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Ian Venables: Rhapsody Op.25 - 'In Memoriam Herbert Howells': Organ:
Organ
[Sheet music]
-
Intermediate/advanced
Novello & Co Ltd.
This solo Organ work written in 2009 and dedicated to the memory of the great 2...
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This solo Organ work written in 2009 and dedicated to the memory of the great 20th Century English church composer Herbert Howells has been received with high critical acclaim by both Organ specialists and general music lovers.Although he captures a glimpse of Howells' middle period style and intense harmonic language Venables manages not to stoop to pastiche treading his own distinct path and producing a noble and poetic piece which would not be out of place as the centerpiece of any concert programme.It was used for this purpose to great effect in Ian Tracey's recital marking the 76th anniversary of the great Liverpool Cathedral Organ which alsoshowed its special suitability for performance on powerful cathedral-type instruments.Also performed successfully by Adrian Lucas.Approx. 9 minutes in length.
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Herbert Howells: Miniatures for Organ: Organ: Instrumental Album
Organ
Kevin Mayhew
These 30 pieces were written by Herbert Howells as exercises and piano sight-rea...
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These 30 pieces were written by Herbert Howells as exercises and piano sight-reading tests. They are however much more than visual traps for the unwary. They are at times graceful surprising and touching and they are allinventive miniatures which represent a collection characteristic of the composer.Like the occasional pieces written for examination purposes by Ravel and Debussy these studies have a unique value. Adaptedslightly by Alan Ridout to make useful manuals-only pieces for organ this compilation is a must have for developing organ players or those experienced players who are looking for something a little different.
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Niels Rosing-Schow: Triptykon / Triptych: Organ: Instrumental Work
Organ
Wilhelm Hansen
Triptykon / Triptych for Organ solo by Niels Rosing-Schow. Triptych is written f...
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Triptykon / Triptych for Organ solo by Niels Rosing-Schow. Triptych is written for the celebration of the 500th anniversary of the Reformation in 2017 commissioned by The Danish Society of Organists and Cantors. From the preface: The three movements of the work are musical images or situations with the middle one Toccata as its axis. The latter is intended as an image of the dispute between Luther and the ecclesiastical authorities which is the origin of the Reformation. Two of Luther's Reformation Hymns are more or less palpably present in the music.Theother two movements can be regarded as 'before' and 'after'. The first Exordíum is a 'fluid' situation but also a preparation which gradually accumulates a suspense pointing towards the discharge of energy of the Toccata. The third movement Hymn represents a serene situation where a wealth of hymnal fragments grows out of an underlying structure repeated several times (technically speaking a passacaglia). There are also elements however which are derived from the previous movements. Niels Rosing-Schow (2016)
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Herbert Howells: Rhapsody IV And Prelude De Profundis for Organ: Organ:
Organ
[Sheet music]
Novello & Co Ltd.
The Prelude de Profundis is excerpted from two sets of Preludes Howells composed...
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The Prelude de Profundis is excerpted from two sets of Preludes Howells composed for Organ of which this is the first of the second set. Entirely different in mood from the nervous energy of the Rhapsody Prelude de Profundis expresses the call ‘from the depths’.Herbert Howells is a giant of 20th century Anglican church music the remainder of whose oeuvre is in the process of gaining new appreciation.He left a body of distinguished Organ music of which these two works are fine examples. Howells’s first three rhapsodies for Organ were published together during the years of the first World War. It was not until forty years later that Howells returned to the form until although it shares many structural similarities with the earlier works.
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Herbert Howells: Cradle Song: Organ: Instrumental Work
Organ
[Sheet music]
Novello & Co Ltd.
Herbert Howells' Cradle Song for Organ. Composed in 1913. Duration: 1 minute 30 ...
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Herbert Howells' Cradle Song for Organ. Composed in 1913. Duration: 1 minute 30 seconds. 'Almost a century before Rutter's piece was composed this equally brief - and not wholly dissimilar - work appeared. Marked Molto semplice in 3/8 time Howells's piece has fluently original harmonic interest and concentrates its simple initial idea with attractivelyflowing momentum. This is a perfect piece for a Christening service and would also make an impressive intermezzolike item in a recital of English organ music.' - The Organ
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Herbert Howells: Master Tallis's Testament For: Organ: Instrumental Work
Organ
[Sheet music]
Novello & Co Ltd.
