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PIANO
CLASSICAL - BAROQUE - ROMANTIC
Orchestra
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
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Voice solo (26)
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Opera (20)
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Choral 2-part (11)
Pocket, Study conductor (11)
Xylophone, Piano (11)
Soprano Saxophone and Piano (11)
Accordion (10)
Flute, Violin, Violoncello and… (10)
CD (10)
2 Cellos, Piano (10)
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Brass ensemble (10)
Flute, Basso continuo (10)
Guitar notes and tablatures (10)
Tuba (9)
Percussion, Piano (duet) (9)
Flute, Violin, Piano (9)
Tenor Saxophone (9)
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Flûte Traversière Hautbois, … (8)
Mezzo-Soprano voice (8)
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Choral, Orchestra (8)
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Bassoon (8)
Double Bass (8)
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Chant (8)
Descant (Soprano) Recorder (7)
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School Ensemble (7)
2 French horns, Piano (7)
Divers (7)
Flute ensemble (7)
Saxophone en Sib et Piano (7)
Marching band (7)
Choral Unison (7)
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Flute and Guitar (7)
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All Instruments (6)
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Trombone et Piano ou Orgue (6)
2 Saxophones, Piano (6)
Flûte piccolo et Piano (6)
Saxhorn Basse et Piano (6)
Melody line, (Lyrics) and Chor… (6)
Descant (Soprano) Recorder, Ba… (6)
Euphonium (6)
Tenor voice (6)
2 Guitars (duet) (6)
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Harp (5)
Percussions et Piano (5)
Clarinet, Horn, Piano (5)
Flute, Clarinet, Piano (trio) (5)
CD only (5)
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Hohe Stimme und Klavier (5)
Oboe and Orchestra (5)
3 Pianos (5)
Violin, Organ (5)
Flute, Orchestra (4)
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4 Voix Mixtes et Piano (4)
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Voix et Piano Réduction (4)
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High voice (4)
Hautbois, Saxophone, Basson et… (4)
Choral TTBB (4)
Solistes, Choeur et Piano (4)
Saxophone, Bandonéon, Piano e… (4)
Flute and Strings Trio (4)
Flûte Traversière Violon et … (4)
Recorder Quartet (4)
Flûte à Bec Alto, Cordes et … (4)
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Flûte Traversière ou Violon)… (4)
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Piano Trio: mixed chamber inst… (3)
Soprano Solo et Piano (3)
Percussion Ensemble (3)
Choral SSAATTBB (3)
2 English horns and Pianoforte… (3)
Trombone ou Tuba et Piano (3)
Concert Band et Piano (3)
Alto voice, Piano (3)
2 Piccolos and Piano (3)
Harpsychord (3)
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Violin, Cello, Organ (3)
Trumpet, Horn and Piano (3)
Guitare et Piano (3)
Bassoon, Orchestra (3)
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Harpe Et Piano (3)
Tuba en Do ou Saxhorn Basse et… (3)
Tuba en Do Basse Continue, Tub… (3)
Alto Partie Séparée (3)
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Conducteur (3)
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Saxophone Soprano et Piano (3)
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2 Recorders (duet) (3)
2 Violas, Piano (3)
4 Euphoniums (3)
Voice, Cello and Piano (3)
Low voice (3)
Cor en Fa ou en Mib et Piano (3)
Horn and Orchestra (3)
Flügelhorn (3)
Vocal duet (3)
Clarinet Ensemble (3)
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Piano and Orchestra (2)
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Piano Ou Orgue (2)
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Voix Moyenne et Elevée et Pia… (2)
Accordion, Piano (2)
String Quintet: 2 violins, vio… (2)
Choeur de Femmes et Piano (2)
2 Claviers (2)
Piano, Oboe and Bassoon (2)
Flute, Viola and Piano (2)
Drum set and Piano (2)
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Flûte Traversière, Violon Et… (2)
Violin, Cello (duet) (2)
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Baritone Saxophone, Piano (2)
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Piano Quatuor: mixed chamber i… (2)
Violon ou Hautbois et Piano (2)
Tenor Horn, Piano (2)
Trumpet , Piano (2)
Trompette ou Hautbois et Piano… (2)
Analyse (2)
String Trio: 2 violins, cello (2)
2 Voix et Piano (2)
Flûte à Bec Soprano et Guita… (2)
Violon ou Flûte Traversière … (2)
Klavierauszug - Violine, Viol… (2)
Ténor, Clarinette, Violon et … (2)
Flûte Traversière ou Hautboi… (2)
2 Flûte et Piano (2)
Violon et Piano ou Orgue (2)
Partition D'Orchestre In 16 Po… (2)
Klavier (Cembalo), 2 Violinen… (2)
Quintette Et Quatuor De Pianos… (2)
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Carillon et Piano (2)
Saxophone Alto ou Ténor et Pi… (2)
2 Flutes and Harp (2)
Soli and Orchestra (2)
TTBB et Piano (2)
Saxophone Ténor et Piano (2)
Flûte, piano et basse ad libi… (2)
Choeur Mixte et Instrument Div… (2)
