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Orgelwerke Band I/1 (BUXTEHUDE DIETERICH)
Organ
[Sheet music]
Freie Orgelwerke - BuxWV 136-153, 158. Par BUXTEHUDE DIETERICH. This edition is ...
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Freie Orgelwerke - BuxWV 136-153, 158. Par BUXTEHUDE DIETERICH. This edition is the result of Harald Vogel?s many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17 th - and 18 th -century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the ?Einzelanmerkungen?. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude?s free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary). Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on ?Die Fuge um Bach?. Besides the description of the ?inclusion? of triple measures into the C notation and the irregularities of the ?voice mutation? in the polyphonic structures, this also included a discussion about the justification of the ?inner textual criticism?. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude?s work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the ?indicators of the fantastic style? is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude?s work. In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Luleå University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lübeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude?s organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands. / Date parution : 2022-10-12/ Recueil / Orgue
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Orgelwerke Set Band I (BUXTEHUDE DIETERICH)
Organ
[Sheet music]
Breitkopf & Härtel
Freie Orgelwerke - BuxWV 136-161. Par BUXTEHUDE DIETERICH. This edition is the r...
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Freie Orgelwerke - BuxWV 136-161. Par BUXTEHUDE DIETERICH. This edition is the result of Harald Vogel?s many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17 th - and 18 th -century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the ?Einzelanmerkungen?. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude?s free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary). Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on ?Die Fuge um Bach?. Besides the description of the ?inclusion? of triple measures into the C notation and the irregularities of the ?voice mutation? in the polyphonic structures, this also included a discussion about the justification of the ?inner textual criticism?. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude?s work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the ?indicators of the fantastic style? is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude?s work. In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Luleå University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lübeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude?s organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands. / Date parution : 2022-10-12/ Recueil / Orgue
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Richard Wagner: Pilgerchor: Organ: Instrumental Work
Organ
[Sheet music]
-
Intermediate
Schott
from the Opera 'Tannhauser'-During his time in Weimar (1848 1861) Liszt develop...
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from the Opera 'Tannhauser'-During his time in Weimar (1848 1861) Liszt developed a then entirely new organ style which stands out for both orchestral and pianistic elements. Together with the choirmaster Alexander Wilhelm Gottschalg (1827 1908) from Tiefurt he regularly initiated so-called 'organ conferences'. And it was at the suggestion of Gottschalg that the present arrangement of the Pilgrim's Choir from the opera 'Tannhäuser' was written. With his version for organ Liszt by means of this example laid the foundations for the (not always undisputed) tradition extending to the present day of organ transcriptions from the operas of Wagner. 'Organistic' elements in the Pilgrims' Choir are theclassical chorale theme the solemn 'sacred' atmosphere of the solemn tempo as well as the expressive cantability. The linear intensification from the antiphonal-organ-like piano dolce of the beginning to the 'full organ' can be realized in a convincing manner with an orchestrally conceived three-manual organ with the sensitive use of the swell box and the successive seamless build-up of the crescendo pedal being of particular significance. Important repertoire piece marking the 200th birthday of Richard Wagner in 2013.
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Christmas Oratorio Part I (BACH JOHANN SEBASTIAN)
Organ
[Part]
Carus Verlag
BWV 248. Par BACH JOHANN SEBASTIAN. For this edition, Carsten Klomp has transfer...
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BWV 248. Par BACH JOHANN SEBASTIAN. For this edition, Carsten Klomp has transferred the orchestral movement of the 1st cantata from Johann Sebastian Bach's Christmas Oratorio to the organ. It not only enables a performance with a reduced line-up, but also a tonally appealing and surprisingly coherent rendition of this wonderful music. The way the voices are distributed on the manuals and pedal and the balance between virtuosity and good playability ensure both proximity to the original score and an organ-appropriate implementation. Instead of a simple piano reduction on the organ, this version offers an independent performance option that allows the organ to be used in all of its facets and possibilities.The vocal parts (solos and choir) are identical to the edition of the original version (Carus 31.248/00), so that the piano reduction and choral score can be used.The single part for the organ was optimized for page turning, i.e. the choral parts were not printed, but the dacapo was always notated out. / Date parution : 2021-12-09/ Répertoire / Orgue
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Choral Preludes (SCHROEDER HERMANN)
Organ
Schott
(Ausgewahlte Orgelwerke, Band 1). Par SCHROEDER HERMANN. Hermann Schroeder's abu...