Master Tallis's Testament No.3 from Six Pieces for Organ. Composed in 1940 Mast...
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Master Tallis's Testament No.3 from Six Pieces for Organ. Composed in 1940 Master Tallis's Testament unfolds Quasi lento teneramente in a gentle six-eight rhythm and in G minor. It consists of three variants of a theme which falls into three phrases (eight plus six plus four bars). The music rises gradually to a climax at the end of the third variant. A quiet echo of the last two bars supplies a coda and a peaceful ending in the major. The piece is one which its composer regards as most typical and with particular affection. Its title which pays tribute to a father of English cathedral music allies it to the twenty-four pieces contained in Howells' two sets of clavichordpieces the twelve of Lambert's Clavichord (the Lambert not being the composer Constant but the Bath photographer Herbert who in the Twenties published a set of portraits of British composers (including Howells) and the twelve of Howells' Clavichord (1951) the separate titles similarly evoke those of the Elizabethan Virginalists. © 1977 Felix Aprahamian
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Herbert Howells: Three Pieces For Organ: Organ: Instrumental Album
Organ
[Sheet music]
Novello & Co Ltd.
Intrata No 2 was found in a small manuscript book in the library of the Royal Co...
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Intrata No 2 was found in a small manuscript book in the library of the Royal College of Music with a dedicated to Sir Walter Adcock on his 80th birthday 29 December 1941. It is a piece that deserves to be included in Howells’s oeuvre.Dated 1969 Flourish for a Bidding was written for the Royal College of Music Centenary Fund was auctioned and bought by Novello & Company. Flourish has a stylistic characteristics in common with Rhapsody No 4 and the Epilogue 1974. St Louis Comes to Clifton was a private publication entitled ‘A Garland for DGAF’ and given to the late Douglas Fox a distinguished one-armed Organist who was Director of Music at Clifton.Herbert Howells is a giantof 20th century Anglican church music the remainder of whose oeuvre is in the process of gaining new appreciation. He left a body of distinguished Organ music of which these three works are interesting examples.
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Herbert Howells: Two Pieces For Organ: Organ: Instrumental Album
Organ
[Sheet music]
Novello & Co Ltd.
In 1959 Howells wrote the Fancy and Toccata for a Chamber Organ in St Mary's Epi...
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In 1959 Howells wrote the Fancy and Toccata for a Chamber Organ in St Mary's Episcopal Church in Aberdeen after the main organ was bombed during the Second World War.
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Herbert Howells: Sonata For Organ: Organ: Instrumental Work
Organ
[Sheet music]
Novello & Co Ltd.
Howells' Second Sonata for Organ. In three movements and dedicated to George Tha...
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Howells' Second Sonata for Organ. In three movements and dedicated to George Thalben-Ball.
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Herbert Howells: Sonata No.1 In C Minor Organ: Organ: Instrumental Work
Organ
[Sheet music]
Novello & Co Ltd.
Howells' early Organ Sonata dating from 1911. Edited by Graham Matthews and Robi...
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Howells' early Organ Sonata dating from 1911. Edited by Graham Matthews and Robin Wells.
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Herbert Howells: Three Psalm Preludes Set 2: Organ: Instrumental Album
Organ
[Sheet music]
Novello & Co Ltd.
Herbert Howells ceased using opus numbers at about Op. 40 but each of the three...
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Herbert Howells ceased using opus numbers at about Op. 40 but each of the three Psalm-Preludes making up his second set is dated. Published in 1940 they were first performed as a set by William O. Minay at a recital for the Organ Music Society given in Christ Church Woburn Square in March 1939.
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Cradle Song
Organ
Novello & Co Ltd.
Herbert Howells' Cradle Song for Organ. Composed in 1913. Duration: 1 minute 30 ...
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Herbert Howells' Cradle Song for Organ. Composed in 1913. Duration: 1 minute 30 seconds. / Orgue
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Herbert Howells: Partita for Organ: Organ: Instrumental Work
Organ
[Sheet music]
Novello & Co Ltd.
The Partita composed in 1971 is inscribed 'For the Rt Hon. Edward Heath M.P. ...