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Saxophone Mib et Piano (2)
1, 2 ou 3 Violons et Piano (2)
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1 ou 2 Violoncelles et Piano (2)
Bass Flute (2)
Saxophone ou Trompette et Pian… (2)
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Brass Quintet: 2 trumpets, hor… (2)
Clavier et Piano (2)
4 Euphoniums, Piano (2)
Bugle and Piano (2)
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Trombone ou Basse et Piano (2)
Voix Élevée et Piano (2)
Ensemble Instrumental (2)
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Ukulele (2)
Choeur d'Enfants et Piano (2)
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Violoncelle, Contrebasse Et Pi… (2)
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Trompette et Piano ou Orgue (2)
2 Pianos 8 Mains (2)
English Horn (2)
Oboe, Percussion (2)
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Voix Moyenne ou Basse et Piano… (2)
2 Recorders, Basso continuo (t… (2)
Saxophone Alto et Piano ou Org… (2)
Piano et Clavecin (2)
Violon (2), Violoncelle, Contr… (2)
Violon 1 (2)
Hautbois et Réduction Piano (2)
Cello Ensemble (2)
Choral Soprano solo, SATB, Key… (2)
Timbales et Piano (2)
Quatuor A Cordes Et Piano (2)
Marimba or Xylophone and Piano… (2)
Tiefe Stimme, Klavier (2)
Piano avec Basse Figurée (2)
Organ, Trumpet (duet) (2)
Soprano voice, Organ (2)
Solistes SATB, Choeur SATB, 2 … (2)
Flute, Violin (2)
Choral SSAATBB, Organ (2)
Viola and orchestra (2)
Voix de Femme et Piano (2)
Piccolo and piano (2)
Accordion and Orchestra (2)
Saxophone Alto Mib ou Tenor S… (2)
2 Clarinettes en Sib et Piano (2)
Viola da Gamba (2)
2 Pianos, 3 hands (2)
Harmonium (2)
B Flat, E Flat, C and Bass cle… (2)
Harmonica (2)
2 Clarinets (duet) (1)
3 Cors ou 2 Cors, Trombone et … (1)
Voix Moyennes et Clavecin ou P… (1)
Choeur SSAA/TTBB, 2 Flûtes Tr… (1)
Sopran solo, Violine (Flöte,… (1)
Bass Trombone (1)
Voix De Femme Soliste, Choeur … (1)
Altblockflöte, Fagott, (Viol… (1)
Choeur Mixte, Soprano et Orche… (1)
Cor et Réduction Piano (1)
Horn, Tuba (duet) (1)
Voix Moyenne ou Voix Basse et … (1)
Rapport Critique (1)
Flûte piccolo, piano (1)
Clarinette Basse Et Piano (1)
Piano 4 et 6 Mains (1)
Voix Moyennes et Piano ou Clav… (1)
Tenor, Piano (1)
Basse Partie Séparée (1)
Mélodie/Vocal/Piano (MVP) (1)
Saxophone et Piano (1)
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Violon et Piano ou Orgue (1)
3 Violons et Piano (1)
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Guitare (1)
Choeur Mixte et Orchestre (1)
Choeur et Piano (1)
Solistes, SSATTB et Piano (1)
Flûte, Hautbois, Clarinette,… (1)
Trompette ou Cornet en si bé… (1)
Mittlere Stimme, Klavier (1)
Clarinette (1)
Solo et Piano ou Orgue (1)
2 Saxophones Altos et Piano (1)
2 Parties Voix Aigües (SS) et… (1)
Trompette (en ut ou en sib) e… (1)
2 Cellos (duet) (1)
Clarinette En La Ou B Et Piano… (1)
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4 Timbales et Piano (1)
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Flûte Traversière ou Clarine… (1)
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4 Voix et Piano (1)
Trombone Basse ou Tuba et Pian… (1)
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Piano, Clarinette (Ou Alto) Et… (1)
Violon et Clavier (1)
Medium Voice (1)
Flute à bec soprano et Clave… (1)
2 Trompettes en Do et Piano (1)
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Choeurs Unisson et Piano (1)
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Clarinette ou Saxophone ou Tro… (1)
Quatuor (1)
Marimba, Violoncelle et Piano… (1)
Solistes SATB, Choeur SATB, 2 … (1)
Trompette En Sib ou Do et Pian… (1)
Solistes BarBMsMsATTBB, Choeur… (1)
3 Recorders (trio) (1)
2 Pianos et Trompette (1)
4 Saxophones ou Quatuor et 1 o… (1)
Vibraphone and Clarinet (1)
Violon ou Violoncelle et Piano… (1)
2 Violinen, 2 Violen und 2 Vi… (1)
Klavier und ein Instrument - … (1)
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2 Hautbois et Orchestre (1)
Alto Ou Violoncelle Et Piano (1)
Solo S, Choeur SATB et Piano (1)
Violoncelle avec ou sans Pian… (1)
Soprano and Alto Soli, Soprano… (1)
Voix Moyenne (Alto) et Piano (1)
Solistes SSAATTBarBarB, Piano … (1)
Basse, Piano et Contrebasse (1)
Cornet à Pistons en Sib et Pi… (1)
Klavier und Flöte (Violine) (1)
Alt-Blockflöte und Klavier (… (1)
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Tenor Ou Piano Et Piano Ou Har… (1)
Harmonica, Piano (1)
Saxophone and Orchestra (1)
Oboe, Piano Accompaniment (1)
Tenor und Baritone und Klavie… (1)
4 Flûtes et harpe ou piano (1)
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Hautbois Et Clavecin (1)
2 Sopran solo, Alt solo, 3 Te… (1)
DVD concert (1)
Flute (ou Voix élevée) et Pi… (1)
Choeur Mixte (SATB), Piano Ins… (1)
Trombone et Piano (1)
Flöte und Cembalo (oder Klav… (1)
Ténor ou Soprano et Piano (1)
Voix, saxophone ténor (ou ba… (1)
Recorder, Bass Continuo (1)
Trumpet ensemble (1)
Gesang und Orgel (1)
Voice, Piano (1)
Saxophone alto ou ténor et P… (1)
Tiefe Singstimme und Klavier (1)
Baryton Solo et Piano (1)
Bassoon and Piano (1)