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(Ausgewahlte Orgelwerke, Band 1). Par SCHROEDER HERMANN. Hermann Schroeder's abundant oeuvre in the field of chorale-bound organ music is much less known among organists than his free - especially the concertante - organ works, although Hermann Schroeder as an organist felt particularly bound to liturgy and liturgical singing. And according to him, any liturgical organ music should always bear a direct relation to singing. The purpose of the present anthology is to provide the player a representative selection of Schroeder's chorale arrangements. Most of these chorales are relatively short and of medium difficulty at most. The chorale melody can be heard well most of the time so that the pieces are ideal for being used in church services. In the alphabetical index, the beginnings of song titles are accompanied by the corresponding number from Gotteslob (GL) or the Protestant Hymnal for better orientation./ Répertoire / Orgue
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Maurice Duruflé: Œuvres pour orgue: Organ: Instrumental Album
Organ
[Sheet music]
Durand
Ã?dition Originale-This volume in the series ?Les Éditions Originales Durand Â...
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Ã?dition Originale-This volume in the series ?Les Éditions Originales Durand · Salabert · Eschig? contains Maurice Duruflé?s works for Organ taken from the editions in Durand catalogue. The original engravings are reproduced giving musicians a valuable record of how these major works were first published whether in the composer?s lifetime or posthumously. With Olivier Messiaen Maurice Duruflé formed part of an illustrious generation of composers who received the decisive imprint of Tournemire either through his teaching or through his immense cycle L?Orguemystiquer. In his catalogue Organ music naturally has a major place. He did not force his own nature into any new aesthetic as he championed modality such as medieval music has codified it asserting that ?I have always inhabited Gregorian chant which is obviously a fairly well-behaved language?.
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Nigel Ogden: At Your Service: Organ: Score
Organ
Stainer and Bell
Easy liturgical organ music in an accessible modern style is always welcome and...
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Easy liturgical organ music in an accessible modern style is always welcome and Nigel Ogden well-known contributor to Stainer & Bell’s ‘Light Organ’ series and host of ‘the Organist Entertains’ on BBC Radio 2 has composed fifteen new pieces for use within the communion service or other acts of worship.They are suitable both for traditional and electronic keyboard instruments and may be performed on single or multi-manuals with the bass played optionally on pedals as desired. There are fanfares and festal voluntaries to accompany the dramatic high-points of the liturgy as well as tranquil melodies for reposeful moments of meditation and private devotion pluspreludes on familiar hymns to collect the thoughts of the whole congregation. Flexibility is the watchword of At Your Service which offers a really practical contribution to the repertoire of useful music for church organists.
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Fiesta!: Organ: Instrumental Album
Organ
Kevin Mayhew
Joyous pieces for organ-There is always an urgent need for joyful organ music w...
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Joyous pieces for organ-There is always an urgent need for joyful organ music works which ensure that a congregation leaves the church with a broad smile and a sense of warmth and happiness. This superb publication fulfils this need and its evocativetitle aptly describes both contents and purpose. The music is ideal for great and festive occasions: it is vibrant and exciting and will leave listeners with an overwhelming feeling of excitement and pleasure. This easy-to-playcollection is unique and comprehensive.
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Worship Hymns for Organ - Volume 1: Organ: Instrumental Album
Organ
Fred Bock Music Company
Carolyn Hamlin an organist from Easley South Carolina has put together a coll...