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The Partita composed in 1971 is inscribed 'For the Rt Hon. Edward Heath M.P. Prime Minister'. Its five movements enjoy the almost improvisatory freedom that is characteristic for Howells' writing yet they are bound together by a kind of cyclic feeling engendered by a fairly consistent use of an original mode: it descends from C to C as follows: C B B flat G F sharp E E flat C. The Partita exploits both the melodic and harmonic implications of the mode.
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Rhapsody #3 In C Sharp Minor (HOWELLS HERBERT)
Organ
[Sheet music]
Stainer and Bell
Par HOWELLS HERBERT. / Répertoire / Orgue
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Orgelsinfonie No. 16 (SCHNEIDER ENJOTT)
Organ
Schott
Martin Luther. Par SCHNEIDER ENJOTT. On the occasion of the quincentenary of Ref...
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Martin Luther. Par SCHNEIDER ENJOTT. On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther. The composer describes the five movements of the symphony as follows: '1st movement: Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of 'faith' ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people. 2nd movement: In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the 'Luther rose' which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, 'white' is the colour of angels and ghosts, 'black' stands for the pain of crucification: 'The just shall live by faith, but by faith in the Crucified.' But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time. 3rd movement: The omnipresence of death and dying – from the plague and war to the never-ending dangers of daily life – was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The 'Danse macabre' was a popular motif in those years. Luther's chorale 'Mitten wir im Leben sind / mit dem Tod umfangen' from 1524 ('Enchiridion' from Erfurt) is based on the Gregorian chant 'Media vita in morte sumus' created in France around 750 and, with its idea of transience, inspired a simplistic air. 4th movement: The famous confession delivered at the Diet of Worms in 1521, 'I stand here and can say no more. God help me. Amen', are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a 'perpetuum mobile', i.e. a dogged, ostinato and never-ending musical air. 5th movement: The 'Mighty Fortress', on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the 'Marseille anthem of the Reformation', Friedrich Engels the 'Marseillaise of the Peasants' Wars'. This disputability is not thought through to the end but rather interrupted: With a jubilant 'birdcall version' of the melody, the finale shows a rather chamber-music-like side of the 'ideals of freedom of Christians'.'/ Répertoire / Orgue
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Affirmation (Paperback) (SKEMPTON HOWARD)
Organ
[Sheet music]
Oxford University Press
Par SKEMPTON HOWARD. / Date parution : 2022-07-20/ Répertoire / Orgue
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Andrew D. Gordon: Gospel Riffs God Would Love To Hear- Organ: Organ:
Organ
ADG productions
Gospel Riffs God Would Love To Hear- Organ. Gospel Riffs God Would Love To Hear ...
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Gospel Riffs God Would Love To Hear- Organ. Gospel Riffs God Would Love To Hear for Organ by Andrew Gordon is a compendium of 33 Contemporary Gospel riffs for organists to learn the art of Gospel stylings. There are also arrangements of some traditional Gospel songs including Amazing Grace and When The Saints Go Marching In showing how to incorporate the riffs in the book into these well known Gospel songs. Play in the styles of Ray Charles, Dr. John, Billy Preston, Leon Russell, and Andre Crouch and see how Blues, Jazz and other contemporary styles are associated with the Gospel sound Customer Comment About This Book: Gospel Riffs God Would Love To Hear I love Gospel music, and so far with Andrew Gordon's books I haven't been disappointed. This book was no exception. And even though I thought
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Johann Sebastian Bach: Organ Works Volume 1: Organ: Instrumental Album
Organ
[Sheet music]
Barenreiter
Orgel Büchlein-Volume 1 of Bach?s organ music presents some of the most frequen...
