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Organ
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Johann Sebastian Bach: Cantata BWV 36 Schwingt Freudig Euch Empor: Organ: Part
Organ
[Sheet music]
Barenreiter
Schwingt Freudig Euch Empor BWV 36 (final version)Cantata for the First of Adven...
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Schwingt Freudig Euch Empor BWV 36 (final version)Cantata for the First of Advent- Urtext of the New Bach Edition- Performance material (BA10036) vocal score (BA10036-90) and study score (TP1036) available for saleBärenreiter's editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of thechurch year as well as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
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Iain Farrington: Bluesday: Organ: Instrumental Work
Organ
Novello & Co Ltd.
Iain Farrington's Bluesday for solo Organ. Composed in 2010. Dedicated to Robert...
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Iain Farrington's Bluesday for solo Organ. Composed in 2010. Dedicated to Robert Houssart. 'Judging by this bunch of new publications the year 2010 was a busy one for British composers of organ music though quite why it has taken six or seven years for almost all of this music to appear remains unexplained. And if one were asked to guess the most recent work in terms of 'modem language' it would be this study from Iain Farrington. Dedicated to Robert Houssart this short piece combines - as one might infer from the title - certain phraseology from musical worlds not often encountered on a concert organ whether in a church or civicbuilding but it is not merely the thematic line (such as it is) that snakes in an uncertain manner but also the impacted sense of occasional harmony that speaks in a more modem musical language. None the less this intriguing composition would work best on a small instrument and is a fascinating piece to study at home.' - James Palmer
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20 Services for the Church Organist: Organ: Instrumental Album
Organ
Hal Leonard
20 Services for the Church Organist. New interpretations of familiar hymns suita...
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20 Services for the Church Organist. New interpretations of familiar hymns suitable for the church or home. Includes services for Christmas, Lent, Easter and Thanksgiving.
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Johann Sebastian Bach: Oeuvres Complètes Pour Orgue Volume 7: Organ: Score
Organ
[Sheet music]
Leduc, Alphonse
45 Chorals du petit livre d'Orgue-Part of the Organ collection by J. S. Bach th...
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45 Chorals du petit livre d'Orgue-Part of the Organ collection by J. S. Bach this 7th Volume The Little Organ Book - Forty-five Organ Chorals is an edition of the Orgelbüchlein composed from 1708 to 1717. First published in 1940 this volume is translated in English and French and features the annotation of Marcel Dupré a French organist to help the performer get the most of this sheet music. These Forty-five Organ Chorals were all written with a religious theme (Advent Nativity New Year’s day Purification of the Virgin Passion Good Friday Passion Easter Whitsuntide). This volume can be used byintermediate players and above.
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The Oxford Book of Organ Music by Women Composers
Organ
Oxford University Press
The Oxford Book of Organ Music by Women Composers presents a comprehensive surve...
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The Oxford Book of Organ Music by Women Composers presents a comprehensive survey of historical organ pieces by women composers alongside six newly commissioned works. The music is stylistically varied and encompasses secular and sacred repertoire from a range of periods. In addition to original organ repertoire, the collection also contains several organ transcriptions in new arrangements for the instrument. ? 42 pieces for manuals and pedals, in a variety of musical forms, suitable for use at church services or as recital repertoire ? Original music for the instrument, spanning the sixteenth century to the present day, including compositions by Amy Beach, Clementine de Bourges, Nadia Boulanger, Jeanne Demessieux, Cecilia McDowall, Clara Schumann, and Ethyl Smyth, plus commissions from Kristina Arakelyan, Miriam Carpinetti, Ghislaine Reece-Trapp, Isabelle Ryder, Amy Summers, and Rebecca Groom te Velde ? Standalone miniatures, movements from organ sonatas and symphonies, transcriptions of piano, harpsichord, and flute pieces, and an orchestral opera overture ? A variety of difficulty levels, from ABRSM Grades 2-3 through to Diploma standard, with a graded index provided
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Charles Gounod: Messe Solennelle De Sainte-Cécile: SATB: Vocal Score
Français
Organ
[Sheet music]
Leduc, Alphonse
French composer Charles Gounod (1818-1893) was a prominent in his day best rem...