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Carolyn Hamlin an organist from Easley South Carolina has put together a collection of seven popular hymns arranged for organ: perfect for preludes postludes offertories and for use at weddings funerals etc. The hymntuneis always prominent and appears often in the right hand left hand or pedal parts! Medium level difficulty. Titles include: Come Christians Join to Sing • Praise the Lord Ye Heavens Adore Him • For All the Saints• Holy Holy Holy • How Firm a Foundation • In Heavenly Love Abiding • When I Survey the Wondrous Cross.
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Organist's Collection Book 13: Organ: Instrumental Album
Organ
Kevin Mayhew
Essential music from across the centuries-The Organist's collection is a series ...
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Essential music from across the centuries-The Organist's collection is a series which makes available a wide repertoire of music for the organ requiring only a modest technique. Book Thirteen: Music from across the centuries contains wonderful 15 pieces representing thechanges and evolution that has occurred through the different periods of music. Many of the pieces such as Brahms Waltz in B Minor are familiar and well known while others are fine examples and deserve to be remembered. Setfor Manuals and Pedals and as always they are beautifully presented and represent tremendous value also included is a thumbnail sketch history of each of the featured composers.
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Organist's Collection Book 15: Organ: Instrumental Album
Organ
Kevin Mayhew
The Organist's Collection is a series which makes available a wide repertoire of...
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The Organist's Collection is a series which makes available a wide repertoire of music for the organ requiring only a modest technique. Book Fifteen: Music from across the centuries contains wonderful 14 piecesrepresenting the change and evolution that has occurred through the different periods of music. Many of the pieces are familiar and well known while others are fine examples and deserve to be remembered. Set for Manuals andPedals and as always they are beautifully presented and represent tremendous value also included is a thumbnail sketch history of each of the featured composers.
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Johann Sebastian Bach: Toccata: Organ: Instrumental Work
Organ
Fentone Music
The first three notes of this piece are probably the most famous notes of all or...
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The first three notes of this piece are probably the most famous notes of all organ literature. Its titanic diminished chords thunderous pedal lines and theatrical dynamic contrasts have brought this work notoriety beyond the church and concert hall and into films ranging from ?Fantasia? to ?Rollerball.? The toccata (derived from the word toccare to touch) was a technical work in which difficulties of execution were always present Rather than considering that this work presents a fugue preceded by a toccata the title of this work is best interpreted as the brilliant composition of a fugue phrase itself weaving through the blazing triumphant chords. After theannouncement of the theme the rhythm of sixteenths continues almost without interruption to the final measures.
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Wedding Jazz: Organ: Instrumental Album
Organ
Kevin Mayhew
Seven bubbly pieces for organ-There is a large demand for lively and joyful wedd...
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Seven bubbly pieces for organ-There is a large demand for lively and joyful wedding music which speaks to contemporary congregations in the language they know. This collection of Jazzy pieces will command the attention and enhance the atmosphere ofhappiness which is such a wonderful part of the wedding ceremony. Congregations will love these pieces and organists will find them exciting and thrilling to play. We know that organists are always looking for something fresh toplay for weddings and this new collection fits the bill perfectly!Wedding Jazz includes Groovy Gavotte (Tim Blinko) To a slightly Wilder Rose! (Rosalie Bonighton) Mr Purcell’sTrumpeting Tune & Air (Robert Jones) The Perfect Love Waltz (June Nixon) Troldhaugen Blues & Waltz (Betty Roe) Amazing Grace Variation ‘Bluesy Dance’ (Martin Setchell) and Rave TrumpetVoluntary (Andrew Wright).
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Dietrich Buxtehude: Chorale Preludes Buxwv 177-224: Organ: Instrumental Album
Organ
Dover Publications
A major influence on Bach ? who once walked 200 miles to hear him perform ? Buxt...
