SKU: AP.49463
ISBN 9781470650247. UPC: 038081571027. English.
The Last Rose of Summer is a traditional Irish tune arranged by Jim Palmer. The beautiful melody, rich harmonies, and interesting accompaniment will help your young orchestra sound mature. The long phrases are highlighted with beautiful slurs and a variety of dynamics. Pizzicato, slurs and ties create the interesting accompaniments. Well-developed phrases and unexpected chords provide opportunities for artistic expression. A perfect choice to teach a broad range of musical ideas. Correlated to Sound Innovations, Book 2, Level 2. (2:25) This title is available in MakeMusic Cloud.
SKU: AP.49463S
ISBN 9781470650254. UPC: 038081571034. English.
The Last Rose of Summer is a traditional Irish tune arranged by Jim Palmer. The beautiful melody, rich harmonies, and interesting accompaniment will help your young orchestra sound mature. The long phrases are highlighted with beautiful slurs and a variety of dynamics. Pizzicato, slurs and ties create the interesting accompaniments. Well-developed phrases and unexpected chords provide opportunities for artistic expression. A perfect choice to teach a broad range of musical ideas. Correlated to Sound Innovations, Book 2, Level 2. (2:25).
SKU: AP.33643S
UPC: 038081394268. English. Bulgarian Folk Dance.
Bulgarian folk music is noted for irregular rhythms, but not in this arrangement. The rhythms are straightforward but the phrases fall in groups of three measures rather than four. Easy double and triple stops make the instruments ring. This simple and happy tune provides the basis for contrast and variation. Correlated to Orchestra Expressions, Book 2.
About Orchestra Expressions
Play great songs such as Over the Rainbow, Batman, This Land Is Your Land, and Star Wars (Main Title). Listen to and play a variety of styles of music: popular, traditional, classical, folk and patriotic. Read and write music; compose and improvise. Perform in a concert and play for your family and friends. Be a conductor of the orchestra. Learn about composers, such as Antonin Dvorak, Johann Pachelbel, Jacques Offenbach, Pytor Ilyich Tchaikovsky, Giuseppe Verdi, George M. Cohan, George Frideric Handel, Ludwig van Beethoven, Johann Sebastian Bach, Wolfgang Amadeus Mozart, Giacomo Puccini, Georges Bizet, Neal Hefti, and John Williams. Discover how music and art are related. Learn about a variety of musical ensembles including string orchestra, full orchestra, mariachi band, steel drum band, dixieland jazz band, rock band, and more. Play music from around the world, including North America, Europe, Latin America, Asia, and Africa.
SKU: AP.41271
UPC: 038081480916. English.
Think Benjamin Britten's Young Person's Guide but just for strings! Written to be used for outreach or recruiting concerts, this piece is a great way to educate audiences of all ages about the different instruments of the string orchestra. All of your students will love getting a chance in the spotlight as the simple main theme is followed by five variations, each featuring a different section (yes, Violins I and II get their own separate variation!). The piece concludes with a rousing 6/8 finale in which phrases of the theme are tossed from section to section, giving your audience a final review of what they have learned. Very playable and very enjoyable for all! (6:10) This title is available in MakeMusic Cloud.
SKU: AP.41271S
UPC: 038081480923. English.
Think Benjamin Britten's Young Person's Guide but just for strings! Written to be used for outreach or recruiting concerts, this piece is a great way to educate audiences of all ages about the different instruments of the string orchestra. All of your students will love getting a chance in the spotlight as the simple main theme is followed by five variations, each featuring a different section (yes, Violins I and II get their own separate variation!). The piece concludes with a rousing 6/8 finale in which phrases of the theme are tossed from section to section, giving your audience a final review of what they have learned. Very playable and very enjoyable for all! This title is available in MakeMusic Cloud.
SKU: AP.45876S
UPC: 038081523828. English.
Upon hearing the words Big Sky Country, one typically thinks of the western states; Montana in particular. This piece, however, depicts any place where the sky is vast, the view expansive, and the setting natural. The elements of the music, with sweeping melodic phrases and a few key changes (G, C, D), suggest a spirit of adventure, freedom, the outdoors, and the beauty of the land. This lively piece with melodic parts for all was arranged by Susan H. Day. It uses slurs, accents, divisi, syncopation, and accidentals, and will capture the enthusiasm of players and audience! (4:10).
SKU: AP.44810S
UPC: 038081521206. English.