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Trompette (Alto) Et Piano (1)
Clarinette et Orchestre (1)
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2 Voix (Mezzo-Soprano et Baryt… (1)
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Saxophone en Sib ou Mib et Pia… (1)
Saxophone Alto (Cor Anglais) E… (1)
Klavier, Violine, Viola, Viol… (1)
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Flûte à bec alto et basse c… (1)
Organ, Voice (1)
2 Trompettes en Do ou Sib et P… (1)
Saxophone Alto et Piano ad lib… (1)
Choeur SSAA et Piano (1)
Tenor, Soprano Et Piano (1)
Partition de Poche (1)
Violon ou Clarinette en Sib et… (1)
Hohe Singstimme und Klavier (1)
Flûte Seul Ou Avec Piano (1)
1 ou 2 Voix Egales (1)
Instruments à Percussions et … (1)
2 Klavieren Solo, Orchester (1)
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Alto (cordes) et clavecin (ou … (1)
Marimba (1)
Récitant, voix d'enfant soli… (1)
Baryton ou Basse et Piano (1)
4 Violons et Piano (1)
Choeur SSTB et Piano (1)
Soprano (Tenor) Et Piano (1)
Solistes SSATB, Choeur SSATB, … (1)
Mezzo-Soprano ou Baryton et Pi… (1)
Clarinet Quartet: 4 clarinets (1)
2 Flûtes-piccolo et Piano (1)
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Cornet (1)
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Travaux Pour Choeurs (1)
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Violon Et Basse Continue, Musi… (1)
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Edition Critique des oeuvres d… (1)
Jeu (1)
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Concert band, Choral (1)
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Schumann R. - Great Works For Piano And Orchestra
Orchestra
[Sheet music]
Dover Publications
Clara Wieck’s sincerest wish was that her future husband, Robert Schumann, tur...
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Clara Wieck’s sincerest wish was that her future husband, Robert Schumann, turn his extraordinary genius toward the larger and more challenging task of composing orchestral music. Confiding in her diary in 1839, just one year before her marriage, she explained that “it would be best if he composed for Orchestra: his imagination cannot find sufficient scope in the Piano…” In the years that followed their marriage Robert Schumann continued to devote much of his attention to Piano music, but he also found the time to comply with his beloved Clara’s wish by creating a number of musical pieces composed specifically for Piano and Orchestra. Although Schumann’s genius is most in evidence in his masterful solo Piano compositions and superb lieder, his lively and provocative imagination manifests itself with equal aplomb in the works composed for Piano and Orchestra. The same compelling romantic and lyrical qualities that captivate lovers of Schumann’s Piano music are evident in these compositions. Three of his finest are presented here in full score, including the A Minor Piano Concerto, one of the most popular and frequently performed concertos ever written. All demonstrate his remarkably innovative approach to music, diverting substantially from the classic models of the day, and display his immense creativity as well as his warmth and sensitivity. Included in this collection of Schumann’s compositions for Piano and Orchestra are: Piano Concerto In A minor, Op. 54 (published 1846) Concertstück, Op.92 (Introduction and Allegro appassionato; published 1852) Introduction and Allegro, Op. 134 (published 1855) These three works by one of the greatest masters of romanticism will delight musicians, music lovers and students, as well as devotees of Schumann. Pianists will be especially pleased to have these appealing Schumann works in one convenient edition available at an affordable price.
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The Five Piano Concertos
Orchestra
[Study Score / Miniature]
Barenreiter
The standard edition!Now that all the scores, Critical Commentaries and complete...
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The standard edition!Now that all the scores, Critical Commentaries and complete performance materials have been published for Beethoven's five Piano Concertos(BA 9021-9025), Bärenreiter are now presenting the five study score editions in a boxed set. The musical text reflects a judicious study of every surviving source, producing an Urtext edition at the very highest level.Rounding off the edition are an informative Introduction by Beethoven scholar Barry Cooper on the genesis of the works and a Foreword by the renowned editor Jonathan Del Mar describing the sources and the editorial approach.- Bärenreiter Urtext edition at the cutting edge of scholarship- The standard edition for pianists, students, conductors and libraries- Attractively priced boxed setThe study scores are not available separately at present. / Conducteur De Poche
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Piano Concertos N.1-2-3 Full (RACHMANINOV SERGEI)
Orchestra
[Sheet music]
Dover Publications
Par RACHMANINOV SERGEI. Just as Serge Rachmaninoff ranked among the greatest pia...