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A major influence on Bach ? who once walked 200 miles to hear him perform ? Buxtehude is among the great names in Organ music and the study of counterpoint. Born five decades after Heinrich Schütz the 'father of German musicians ' and a little less than half a century before Bach he bridged the era between the founder of Protestant Baroque music and its greatest master. This collection of church chorales attests to Buxtehude's reputation as an outstanding composer of sacred Vocal music.For his texts the composer drew upon scripture as well as church hymns and contemporary or medieval sacred poetry. Albert Schweitzer in his famous biography ofBach observed that Buxtehude's chorale preludes are 'chorale fantasias of the most varied kinds from the simplest to the most ingenious. In the simple ones the melody goes its way quietly just embellished here and there with a few ornaments and accompanied by interesting and always ingenious harmonies. . . . In the large chorale preludes Buxtehude tears the melody in pieces throws the fragments into the flood of a brilliant animated fantasia.'Authoritative and modestly priced this treasury of Buxtehude's works offers organists a source of endless satisfaction and inspiration.Reprint of the Breitkopf & Härtel Leipzig 1903 edition.
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Contemplation: Organ: Instrumental Album
Organ
Kevin Mayhew
Gentle music for organ-We know that organists are always on the lookout for musi...
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Gentle music for organ-We know that organists are always on the lookout for music suitable for the quieter and more reflective parts of the service so here is our latest lifeline for you. It is a bumper collection great value for money and each piecebeautifully written as you would expect from our house composers.
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Fiesta!: Organ: Instrumental Album
Organ
Kevin Mayhew
Joyous pieces for manuals-There is always an urgent need for joyful organ music;...
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Joyous pieces for manuals-There is always an urgent need for joyful organ music; works which ensure that a congregation leaves the church with a broad smile and a sense of warmth and happiness. This superb publication fulfils this need and its evocativetitle aptly describes both contents and purpose. The music is ideal for great and festive occasions: it is vibrant and exciting and will leave listeners with an overwhelming feeling of excitement and pleasure.
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Diane Bish Wedding Book: Organ: Instrumental Album
Organ
Gentry Publications
Here's a classical organ collection with 'everything you've always wanted to pla...
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Here's a classical organ collection with 'everything you've always wanted to play for a wedding.' These most-often requested pieces are conveniently compiled in one spiral-bound collection and edited with her suggestedregistrations. Some titles include Mendelssohn's 'Wedding March ' 'Trumpet Voluntary ' by Jeremiah Clark 'Arioso in A' by Bach Wagner's 'Bridal Chorus ' and Handel's 'Water Music.'
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Arvo Pärt: Pari intervallo: Organ: Instrumental Work
Organ
Universal Edition
The basic musical material of 'Pari intervallo' by Arvo Pärt consists of two pa...
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The basic musical material of 'Pari intervallo' by Arvo Pärt consists of two parts which move exactly parallel to each other so that the interval between them is always the same- hence the title. 'Pari Intervallo' is reminiscent of achorale prelude which might be prefaced with the lines from Romans 14/8: 'lf we live we live to the Lord and if we die we die to the Lord.'Now for the first time available as a single edition for organ.
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Johann Sebastian Bach: An Organist's Selection: Organ: Instrumental Work
Organ
Fentone Music
The music of Bach always has a place in the repertoire of organists. This value...
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The music of Bach always has a place in the repertoire of organists. This value for money collection brings together a selection of transcriptions made by the organ scholar Bryan Hesford.
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A Graded Anthology For Organ Book 4: Organ: Instrumental Album
Organ
Cramer Music
The third book of graded pieces by Anne Marsden Thomas. This book offers experie...
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The third book of graded pieces by Anne Marsden Thomas. This book offers experience in combining feet and hands within relatively simple music. The music always lies comfortably under the hands and feet. Several trios are included to develop listening and to promote independence between left hand and pedals. Almost all pedal notes can be played by toes alone heels are introduced only occasionally. Grade 4-5
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Londonderry Air (Organ): Organ: Instrumental Work
Organ
[Sheet music]
Novello & Co Ltd.