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Orgel Büchlein-Volume 1 of Bach?s organ music presents some of the most frequently played organ pieces altogether. Here they appear in a new engraving based on the New Bach Edition (NBA).This updated edition takes into account the latest findings of Bach scholarship: thus for example a newly-discovered copy of the first edition containing inscriptions in Bach?s own hand could be incorporated into the musical text of the Schübler Chorales.For the Orgel-Büchlein Bach?s autograph manuscript remains the principal source. Yet a glance at its early dissemination among his pupils reveals an abundance of readings that give interested organists insights into how perhaps Bach?smost famous collection was played at that time.Unfortunately no autograph manuscripts survive regarding the early chorale partitas. However the Foreword helps to solve the ?riddle? of how these partitas were handed down.Links to major sources have been provided in collaboration with the Bach Archive Leipzig and its Bach digital database. The relevant page of the source in question can be accessed quickly and conveniently via shortlinks at http://links.baerenreiter.com. These links are checked for their validity on a regular basis.Urtext of the New Bach EditionComplete new engravingNew detailed Foreword by Christine Blanken (Ger/Eng)Links to relevant sources in Bach digitalVolume 1 hardback BA5056The Complete Organ Works: The Definitive Edition Now in 11 paperback volumes in a slipcase BA 5279
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Andrew D. Gordon: 100 Ultimate Jazz Riffs for Organ: Organ: Instrumental
Organ
ADG Productions
100 Ultimate Jazz Riffs for Organ authored by Andrew D. Gordon consists of as t...
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100 Ultimate Jazz Riffs for Organ authored by Andrew D. Gordon consists of as the title suggests 100 Jazz riffs based on common chord progressions used in jazz such as II-V-I III-VI-II-V etc. There are five separate sections: Jazz-Swing Jazz-Ballad Jazz-Funk Jazz-Waltz and Latin-Jazz. Besides the 100 riffs at the end of the book there is the chord progression for the popular jazz standard “Blue Moon†showing you how to use the various riffs from the 100 riffs to create an improvised solo over the cho
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Blues And Rock Techniques For Hammond Organ: Organ: Instrumental Tutor
Organ
[DVD]
-
Intermediate
Hal Leonard
Celebrated Rock organ player David Bennett Cohen along with his band give you ...
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Celebrated Rock organ player David Bennett Cohen along with his band give you the secrets to making your Hammond wail and rock! Working with the Hammond B-3 Cohen shows you how to adapt the Organ's controls and really get the instrument grooving. You will discover the hottest riffs licks bass lines and turnarounds to illuminate everything from shuffles to Funk grooves and Blues ballads. Cohen also gives you a detailed guide to the presets draw bars percussion tablets vibrato switches and other devices that will help you boogies come alive with colour and tone.
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Contrapunctus 14 Für Orgel (BACH JOHANN SEBASTIAN)
Organ
[Sheet music]
Carus Verlag
Aus Der Kunst Der Fuge. Par BACH JOHANN SEBASTIAN. In 1991 an astonishing discov...
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Aus Der Kunst Der Fuge. Par BACH JOHANN SEBASTIAN. In 1991 an astonishing discovery was published by Zoltán Göncz answering the question with fairly great certainty how Bach planned the appearance of the fourth subject, the main subject of the cycle: One of the striking features of Contrapunctus 14 is that in this movement Bach applied the stretto of whole expositions. In the exposition of the first three subjects he “programmed” the later permutational stretti, then applied the expositions as “programs”, “algorithms”. However paradoxical, it follows from the logic of composing a quadruple fugue that the combinations joining all four subjects and rendered the latest when performing the work were already completed in the very firststage of composition because the possibility of overlapping the four subjects [1+2+3+4] is the sine qua non of writing a quadruple fugue. The discovery of the permutational matrix was one of the most essential conditions to achieve that the reconstruction of Contrapunctus XIV could come near to the original form planned by Bach./ Répertoire / Orgue
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King's Herald
Organ
[Sheet music]
Novello & Co Ltd.
Par HOWELLS HERBERT. Howells' orchestral work King's Herald was first performed ...
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Par HOWELLS HERBERT. Howells' orchestral work King's Herald was first performed at the Coronation of King George VI in 1937 when it became immediately popular. This arrangement for organ by Howells scholar Jonathan Clinch was composed for Daniel Cook who gave the first performance in Westminster Abbey, London, in 2016. The piece is particularly suitable for ceremonial and celebratory occasions. / Date parution : 2023-10-31/ Répertoire / Orgue
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Organists' Charitable Trust - Little Organ Book: Organ: Instrumental Album
Organ
[Sheet music]
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Intermediate/advanced
Novello & Co Ltd.
Eleven pieces for solo Organ from the 19th to the 21st century. Selected and edi...