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French composer Charles Gounod (1818-1893) was a prominent in his day best remembered for his Ave Maria and his opera Faust. 1854 saw the premiere of his Messe Solennelle also known as the Messe De Sainte-Cécile. This work fully established Gounod as a noteworthy composer. Despite being a minor composer to us today Gounod was famed in his day so much so that at his funeral Camille Saint-Saëns played the Organ and Gabriel Fauré conducted. Gounod''s Messe Solennelle De Sainte-Cécile proves the composer's extraordinary talent and caught theattention of much of Paris when it was first performed. Famous recordings include that of the Chorus of Radio France with the New Philharmonia Orchestra. For all aspiring choirs Gounod''s Messe Solennelle De Sainte-Cécile is an imperative sublime addition to the repertoire.
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Thomas Hewitt Jones: Carnival: Organ: Instrumental Album
Organ
[Sheet music]
Novello & Co Ltd.
Thomas Hewitt Jones' Carnival. Composed 2010. Written for Martin Neary Presiden...
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Thomas Hewitt Jones' Carnival. Composed 2010. Written for Martin Neary President of the Organists Charitable Trust. These five short works are all extracted from the excellent Little Organ Book from the Organists Charitable Trust edited by Martin Neary and first published by Novello in 2010. This is a wonderful resource of 11 mainly new works by British composers all of moderate difficulty and well-defined character. Iain Farrington’s Bluesday is full of delicious harmonies with a bold climax framed by a gentle beginning and ending. David Bednall’s Fanfare is a joyful work that would bea good recital opener or festival voluntary with a chance to unleash the big reeds. The simplicity of the title of Howells’s Cradle Song belies a richness and warmth that make this a moving miniature. John Rutter’s evening prelude from 1979 on the plainsong hymn Te lucis ante terminum is tender and clear with some surprisingly plangent harmonies. Thomas Hewitt Jones’s Carnival is an outburst of festivity and bravura. All these pieces are very much worth playing though organists interested in more than two of them would be better served purchasing a copy of the original anthology which is still very well priced (Little Organ Book Novello 9781849386814 £9.95). - Sunday by Sunday
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Grimoaldo Macchia: Organ Works - Sheet Music: Organ: Artist Songbook
Organ
Kevin Mayhew
Grimoaldo Macchia: Organ Works - Twelve New Classics For Every Occasion features...
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Grimoaldo Macchia: Organ Works - Twelve New Classics For Every Occasion features new compositions for Organ by the Italian composer and organist Grimoaldo Macchia. The pieces portray a joyfulexpression of a desire to praise God. They are suitable for both the church organist or a celebratory addition to any concert.Contents: Rejoice in celebration of St. Michael Trumpet gavotte Divinetrumpet tune Festive trumpet tune Tuba mirabilis Gathered together in the love of God Arjan Breukhoven trumpet tune The bishop's march Trumpet processional Festal trumpets Tuba tune for a wedding day and Marche heroique.
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Richard Wagner: Pilgerchor: Organ: Instrumental Work
Organ
[Sheet music]
-
Intermediate
Schott
from the Opera 'Tannhauser'-During his time in Weimar (1848 1861) Liszt develop...
