SKU: TM.05862SET
Chorus sold as separate S, A, T, or B choral parts - please specify quantity for each voice when ordering. Organ/Conductor.
SKU: BR.OB-5623-16
ISBN 9790004348734. 10 x 12.5 inches.
Certainly Robert Schumann was right when he stated soon after Beethoven's death that the latter's conception of the symphony as a great, universal confessional work was hardly to be continued by the next generation of composers. He saw a solution to the dilemma in the creation of autonomous concert overtures, such as those written, for instance, by Felix Mendelssohn Bartholdy: Four of his overtures were printed during his lifetime, and others were extant in manuscript, though frequently and successfully performed by the composer. Belonging to the latter group is the Trumpet Overture, begun in 1825 and performed three times between 1828 und 1833 on prominent occasions in Berlin, Dusseldorf, and London.First printing posthumously 1851 (Rietz).
SKU: LO.30-3691L
UPC: 000308153408.
Orchestral Score and Parts for 10/5303L From Jesus! The Resurrection of the Messiah (55/1188L), this solemn selection by Mary McDonald and Rose Aspinall captures the pain, anguish, and hopelessness surrounding the moment of Christ’s death. Rose’s powerful lyrics challenge the listener to contemplate the feelings of uncertainty and loss that were experienced as Jesus breathed his final breath. Perfect for Good Friday and Holy Week worship.
SKU: LO.30-3537L
UPC: 000308148930.
The resurrection of Jesus changed the world and continues to change the world today. Jesus! The Resurrection of the Messiah tells the intimate story of the grief, the fear, the hope, the love, the tenderness, and the longing of God for His children expressed through the life, death, and resurrection of Jesus. Mary McDonald and Rose Aspinall combined their talents to create a compelling musical that will take you through the emotions of the Triumphal Entry, the raising of Lazarus, the Last Supper, the moment in the garden when Jesus is arrested, the Crucifixion, and finally to the joyous Resurrection. This work may be programmed in its entirety or presented in segments during Palm Sunday, Holy Week, and Resurrection Sunday worship settings. It may be done with choir and piano alone or can include the optional orchestrations created by Michael Lawrence and Ed Hogan. This powerful worship tool is an inspiring reminder of the life-changing impact of this Deliverer, Redeemer, and Savior….Jesus!
SKU: HL.1455263
ISBN 9781638879329. UPC: 196288209393. 9.0x12.0x0.545 inches.
Composed during the summer and fall of 1974, Barnes' FIRST SYMPHONY, Op. 35 was his master's thesis at The University of Kansas. It was premiered in the spring semester of 1976 by their Symphonic Band, Robert E. Foster conducting. The following year, the symphony was awarded the American Bandmasters Ostwald Composition prize, which led to a second performance (of only the first two movements) by the Northwestern Wind Ensemble at the American Bandmasters convention with Col. Jack Cline (U.S Marine Band) conducting. Following this performance, Barnes submitted the work to several publishers, all of which declined on the basis it was too long and difficult to be marketable. For this reason, Barnes set the work aside and there it remained until 2022, when an offer came from the Osaka Shion Wind Orchestra to record all nine of Barnes'symphonies to help celebrate their 100th anniversary. Barnes seized the opportunity, engraving all four movements, with revisions and corrections, an effort that took seven days a week for two months to complete. As a result, after almost fifty years, all nine of the Barnes symphonies are finally available for performance.
SKU: CL.016-0271-00
SKU: CL.016-0273-00
SKU: TM.05363SC
Chorus sold as separate SS,TT, or BB choral parts - Please specify quantity of each voice when ordering. Bass Trombone optional.
SKU: LO.30-3837MD
UPC: 000308158175.
SKU: BR.SON-509
ISBN 9790004803318. 10 x 12.5 inches.