Londonderry Air also known as 'Danny Boy' is known throughout the world as an ...
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Londonderry Air also known as 'Danny Boy' is known throughout the world as an anthem of Irish identity. It was collected in County Derry in the 1850’s and though claims have been made as to its authorship has always been attributed to ‘anonymous.’This arrangement by J Stuart Archer a British Organist composer and arranger of the early 20th century introduces the famous melody in the lower ranges before giving it full play above the harmonies.
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Organist's Collection Book 9: Organ: Instrumental Album
Organ
Kevin Mayhew
The Organist's Collection is a series which makes available a wide repertoire of...
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The Organist's Collection is a series which makes available a wide repertoire of music for the organ requiring only a modest technique. Book Nine: Music from across the centuries contains wonderful 14 pieces representingthe change and evolution that has occurred through the different periods of music. Many of the pieces are familiar and well known while others are fine examples and deserve to be remembered. Set for Manuals and Pedals and asalways they are beautifully presented and represent tremendous value also included is a thumbnail sketch history of each of the featured composers.
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Organist's Collection Book 8: Organ: Instrumental Album
Organ
Kevin Mayhew
The Organist's Collection is a series which makes available a wide repertoire of...
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The Organist's Collection is a series which makes available a wide repertoire of music for the organ requiring only a modest technique. Book Eight: Music from across the centuries contains wonderful 14 pieces representingthe change and evolution that has occurred through the different periods of music. Many of the pieces are familiar and well known while others are fine examples and deserve to be remembered. Set for Manuals and Pedals and asalways they are beautifully presented and represent tremendous value also included is a thumbnail sketch history of each of the featured composers.
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Harald Genzmer: Prelude Aria and Finale GeWV 413: Organ: Instrumental Work
Organ
Schott
The reputation of the Bohemian composer Zdenek Fibich (1850-1900) has always bee...
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The reputation of the Bohemian composer Zdenek Fibich (1850-1900) has always been somewhat overshadowed by that of Bedrich Smetana and Anton n Dvorák. This is a pity for Fibich though he died young made an equally important contribution to the emerging Czech national styl with his wide range of compositions. After starting piano lessons with his mother as his first teacher the boy went on to music school in Prague and then to the Leipzig Conservatoire where he learned his craft as a composer. He spent a few months teaching piano in Paris and then continued his studies with Vinzenz Lachner in Mannheim. Prague was eventually to become the centre for Fibich'smusical activities: as his dream of a post at the Conservatoire remained unfulfilled his main employment was giving private music lessons and as a composer Zdenek Fibich wrote works for many musical genres: vocal and chamber music piano pieces and orchestral works operas stage music and melodramas literary recitals with orchestral accompaniment to which he gave a new lease of life. There are biographical traces to be found in the 376 piano pieces of the collection 'Moods Impressions and Reminiscences' Op. 41 written in 1892-98: this tells of his love for his pupil Anezka Schulzová in the form of a 'piano diary'. Its four volumes were frequently a source of material for other works such as the symphonic poem 'In the Evening' Op. 39 (also known as 'A Summer's Evening' and 'At Twilight') written in 1893. For his second subject in this 'Idyll' Fibich used the minature no. 139 entitled 'Lento' from his collection of piano pieces. The violinst Jan Kubel k played the melody from 1908 onwards with the title 'Poème' and the work is still known today under this title: its easy charm has made it a favourite tune in the classical repertoire. This arrangement is based on the orchestral version from which other material was adapted for the Prelude.
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Colin Mawby: Carols for Organists: Organ: Instrumental Album
Organ
Kevin Mayhew
20 spectacular arrangements-In Carols for Organists Colin Mawby has taken 20 o...