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from the Opera 'Tannhauser'-During his time in Weimar (1848 1861) Liszt developed a then entirely new organ style which stands out for both orchestral and pianistic elements. Together with the choirmaster Alexander Wilhelm Gottschalg (1827 1908) from Tiefurt he regularly initiated so-called 'organ conferences'. And it was at the suggestion of Gottschalg that the present arrangement of the Pilgrim's Choir from the opera 'Tannhäuser' was written. With his version for organ Liszt by means of this example laid the foundations for the (not always undisputed) tradition extending to the present day of organ transcriptions from the operas of Wagner. 'Organistic' elements in the Pilgrims' Choir are theclassical chorale theme the solemn 'sacred' atmosphere of the solemn tempo as well as the expressive cantability. The linear intensification from the antiphonal-organ-like piano dolce of the beginning to the 'full organ' can be realized in a convincing manner with an orchestrally conceived three-manual organ with the sensitive use of the swell box and the successive seamless build-up of the crescendo pedal being of particular significance. Important repertoire piece marking the 200th birthday of Richard Wagner in 2013.
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Louis Vierne: Improvisations (1928): Organ: Instrumental Work
Organ
[Sheet music]
-
Advanced
Barenreiter
Transcriptions (1894 / 1901 / 1932) Complete Organ Works 10-New source material ...
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Transcriptions (1894 / 1901 / 1932) Complete Organ Works 10-New source material incorporatedExtensive trilingual Foreword (Fr/Eng/Ger) with detailed notes on performance practiceComprehensive Critical Commentary (Fr/Eng/Ger)Illustrations and facsimilesLouis Vierne (1870–1937) brought symphonic French organ music to its stylistic climax.Besides being a productive composer he also gained a reputation as a brilliant improviser at his place of employment the Notre Dame Cathedral in Paris and throughout the world.In 1928 Vierne one of the best-known organists of his day made one of the earliest organ recordings playing Bach works and his own improvisations in Notre Dame.Threeimprovisations released in 1929-30 were transferred to musical notation in 1954 by his pupil Maurice Duruflé. Another previously unpublished improvisation which was recently rediscovered among Vierne's posthumous papers was reconstructed and published in musical notation in 2005 by Duruflé’s pupil Jean-Michel Louchart (b. 1946). These four improvisations join Vierne's transcriptions of works by Johann Sebastian Bach César Franck and Serge Rachmaninoff in this volume bringing our complete edition of his organ works to a close.
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Vincent Lübeck: Complete Organ works: Organ: Instrumental Work
Organ
Breitkopf & Härtel
this new edition by Harald Vogel is a practical source-based edition that seeks ...
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this new edition by Harald Vogel is a practical source-based edition that seeks to make the information content of the sources accessible to present-day users and to the extent that this is feasible in modern-day practice to remain as close as possible to the original notation. In order to lead the user closer to the original form Vogel eschews editorial additions through analogical formations. The editors detailed comments refer not only to the extant collection of works but also in the text The Organs and Their Tunings to the instruments on which the composer exercised his mastery in Flensburg Stade and Hamburg.
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Johann Sebastian Bach: Complete Organ Works - Volume 6: Organ: Instrumental Work
Organ
Breitkopf & Härtel
Clavierübung III/Schübler-Choräle/Canonische Veränderungen ü. Vom Himmel ho...
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Clavierübung III/Schübler-Choräle/Canonische Veränderungen ü. Vom Himmel hoch-Breitkopf Urtext edition of Johann Sebastian Bach's Complete Organ Works. Music text faithful to the sources and reflecting the current status of Bach research. Developed for musical practice through the cooperation of scholars and performers. Contains all of Bach's Keyboard works that require an independent pedal manual. Contains all authentic early versions and fragmentarily transmitted or dubious works that can be attributed to Bach with a fair amount of certainty. Features comprehensive introductions extensive source descriptions and text-critical notes. Featuressupplementary material illustrated synoptically on CD-ROM (in printable quality) Brochure in large format (32 x 25 cm) and compact music engraving clear easy to read with convenient page turns. With repertoire works musicians often have the choice between editions conceived for practical music-making and others that are more scholarly in concept. This also applies to the Organ works of Johann Sebastian Bach which are available today in various editions. Among them is that of Heinz Lohmann which Breitkopf & H?rtel began publishing in 1967 and whose concept strove for an amalgamation of practice and Urtext. Current Urtext status historically informed edited with performers in mind:More than 40 years later the demands made on a new Urtext edition of Bach's Organ works are as stringent as ever before. Next to the results of scholarly research on Bach and the sources aspects of a historically informed performance practice are increasingly claiming our attention today. Also important for study teaching and concert performance are in addition to the above-mentioned demands such external criteria as format paper convenient page turns and an easily legible layout that helps the user quickly grasp the musical context. The new edition beginning in 2010 also contains all Keyboard works with pedal and the 'dubious works' that are hardly dubious anymore.This edition of Johann Sebastian Bach's Organ works wants to do justice to these demands. Next to the core contents of
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Johann Sebastian Bach: Complete Organ Works - Volume 7: Organ: Instrumental Work
Organ
Breitkopf & Härtel
Orgelbüchlein - mit CD-ROM-Breitkopf Urtext edition of Johann Sebastian Bach's ...