Editorial BoardThomas Phleps (Music), Georg Witte (Writings)Editorial MembersMusic: Oliver Dahin / Johannes C. Gall, Writings: Maren KosterEditorial CommitteeMusic: Hartmut Fladt, Werner Grunzweig, Elmar Juchem, Roland Kluttig, Giselher SchubertWritings: Albrecht Betz, Albrecht Riethmuller, Jurgen Schebera, Friederike WissmannThe editorial works are supported by the Deutsche Forschungsgemeinschaft.Special volumes are made possible with the support of the following foundations:Klockner-Stiftung, Lotto-Stiftung, Hanns und Steffy Eisler StiftungThe goal of the Hanns Eisler Complete Edition (HEGA) is to present to the public all available compositions, writings and letters in an appropriately scholarly form. It takes a historico-critical approach and seeks to document the history of the works and writings by shedding light on their transformations, thus identifying the various versions as witnesses of evolving aesthetic and historical positions. Eislers complete oeuvre (only a limited number of his works had penetrated the publics awareness up until the 1990s) first became the object of an editorial undertaking when the Eisler - Gesammelte Werke (EGW) was founded by Nathan Notowicz. It was later placed under the direction of Manfred Grabs and Eberhardt Klemm, and began issuing its publications in 1968 through the intermediary of the Deutscher Verlag fur Musik in Leipzig. However, only four volumes of music and five volumes of writings were published. The Hanns Eisler Complete Edition pursues the work begun at that time, although it has had to fundamentally revise its editorial principles. In this respect, the Hanns Eisler Complete Edition can be considered as a completely new editorial undertaking. It became necessary to reconceive the organization of the volumes and series as well as the editorial guidelines in order to adapt the standards of historico-critical editing generally applicable today to the specific and sometimes singular circumstances of Eislers works.The Critical Commentaries pertaining to the main volumes follow the music section or, whenever they are too extensive, appear in a special volume.Series I: Choral MusicSeries II: Music for Voice and Instrumental Ensemble or OrchestraSeries III: Music for Voice and PianoSeries IV: Instrumental MusicSeries V: Incidental MusicSeries VI: Film MusicSeries VII: Sketches and FragmentsSeries VIII: Arrangements of works by other composersSeries IX: Writings, Letters and InterviewsSON 501 has been awarded the German Music Edition Prize 2003.SON 502 has been awarded the German Music Edition Prize 2007.The major upheavals that transformed society and musical aesthetics during the first half of the 20th century also profoundly affected the life of Hanns Eisler, as well as his compositions and writings. The importance and scope of Eislers oeuvre are reason enough to make his works accessible to musical scholarship and practice in a comprehensive fashion. Price reduction for a subscription.
SKU: RM.FLOR07781-BA
ISBN 9790231077810.
SKU: PR.44641210L
UPC: 680160590520.
SKU: LO.30-1687L
UPC: 000308057782.
Christmas is that wonderful time of the year when we sing, come, thou long-expected Jesus even though we know he has already come, and 'joy to the world' even though we know the world is not yet completely joyful. ôThese are the opening words of this thoughtful and expressive cantata-a beautiful combination of the meditative, as well as the joyful, feelings that remembering the events of Christmas brings. The congregation is asked to join in the singing of familiar carols, and the choir is given the opportunity to sing beautifully crafted, but never difficult, new music for the season. Performance time: 25-30 minutes. Flute 1 and 2, B-flat Clarinet, Horn in F, Trumpet 1, 2 and 3, Trombone 1, 2 and 3, Timpani, Percussion, Opt. Harp, Violin 1 and 2, Viola, Cello, Contrabass.
SKU: LO.30-3770MD
UPC: 000308155648.
SKU: TM.05363SET
SKU: WD.080689552786
UPC: 080689552786.
About Sunday Sounds Series
Sunday Sounds Series Instrumentation:Woodwinds: 2 Flute, Oboe, 2 Clarinet, Bass Clarinet (doubles C Bass), Alto Sax (doubles French Horn), Tenor Sax (doubles Trombone,) Bari Sax (doubles C Bass)Brass: 2 French Horn, 3 Trumpet, 2 TrombonePercussion: PercussionStrings: 2 Violin, ViolaAdditional Parts: C Bass (Bassoon, Bass Trombone, Tuba, Cello, String Bass), Piano/Bass/Guitar, Drum Set, Harp, String Reduction
SKU: HL.49045924
ISBN 9783795711764. UPC: 888680949426. 8.0x10.5x1.8 inches. German. Korngold - Librettist: Paul Schott; Author of Original Text: Georges Rodenbach.
This masterpiece, composed by Erich Wolfgang Korngold when he was only 23, was one of the great stage successes of the 1920s and 30s before being removed from theatre schedules by the National Socialists. Rediscovered in the 1970s, it has enjoyed continuing popularity ever since. The libretto was compiled by the composer's father, the music critic Julius Korngold, writing under the pseudonym 'Paul Schott', a combination of the name of the protagonist and the publishing house. A vivacious theatre group comes to liven up the gloomy city of Bruges (here, a symbol of death) and the widower Paul is forced to decide between the past and the present. Korngold was fascinated by this symbolic plot and created an iridescent orchestral score washed in vivid colours. A variety of operatic devices are intermingled as if viewed through a kaleidoscope: opulent melodic arias, advanced harmonies, psychoanalytic profundity and cinematic transitions oscillating between reality and dream worlds guarantee the continuing modernity of this work up to the present day.
SKU: HL.14009640
The Chanson de Nuit was originally entitled Evensong, though it is difficult to discern any religiosity in the work. And although published in 1897, scholars suggest that these works may have been written in the 1880's. The contrast of the two melodies which Elgar then intertwines yield a satisfying short work, especially with the composer's fine Orchestration.Elgar published the Chanson de Nuit - and its partner, Chanson de Matin - at the time of his life when he was also creating the Enigma Variations and The Dream of Gerontius. This work was originally created as a Violin and Piano duet, but Elgar then Orchestrated the work and it was presented at the Proms. Sincethen, other arrangements have been created.
SKU: BA.BA02963
ISBN 9790006428151. 30 x 26 cm inches. Preface: Johann Philipp Hinnenthal.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