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Par RACHMANINOV SERGEI. Just as Serge Rachmaninoff ranked among the greatest pianists of the 20th century, his compositions for Piano and Orchestra won him an important position among modern composers. The major works that made his reputation include the first three Piano concertos, reprinted here in a single volume from authoritative full-score Russian editions./ Répertoire / Orchestre
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Chamber Music I
Orchestra
Schott
La renommée de Carl Maria von Weber repose principalement sur , Der Freischütz...
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La renommée de Carl Maria von Weber repose principalement sur , Der Freischütz '. Le succès sans précédent de cet opéra a éclipsé tous ses autres travaux et a contribué à leur chute croissante dans l'oubli. Certaines oeuvres telles que , Preciosa ' , Oberon ', et , Euryanthe ', les ouvertures , concertos en solo et sonates pour piano , des lieder et Chamber Works jouissait d'une grande popularité et ont été largement connu en Allemagne et à l'étranger aussi tard que la deuxième moitié de la 19e siècle . Cependant, toute chance d'une renaissance de Weber influents etoeuvre considérable a été gaspillé dans les années 1920 , quand une édition complète - commencé par Hans Joachim Moser et avec les contributeurs potentiels, dont Wilhelm Kempff , Hans Pfitzner , Max von Schillings, Fritz Stein et Richard Strauss - a échoué après le troisième volume.Depuis , il ya eu de nombreuses tentatives pour relancer une édition complète des oeuvres de Weber , mais comme ce genre de projet , il aurait fallu la collaboration de chercheurs des deux côtés de la frontière inter -allemande, la situation politique après 1945 n'était pas propice à une telle entreprise . Négociations approfondies ont conduit aux premières étapes tangibles dans les années 1980. L'intention , dès le début , était de placer l'oeuvre de Weber dans son contexte, et de ne pas séparer sa production musicale de son travail influent comme un écrivain , critique et organisateur dans le domaine musical , mais de publier ses compositions avec ses lettres, journaux intimes et autre production littéraire comme le meilleur moyen de documenter la fertilisation croisée entre ses activités musicales , littéraires et pratique. / Score
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Concerto Pour Piano (KHACHATURIAN ARAM)
Français
Orchestra
[Sheet music]
Chant du Monde
Par KHACHATURIAN ARAM. Aram Khachaturian's Concerto Pour Piano/ Répertoire / Or...
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Par KHACHATURIAN ARAM. Aram Khachaturian's Concerto Pour Piano/ Répertoire / Orchestre
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Sinfonia Concertante In Es Für Violine, Viola Und Orchester (MOZART WOLFGANG AMADEUS)
Orchestra
[Sheet music]
Barenreiter
for Violin, Viola and Orchestra. Par MOZART WOLFGANG AMADEUS. There is no refere...
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for Violin, Viola and Orchestra. Par MOZART WOLFGANG AMADEUS. There is no reference to the origin, occasion or a performance of the Sinfonia concertante in E-flat for Violin, Viola and Orchestra, K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn, 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he first had the occasion of giving the genre of the ; Symphonie concertante his special attention. On April 5, 1778, he wrote to his father: ; Now I shall write a sinfonie concertante for flute wendling, oboe Ramm, Punto horn, and Ritter bassoon. Even more discouraging must have been the fact that he had similardifficulties in Paris in having the works performed as he had in Mannheim. After the organizier of the Concerts spirituels, Le Gros, contrary to his promise, did not include the mentioned ; sinfonie concertante in his program. Mozart had no reason to compose any more for this genre in Paris. After Mozart's return to Salzburg, he might have been eager to introduce the new genre there, especially since adequate instrumentalists were available. Also the choice of the solo instruments (violin and viola) in the work presented here was probably influenced by the popularity of this instrumental combination in Salzburg at that time. - Urtext of the New Mozart Edition - Full score & parts (BA4900), study score format 22. 5 x 16. 5cm (TP176), violin, viola and piano reduction (BA4900-90) available for sale/ Répertoire / Orchestre
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Suk Josef - Meditation On The Old Czech Hymn St Wenceslas Op.35a - Conducteur
Orchestra
[Score]
Barenreiter
Suk, Josef Meditation on the Old Czech Hymn St Wenceslas for String Quartet op. ...
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Suk, Josef Meditation on the Old Czech Hymn St Wenceslas for String Quartet op. 35a Josef Suk played second violin in the Bohemian String Quartet. Since 1914 the ensemble was obliged to perform the Austrian national anthem at the opening of every concert. Suk decided to supplement this obligatory piece with a work inspired by the ancient sacred Bohemian ?St. Wenceslas? hymn. The hymn?s message ? a plea for the well-being of the Czech people, directed at their patron saint ? was immediately understood by the audience. The Bohemian String Quartet performed this single-movement Meditation for the first time on 27 September 1914; the premiere of the version for string orchestra followed on 22 November 1914, played by the Czech Philharmonic. That same year the piece was published by Fr. A. Urbánek together with arrangements for piano and organ. This first Urtext edition, prepared by the Suk scholar Zdenek Nouza, is published in two scorings, one for string quartet (BA 9583; study score TP 583) and another for string orchestra (BA 9584). The orchestral version differs in some details and has an added part for double bass. ? First Urtext edition Edition no. TP 583 ISMN 9790260107809 Editor Nouza, Zdenek Language(s) of text Czech, English, German Product format Study score, Urtext edition Binding Stapled Pages / Format XI, 6 S. - 22,5 x 16,5 cm
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Hindemith Paul - Herodiade - Orchestra
Orchestra
[Study Score / Miniature]
Schott
Orchester-Rezitation nach der Dichtung von StEphane MallarmE Edition : vocal/pi...