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Orgelbüchlein - mit CD-ROM-Breitkopf Urtext edition of Johann Sebastian Bach's Complete Organ Works. Music text faithful to the sources and reflecting the current status of Bach research. Developed for musical practice through the cooperation of scholars and performers. Contains all of Bach's Keyboard works that require an independent pedal manual. Contains all authentic early versions and fragmentarily transmitted or dubious works that can be attributed to Bach with a fair amount of certainty. Features comprehensive introductions extensive source descriptions and text-critical notes. Featuressupplementary material illustrated synoptically on CD-ROM (in printable quality) Brochure in large format (32 x 25 cm) and compact music engraving clear easy to read with convenient page turns. With repertoire works musicians often have the choice between editions conceived for practical music-making and others that are more scholarly in concept. This also applies to the Organ works of Johann Sebastian Bach which are available today in various editions. Among them is that of Heinz Lohmann which Breitkopf & H?rtel began publishing in 1967 and whose concept strove for an amalgamation of practice and Urtext. Current Urtext status historically informed edited with performers in mind:More than 40 years later the demands made on a new Urtext edition of Bach's Organ works are as stringent as ever before. Next to the results of scholarly research on Bach and the sources aspects of a historically informed performance practice are increasingly claiming our attention today. Also important for study teaching and concert performance are in addition to the above-mentioned demands such external criteria as format paper convenient page turns and an easily legible layout that helps the user quickly grasp the musical context. The new edition beginning in 2010 also contains all Keyboard works with pedal and the 'dubious works' that are hardly dubious anymore.This edition of Johann Sebastian Bach's Organ works wants to do justice to these demands. Next to the core contents of
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Johann Sebastian Bach: Complete Organ Works - Volume 1: Organ: Instrumental Work
Organ
Breitkopf & Härtel
Präludien und Fugen I - mit CD-ROM-Breitkopf Urtext edition of Johann Sebastian...
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Präludien und Fugen I - mit CD-ROM-Breitkopf Urtext edition of Johann Sebastian Bach's Complete Organ Works. Music text faithful to the sources and reflecting the current status of Bach research. Developed for musical practice through the cooperation of scholars and performers. Contains all of Bach's Keyboard works that require an independent pedal manual. Contains all authentic early versions and fragmentarily transmitted or dubious works that can be attributed to Bach with a fair amount of certainty. Features comprehensive introductions extensive source descriptions and text-critical notes. Featuressupplementary material illustrated synoptically on CD-ROM (in printable quality) Brochure in large format (32 x 25 cm) and compact music engraving clear easy to read with convenient page turns. With repertoire works musicians often have the choice between editions conceived for practical music-making and others that are more scholarly in concept. This also applies to the Organ works of Johann Sebastian Bach which are available today in various editions. Among them is that of Heinz Lohmann which Breitkopf & H?rtel began publishing in 1967 and whose concept strove for an amalgamation of practice and Urtext. Current Urtext status historically informed edited with performers in mind:More than 40 years later the demands made on a new Urtext edition of Bach's Organ works are as stringent as ever before. Next to the results of scholarly research on Bach and the sources aspects of a historically informed performance practice are increasingly claiming our attention today. Also important for study teaching and concert performance are in addition to the above-mentioned demands such external criteria as format paper convenient page turns and an easily legible layout that helps the user quickly grasp the musical context. The new edition beginning in 2010 also contains all Keyboard works with pedal and the 'dubious works' that are hardly dubious anymore.This edition of Johann Sebastian Bach's Organ works wants to do justice to these demands. Next to the core contents of
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Johann Sebastian Bach: Complete Organ Works - Volume 2: Organ: Instrumental Work
Organ
Breitkopf & Härtel
Präludien und Fugen II - mit CD-ROM-Breitkopf Urtext edition of Johann Sebastia...
