Les claviéristes gourmets se régalent ! Anthologie de pièces pour orgue (ou clavier) Comprenant une partie méthode pour pédalier, une partie pédagogique sur l'harmonie au clavier, et quelques pièces d'orgue à 4 mains et de musique d'ensemble. Recueil de 360 pages en 2 volumes Format 22,5 x 32 cm, couverture pelliculée Complément : livret relié de parties séparées pour la partie Musiques d'ensemble Ecrit par Marta Gliozzi et Damien Simon, professeurs d'orgue en conservatoire. Notre apprenti-cuisinier-organiste continue à explorer des matériaux musicaux dans divers styles, découvrant les différentes saveurs esthétiques des pays européens : dans ce deuxième volume, les auteurs poursuivent leur démarche pédagogique, en renouvelant l?approche de la formation de l?organiste. Élèves avec professeur, professeurs avec élèves, élèves avec amis, les pièces de musique d?ensemble et les pièces à 4 mains sont pensées pour vous ! Alors, bonne cuisine à tous, avec patience, écoute attentive de soi et de l?autre, rigueur et surtout amour de tout ce que vous faites ! Bonne dégustation ! Dans ce recueil : ? Chansons populaires, Noëls, Chorals. ? Chants grégoriens, mélodies populaires

Orgelbüchlein - mit CD-ROM-Breitkopf Urtext edition of Johann Sebastian Bach's Complete Organ Works. Music text faithful to the sources and reflecting the current status of Bach research. Developed for musical practice through the cooperation of scholars and performers. Contains all of Bach's Keyboard works that require an independent pedal manual. Contains all authentic early versions and fragmentarily transmitted or dubious works that can be attributed to Bach with a fair amount of certainty. Features comprehensive introductions extensive source descriptions and text-critical notes. Featuressupplementary material illustrated synoptically on CD-ROM (in printable quality) Brochure in large format (32 x 25 cm) and compact music engraving clear easy to read with convenient page turns. With repertoire works musicians often have the choice between editions conceived for practical music-making and others that are more scholarly in concept. This also applies to the Organ works of Johann Sebastian Bach which are available today in various editions. Among them is that of Heinz Lohmann which Breitkopf & H?rtel began publishing in 1967 and whose concept strove for an amalgamation of practice and Urtext. Current Urtext status historically informed edited with performers in mind:More than 40 years later the demands made on a new Urtext edition of Bach's Organ works are as stringent as ever before. Next to the results of scholarly research on Bach and the sources aspects of a historically informed performance practice are increasingly claiming our attention today. Also important for study teaching and concert performance are in addition to the above-mentioned demands such external criteria as format paper convenient page turns and an easily legible layout that helps the user quickly grasp the musical context. The new edition beginning in 2010 also contains all Keyboard works with pedal and the 'dubious works' that are hardly dubious anymore.This edition of Johann Sebastian Bach's Organ works wants to do justice to these demands. Next to the core contents of

Präludien und Fugen II - mit CD-ROM-Breitkopf Urtext edition of Johann Sebastian Bach's Complete Organ Works. Music text faithful to the sources and reflecting the current status of Bach research. Developed for musical practice through the cooperation of scholars and performers. Contains all of Bach's Keyboard works that require an independent pedal manual. Contains all authentic early versions and fragmentarily transmitted or dubious works that can be attributed to Bach with a fair amount of certainty. Features comprehensive introductions extensive source descriptions and text-critical notes. Featuressupplementary material illustrated synoptically on CD-ROM (in printable quality) Brochure in large format (32 x 25 cm) and compact music engraving clear easy to read with convenient page turns. With repertoire works musicians often have the choice between editions conceived for practical music-making and others that are more scholarly in concept. This also applies to the Organ works of Johann Sebastian Bach which are available today in various editions. Among them is that of Heinz Lohmann which Breitkopf & H?rtel began publishing in 1967 and whose concept strove for an amalgamation of practice and Urtext. Current Urtext status historically informed edited with performers in mind:More than 40 years later the demands made on a new Urtext edition of Bach's Organ works are as stringent as ever before. Next to the results of scholarly research on Bach and the sources aspects of a historically informed performance practice are increasingly claiming our attention today. Also important for study teaching and concert performance are in addition to the above-mentioned demands such external criteria as format paper convenient page turns and an easily legible layout that helps the user quickly grasp the musical context. The new edition beginning in 2010 also contains all Keyboard works with pedal and the 'dubious works' that are hardly dubious anymore.This edition of Johann Sebastian Bach's Organ works wants to do justice to these demands. Next to the core contents of

Some of the finest songs ever inspired by the theme of love. Favourites such as 'Red Roses For A Blue Lady' and 'You Belong To My Heart'.

