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Organ
INSTRUMENTS
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Andrew D. Gordon: Latin Solo Series for Organ: Organ: Instrumental Album
Organ
ADG Productions
The idea for this book series is to give instrumentalists the opportunity to pra...
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The idea for this book series is to give instrumentalists the opportunity to practice solo improvisational techniques while playing along to rhythm tracks of keyboards guitar bass drums/percussion in various different Latin styles including Calypso Mambo Salsa Songo Bossa Guaracha Samba and Latin-Blues. The 24 grooves totalling over 200 riffs/phrases and play-a-long tracks consists of a variety of tempos and keys. Each groove has a variety of riffs to learn that are generally 4 or 8 measures in length. It would be beneficial if you could memorize these riffs so that you can experiment using different permutations of the riffs as well as being used as a starting offpoint for one's own improvisations. Each riff has been recorded with a rhythm track with each style having an extended play-a-long track around 3 minutes in length recorded without the solo part so you can practice the riffs that you have learned. Also these musical phrases or riffs may be interchanged from one groove to another and should be learned in as many keys as possible.
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Sonate Inglesi per Organo ? Vol. 4 (GLADSTONE FRANCIS EDWARD)
Organ
[Sheet music]
Ut Orpheus
Par GLADSTONE FRANCIS EDWARD. The organ sonatas of Francis Edward Gladstone (184...
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Par GLADSTONE FRANCIS EDWARD. The organ sonatas of Francis Edward Gladstone (1845-1928) are fine examples of the developing English sonata tradition of the late-nineteenth century and early twentieth century. They exemplify a practical approach to the instrument with consistently moderate technical demands while also allowing the player scope for interpretation with the increasing availability of instruments that were conceived with a symphonic tonal palette in mind. As discussed in The Genesis and Development of an English Organ Sonata (2017), the English sonatas had an important pedagogical role jointly inherited from Mendelssohn?s very practical and popular approach to the instrument and the continued European legacy of the lesson-sonata tradition whereby in learning a piece you also learned the instrument and vice versa. / Date parution : 2022-05-31/ Recueil / Orgue
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Anton Webern: Variationen For Piano Op. 27: Organ: Instrumental Work
Organ
-
Intermediate
Barenreiter
Variations for Piano Op.27 arranged for OrganIt may come as a surprise to learn ...
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Variations for Piano Op.27 arranged for OrganIt may come as a surprise to learn that Anton Webern?s delicate refined and intimate music can be transferred to the organ. Xavier Darasse (1934-1992) a pupil of Duruflé and Messiaen has produced an organ adaptation of the famous three-movement Piano Variations Op.27 (1936) a groundbreaking composition in serial music. His arrangement is accompanied by judicious registration marks and division of the manuals. The result is fully convincing making this late work with its chamber-like atmosphere attractive to organists.Darasse?s adaptation is now presented to the public for the first time. His pupil BernhardHaas an organ professor in Munich has prefixed his teacher?s manuscript with a foreword containing important suggestions regarding the work?s performance.A première publicationPerformance suggestions from Bernhard Haas
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Andrew D. Gordon: Gospel Riffs God Would Love To Hear- Organ: Organ:
Organ
ADG productions
Gospel Riffs God Would Love To Hear- Organ. Gospel Riffs God Would Love To Hear ...
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Gospel Riffs God Would Love To Hear- Organ. Gospel Riffs God Would Love To Hear for Organ by Andrew Gordon is a compendium of 33 Contemporary Gospel riffs for organists to learn the art of Gospel stylings. There are also arrangements of some traditional Gospel songs including Amazing Grace and When The Saints Go Marching In showing how to incorporate the riffs in the book into these well known Gospel songs. Play in the styles of Ray Charles, Dr. John, Billy Preston, Leon Russell, and Andre Crouch and see how Blues, Jazz and other contemporary styles are associated with the Gospel sound Customer Comment About This Book: Gospel Riffs God Would Love To Hear I love Gospel music, and so far with Andrew Gordon's books I haven't been disappointed. This book was no exception. And even though I thought
15.95 GBP - Sold by Musicroom UK
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John Stanley: Prelude And Bell Allegro: Organ: Instrumental Work
Organ
Bosworth
John Stanley (1713-1786) was a British composer conductor and organist. Having ...
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John Stanley (1713-1786) was a British composer conductor and organist. Having learnt to play the Organ at the age of seven he became the youngest person to ever obtain a B.Mus. degree from Oxford at the age of 17. He was appointed Master of the King’s Musick in 1779 and wrote many odes for the monarch. However most of his music has now been lost and only his Organ works have remained in popular use to this day.Prelude and Bell Allegro for Organ have been edited and arranged by the American composer Patrick Williams (b. 1939).
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Poul Ruders: Symphony No. 4: Orchestra: Score and Parts
Organ
Wilhelm Hansen
The organ part and reduced score Symphony No. 4 - An Organ Symphony (2008) by Po...