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Präludien und Fugen II - mit CD-ROM-Breitkopf Urtext edition of Johann Sebastian Bach's Complete Organ Works. Music text faithful to the sources and reflecting the current status of Bach research. Developed for musical practice through the cooperation of scholars and performers. Contains all of Bach's Keyboard works that require an independent pedal manual. Contains all authentic early versions and fragmentarily transmitted or dubious works that can be attributed to Bach with a fair amount of certainty. Features comprehensive introductions extensive source descriptions and text-critical notes. Featuressupplementary material illustrated synoptically on CD-ROM (in printable quality) Brochure in large format (32 x 25 cm) and compact music engraving clear easy to read with convenient page turns. With repertoire works musicians often have the choice between editions conceived for practical music-making and others that are more scholarly in concept. This also applies to the Organ works of Johann Sebastian Bach which are available today in various editions. Among them is that of Heinz Lohmann which Breitkopf & H?rtel began publishing in 1967 and whose concept strove for an amalgamation of practice and Urtext. Current Urtext status historically informed edited with performers in mind:More than 40 years later the demands made on a new Urtext edition of Bach's Organ works are as stringent as ever before. Next to the results of scholarly research on Bach and the sources aspects of a historically informed performance practice are increasingly claiming our attention today. Also important for study teaching and concert performance are in addition to the above-mentioned demands such external criteria as format paper convenient page turns and an easily legible layout that helps the user quickly grasp the musical context. The new edition beginning in 2010 also contains all Keyboard works with pedal and the 'dubious works' that are hardly dubious anymore.This edition of Johann Sebastian Bach's Organ works wants to do justice to these demands. Next to the core contents of
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Louis Vierne: Complete Organ Works I-X: Organ: Instrumental Work
Organ
Barenreiter
Louis Vierne (1870 1937) brought symphonic French organ music to its stylistic c...
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Louis Vierne (1870 1937) brought symphonic French organ music to its stylistic climax. Besides being a productive composer he also gained a reputation as a brilliant improviser at his place of employment the Notre Dame Cathedral in Paris and throughout the world.In 1928 Vierne one of the best-known organists of his day made one of the earliest organ recordings playing Bach works and his own improvisations in Notre Dame.This scholarly practical edition is based on the critical examination and evaluation of all the autographs engravers’ copies and first prints available as well as on his writings and previously unpublished letters. It endeavours tobe philologically consistent in solving the editorial problems which have surfaced.The edition includes all Vierne's works those published during his lifetime those previously unpublished and those attributed to him.- New source material incorporated- Extensive trilingual Foreword (Fr/Eng/Ger) with detailed notes on performance practice- Comprehensive Critical Commentary (Fr/Eng/Ger)- Illustrations and facsimiles
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Robert Gower: The Oxford Book Of Ceremonial Organ Music: Organ: Instrumental
Organ
Oxford University Press
Book 2-The second volume of Ceremonial Music for Organ celebrates the twenty-fir...
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Book 2-The second volume of Ceremonial Music for Organ celebrates the twenty-first anniversary of the first anthology. Following the principles of its predecessor this new selection collects under one cover music equally suitable for use liturgically in recital or in teaching. Its rich stylistic variety embraces repertoire from the seventeenth century to the present day.
