(E-Z Play Today #199). Composed by Various. For Organ, Piano/Keyboard, Electronic Keyboard. E-Z Play Today. Softcover. 528 pages. Published by Hal Leonard

Joy Of. Book Only. 80 pages. Yorktown Music Press #YK21095. Published by Yorktown Music Press

Organ

SKU: CA.1802600

Composed by Various. Edited by Konrad Kuster. This edition: Paperbound. Norddeutsche Orgelmusik 1780-1860. 3 Bande. Organ music based on hymns, Free organ music. Collection. Carus Verlag #CV 18.026/00. Published by Carus Verlag (CA.1802600).

ISBN 9790007093150.

For the first time a completely self-contained organ repertoire is presented which originated in the churches of northern Germany after 1780, and yet keeping up the musical traditions of the 17th century. Thus, a many-facetted, more recent organ music from northwestern middle Europe is now accessible. Focal points of the music clearly are church songs and counterpoint; a fascinating element is the rich chromaticism. The pieces are of medium difficulty, practical for liturgical or concert use.

Organ

SKU: BR.BV-482

Composed by Jean-Claude Zehnder. Solo instruments; Softbound. Buchverlag Breitkopf & Hartel (Music Books). Baroque period. Book. 128 pages. Breitkopf and Haertel #BV 482. Published by Breitkopf and Haertel (BR.BV-482).

ISBN 9783765104824. 6.5 x 9.5 inches. German.

,,Bach spielen auf der Orgel (Playing Bach on the Organ) - the eagerly anticipated and logical addition to the new ten-volume edition of Bach's organ works - addresses organists of various skills and interests. It is not a scientific textbook focusing on a comprehensive presentation of the sources; it rather aims to make the fascinating cosmos of Bach's organ compositions accessible and ignite the passion, which is essential for an inspired interpretation. In his capacity as both a concert organist and a Bach researcher, Jean-Claude Zehnder is, like no other, apt to give the reader an understanding of the diverse aspects of playing Bach in a scientifically founded and yet vivid and exciting way. From Bach's organs and questions with regard to the registration practice of his time, via performance-technical aspects to thoughts on text reference, proportions and symbolism, no important subject has been left out. Questions of interpretation are discussed by reference to selected works and round off the compact presentation. A bibliography allows further own research.

Organ (Organ)

SKU: HL.48184588

Composed by Olivier Messiaen. Leduc. Classical. CD. Alphonse Leduc #AL27702. Published by Alphonse Leduc (HL.48184588).

Being a fascinatingly unique composer, Olivier Messiaen pushed the conventions of composing to its very limits. The composer''s music remains ever-popular and The Technique of my Musical Language provides the key and necessary knowledge into the study of his delightful music. Olivier Messiaen (1908-1992) was admitted to the Paris Conservatoire at the mere age of 11, where he won many prizes. As a passionate ornithologist, as well as organist and composer, many of Messiaen''s works depict bird song. His music is rhythmically complex and harmonically and melodically distinct, often using modes of limited transposition. It is for these reasons that the composer compiled The Technique of my Musical Language. The book contains text with musical examples, describing unique elements of his music, such as ametrical music, his rhythmic notations and his modes of limited transposition, among many others. For all fans of Messiaen, The Technique of my Musical Language is essential to the understanding of the composer''s much loved music..

SATB Choir (Organ)

SKU: HL.14021606

By Andrew Parker. By Tomas Luis de Victoria. Edited by Andrew Parker. Music Sales America. Motet. Book [Softcover]. 72 pages. Music Sales #NOV020691. Published by Music Sales (HL.14021606).

ISBN 9781846091841. UPC: 884088434793. 6.75x10.0x0.222 inches.

This beautifully presented edition from Novello offers a full Mass setting alongside a Motet, both for large mixed chorus, by Tomas Luis De Victoria. Regarded by many as one of the greatest composers of Spanish renaissance polyphony, this Mass setting is rich in his characteristic tonalities and the textures of the sacred choral tradition. Alongside this is the original Motet upon which the Mass setting is based. Both are transcribed and edited by Andrew Parker. The pairing of the two works offers an exciting and fascinating performance opportunity, with the devout grandeur of the Mass set against the modesty of the original Motet. Missa Dum Complerentur for SAATTB voices. Motet: Dum Complerentur Dies Pentecostes for SSATB voices.