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20 spectacular arrangements-In Carols for Organists Colin Mawby has taken 20 of the most widely used carols and worked his magic on them. These are not just last-verse treatments but complete mini recompositions for each tune. There is anIntroduction (the sort that always sounds impressive but which contains enough of the hymn tune to act as an encouragement to the congregation) the standard harmonisation a short Interlude before the last verse and a last-versearrangement of great beauty and originality followed by a fitting few bars of conclusion. Colin Mawby's approach to this well-loved music is unique: he brings new life to the carol tradition.
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Colin Mawby: Hymns for Occasions: Organ: Instrumental Album
Organ
Kevin Mayhew
One Hundred Special Arrangements-In Hymns For Occasions Colin Mawby has taken 1...
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One Hundred Special Arrangements-In Hymns For Occasions Colin Mawby has taken 100 of the most widely used hymn tunes and worked his magic on them. These are not just last-verse treatments but complete mini re-compositions for each tune. There is anintroduction (the sort that always sounds impressive but which contains enough of the hymn tune to act as an encouragement to the congregation) the standard harmonisation a short interlude before the last verse and a last-versearrangement of great beauty and originality followed by a fitting few bars of conclusion. Colin Mawby's approach to this well-loved music is unique: he brings new life to the hymn tradition in a style and quantity that noother composer has yet attempted.
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Best Loved Organ Music Book 1
Organ
Kevin Mayhew
Instruments: OrganFine arrangements of the most popular music that organists are...
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Instruments: OrganFine arrangements of the most popular music that organists are always being asked to play. The contents speak for themselves!
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All-Time Standards: Organ: Instrumental Album
Organ
[Sheet music]
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Easy
Hal Leonard
This songbook gathers 25 of the best-loved songs of all time into one classic co...
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This songbook gathers 25 of the best-loved songs of all time into one classic collection! Includes easy arrangements of: All of Me · Always · Cheek to Cheek · Fly Me to the Moon · Gigi · I've Grown Accustomed to Her Face · My Funny Valentine · September Song · Solitude · Stardust · Stompin' at the Savoy · A String of Pearls · There's a Small Hotel · Try to Remember · Tuxedo Junction · Where or When · Young at Heart · and more.
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Scènes d'enfant op. 28 (GUILLOU JEAN)
Organ
Schott
d'après The Turn of the Screw d'Henry James. Par GUILLOU JEAN. Though the work ...
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d'après The Turn of the Screw d'Henry James. Par GUILLOU JEAN. Though the work bearing this title is a portrait of childhood, it is a childhood quite different from the purely gameplaying and dreamlike childhood that is customarily represented. The childhood described here is carrying the seed, in all its purity, of all positive and negative qualities to be found the fully-grown men: a childhood both angelic and diabolical, and indeed very close to Henry James' 'The Turn of the Screw' which was the direct inspiration for this monodrama. Its growth follows the innumerable sudden changes, turns and contrasts of the unsophisticated spirit. There is hardly any development at all, as each idea gives birth to the next or rejects the previons one, being object to every impulse, every tempest, every flux, every fear and delight. After a dreamlike introduction, in which two simple melodies stand out, comes a sudden awakening, Allegro, stamped all over with lavish and forever regenerating dynamism. A sudden halt leads a kind of outburst from the most simple folklore is singing, in regular, repeated notes. Again the question mark leads us to another melody, Tranquillo, of a sweet tempo, but brilliantly decorated with counter-point, its cursive traits leading this time to a kind of roguish march (Vigoroso). Yet soon there emerges a melancholic chant, Largo, in the Cromorne's timbre, and then, in the highest register of the Trumpet there reappears like a metamorphosed memory, the theme of the second movement. Passing other episodes, we come to Tempo giusto, insistent and glorious, interrupted by other passionate figures, cut off by unsettling silent moments and taken up again in always accelerating volleys./ Répertoire / Orgue
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Preludes on Favourite Hymns
Organ
Kevin Mayhew
Our hymn preludes are always popular choices and the wide range in this edition ...
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Our hymn preludes are always popular choices and the wide range in this edition helps you add valuable thematic material to any service.
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