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Robert Gower: The Oxford Book of Lent and Easter: Organ: Instrumental Album
Organ
Oxford University Press
The Oxford Book of Lent and Easter Organ Music brings together a superb array of...
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The Oxford Book of Lent and Easter Organ Music brings together a superb array of repertoire for use from Ash Wednesday through to Pentecost providing a comprehensive volume for this extended liturgical period. The pieces—largely based on well-known hymn tunes—vary in style and length suiting a range of purposes from processionals and interludes to voluntaries and recital works. A range of technical difficulty makes the book useful for players of differing abilities and clean and uncluttered scores leave interpretative decisions to the performer. An invaluable resource for a major part of the church year.34 pieces for manuals and pedals suitablefor use from Lent through to PentecostSeven brand-new commissions by important names such as David Briggs Naji Hakim and Francis JacksonA variety of musical forms including preludes toccatas fanfares and variationsCovers 17th to 21st centuries from major historic organ composers including Scheidt Mendelssohn and Reger through 20th-century luminaries Harris and Leighton to contemporary figures such as Malcolm Riley David Bednall and Christopher TamblingOriginal organ compositions plus new arrangements of favourites from Handel's Messiah and J. S. Bach's St Matthew PassionAn index of hymn tunes and pieces arranged in liturgical order
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Orgelsinfonie No. 16 (SCHNEIDER ENJOTT)
Organ
Schott
Martin Luther. Par SCHNEIDER ENJOTT. On the occasion of the quincentenary of Ref...
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Martin Luther. Par SCHNEIDER ENJOTT. On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther. The composer describes the five movements of the symphony as follows: '1st movement: Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of 'faith' ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people. 2nd movement: In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the 'Luther rose' which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, 'white' is the colour of angels and ghosts, 'black' stands for the pain of crucification: 'The just shall live by faith, but by faith in the Crucified.' But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time. 3rd movement: The omnipresence of death and dying – from the plague and war to the never-ending dangers of daily life – was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The 'Danse macabre' was a popular motif in those years. Luther's chorale 'Mitten wir im Leben sind / mit dem Tod umfangen' from 1524 ('Enchiridion' from Erfurt) is based on the Gregorian chant 'Media vita in morte sumus' created in France around 750 and, with its idea of transience, inspired a simplistic air. 4th movement: The famous confession delivered at the Diet of Worms in 1521, 'I stand here and can say no more. God help me. Amen', are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a 'perpetuum mobile', i.e. a dogged, ostinato and never-ending musical air. 5th movement: The 'Mighty Fortress', on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the 'Marseille anthem of the Reformation', Friedrich Engels the 'Marseillaise of the Peasants' Wars'. This disputability is not thought through to the end but rather interrupted: With a jubilant 'birdcall version' of the melody, the finale shows a rather chamber-music-like side of the 'ideals of freedom of Christians'.'/ Répertoire / Orgue
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Johann Pachelbel: Organ Works: Organ: Instrumental Album
Organ
Dover Publications
Pachelbel was one of the great organ masters of the generation before J.S. Bach....
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Pachelbel was one of the great organ masters of the generation before J.S. Bach. Unsurprisingly interest in his music has remained constant and today he is widely considered one of the greatest and indisputably one of the most productive composers of all time. This new collection assembles a rich selection of the composer's organ works including 72 chorale settings and 48 nonliturgical works among them toccatas fugues preludes ricercares and fantasias. Reprinted here from the authoritative Breitkopf and Hartel edition edited by Max Seiffert these venerable compositions will be welcomed by organists at every level of accomplishment. Today's keyboard artist shouldnote that many of these works do not require a pedal and can be played on the piano or harpsichord as well as the organ.
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William Boyce: Gavot From Symphony No. 4: Organ: Instrumental Work
Organ
[Sheet music]
Edwin Ashdown
In the 18th century William Boyce was recognized as one of Britain’s mos...