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The organ part and reduced score Symphony No. 4 - An Organ Symphony (2008) by Poul Ruders. Full score: WH31186 Orch. parts are available on hire: hire@ewh.dk Preface / Programme Note When introducing a large-scale symphonic work not only as a symphony but as an organ symphony it would be impossible not to think of and perhaps compare it with Camille Saint-Saëns’s famous SYMPHONY NO. 3 popularly known as the Organ Symphony. Well that is a risk I am prepared to take – and live with the consequences.Saint-Saëns however listed his work as a symphony avec/withorgan. The organ only appears in two out of the four sections of thepiece. In my symphony the instrument plays a far more significant part and is featured in all four movements. But it is not a concerto for organ and orchestra rather a symphony with organo obligato - a symphony with an organ part of a soloistic nature. So an Organ Symphony it is. The first movement PRELUDE is exactly that: a foreplay to what is in store for the rest of the symphony. It is slow (very slow!) and predominantly hushed: the organ and the orchestra wake up side-by-side getting to know one another.The second movement CORTÈGE is a slowly moving processional and it evokes extreme solemnity and austerity. Later on the music takes flight and the atmosphere lightens considerably a far more playful music emerging.This leads to the third movement ETUDE an exercise in instrumental virtuosity and technical challenge.The fourth and last movement is called CHACONNE but I could just as well have named it passacaglia (the definition of those two terms seems to blur even among the learned). Bearing in mind the last movement of Johannes Brahms´s SYMPHONY NO.4 which is universally agreed on as being a passacaglia I chose to avoid the Wrath of the Gods and opted for
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Ars Organi Vol. 3 (PEETERS FLOR)
Organ
Schott
Complete theoretical and practical method for organ-playing in three parts. Par ...
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Complete theoretical and practical method for organ-playing in three parts. Par PEETERS FLOR. Flor Peeters, born in Belgium in 1903, is one of the most important organists and organ composers of the 20th century. After completing his studies at the famous Lemmens Institute in Mechelen, he worked there as a teacher of organ and improvisation before becoming professor at and director of the Royal Flemish Conservatoire of Antwerp. Until his death in 1986, Peeters gave concerts all around the world, held numerous master classes and received several awards and prizes for his achievements as a composer, organist and teacher. In his successful three-volume educational work 'Ars Organi', Peeters combines theoretical knowledge and practical exercises on all aspects of organ playing, starting with basic information on the instrument, manual and pedal exercises and two-part manual and pedal playing. While Vol. 2 contains exercises on three-part playing, Vol. 3 contains exercises on four and five-part playing as well as studies on demanding trio playing. Each learning stage is accompanied by pedal exercises and tips on articulation, touch, interpretation, registration and organ specifications - a valuable compendium for every organist. / Méthode / Date parution : 1954-11-20/ Méthode / Orgue
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Flor Peeters: Ars Organi Vol. 1: Organ
Organ
Schott
Complete theoretical and practical method for organ-playing in three parts-Flor ...
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Complete theoretical and practical method for organ-playing in three parts-Flor Peeters born in Belgium in 1903 is one of the most important organists and organ composers of the 20th century. After completing his studies at the famous Lemmens Institute in Mechelen he worked there as a teacher of organ and improvisation before becoming professor at and director of the Royal Flemish Conservatoire of Antwerp. Until his death in 1986 Peeters gave concerts all around the world held numerous master classes and received several awards and prizes for his achievements as a composer organist and teacher.In his successful three-volume educational work 'Ars Organi' Peeters combines theoretical knowledge and practical exercises on all aspects of organplaying starting with basic information on the instrument manual and pedal exercises and two-part manual and pedal playing. While Vol. 2 contains exercises on three-part playing Vol. 3 contains exercises on four and five-part playing as well as studies on demanding trio playing. Each learning stage is accompanied by pedal exercises and tips on articulation touch interpretation registration and organ specifications - a valuable compendium for every organist.
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Flor Peeters: Ars Organi Vol. 2: Organ
Organ
Schott
Complete theoretical and practical method for organ-playing in three parts-Flor ...
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Complete theoretical and practical method for organ-playing in three parts-Flor Peeters born in Belgium in 1903 is one of the most important organists and organ composers of the 20th century. After completing his studies at the famous Lemmens Institute in Mechelen he worked there as a teacher of organ and improvisation before becoming professor at and director of the Royal Flemish Conservatoire of Antwerp. Until his death in 1986 Peeters gave concerts all around the world held numerous master classes and received several awards and prizes for his achievements as a composer organist and teacher.In his successful three-volume educational work 'Ars Organi' Peeters combines theoretical knowledge and practical exercises on all aspects of organplaying starting with basic information on the instrument manual and pedal exercises and two-part manual and pedal playing. While Vol. 2 contains exercises on three-part playing Vol. 3 contains exercises on four and five-part playing as well as studies on demanding trio playing. Each learning stage is accompanied by pedal exercises and tips on articulation touch interpretation registration and organ specifications - a valuable compendium for every organist.