Contents: 1. Aus Der Tiefe Rufe Ich ('Forty Days And Forty Nights')2. Easter Hymn ('Jesus Christ Is Risen Today')3. Ellacombe ('The Day Of Resurrection')4. Erhalt Uns Herr ('The Glory Of These Forty Days')5. Fortunatus ('Welcome Happy Morning')6. Gaudeamus Pariter ('Come Ye Faithful Raise The Strain')7. Gwalchmai ('Christ The Lord Is Risn Today')8. Herzlich Tut Mich Verlangen ('O Sacred Head Sore Wounded')9. Herzliebster Jesu ('Ah Holy Jesus')10. Horsley ('There Is A Green Hill Far Away')11. Machs Mit Mir Gott ('Thou Hallowed Chosen Morn Of Praise')12. O Filii Et Filiae ('O Sons And Daughters Let Us Sing')13. O Filii Et Filiae (Vers. 2) ('O Sons And Daughters Let Us Sing')14. Old 124th ('Turn Back O Man Forswear Thy Foolish Ways') &('Eternal Lord Of Love Behold Your Church')15. Petra ('Go To Dark Gethsemane')16. Puer Nobis ('That Easter Day With Joy Was Bright')17. St. Albinus ('Jesus Lives! Thy Terrors Now')18. St. Flavian ('Lord Who Throughout These Forty Days')19. St. Kevin ('Come Ye Faithful Raise The Strain')20. St. Magnus ('The Head That Once Was Crowned With Thorns')21. Salzburg ('At The Lambs High Feast We Sing')22. Unser Herrscher ('He Is Risen He Is Risen!')23. Valet Will Ich Dir Geben (St. Theodulph) ('All Glory Laud AndHonor')24. Victory ('The Strife Is Oer The Battle Done')25. Were You There ('Were You There When They Crucified My Lord?')

The sucess of the first volume was so successful that it was natural that a second volume should be forthcoming to assist church organists to offer fresh hamrmonizations (free accompaniments) to aid congregational singing - D. Dewitt Wasson.Also available: Free Harmonizations Of Hymn Tunes Volume 1 (HMO145.)Contents:1. Abbey2. Abends3. Aberystwyth4. Adelaide5. Adeste Fideles6. Ahnfelt7. Albano8. All Saints9. All The Way10. Alleluia11. Alles Ist An Gottes Segen12. Alta Trinita Beata13. Amazing Grace14. America15. Angels Story16. Arfon (Minor Mode)17. Arlington18. Arnsberg19. Aurelia20. Austrian Hymn21. Babylons Streams22. Bangor23. Bishopthorpe24. Blairgowrie25. Breslau26. Campian27. Canonbury28. Capetown (Cape Town)29. Christus Der Ist Mein Leben30. Coronation31. Cranham32. Culbach33. Darwall34. Diademata35. Diva Servatrix36. Dominus Regit Me37. Down Ampney38. Duke Street39. Dulce Carmen40. Dundee (Rythmic Version)41. Dundee (Isometric Version)42. Dunfermline (Isometric Version)43. Dunfermline (Rhythmic Version)44. Easter Hymn45. Elbing46. Ellacombe47. Erhalt Uns Herr48. Eventide49. Festal Song50. Fortunatus51. Foundation52. Franconia53. Freuen Wir Uns Alle In Ein54. Gaililee55. Gelobt Sei Gott56. Germany57. God Rest You (Ye) Merry58. Halle59. Hanover60. Heinlein61. Herzliebster Jesu62. Hesperus63. Hollingside64. Holy Faith65. Horsley66. Hyfrydol67. Hymn To Joy68. I Want To Be A Christian69. Ich Halte Treulich Still70. In Babilone71. In Dulci Jubilo72. Innocents73. Italian Hymn74. Jacobs Ladder75. Jesu Meine Freude76. Jubilate77. Kilmarnock78. Kings Weston79. Kirken Den80. Komm O Komm Du Geist Des Lebens81. Lancashire82. Langham83. Lasst Uns Erfreuen84. Lauda Anima85. Laudes Domini86. Le Ping87. Leoni88. Let Us Break Bread89. Liebster Jesu [Wir Sind Hier]90. Lob Sei Dem Allmaechtigen Gott91. Lobe Den Herren [Dem Maechtigen Koenig]92. Lombard Street93. London New94. Lytlington95. Mckee96. Marion97. Martyrdom98. Mendelssohn99. Mercy100. Merton101. Mit Freuden Zart [Zu Dieser Fahrt]102. More Love To Thee103. Morecambe104. Morning Star105. Mozart106. Neander107. Nicaea108. Nicht So Traurig109. Nun Danket [Alle Gott]110. Nun Freut Euch [Lieben Christen Gmein]111. Nun Komm Der Heiden Heiland112. O Filii Et Filiae113. O Store Gud114. Old 100th115. Old 104th116. Old 124th117. Olivet118. Omni Dei119. Open My Eyes120. Ora Labora121. Orientis Partibus122. Park Street123. Pax124. Peek125. Penitentia126. Pentecost127. Perry128. Picardy129. Potsdam130. Quem Pastores131. Rathbun132. Ratisbon133. Redhead No. 76134. Regent Square135. Retreat136. Rex Gloriae (Gloria)137. Rhosymedre138. Royal Oak139. St. Anne140. St. Bavon141. St. Bees142. St. Bride143. St. Christopher144. St. Columba145. St. Cross146. St. Denio147. St. Drostane148. St. Dunstans149. St. Flavian150. St. George151. St. Gertrude152. St. Hilda153. St. Joan154. St. Keverne155. S