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In the 18th century William Boyce was recognized as one of Britain’s most versatile and accomplished composers. The composer’s inventiveness and musicality are apparent in this late Baroque Gavot which is a fine choice forprocessionals.Composer Organist and ecclesiastical arranger Wlliam Boyce was one of the leading musicians of his day. He completed the great tome Cathedral Music following the death of the editor which is still in use inAnglican services. He was widely celebrated for his odes anthems masques incidental music and in particular his eight symphonies from which this short dance is drawn. His work is enjoying a new appreciation.
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Johann Sebastian Bach: Organ Works - Volume 11: Organ: Instrumental Album
Organ
[Score]
Barenreiter
Freely Composed Organ Works-This performing Urtext edition contains ?free? Organ...
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Freely Composed Organ Works-This performing Urtext edition contains ?free? Organ pieces (i.e. not based on a chorale) and chorale partitas from various source traditions. Owing to doubts about their authenticity they did not appear in the New Bach Edition until the end of 2003 (NBA IV/11). Today however scholars view Bach?s authorship of these pieces either as certain (e.g. the valuable Fantasy in C minor BWV 1121) or at least worthy of serious consideration.Bärenreiter therefore decided to issue them in this separate performance edition. This volume comes in addition to the nine volume edition of Bach?s Organ music (BA 5179).
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Franz Josef Stoiber: Fascination Organ Improvisation: Organ: Instrumental Tutor
Organ
[Sheet music]
Barenreiter
A Study and Practice Book-Franz Josef Stoiber organ professor and organist at R...
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A Study and Practice Book-Franz Josef Stoiber organ professor and organist at Regensburg Cathedral has decided not to present a conventional improvisation tutor here. Instead he offers a multi-faceted reader and workbook containing useful methodical and pedagogical reflections e.g. on cultivating a feeling for sound and training responsiveness. It also features a wide range of practical exercises for improvising in various styles all reflecting his years of experience as a teacher and performer.This guide to organ improvisation has the potential of becoming a standard work in the training of today’s organists.- A new approach to organ improvisation- Includes many practicalexercises and music samples- German/English text- Spacious attractive layout
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Petr Eben: Musica Dominicalis: Organ: Instrumental Album
Organ
Barenreiter
Sonntagsmusik-The new edition of what is with doubt Petr Eben's most famous co...
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Sonntagsmusik-The new edition of what is with doubt Petr Eben's most famous composition for the royal instrument is based on a revision by Prof. Jan Hora undertaken in cooperation with the composer. Since this cycle was written half a century ago (1958) the Organ has undergone certain changes and it was therefore necessary to make corrections in the notation of this classic work in order that it corresponds to the way the instrument is played today. But it was not only contemporary aspects which influenced this latest edition. We also took a step back right to the very beginning giving the work its original title Musica Dominicalis which furtherunderlines its timelessness. This edition contains a preface and notes on performing the work by Jan Hora in three languages (Cz./Ger./Eng.)
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Johann Sebastian Bach: Motet No.3: Organ: Part
Organ
[Sheet music]
Barenreiter
All of Bach?s six authenticated motets were written between 1723 and 1727 for St...
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All of Bach?s six authenticated motets were written between 1723 and 1727 for St Thomas? Church Leipzig where Bach was appointed as director of music in 1723. During this period Bach composed most of his cantatas and it seems likely that for ordinary Sunday services he used existing motets from the seventeenth century tradition reserving his own motet compositions for special occasions.Four of his six motets were written for the funeral services of prominent members of the St Thomas? congregation. Jesu Meine Freude (BWV 227) the longest most musically complex and earliest of the six was written in 1723 for the funeralof Johanna Maria Käsin the wife of Leipzig?s postmaster.Jesu Meine Freude BWV 227 is a beautifully constructed motet for five-part mixed choir by J.S. Bach. This Urtext edition provides you with a clear and accurate realisation of the composer?s original intentions and includes thoroughly detailed editorial markings and suggestions as edited by Konrad Ameln.Urtext of the New Bach EditionPerformance material and choral score (BA5132) available for saleComplete edition of the 6 Motets Vocal score with Piano reduction (BA5193-90) choral score (BA5193)
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Felix Mendelssohn Bartholdy: Elijah Op.70: Mixed Choir: Part
Organ
Barenreiter
Oratorio-Immediately after completing “St. Paul” in 1836 Mendelssoh...