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Eleven pieces for solo Organ from the 19th to the 21st century. Selected and edited by Martin Neary. 'An imaginative kaleidoscope of attractive pieces. There is much to enjoy in this wide-ranging collection.' - John Scott LVO Organist and Director of Music Saint Thomas Church Fifth Avenue New York 'A valuable collection for organists. The fact that it is published in aid of such an important cause makes it all the more appealing.' - James O'Donnell Organist & Master of the Choristers Westminster Abbey Visiting Professor of Organ Royal Academy of Music 'Containing stimulating music for professional and amateur alike thisbeautifully produced volume is one of the highest quality and useful Organ albums to have been released in years. You should buy a copy - you won't regret it.' - Jonathan Vaughn (Choir & Organ - March/April 2011) Produced in association with the Organists Charitable Trust with the support of the Ralph Vaughan Williams Trust this is a collection of 11 pieces for solo organ (ABRSM Grade 6-7). Featuring previously-unpublished works by Howells and Rutter and new works by Philip Moore and three 'rising stars' David Bednall Iain Farrington and Thomas Hewitt Jones. Selected and edited by Martin Neary.
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Nicolas de Grigny: Premier livre d?orgue (1699): Organ: Instrumental Collection
Organ
Norsk Noteservice
Alongside the organ music of François Couperin and Louis-Nicolas Clérambault ...
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Alongside the organ music of François Couperin and Louis-Nicolas Clérambault Nicolas de Grigny?s only publication marks the apogee of Grand siècle organ music. The 1699 book contains a complete organ mass and alternatim settings of the five principal hymns for use at the more important feasts of the church year. How it was received at the time is unknown yet the publication was considered of sufficient value to have been independently copied by JS Bach and JG Walter and was also reprinted in 1711 by the Paris publisher Christophe Ballard.
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Harold E. Darke: Three Choral Preludes for Organ: Organ: Instrumental Album
Organ
[Sheet music]
Novello & Co Ltd.
While Darke composed extensively for Choir and Organ he wrote many fewer works ...
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While Darke composed extensively for Choir and Organ he wrote many fewer works for solo Organ. The first of the set St Peter dedicated to Herbert Howells is the best known of the three atmospheric and improvisational and Orchestral in style. The second prelude a fantasia on Darwell’s 148th is a virtuosic piece that retains its musical integrity. The final on a theme by Tallis begins by tranquilly setting out its theme before moving into romantic Orchestral style. Harold E. Darke was an English composer and Organist of international renown. In 1916 he established the Monday lunchtime Organ recitals at St Michael’s Cornhillwhich continue to this day the longest-running such series in the world. His setting of Christina Rosetti’s poem In the Bleak Midwinter created a melody and lilting Organ accompaniment that have never fallen from favour. It is regarded as one of the greatest Christmas carols and is still sung at the service of Nine Lessons and Carols.
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Das Husumer Orgelbuch Von 1758
Organ
[Sheet music]
Carus Verlag
The Husum Organ Book from 1758 documents in a unique way how north-German organ ...
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The Husum Organ Book from 1758 documents in a unique way how north-German organ music developed in the first half of the 18th century in the generations following Dieterich Buxtehude and Vincent Lübeck. It contains 17 original works from northern Germany. Twelve of these works are concertos in three or four movements for unaccompanied organ. The fact that these are original compositions is a novelty in music history. Most known works of this type were arrangements of orchestral works./ Répertoire / Orgue
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Maurice Duruflé: Œuvres pour orgue: Organ: Instrumental Album
Organ
[Sheet music]
Durand
Ã?dition Originale-This volume in the series ?Les Éditions Originales Durand ...
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Ã?dition Originale-This volume in the series ?Les Éditions Originales Durand · Salabert · Eschig? contains Maurice Duruflé?s works for Organ taken from the editions in Durand catalogue. The original engravings are reproduced giving musicians a valuable record of how these major works were first published whether in the composer?s lifetime or posthumously. With Olivier Messiaen Maurice Duruflé formed part of an illustrious generation of composers who received the decisive imprint of Tournemire either through his teaching or through his immense cycle L?Orguemystiquer. In his catalogue Organ music naturally has a major place. He did not force his own nature into any new aesthetic as he championed modality such as medieval music has codified it asserting that ?I have always inhabited Gregorian chant which is obviously a fairly well-behaved language?.
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