emperor of Atlantis or Death's Refusal op. 49b: Orchestra:
Orchestra
Eulenburg
One-act play by Peter Kien-In September 1942 Viktor Ullmann was interned in the ...
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One-act play by Peter Kien-In September 1942 Viktor Ullmann was interned in the concentration camp of Theresienstadt where he composed the opera Der Kaiser von Atlantis [The Emperor of Atlantis] on a libretto of Peter Kien a fellow prisoner in 1943.This opera was rehearsed by a chamber ensemble founded with the permission of the SS but its first performance was prohibited after the final rehearsal. The autograph of the score only survived because shortly before his deportation to Auschwitz in 1944 Ullmann handed it together with the libretto to a friend who was able to save both manuscripts at the end of the war.The opera is a parable of a cruel emperor whose senseless war isclaiming many lives. Death puts an end to the chaos by refusing his duty - now everyone lives for eternity. The king becomes disempowered but the people long for a release from the pain of life. Only the voluntary death of the emperor can restore death's original purpose. The libretto is a vigorous take on the Third Reich and more particularly the concentration camp of Theresienstadt through the means of a mystery play. The music with its numerous references to jazz and then current light music sometimes by direct quotation puts the composer in the role of political commentator following the tradition of topical opera in the 1920's.
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Aaron Copland: The Music of an Uncommon Man: Score and Parts
Orchestra
Hal Leonard
Lessons and Activities Based on the Works of Aaron Copland-We are pleased to ann...
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Lessons and Activities Based on the Works of Aaron Copland-We are pleased to announce the launch of the Leonard Bernstein Young People's Classics a new series for the music classroom that presents essential selections from the Leonard Bernstein recorded library with units of study builtaround them. The first in this series features some of the more popular works of Aaron Copland including Fanfare for the Common Man and his ballets Billy the Kid Appalachian Spring and Rodeo.Makemusic listening engaging and active with beautifully-designed full-color listening maps easy-to-follow lesson plans and full-length recorded orchestral versions of Copland's music. Included in the Classroom Kit is the BernsteinCentury Copland CD featuring Leonard Bernstein conducting the New York Philharmonic. The Enhanced CD in the Teacher book contains audio folksong recordings full-color PDFs of the student booklet student handouts and bonusmaterials all for duplication or projection.Part II features an in-depth study of Copland's ballet Rodeo specifically ?Hoe-down ? based on the Artful Learning transformative learning system inspired byLeonard Bernstein. Working together in learning centers students engage in cross-curricular activities that are incorporated into the music lessons. Available separately: Teacher Book/Enhanced CD Student Book 5-Pak theBernstein Century Copland CD and a Classroom Kit (1 Teacher Edition/Enhanced CD 20 Student Books 1 Copland CD). Suggested for Grades 5-9.
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Suk Josef - Meditation On The Old Czech Hymn St Wenceslas Op.35a - Conducteur
Orchestra
[Score]
Barenreiter
Suk, Josef Meditation on the Old Czech Hymn St Wenceslas for String Quartet op. ...
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Suk, Josef Meditation on the Old Czech Hymn St Wenceslas for String Quartet op. 35a Josef Suk played second violin in the Bohemian String Quartet. Since 1914 the ensemble was obliged to perform the Austrian national anthem at the opening of every concert. Suk decided to supplement this obligatory piece with a work inspired by the ancient sacred Bohemian ?St. Wenceslas? hymn. The hymn?s message ? a plea for the well-being of the Czech people, directed at their patron saint ? was immediately understood by the audience. The Bohemian String Quartet performed this single-movement Meditation for the first time on 27 September 1914; the premiere of the version for string orchestra followed on 22 November 1914, played by the Czech Philharmonic. That same year the piece was published by Fr. A. Urbánek together with arrangements for piano and organ. This first Urtext edition, prepared by the Suk scholar Zdenek Nouza, is published in two scorings, one for string quartet (BA 9583; study score TP 583) and another for string orchestra (BA 9584). The orchestral version differs in some details and has an added part for double bass. ? First Urtext edition Edition no. TP 583 ISMN 9790260107809 Editor Nouza, Zdenek Language(s) of text Czech, English, German Product format Study score, Urtext edition Binding Stapled Pages / Format XI, 6 S. - 22,5 x 16,5 cm
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Erich Wolfgang Korngold: Die Tote Stadt Op. 12: Orchestra: Miniature Score
Orchestra
Schott
Oper In Drei Bildern-This masterpiece composed by Erich Wolfgang Korngold when ...
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Oper In Drei Bildern-This masterpiece composed by Erich Wolfgang Korngold when he was only 23 was one of the great stage successes of the 1920s and 30s before being removed from theatre schedules by the National Socialists. Rediscovered in the 1970s it has enjoyed continuing popularity ever since. The libretto was compiled by the composer?s father the music critic Julius Korngold writing under the pseudonym ?Paul Schott? a combination of the name of the protagonist and the publishing house. A vivacious theatre group comes to liven up the gloomy city of Bruges (here a symbol of death) and the widower Paul is forced to decide between the past and the present.Korngold was fascinated by this symbolic plot and created an iridescent orchestral score washed in vivid colours. A variety of operatic devices are intermingled as if viewed through a kaleidoscope: opulent melodic arias advanced harmonies psychoanalytic profundity and cinematic transitions oscillating between reality and dream worlds guarantee the continuing modernity of this work up to the present day.
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Luigi Nono: Prometeo: Orchestra: Score
Orchestra
[Score]
Ricordi
Nuova edizione a cura di André Richard e Marco Mazzolini. The new edition of Lu...