Explore the hidden dimensions of spacetime and string theory with multiple meters! Great for a cross-curricular experience with the science class. There is a string theory in physics named M-Theory that suggests spacetime contains eleven dimensions. Most of these dimensions are compacted, hidden, and undetectable by human experiments. Composer Michael Hopkins creates a musical exploration of these hidden dimensions---a journey through spacetime! Through the use of multiple meters, the phrases are of lengths that represent all the different dimensions.
SKU: SU.90810040
Instrumentation: 3fl(picc), 2ob, 2cl, 2bn; 4hn, 3tpt, 2tbn(bs), tba; timp, 4 perc, hrp, pno; strings Duratiion: 3' Full Score & Parts: available on rental Composed: 1997 Published by: Subito Music Publishing Composer's Note: A Festive Violet Pulse opens with lively textures in the woodwinds which are used as accompaniment for a melodic statement in the violins. This melody is answered contrapuntally by the celli, and develops into a web of repeated melodic phrases. The middle section is very rhythmic, highlighting the percussion section and making use of many polyrhtyhms. A soft tremolo begins to emerge in the strings and gradually evolves into the foreground material. A repeated note theme enters in the celli and is answered sequentially by each string section. A strong statement of the original theme in the trumpets and violins climaxes the movement. --N.G.
SKU: AP.48080S
UPC: 038081583894. English.
Inspired by the sound of elementary Orff ensembles, Gamelan Groove, by Doug Spata, consists of easy two-measure phrases with layered pizzicato throughout creating fun and funky textures. Using only the notes of the D and A strings (basses go up to open G), this piece will give beginners a great introduction to ensemble playing and note reading. (1:52) This title available in MakeMusic Cloud.
SKU: AP.45876
UPC: 038081523811. English.
Upon hearing the words Big Sky Country, one typically thinks of the western states; Montana in particular. This piece, however, depicts any place where the sky is vast, the view expansive, and the setting natural. The elements of the music, with sweeping melodic phrases and a few key changes (G, C, D), suggest a spirit of adventure, freedom, the outdoors, and the beauty of the land. This lively piece with melodic parts for all---using slurs, accents, divisi, syncopation, and accidentals---will capture the enthusiasm of players and audience alike! (4:10).
SKU: AP.46684S
UPC: 038081533308. English. Traditional.
Down by the Salley Gardens is a beautiful Irish folk song arranged by Jim Palmer. Featuring a wide dynamic range and beautiful sustained phrases, this piece will challenge your students to find their expressive musical voice. The enchanting melody is supported by rich harmonies and interesting accompaniments. A perfect choice for contests or the concert hall, this piece will make string orchestras of all levels sound full and mature. (2:30) This title is available in MakeMusic Cloud.
SKU: AP.46679S
UPC: 038081533247. English.
Russian Romanticism reached its peak with the music of Tchaikovsky, as the three instantly recognizable excerpts included in this uncomplicated arrangement will attest---Symphony No. 4, Mvt. IV, The Nutcracker Suite (Overture), and 1812 Overture. Younger players should have no problem mastering this music, which has been richly scored by Douglas E. Wagner to make even the smallest ensemble sound great. Teachable moments abound in Three Tchaikovsky Themes including the development of full, confident bowing; the awareness of dynamic contrast and contouring of phrases; an opportunity for discussion, with this music standing as an introduction to the memorable melodies and embracing harmonies of this period. Fun to play, and an almost guaranteed hit with any audience!
SKU: AP.48080
UPC: 038081553887. English.
Inspired by the sound of elementary Orff ensembles, Gamelan Groove, by Doug Spata, consists of easy two-measure phrases with layered pizzicato throughout creating fun and funky textures. Using only the notes of the D and A strings (basses go up to open G), this piece will give beginners a great introduction to ensemble playing and note reading. (1:52) This title is available in MakeMusic Cloud.
SKU: KJ.O1081C
UPC: 8402701216.
This majestic and colorful overture features spirited, energetic motives and soaring lyrical phrases. The brass shine throughout this work, and memorable solos for members of the woodwind section will capture listeners' attention, as well.
SKU: HL.14028514
ISBN 9780711997813. UPC: 888680744199. 8.25x11.75x0.26 inches.
Concerto for flute and orchestra. Study score edition. First performed at the Flanders Festival in Brussels 12th October 2001. Composer's Notes: I have been very familiar with the flute since my earliest pieces. I like the sound in which breathing is ever present and with timbral possibilities that befit my musical language: the instrument's body makes it possible to write phrases that go through grinding textures coloured with phonemes whispered by the flutist which gradually go towards pure and smooth sounds. Kaija Saariaho Duration 18 minutes. Solo part is also available on sale. Conductor's score and orchestral parts are available on hire only.