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Percy Buck: First Year At The Organ: Organ: Instrumental Tutor
Organ
Stainer and Bell
Originally published in 1911 there have been few tutors in the intervening year...
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Originally published in 1911 there have been few tutors in the intervening years that have come close to matching Percy Buck's guide for the organ novice. Unsurprisingly the book has remained in print over ninety years. It deals in a plain straightforward manner with all aspects of learning the organ.
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George H. Ritchie George B. Stauffer: Organ Technique Modern and Early: Organ:
Organ
Oxford University Press
Spiral Bound-The authors' new approach to learning two playing techniques offers...
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Spiral Bound-The authors' new approach to learning two playing techniques offers a systematic method for mastering the modern legato technique needed for organ music composed after 1750 as well as an articulated technique for earlier works. The authors also present useful information on accompanying anthems and solos and on adapting piano and orchestral accompaniments to the organ.
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Harald Genzmer: Prelude Aria and Finale GeWV 413: Organ: Instrumental Work
Organ
Schott
The reputation of the Bohemian composer Zdenek Fibich (1850-1900) has always bee...
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The reputation of the Bohemian composer Zdenek Fibich (1850-1900) has always been somewhat overshadowed by that of Bedrich Smetana and Anton n Dvorák. This is a pity for Fibich though he died young made an equally important contribution to the emerging Czech national styl with his wide range of compositions. After starting piano lessons with his mother as his first teacher the boy went on to music school in Prague and then to the Leipzig Conservatoire where he learned his craft as a composer. He spent a few months teaching piano in Paris and then continued his studies with Vinzenz Lachner in Mannheim. Prague was eventually to become the centre for Fibich'smusical activities: as his dream of a post at the Conservatoire remained unfulfilled his main employment was giving private music lessons and as a composer Zdenek Fibich wrote works for many musical genres: vocal and chamber music piano pieces and orchestral works operas stage music and melodramas literary recitals with orchestral accompaniment to which he gave a new lease of life. There are biographical traces to be found in the 376 piano pieces of the collection 'Moods Impressions and Reminiscences' Op. 41 written in 1892-98: this tells of his love for his pupil Anezka Schulzová in the form of a 'piano diary'. Its four volumes were frequently a source of material for other works such as the symphonic poem 'In the Evening' Op. 39 (also known as 'A Summer's Evening' and 'At Twilight') written in 1893. For his second subject in this 'Idyll' Fibich used the minature no. 139 entitled 'Lento' from his collection of piano pieces. The violinst Jan Kubel k played the melody from 1908 onwards with the title 'Poème' and the work is still known today under this title: its easy charm has made it a favourite tune in the classical repertoire. This arrangement is based on the orchestral version from which other material was adapted for the Prelude.
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Sanger David - Play The Organ - A Beginner's Tutor - Organ
Organ
[Sheet music]
Novello & Co Ltd.
Description Encourages players to begin learning directly at the organ instea...
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Description Encourages players to begin learning directly at the organ instead of the piano.
27.99 EUR - Sold by Woodbrass
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David Sanger: Play The Organ A Beginner's Tutor: Organ: Instrumental Tutor
Organ
Novello & Co Ltd.
Encourages players to begin learning directly at the organ instead of the piano.
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Orgelsonate Nr. 14 (RHEINBERGER JOSEF GABRIEL)
Organ
[Sheet music]
Carus Verlag
Tonalité : C-Dur - Op.: 165 -. Par RHEINBERGER JOSEF GABRIEL. The Sonata No. 14...
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Tonalité : C-Dur - Op.: 165 -. Par RHEINBERGER JOSEF GABRIEL. The Sonata No. 14 op. 165 is an impressive example for its combination of the “learned” style, as evidenced through various stylistic layers and compositional techniques, together with a powerful, brilliant virtuosity./ Répertoire / Orgue
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A. Forbes Milne: An Introduction To Sight Singing Part 2: Vocal Tutor
Organ
Stainer and Bell
Proceeding from the basis of simple chromatically inflected tunes mastered in B...
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Proceeding from the basis of simple chromatically inflected tunes mastered in Book 1 An Introduction to Sight-Singing Book 2 extends the student's technique to encompass the performance of extensive modulating melodies. There is further work on minor keys and chromatic notes and stress is laid on the value of learning to sing by interval as well as by sense of key in order to pitch notes in passages of rapid and frequently changing tonality. Copiously furnished with examples and exercises the book concludes with 50 sight-singing studies containing chromaticism and more extreme modulation representing the most challenging standard of sight-singing techniquerequired in the course of everyday practical musicianship.
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