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Nuova edizione a cura di André Richard e Marco Mazzolini. The new edition of Luigi Nono?s Prometeo serves a twofold objective. First, it proposes to document the musical text as defined through the experience of the performances in which Nono took part. Second, it aims to provide performers and scholars with the necessary information relating to the performance practice of the voices, instruments, and electronics (data, programming schemes, instructions for the implementation of sonic treatments). The technical and performance-related material is preceded by an essay which illustrates the philosophical background of the work, as closely linked to its formal aspects. The edition avails itself of the text of the second, final version of Prometeo, performed for the first time in Milan at the Stabilimento Ansaldo (September-October 1985) and reprised in Frankfurt (Alte Oper, August 1987), Paris (Théâtre National de Chaillot, October 1987) and Berlin (Kammermusiksaal of the Philharmonie, August 1988), with Nono at the Sound Direction. While the purpose of the edition is eminently practical, the specific nature of the work, combined with Nono?s own compositional approach, has made it necessary for the editors to access a number of sources, in order to accurately define the musical text. These include the autograph score supplied to the publisher and the printed copy that Nono used in all of the performances he took part in, the scores and parts used by the performers who worked with the composer, the work protocols of the Experimentalstudio of Freiburg (where Nono realized the live electronics part for Prometeo), the radio broadcast recordings of the performances in which Nono was directly involved. The concept of the edition owes much to André Richard?s extended experience realizing Prometeo, from the premieres of Venice (1984) and Milan (1985) up until 2015. He assumed a variety of roles in his plurennial involvement, from preparing the chorus and vocal soloists to leading the Sound Direction, to the design of the sonic space. As to the notation for the electronics of Prometeo, particular attention was devoted to solving the problem posed by the absence of a reference standard, as well as of specific indications in the autograph score. Based on the work protocols of the Experimentalstudio of Freiburg, the editors have developed a semiographic code that is coherent and expressive enough to avert stylistic ambiguities and, at the same time, open and flexible enough to allow for the exercise of interpretative freedom in a constantly evolving technological context.
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Joseph's Carol (KOPPEL ANDERS)
Orchestra
[Score]
Wilhelm Hansen
2+pic.1.3+Ebcl+acl+bcl.2asx+tsx+barsx.1/4.4(flg).3.1+euph/4perc(timp)/[db]. Par ...
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2+pic.1.3+Ebcl+acl+bcl.2asx+tsx+barsx.1/4.4(flg).3.1+euph/4perc(timp)/[db]. Par KOPPEL ANDERS. Opening (2020) composed by Anders Koppel for concert band. Commissioned by and dedicated to Københavns Kommunes Skoleorkester, on the occasion of the orchestra' s 65th anniversary 2020. / Date parution : 2021-11-03/ Répertoire / Orchestre
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Felix Mendelssohn Bartholdy: Calm Seas And Prosperous Voyage Op.27: Score
Orchestra
[Sheet music]
Barenreiter
Bärenreiter’s critical edition of Felix Mendelssohn Bartholdy’s &ld...
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Bärenreiter’s critical edition of Felix Mendelssohn Bartholdy’s “symphonic poem” overture Calm Sea and Prosperous Voyage edited by Christopher Hogwood belongs to our series of seven overtures by the 19th century master. Calm Sea and Prosperous Voyage is known today only in the version from 1834 and our new edition offers a critical edition of this version. But unknown to modern ears is an early version with an additional 50 bars of this overture from 1828 which only survives in a manuscript copy from the composer’s estate. Bärenreiter offers for the first time the 1828 versionin score and parts followed by the 1834 version in score and parts - A must for every orchestra and library - Includes two versions back to back - Full score & parts (BA9057) available for sale
49.00 GBP - Sold by Musicroom UK
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Kongen Af Himmelby - Demo: Orchestra: Score
Orchestra
[Sheet music]
Wilhelm Hansen
Kongen Af Himmeby-Demo/Utopiaville-Demofor Symphony Orchestra (2009). The Utopia...
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Kongen Af Himmeby-Demo/Utopiaville-Demofor Symphony Orchestra (2009). The Utopiaville-Demo is commissioned by Finn Schumacker for The Odense Symphony Orchestra. Repertoire operas occationally have orchestral suites: Bits and pieces of overture interlude etc. tied up in a bouquet of 'schönste Tränen'. Contemporary opera usually wither after the first season so the focus is on getting people to come and have a sniff before it's too late. Consequently it seemed obvious to me to start making orchestral excerpts from my operas that are meant to be played before the premiere (and after please); I call them 'operatrailers' when they're substantial enough to be considered independent works and 'opera demos' when they're relatively short and more appetizer-ish. The Utopiaville-Demo is a fast-and-furious cinemascope 3D THX-demo for my chamber opera 'The King ofUtopiaville' which is sort of a mix between a reversed revolutionary opera (reversed because it's about a revolutionthat flops) and a rhythm'n blues theatre concert. The opera takes place on the remote tropical island of Honga-Tonga where a mayor form Europe is taking a much needed holiday as far away as possible from his home town Utopiaville. The mayor desperately needs to get away:He has overstepped his authority blatantly and broken every rule of law he felt like in order to create a modern liberalistic society where sanitation medicare hospitals schools the police and all other public institutions are sold to private investors and then leased back by the public - that way noone will ever have to pay taxes because everything finances itself the mayor says and in order to keep reality at a safe distance he drinks massive amounts of insanely expensive french claret all in the best interest of the inhabitants of Utopiaville of course.Honga Tonga can't get any further away from Waikiki Beach: It looks something like the 1933 version of
34.99 GBP - Sold by Musicroom UK
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