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Orchester-Rezitation nach der Dichtung von StEphane MallarmE Edition : vocal/piano score Instrumentation : orchestra Date of Composition: 1944 Duration : 25' Date of Publications : 17/05/1978 Number of Pages : 24
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Masques Et Bergamasques Op. 112
Orchestra
Barenreiter
In 1918 Gabriel Faure, then 73 years old, received a commission from Prince Albe...
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In 1918 Gabriel Faure, then 73 years old, received a commission from Prince Albert I of Monaco to write stage music invoking the atmosphere of the commedia dell'arte. The four-movement orchestral suite op. 112, consisting of Ouverture, Menuet, Gavotte and Pastorale, combines previously unpublished parts of this stage music. The Pastorale of 1919 was Faure's last composition for orchestra, the Ouverture originated in a piece of 1864 for piano duet and the original version of the Gavotte was written for piano as early as 1869. The op. 112 orchestral suite demonstrates how the composer, now older and more experienced, reworked and improved his earlier music. / Orchestre
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Stravinsky Igor - Capriccio - Conducteur
Orchestra
[Study Score / Miniature]
Boosey and Hawkes
Capriccio Studienpartitur - STP - piano and orchestra composer: Stravinsky, Igor...
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Capriccio Studienpartitur - STP - piano and orchestra composer: Stravinsky, Igor Éditeur: Boosey
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Sérénade For Strings Op. 20 (ELGAR EDWARD)
Orchestra
[Score]
Barenreiter
Par ELGAR EDWARD. With Christopher Hogwood’s new edition of Elgar ’s much lo...
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Par ELGAR EDWARD. With Christopher Hogwood’s new edition of Elgar ’s much loved Serenade, a scholarly-critical edition of the work is now available for the first time. As with other Elgar works, modern editions of the Serenade have always suffered from an enormous number of inconsistancies between the score and parts and unclear divisi and unison passages. The editor has clarified these discrepancies, drawing on Elgar ’s version of the work for Piano four hands (the original version) and the recently discovered autograph manuscript of the first movement. The edition also contains a facsimile showing the original ending of thethird movement as well as an informative foreword (Ger/Eng) and a critical commentary (Eng). The first scholarly-critical Urtext edition of this popular work for string orchestra. Foreword (Ger/Eng) and critical commentary (Eng). With facsimile pages. Full score and performance material (BA9041) available for sale./ Répertoire / Cordes
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Peer Gynt Suite I Opus 46 - Full Orchestra
Orchestra
Alfred Publishing
A wonderful two-piano arrangement by Richard Simm. Each new two-piano arrangemen...
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A wonderful two-piano arrangement by Richard Simm. Each new two-piano arrangement has become very popular with two-piano teams, teachers and performers around the world. The four-movement work follows the original orchestral work closely, giving each pianist important lines.
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Der 98. Psalm - Mwv A 23 Op. Posth 91 (MENDELSSOHN-BARTHOLDY FELIX)
Orchestra
[Sheet music]
Barenreiter
Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn’s setting of Psalm 98 was written...
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Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn’s setting of Psalm 98 was written in a few weeks to satisfy a commission in his new position as general music director of Prussia and was premiered by the Berlin Cathedral Choir on 1 January 1844. As he neither released the work forpublication nor produced a vocal score, his psalm setting did not appear in print until after his death. For this edition the authoritative Mendelssohn specialist John Michael Cooper drew primarily on the autograph score with its many subsequent corrections and amendments. In this way it differs from many other editions, which tend to treat theautograph as a subordinate source. Rounding off the edition are an informative Foreword and a detailed Critical Commentary. The piano reduction is based on the first printed edition, published by F. Kistner and Evers & Co. in 1851. - Urtext edition of Mendelssohn’s last orchestral psalm - Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng) - Words underlaid in both German and English - Piano reduction based on the first printed edition Features of the Barenreiter Urtext edition of Mendelssohn ’s setting of Psalm 98 (Singet Dem Herrn / Sing To The Lord) : Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng) Words underlaid in both German and English Piano reduction based on the first printed edition Full score, performance material (BA9076) and vocal score (BA9076-90) available for sale Mendelssohn composed his setting of Psalm 98 (Singet Dem Herrn / Sing To The Lord) in the space of just a few weeks to satisfy a commission in his new position as general musicdirector of Prussia. The work was premiered by the Berlin Cathedral Choir on 1 January 1844. As Mendelssohn neither released the work for publication nor produced a vocal score, his psalm setting did not appear in print until after his death. For this edition the authoritative Mendelssohn specialist John Michael Cooper drew primarily on the autograph score with its many subsequent corrections and amendments. In this way, it differs from many other editions, which tend to treat the autograph as a subordinate source. Rounding off the edition are an informative Foreword and a detailed Critical Commentary. The Piano reduction is based on the first printed edition, which was published by F. Kistner and Evers & Co. in 1851./ Répertoire / Solistes, Choeur Mixte et Orchestre
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Complete Concerti Full Score (BRAHMS JOHANNES)
Orchestra
[Sheet music]
Dover Publications
Par BRAHMS JOHANNES. Includes Piano Concerti Nos. 1 and 2, Violin Op. 77 and Vio...