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Oratorio-Immediately after completing “St. Paul” in 1836 Mendelssohn mulled over the idea of composing a further oratorio. However a whole decade elapsed before the composition of “Elijah” which takes as its theme the story of the Biblical prophet from the 1 st Book of Kings.When he received the invitation to write a major work for the Birmingham Music Festival Mendelssohn finally embarked on work on the oratorio. “Elijah” was premiered in 1846 in Birmingham with great success and has enjoyed great popularity ever since.Following the firstperformance Mendelssohn undertook a revision of the oratorio in which whole numbers were removed and new ones substituted. This is the version which was first heard in 1847 in London and which is still performed today.To mark the Mendelssohn anniversary year 2009 the Mendelssohn specialist Douglass Seaton Professor at Florida State University prepared a critical new edition of the oratorio. The edition reflects the latest research findings and includes both English and German singing texts.A critical commentary completes the new edition.- One of Mendelssohn’s most popular works in an edition reflecting the latest editorial knowledge- Bärenreiter-Urtext including numbers from the original version for the first time- English and German singing texts- Critical Commentary (Eng)
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Harald Genzmer: Prelude Aria and Finale GeWV 413: Organ: Instrumental Work
Organ
Schott
The reputation of the Bohemian composer Zdenek Fibich (1850-1900) has always bee...
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The reputation of the Bohemian composer Zdenek Fibich (1850-1900) has always been somewhat overshadowed by that of Bedrich Smetana and Anton n Dvorák. This is a pity for Fibich though he died young made an equally important contribution to the emerging Czech national styl with his wide range of compositions. After starting piano lessons with his mother as his first teacher the boy went on to music school in Prague and then to the Leipzig Conservatoire where he learned his craft as a composer. He spent a few months teaching piano in Paris and then continued his studies with Vinzenz Lachner in Mannheim. Prague was eventually to become the centre for Fibich'smusical activities: as his dream of a post at the Conservatoire remained unfulfilled his main employment was giving private music lessons and as a composer Zdenek Fibich wrote works for many musical genres: vocal and chamber music piano pieces and orchestral works operas stage music and melodramas literary recitals with orchestral accompaniment to which he gave a new lease of life. There are biographical traces to be found in the 376 piano pieces of the collection 'Moods Impressions and Reminiscences' Op. 41 written in 1892-98: this tells of his love for his pupil Anezka Schulzová in the form of a 'piano diary'. Its four volumes were frequently a source of material for other works such as the symphonic poem 'In the Evening' Op. 39 (also known as 'A Summer's Evening' and 'At Twilight') written in 1893. For his second subject in this 'Idyll' Fibich used the minature no. 139 entitled 'Lento' from his collection of piano pieces. The violinst Jan Kubel k played the melody from 1908 onwards with the title 'Poème' and the work is still known today under this title: its easy charm has made it a favourite tune in the classical repertoire. This arrangement is based on the orchestral version from which other material was adapted for the Prelude.
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Playing Them In And Playing Them Out
Organ
Kevin Mayhew
Un pare-chocs cueillette de 88 processions et recessionals, qui seront une resso...
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Un pare-chocs cueillette de 88 processions et recessionals, qui seront une ressource invaluable pour tout organiste. Combien de fois avez-vous trouvé vous-même desperately la recherche de la bonne pièce jouer au beginning ou à la fin d'un service ? Avec ce livre, vous sont gâtés de choix. Et le bonus supplémentaire est qu'il est disponible dans deux éditions - un pour orgue, l'autre pour les manuels seulement. / Orgue
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