SKU: BR.PB-5432
World premiere of the orchestral version: Stuttgart, January 1, 2018World premiere of the piano version: Mito, June 17, 2017
Have a look into EB 9283.
ISBN 9790004212790. 10 x 12.5 inches.
Marche fatale is an incautiously daring escapade that may annoy the fans of my compositions more than my earlier works, many of which have prevailed only after scandals at their world premieres. My Marche fatale has, though, little stylistically to do with my previous compositional path; it presents itself without restraint, if not as a regression, then still as a recourse to those empty phrases to which modern civilization still clings in its daily utility music, whereas music in the 20th and 21st centuries has long since advanced to new, unfamiliar soundscapes and expressive possibilities. The key term is banality. As creators we despise it, we try to avoid it - though we are not safe from the cheap banal even within new aesthetic achievements.Many composers have incidentally accepted the banal. Mozart wrote Ein musikalischer Spass [A Musical Jape], a deliberately amateurishly miscarried sextet. Beethoven's Bagatellen op. 119 were rejected by the publisher on the grounds that few will believe that this minor work is by the famous Beethoven. Mauricio Kagel wrote, tongue in cheek, so to speak, Marsche, um den Sieg zu verfehlen [Marches for being Unvictorious], Ligeti wrote Hungarian Rock; in his Circus Polka Stravinsky quoted and distorted the famous, all too popular Schubert military march, composed at the time for piano duet. I myself do not know, though, whether I ought to rank my Marche fatale alongside these examples: I accept the humor in daily life, the more so as this daily life for some of us is not otherwise to be borne. In music, I mistrust it, considering myself all the closer to the profounder idea of cheerfulness having little to do with humor. However: Isn't a march with its compelling claim to a collectively martial or festive mood absurd, a priori? Is it even music at all? Can one march and at the same time listen? Eventually, I resolved to take the absurd seriously - perhaps bitterly seriously - as a debunking emblem of our civilization that is standing on the brink. The way - seemingly unstoppable - into the black hole of all debilitating demons: that can become serene. My old request of myself and my music-creating surroundings is to write a non-music, whence the familiar concept of music is repeatedly re-defined anew and differently, so that derailed here - perhaps? - in a treacherous way, the concert hall becomes the place of mind-opening adventures instead of a refuge in illusory security. How could that happen? The rest is - thinking.(Helmut Lachenmann, 2017)CD (Version for Piano):Nicolas Hodges CD Wergo WER 7393 2 Bibliography:Ich bin nicht ,,pietistisch verformt. Ein Gesprach [von Jan Brachmann] mit dem Komponisten Helmut Lachenmann, in: FAZ vom 7. Juni 2018, p. 15.World premiere of the piano version: Mito/Japan, June 17, 2017, World premiere of the orchestral version: Stuttgart, January 1, 2018, World premiere of the ensemble version: Frankfurt, December 9, 2020.
SKU: HL.14025900
0.453 inches.
Herrmann wanted to write a musical portrait of his friend and colleague Alfred Hitchcok, so choose motifs from the movie The Trouble With Harry, one of Hitchcock's more personal and humorous films. This single-movement work for Orchestra employs some of the more familiar elements of Herrmann's compositional style: short musical phrases repeated and then repeated again in other positions, sharp use of dynamics among them. From the first note, the creepiness begins.Bernard Herrmann was among the very greatest of all composers of music for cinema and there are many who avow that he was the greatest of all. A very short list of the films for which this award-winning composercreated soundtracks includes Citizen Kane, The Man Who Knew Too Much, Vertigo, Jason and Argonauts, Fahrenheit 451, Obsession and Taxi Driver. He had a long and fertile association with Alfred Hitchcock during the most productive period of Hitchcock's career and with Orson Welles from the time of the Mercury Theatre on the Air. In addition to his conducting and composing work for the entertainment world, Herrmann wrote concert pieces, including a symphony, opera and cantata.
SKU: KJ.JO2001C
From the pen of Lennie Niehaus comes another knockout work suitable for festivals and concerts. This overture is filled with rhythmic vitality, soaring melodies, and colorful timbres. Set in ternary form, the A sections offer meter changes. All players need to be comfortable with the eighth note pulse so that transitions from 4/4 to 3/8 to 4/4 remain smooth and in tempo. The B section provides a warm contrast to the outer sections of the piece. Work to achieve long, flowing phrases in a legato style. Encourage string players to use vibrato, even on sustained notes.
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