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Par BRAHMS JOHANNES. Includes Piano Concerti Nos. 1 and 2, Violin Op. 77 and Violin and Cello, Op. 102. From the Breitkopf and Hartel Complete Works Edition. Includes Piano Concerti Nos. 1 and 2, Violin Op. 77 and Violin and Cello, Op. 102. From the Breitkopf and Hartel Complete Works Edition./ Répertoire / Orchestre
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Schweigt Stille, Plaudert Nicht (BACH JOHANN SEBASTIAN)
Orchestra
[Score]
Barenreiter
Par BACH JOHANN SEBASTIAN. Cantata No. 211: Schweigt stille, plaudert nicht (Be ...
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Par BACH JOHANN SEBASTIAN. Cantata No. 211: Schweigt stille, plaudert nicht (Be quiet, chatter not) BWV 211. The Coffee Cantata (BA 10211) and the Peasant Cantata (BA 10212) both on librettos by Picander, are among the best-known and most frequently performed of Bach's secular cantatas. Written in or around 1733, the Coffee Cantata deals humorously with the importance of the newly fashionable beverage. This is demonstrated in the soprano aria ; Ah, how sweet the coffee tastes, lovelier than a thousand kisses, milder than Muscatel. Both cantatas reveal Bach's mastery in their unusual subject-matter, formal design, andmusical workmanship. Now they appear in separate editions based on the ; New Bach Edition with straightforward and easy-to-play piano reductions by Andreas Köhs. - Urtext of the ; New Bach Edition. - Straightforward and easy-to-play piano reduction. - Vocal score (BA10211-90), performance material (BA10211) and study score (TP1211) available for sale/ Répertoire / Partition de Poche
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Vyšehrad (SMETANA BEDRICH)
Orchestra
Barenreiter
Má Vlast (My Country). Par SMETANA BEDRICH. In late September 1874, shortly aft...
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Má Vlast (My Country). Par SMETANA BEDRICH. In late September 1874, shortly after losing his hearing, Smetana started work on 'Vyšehrad”, the first symphonic poem in what would become a six-part cycle with the title 'Má vlast” (My Country). It tells the eventful history of this fort in Prague. 'Vyšehrad” was published by Urbánek together with 'Vltava” (The Moldau), the next part in the cycle, in a version for piano duet in December 1879. The full score and parts, proofread by the composer, followed in February 1880. Hugh Macdonald has corrected many errors in this first edition. He draws on the autograph and first print of the orchestral version and also refers to the autograph and printed piano duet version. / Date parution : 2019-11-21/ Répertoire / Orchestre
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Sárka From Má Vlast (My Fatherland)
Orchestra
Barenreiter
Composed in January-February 1875, ?árka is the third symphonic poem in Smetana...
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Composed in January-February 1875, ?árka is the third symphonic poem in Smetana's six-part cycle Má vlast (My Fatherland). He first published it in a version for piano-duet issued by publisher Urbánek in 1880. The score of the first edition did not appear in print until 1888, four years after Smetana's death.Owing to the many errors in the first edition, Hugh Macdonald has based this new edition on the autograph score with annotations by Adolf Cech, who conducted the premiere on 17 March 1877. The autograph and print of the piano-duet version served as additional sources. - Classical masterpiece of Czech music in a new scholarly-critical edition - Follows on from Hugh Macdonald's Urtext edition of Vltava (The Moldau) - Detailed Foreword by Smetana expert Olga Moj?í?ová (Eng/Cz/Ger) and Critical Commentary by the editor (Eng) / Orchestre
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Vltava (The Moldau)
Orchestra
-
Intermediate
Barenreiter
'Vltava? (The Moldau) is Smetana's most famous and frequently performed tone poe...
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'Vltava? (The Moldau) is Smetana's most famous and frequently performed tone poem. It was written between 20 November and 8 December 1874, but only in 1879-1880, with the completion of the entire cycle 'Má vlast? did it appear in print, when Urbánek issued it in full score and a version for piano duet.Owing to the large number of misprints in the Urbánek first edition, Hugh Macdonald has based his new edition on the autograph score, with cross-references to the first edition and the composer's own version for piano duet. Conflicting readings in the sources are listed in the Critical Commentary along with a discussion of all editorial decisions.- New Urtext edition with clear and uncluttered engraving- Informative foreword (Eng/Cz/Ger) including a contribution by Smetana scholar Olga Moj?í?ová - Includes a detailed Critical Commentary (Eng) / Orchestre
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Symphony #10 (Score) (SCHUBERT FRANZ)
Orchestra
[Sheet music]
Faber Music Limited
Par SCHUBERT FRANZ. Dating from the Autumn of 1828, Schubert's 10th Symphony is ...