on the Introit of the Feast of the Epiphany. Par HAKIM NAJI. This toccata is based on the introit to the Christian Epiphany festival and solemnly announces the appearance of the Lord. As a toccata, the work is an introduction to Hakim's Adoration (Schott, ED 22614) for voice, flute and organ, a paraphrase of the first three introitus to Epiphany. The Toccata develops a series of symphonic variations with virtuoso movements that emphasize the expressiveness of the words of the Gregorian text: 'Ecce advenit dominator dominus: et regnum in manu ejus, et potestas, et empium. Deus, judicium tuum regi da: et justitiam tuam Filio regis. '(' Behold, the Lord, the ruler, comes: and the kingdom is in his hand, and the power and the dominion. 'God, give your judicial office to the king: and yours Justice to the son of the king. ') (Malachi 3: 1, I Chronicles 29:12, Psalm 71: 1, 10, 11). / Niveau : Intermédiaire / Répertoire / Orgue

The court organist Antonio de Cabezón (ca. 1510-1566) who was appointed to Queen Isabella’s court chapel in Toledo at the young age of 16 was rightly regarded by his contemporaries as the leading Spanish organist and keyboard player of the 16th century.His hymns and versets are based on short decorated harmonisations of the psalm tones. In the tientos the transformation from vocal motet style to a style of writing suitable for keyboard instruments is perfectly executed.This Urtext edition contains a selection of Cabezon's best known works and consists of four volumes. It has been prepared by two editors working at Portuguese and Spanishuniversities who are both leading scholars of the works of Cabezón and reflects the latest research findings.

The idea for this book series is to give instrumentalists the opportunity to practice solo improvisational techniques while playing along to rhythm tracks of keyboards guitar bass drums/percussion in various different Latin styles including Calypso Mambo Salsa Songo Bossa Guaracha Samba and Latin-Blues. The 24 grooves totalling over 200 riffs/phrases and play-a-long tracks consists of a variety of tempos and keys. Each groove has a variety of riffs to learn that are generally 4 or 8 measures in length. It would be beneficial if you could memorize these riffs so that you can experiment using different permutations of the riffs as well as being used as a starting offpoint for one's own improvisations. Each riff has been recorded with a rhythm track with each style having an extended play-a-long track around 3 minutes in length recorded without the solo part so you can practice the riffs that you have learned. Also these musical phrases or riffs may be interchanged from one groove to another and should be learned in as many keys as possible.

Music for Manuals-As publishers and church musicians ourselves we understand the financial restraints faced by many organists.So here's our contribution to the solution: several pieces for the price of one. Even if you use just one of thepieces in the set you are paying only the usual price of a single Organ piece. If you use two you're getting double value and if you use three four five or more you're quids in!Music For Manuals: Joyful Music -Set 2 includes 11 well-known pieces for the Organ repertoire: Gavotte (William Boyce) Gavotte from Suite No. 3 (Johann Sebastian Bach) Jubilato Deo (Norman Warren) Little Toccata(Elizabeth Hill) March (Richard Lloyd) March from the Occasional Oratorio (George Frideric Handel) Sortie (Robert Jones) Trumpet Voluntary (Jeremiah Clarke) Trumpeting Tune (JuneNixon) Two Trumpet Tunes and Air (Henry Purcell) and Use the Reeds (Colin Mawby).

The Sacred Hour (Reverie) was first published in 1929. It is a musical story of a young priest playing the Organ in a Catholic church when he is interrupted by a choir singing the Ave Maria. He then adapts to this new melody rising to a climax of devotional fervour. Albert William Ketelbey (1875-1959) was a British composer pianist and conductor. He studied Piano at Trinity College of Music in London before branching out and earning a living as a composer and arranger. He became the foremost composer of cinema and light music between the wars so much so that he was hailed as ?Britain?s greatest living composer? in some circles.