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Par SCHUBERT FRANZ. Dating from the Autumn of 1828, Schubert's 10th Symphony is arguably the composer's final creative endeavour. Using Schubert's extensive piano sketches - substantially complete for movements two and three, and containing the principle material for the movement - the renowned Schubert scholar, Brian Newbould, has realised the work as Schubert himself might have done. The editor's judicious and sensitive realisation, born out of a life-long study of the composer's workings, has resulted in a fascinating and rewarding addition to the symphonic repertoire. The 10th Symphony offers a unique insight into the startling, pioneering style of Schubert on the threshold of his fourth decade./ Répertoire / Conducteur
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Egmont Ouverture Se (BEETHOVEN LUDWIG VAN)
Orchestra
G. Henle
Par BEETHOVEN LUDWIG VAN. Les trente-deux sonates pour piano de Beethoven sont s...
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Par BEETHOVEN LUDWIG VAN. Les trente-deux sonates pour piano de Beethoven sont souvent et volontiers qualifiées de «Nouveau Testament de la musique» (Hans von Bülow). Notre édition complète en deux volumes est, depuis sa publication, unanimement appréciée des spécialistes et considérée par ces derniers comme l’édition Urtext la plus fiable des trente-deux sonates de Beethoven. Son contenu: une richesse quasiment inépuisable de grandes envolées musicales et pianistiques, des oeuvres de notoriété universelle – comme les sonates «Pathétique», «Au clair de lune», «La Tempête», «Appassionata», «Waldstein» et «Hammerklavier». Même si on ne viendra pas à bout de toutes les sonates, il vaut absolument la peined’acquérir le «Nouveau Testament» paru chez Henle, soit sous sa forme brochée ou reliée, soit en format de poche (partition d’étude). / Hell, Helmut / Répertoire / Orchestre
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Symphoniae Sacrae III (1650)
Orchestra
Soli, mixted choir and piano
[Sheet music]
Barenreiter
Die Konzerte zu sieben Stimmen Nr. 15-21. Par SCHUTZ HEINRICH. Neue Ausgabe Säm...
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Die Konzerte zu sieben Stimmen Nr. 15-21. Par SCHUTZ HEINRICH. Neue Ausgabe Sämtlicher Werke/ Répertoire / Orchestre
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Sérénade #1 En Ré Majeur Op. 11
Orchestra
[Score]
G. Henle
D'une durée de plus de quarante minutes et composée en 1858-59 pour une grande...
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D'une durée de plus de quarante minutes et composée en 1858-59 pour une grande formation comprenant cors, trompettes et timbales, la Sérénade en Ré majeur de Johannes Brahms caresse le genre de la symphonie. Pourtant l'opus 11 de ce compositeur alors en plein essor avait tout d'abord commencé par quatre mouvements pour 'petit orchestre', avant de prendre la forme de la 'Sinfonie-Serenade' que nous connaissons aujourd'hui. Notre Studien-Edition offre non seulement la partition critique de l'édition complète des oeuvres de Brahms, mais également une préface détaillée, dans laquelle l'éditeur Michael Musgrave commente la genèse compliquée de cette première grande oeuvre pour orchestre de Johannes Brahms. / Piano 4 Mains
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Vivaldi A. - Les Quatre Saisons - Conducteur
Orchestra
[Study Score / Miniature]
Barenreiter
Vivaldi, Antonio The Four Seasons Edition no. TP 399 ISMN 9790006204625 Editor ...
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Vivaldi, Antonio The Four Seasons Edition no. TP 399 ISMN 9790006204625 Editor Hogwood, Christopher This study score follows our very successful publications of the Urtext full score and performance material (BA 6994) and the piano reduction of all four concertos (BA 6994a). This critical edition of Vivaldi?s masterpiece is based on the Manchester manuscript source, which originates from Vivaldi?s circle, and represents an alternative (in many cases, more explicit) version of these famous concertos. The Manchester source has until now not been used as the primary source for a modern edition. - First study score to be based on the Manchester source - Critical scholarly edition - Details regarding the work's source history as well as comments on performance practice
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Offrande Musicale Sur Le Nom De Bach - Op. 187
Français
Orchestra
[Sheet music]
Billaudot
Pour orchestre.edition Préparée par otfrid nies (archives Charles Koechlin, Ka...
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Pour orchestre.edition Préparée par otfrid nies (archives Charles Koechlin, Kassel, allemagne) d'après les autographes du compositeur. Composition : 30 octobre - 10 décembre 1942 orchestration : 29 mars - 11 avril 1946 Création le 19 mais 1973 à Francfort/m. (allemagne), par le radio-sinfonieorchester de Francfort, Jeanne loriod (ondes martenot), Peter schumann (orgue) et Wolfgang rudolf (piano), sous la direction de Juan Pablo Izquierdo. / Orchestre / Partition
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Intermezzo From Carmen
Orchestra
[Score and Parts]
Alfred Publishing
Cette sélection douce et mélodique béatement est le moyen idéal pour vos él...
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Cette sélection douce et mélodique béatement est le moyen idéal pour vos élèves à développer un style de jeu legato sensible. Suggérant l'air frais des montagnes d'une soirée en Espagne, cet intermezzo ouvre l'acte II de chef d'opéra de Bizet avec un solo de flûte lyrique qui est finalement repris par tout l'orchestre. Mature à consonance et fidèle à l'originale du compositeur, l'orchestration colorée est sûre de garder toutes les sections intéressées. La partie accompagnement de piano peut être joué par la harpe (comme dans la version originale) ou un clavier avec réglage de la harpe. / Orchestre
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Beethoven L.v. - Mass C Major Op.86 - Vocal Score
Orchestra
[Vocal Score]
-
Advanced
Barenreiter
Beethoven’s sacred works include two settings of the Mass. The “Mass in C ma...
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Beethoven’s sacred works include two settings of the Mass. The “Mass in C major”, completed and premiered in 1807, has been unjustly described as a preliminary step towards the great “Missa solemnis”. Yet it is a self-contained and, for its time, decidedly modern piece of church music. Drawing on the rich body of sources, Beethoven specialist Barry Cooper suggests practical solutions to the work’s musical and interpretative problems. His deep study of the sources convinced him to include a fully realized organ part in the score, just as Beethoven envisioned it for the first printed edition. As stated in the sources, the parts for the soloists and choir are notated on joint staves to demonstrate that the soloists are also to sing the choral passages. Rounding off this Urtext edition are a Foreword on the work’s genesis and a detailed Critical Commentary. • Score with realization of the organ part • Bilingual Foreword (Eng/Ger) and Critical Commentary (Eng) • Idiomatic piano reduction
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Sérénade #2 En La Majeur Op. 16
Orchestra
[Score]
G. Henle
Dans sa 2e Sérénade opus 16 composée en 1858-60, Brahms se limite à la petit...
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Dans sa 2e Sérénade opus 16 composée en 1858-60, Brahms se limite à la petite formation en usage pour ce genre, employant les bois et les cors par deux, ainsi que les cordes graves (sans violons!). Clara Schumann se montra 'ravie' par l'oeuvre, mais l'accueil du public fut plutôt réservé et Brahms lui-même n'était pas entièrement satisfait non plus. Il soumit donc près de quinze ans après sa première exécution la sérénade à une sévère révision. Parue en 1875, cette édition 'nouvelle, révisée par l'auteur' est la version de dernière main. Nous la présentons désormais dans une Studien-Edition restituant le texte musical de l'édition complète des oeuvres de Brahms. / Piano 4 Mains
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Die Auferstehung Und Himmelfahrt Jesu (TELEMANN GEORG PHILIPP)
Orchestra
Barenreiter
Oratorio, edition of selected works, Urtext edition. Par TELEMANN GEORG PHILIPP....
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Oratorio, edition of selected works, Urtext edition. Par TELEMANN GEORG PHILIPP. Composed around 1760, Die Auferstehung und Himmelfahrt Jesu is one of Telemann ’s last large-scale vocal works. The libretto, by Karl Wilhelm Ramler, recounts the Biblical events from the Resurrection to the Ascension in seven sections. Alternating between recitative, da capo arias and festive choruses, Telemann succeeds in producing a vivid and effective musical interpretation of the libretto. Our edition of this oratorio is based on the Urtext from Georg Philipp Telemann Musical Works. The score contains a realisation of the continuo part. The work is ideal for performances in church and concert hallalike. Complete scholarly-critical edition based on Georg Philipp Telemann Musical Works An attractive addition to the repertoire with a view to the Telemann Year 2017 Bilingual Foreword (Ger/Eng) Idiomatic Piano reduction Full score (BA5851) and vocal score (BA5851-90) available for sale Performance material (BA5851-72) available for hire / Oratorio / Répertoire / Solistes, SATB et Orchestre
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Eulenburg Audio+Scores - Boxed Set
Orchestra
[Study Score / Miniature + CD]
Eulenburg
The 'Eulenburg Audio Score' series contains the orchestral world's greatest musi...
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The 'Eulenburg Audio Score' series contains the orchestral world's greatest musical treasures from the baroque, classical and romantic repertoire. Each volume is clearly-presented with authoritative scores, informative prefaces detailing the biographical and creative background- - CDs of great performances of each work in full length, from orchestras including the London Philharmonic Orchestra, the Royal Philharmonic Orchestra, and the Philharmonia Orchestra.NEW: This box-set of 25 masterpieces in a handy slipcase containing volumes 51-75 in the series is amazing value: almost 50% cheaper than buying each volume separately!This is the perfect gift for any music-lover. 'Eulenburg Audio Score' is the new way to hear, read and understand music. Eulenburg is the 130 year-old world-famous publishing brand, renowned for its top-quality, reliable study scores at reasonable prices. Focusing on the fields of opera, orchestral music, chamber music and vocal music, it is the favoured by conductors, orchestral musicians, soloists, students, teachers and music-lovers generally. The more you read, the more you hear! / Tout Instrument
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Satie Erik - Gymnopedie N°3 - Conducteur and Parties
Orchestra
[Score and Parts]
Alfred Publishing
Gymnopédie No. 3 By Erik Satie arr. Bob Phillips Full Orchestra Conductor Sco...
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Gymnopédie No. 3 By Erik Satie arr. Bob Phillips Full Orchestra Conductor Score
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